Tigers Are Not Afraid (2017)

Tigers Are Not AfraidIn a Mexican city devastated by the Mexican Drug War, Estrella is a young girl who gets her life turned upside down after hearing gunfire outside the school. There’s a panic, and Estrella’s teacher hands her three pieces of chalk, telling her that these will grant her three wishes. After the shooting incident, classes end up being cancelled indefinitely. On her way back home, Estrella sees a dead body in the street. Just a normal day in cartel-world, nothing new here…but the trail of blood from the body leads to her house, and here she discovers that her mother is missing. And it becomes apparent that she will not be returning anytime soon. Getting lonely and hungry, Estrella wishes for her mother to return, and then begins having spooky visions of her mother as a spirit. Soon, the desperate girl meets with other children, a group of orphan boys, who are trying to survive in a increasingly dangerous world.

 

Tigers Are Not Afraid (the Spanish title of the film is Vuelven, which translates into “They Return”), is a Mexican fantasy horror film from 2017, written and directed by Issa López. And while having some magical moments of wonder, it’s a dark and grim story about the horrors of the Mexican drug cartels, human trafficking and kidnappings. And even though the young girl is granted three wishes, the good old saying “be careful what you wish for” is ever so present here, like in many dark fairytales. Those who have seen Guillermo del Toro’s Pan’s Labyrinth and his lesser known The Devil’s Backbone, will immediately recognize the influences here, with children trying to cope with mixing fantasy and wonder into their terribly depressing and dangerous environment.

 

The children in the movie had zero acting experience prior to this film, yet their performances are quite impressive. In order to get as authentic reactions from the child actors as possible, the film was shot in chronological order and the children were never shown a script. When a movie features young children in very dark and dangerous situations, the acting is of major importance, and just like The Innocents (“De Uskyldige”) the child actors bring forth believable performances, and certainly deserve praise for their efforts.

 

Tigers Are Not Afraid is a touching movie with some realistic horror mixed with fantasy elements. While the film does have ghosts and corpses, the true horror elements lie in the savagery by the people surrounding these children. The ghosts are not the villains, and they’re mainly creepy because they resemble the injustice and brutality they’ve endured, and they want revenge. The supernatural events happening to Estrella also feels like a situation where the interpretation is left to the viewer. Just like in Guillermo del Toro’s Pan’s Labyrinth, one can easily speculate whether the supernatural events really occur or if they’re just the child’s way of coping with what is happening around her. Tigers Are Not Afraid is worth checking out, especially if you like the typical Guillermo-style dark fairytale, where the most horrible things the audience will see is the part that most resemble the reality of the world we live in.

 

Tigers Are Not Afraid

 

Writer and director: Issa López
Original title: Vuelven
Country & year:
Mexico, 2017
Actors:
Paola Lara, Juan Ramón López, Nery Arredondo, Hanssel Casillas, Rodrigo Cortes, Ianis Guerrero, Tenoch Huerta
IMDb:
www.imdb.com/title/tt4823434/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Come to Daddy (2019)

Come to DaddyNorval Greenwood (Elijah Wood) is a musician who lives with his mother in Beverly Hills. One day, he receives a letter from his estranged father, who asks him to come visit in a secluded cabin by the coast in Oregon. Norval decides to take the trip, despite not having seen his father since he was five years old. When he arrives, his father appears to be happy and welcoming, but things soon take a different turn. He becomes more and more taunting towards Norval, insulting him and being aggressive. And one afternoon, everything escalates into something that will send Norval into an experience he never could have imagined.

 

Come to Daddy is a black comedy thriller from 2019, directed by Ant Timpson as his directorial debut, and written by Toby Harvard. And it’s one of those films that certainly works best if you know as little as possible about the plot beforehand, as there’s a lot of twists and turns that keeps you interested and sometimes even surprised. The origin for this movie came after the director’s father passed away, and he was brought home after embalming. A week was then spent with a corpse in an open coffin, with people he didn’t know coming over to pay their respects, sharing stories about his father that seemed like they could have been about another person. This sparked the idea for this film. He also told he was influenced by films like Snowball Express (1972) for the cat & mouse twists, Sexy Beast (2000) for the comedy violence, The Servant (1963) for the mindgames, The Birthday Party (1968) for the pitch-black comedy, and Straw Dogs (1971) for the simmering violence awakened. He also said Roald Dahl’s Tales of The Unexpected influenced the screenplay. So yeah, there’s a lot of different inspiration sources there, and should give a little bit of a pointer as to what kind of movie this is.

