It’s now been 27 years since “The Losers Club” had their first and terrifying encounter with the child-eating entity Pennywise. They have all moved on with their lives, and away from Derry and its awful memories. With the exception of Mike, the only one of them who stayed behind. When Mike starts noticing the tell-tale signs of their enemy being back again from its hibernation, he gives his old friends a phone call. They made a promise 27 years ago…that when It returned, they would get back together and end it once and for all.
This is the second and final chapter of IT, where our protagonists have become adults and need to face their worst fear one final time. They travel back to Derry, but their memories are somewhat blurred. Mike is the only one that clearly remembers everything (hinting that once you move away from Derry, so will It’s hold on you weaken). The story travels a little back and forth, with scenes of the gang as their younger selves, but mainly as the adults they’ve become who must face the terrors of Pennywise and figure out a way to beat It.
Bill Skarsgård is clowning around like never before, and keeps his performance top-notch. Just like the first chapter, scares are still packed in with a bit of a chuckle, and the part where Beverly is visiting her father’s old apartment to find an old lady residing there instead, builds up in such a fantastic and creepy way. There is also an excellent head-spider scene, where Richie exclaims “You’ve got to be fucking kidding“, referencing John Carpenter’s The Thing. In the original mini-series, there’s a scene where “The Losers Club” sees It as a giant arachnid creature, which was also partly revealed in one of Pennywise’s forms in the first chapter. I don’t suppose it’s much of a spoiler then to say that there will be an arachnid version in this movie as well, but at least more clownish than the original!
Some things from the book have been completely stripped away, or made insignificant to the story. Like Bev’s violent husband, who in the book becomes It’s puppet. And the affair between Bill and Bev, which doesn’t evolve at all in the movie. But even though the movie has a run-time of almost 3 hours, there would still be limitations as to what they could include while still being able to finish the story, so leaving out certain things is not only a smart decision, but a required one.
Since there were 2 years between the first chapter and this one, some of the child actors had actually grown so much that they had to be digitally de-aged in order to shoot the flashback scenes in this chapter. They also did an excellent job on casting the adult versions of the characters, as they truly do resemble the looks of the child actors. There’s also a lot of “easter eggs” in this movie (as well as in the first). The clowns in the funhouse scene for example, has the looks and resemblance of how Pennywise looked in the first movie adaption, the mini-series from 1990. Stephen King himself also has a small role as the antique owner shop, who is selling Bill’s old bike Silver back to him. Prior to this, Stephen King hasn’t had a cameo since 1996 (in “Thinner”). Even the director, Andy Muschietti, can be seen in the scene where Eddie visits the pharmacy.
Chapter two of IT is a solid conclusion to the story, and makes the two chapters a truly entertaining experience. Whether or not this will be Bill Skarsgård’s last performance as the menacing clown remains to be seen, as Bill himself has stated that he would be interested in playing Pennywise again in a potential prequel to King’s book. No matter what will eventually become of that idea, at least we’ve gotten yet another solid adaption of the book itself.
Director: Andy Muschietti
Country & year: USA | Canada, 2019
Actors: Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, Bill Skarsgård, Jaeden Martell, Wyatt Oleff, Jack Dylan Grazer, Finn Wolfhard, Sophia Lillis, Chosen Jacobs, Jeremy Ray Taylor
IMDb: www.imdb.com/title/tt7349950/
Related post: It (2017)
It’s 1989 in Derry, a small Maine town. A group of bullied kids who calls themselves “The Losers Club” experience frightening things when a creepy clown named Pennywise starts terrorizing the little town. Children go missing, and the kids band together in the hopes of destroying the creature.
It’s a regular day at the Blue Ribbon Laundry service, run by the tyrant Bill Gartley (Robert Englund), where the employees are almost treated like worthless slaves under horrendous working conditions. One of the workers, Sherry, cuts her hand on a clamp connected to the laundry press, causing her to spill some blood over the machine. This somehow awakens a demonic force inside the the mangler. Yes, we’re talking about a demon-possessed laundry machine (!) It goes from bad to worse when one of the elderly workers drops her pills on the mangler, and tries to collect them. Bad idea. Her hand is getting trapped by the machine, and her entire body is rolled into the mangler and spews her out like a big pile of shit. What a way to go. It’s one of those scenes where someone makes so incredibly dumb decisions that you just can’t feel sorry for them. But yummy for the mangler, I guess.
Dr. Louis Creed and his family have decided to move away from Boston and settle down in rural Maine in order to live a more quiet life, and give Louis more time with his family: Rachel, his wife, Ellie, his daughter, and Gage, his young son. Their new home seem to be peaceful and nice…except for the highway being located right outside where heavy trucks keep roaring by all the time. They soon discover a pet cemetery close by (where a lot of the pets have been victims of said trucks), where children have buried their beloved pets for a long time. The place holds a power that is by no means good, however, something the Creed family is about to discover in the most horrible way.
Based on a novel from 2010 by famous horror-writer Stephen King, comes this Netflix original that was released on October 20th. It’s a story about Wilfred James, a proud farmer who conspires to murder his own wife when she wants them to move away from the farm and sell the land, which she owns because it was willed to her by her own father. Neither the father nor the son wants to move away from the quiet farmlife they’ve grown so attached to, and Wilfred convinces his son to participiate in the murder of his wife. After comitting the horrible act and dump the body of her into the well outside, Wilfred soon starts to experience that things do not go as smoothly from there on, even with his wife out of the way…