 

Elijah Wood, which mainstream audiences probably mostly know for his role in The Lord of the Rings (but who has later given solid performances in several other movies, like for example as the serial killer in the 2012 Maniac remake) offers a good performance here as the innocent, abandoned son hoping to bond with his estranged father. The movie gives off a slightly surreal strangeness, with nutty characters and an even nuttier plot. It’s a black comedy about the insanities of family life and the disturbing revelations that can come forward. The pacing is good, starting off with the mystery about Norval’s father while giving the viewer the obvious feeling of something being wrong. I’d say it’s in the first part of the movie that the true horror elements are at most present. When things escalate, the tension is kept up by offering new reveals and a nice blend of comedy and action.

 

Come to Daddy is a roller coaster ride with twists and turns, violence and a good slice of black comedy. Maybe not very memorable and not a movie that can be recommended to all audiences, but overall a fun ride and worth watching, especially if you like your movies a little strange.

 

Come to Daddy

 

Director: Ant Timpson
Writers: Toby Harvard, Ant Timpson
Country & year:
Ireland, Canada, New Zealand, USA, 2019
Actors:
Elijah Wood, Stephen McHattie, Garfield Wilson, Madeleine Sami, Martin Donovan, Michael Smiley, Simon Chin, Ona Grauer, Ryan Beil, Raresh DiMofte, Alla Rouba, Noam Zylberman
IMDb:
https://www.imdb.com/title/tt8816194/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

HOME – Horror Short Film

A young woman is awaken by her boyfriend coming home after a night of drinking. But who did actually come home that night?

 

Home (“Hjem”) is a creepy Norwegian horror short!

HOME - Horror Short Film

 

Director: Pål Gustavsen
Writer: Nils Brodersen, Pål Gustavsen
Country & year: Norway, 2018
Actors: Nils Brodersen, Petter Sørnæs, Amna Veledar
IMDb: www.imdb.com/title/tt9140954/

 

 

 

 

 

 

 

The Shrine (2010)

The ShrineCarmen is a journalist, and together with her photographer boyfriend Marcus and a few other people they travel to a Polish village in order to investigate the disappearances of some tourists. Upon arriving in this village, they quickly notice that the villagers appear to be secretive and quite unwelcoming. They also find out that no one in the village is allowed to leave, and everything becomes even more mysterious as they notice a strange area in the forest where the fog appears to be concentrated without ever dissipating. The villagers tries to make them leave, but who ever listens to the strange village people warning you and threatening you of doom and gloom, eh? So naturally they enter the fog, one by one. While walking through the dense fog, Carmen comes across a demon statue with bleeding eyes, and she starts hearing strange whispers. Is this statue part of the village’s secrets, and what exactly happened to the tourists who were reported missing?

 

The Shrine is a supernatural horror film from 2010, directed by Jon Knautz. The plot in the movie is one you’ve probably seen or heard a few times already: people coming to some place abroad and ends up in unimaginable danger. Now, horror movies about people traveling to some foreign place and finding themselves either trapped, hunted or otherwise caught in some kind of horrific troubles, is something that seems to be a scary premise for many. As for a setting in Europe, the torture-porn flick Hostel is probably the most well known among these. Apparently Europe is a terribly scary and mysterious place, or at least according to some horror filmmakers.

 

Now, The Shrine is not a torture-porn flick, but a supernatural horror movie which anchors its focus on the mystery it presents to you. There are a few nasty kills, but nothing over the top. The movie’s main strength is the atmosphere and the suspense created from the plot’s mystery of the disappearances, the foggy forest and the creepy demon statue. The scenes with the fog in the forest and the statue were all great elements of heightened suspense and a feeling of mystery and wonder. While the movie is supposed to be set in Poland, the Polish village Alvainia is a fictional. And of course it was not filmed in Poland at all, but in Canada.

 

The Shrine has some good moments, and ends with a straightforward kind of “twist” at the end which explains things rather than muddle them (which is the case in some twist-oriented movies, unfortunately). The average horror fan will most likely find themselves feeling that they’ve seen much of what happens here before as it does throw in a fair amount of clichés, but it still manages to offer some unexpected twists and turns. It is one of those horror movies that may feel a little bit sluggish and a tad too derivative in its first moments, until it starts picking up the pace and makes you realize this wasn’t that bad after all. Thus, The Shrine comes off as an overall well-crafted supernatural thriller.

 

The Shrine

 

Director: Jon Knautz
Writers: Jon Knautz, Brendan Moore, Trevor Matthews
Country & year:
Canada, 2010
Actors:
Aaron Ashmore, Cindy Sampson, Meghan Heffern, Trevor Matthews, Vieslav Krystyan, Laura de Carteret, Ben Lewis, Julia Debowska, Monica Hewes
IMDb:
www.imdb.com/title/tt1341710/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Guinea Pig 5: Mermaid in a Manhole (1988)

Guinea pig: Devil's experimentI smell rotten fish.

 

A man credited as The Artist has recently lost his pregnant wife to cancer and lives alone in his crampy, depressing crib somewhere in the urban jungle of Tokyo. The only thing left in his vacant life is his art painting and two gossiping neighbours living in the apartment under him. To keep his sanity and inspiration going he often visits the nearest sewer system, something which we artists all do. One day while visiting the sewer, he stumbles upon a young mermaid, whom he instantly gets attracted to. Who wouldn’t. He immediately starts to draw her before he takes her with him to his apartment where he puts her in the bathtub. And it’s all kawaii from here on with a cute love story which’ll make everyone’s heart melt. Uhm, well, not exactly.

 

Because there’s something really wrong and messed up with this mermaid, you see. The Artist tells us that there once was a river where the sewer system was built on, which the mermaid seems to have been stranded on. And it appears she’s been stranded too long in the sewer which has infected her, and her body starts to fall apart in very grotesque ways because of that. The Artist is anxiously optimistic though, and does whatever he can to nurture and save her.

 

And there’s only that much I can say without spoiling the whole thing given its one-hour runtime with an actual story to tell. This is also the second last film in the Guinea Pig series which steered completely away from the snuff/found footage-style of filmmaking to the traditional approach. We have the other films in the series which focused more on splatstick comedies filled with cringe kindergarten-level humor aimed for six-year olds, and no one seemed to take this seriously other than Hideshi Hino. In other words; Flower of Flesh and Blood and Mermaid in a Manhole are those two in the series that’s worth watching.

 

Like Flower of Flesh and Blood, it’s based on Hino’s manga with the same title, and open for any interpretation as it’s sprinkled with metaphors all over the place which will leave you down in the deepest mental rabbit hole, and lost far under any icebergs. On the surface level, the film works as a tragic and morbid body-horror love story with its plenty of gore, bodily fluids and lots of worms, projected from a deep psychotic feverdream by David Cronenberg – and is a perfect watch while enjoying sushi. Yum!

 

A box-set of the Guinea Pig series was released first time on DVD outside of Japan twenty plus years ago by Unearthed Films. It’s of course out-of-print and only available if you’re willing to pay an insane ridiculous fuck off-price. As much as I’m a supporter of physical media I can’t say with a good conscience that it’s worth it. Nope, sorry. They’re not on any streaming services, but all of the films are on YouTube and a playlist can be found on archive.org.

 

Guinea pig: Mermaid in a Manhole

 

Writer and director: Hideshi Hino
Original title: Ginî piggu: Manhôru no naka no ningyo
Country & year: Japan, 1988
Actors: Shigeru Saiki, Mari Somei, Masami Hisamoto, Gô Rijû
IMDb: www.imdb.com/title/tt0161638/

 

Related posts: Guinea Pig 2: Flower of Flesh and Blood (1985) | Guinea Pig: Devil’s Experiment (1985)

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

MORSE CODE – Horror Short

After a loved one’s tragic death, Stefani uses Morse Code to speak with The Beyond. In her search for answers, she inadvertently discovers questions far more dangerous.

 

Morse Code is a creepy and emotional horror short.

MORSE CODE - Horror Short

 

Director: McKenzi Vanderberg
Writer: Maurizio Ledezma
Country & year: USA, 2022
Actors: Dia Frampton, Kristin Carey, Austin Boyce
IMDb: www.imdb.com/title/tt18561456/

 

 

 

 

 

 

 

Guinea Pig 2: Flower of Flesh and Blood (1985)

Guinea pig: Devil's experiment Flower of Flesh and Blood, the second installment in the Guinea Pig series, was made simultaneously with the first one, and they couldn’t be more different from each other. This one is written and directed by Hideshi Hino who had already established himself as a horror manga artist with his nihilistic and misanthropic one-shot comics Hell Baby (1982) and Panorama of Hell (1984). Besides of making horror comics Hino was also interested in working in the film industry, and directing a short film under the Guinea Pig banner, based on one of his own comics, would be a perfect arena to test the bloodsoaked waters.

 

It’s night in Tokyo and a young woman is being stalked by a car as she walks down the street. A person comes out of the car and kidnaps her. She then wakes up in some torture chamber with bloodstains on the wall while tied to a bed and it’s all bad vibes, to put it that way. We then get introduced to the killer – a ghastly-looking man with a pencil mustache, white face painting, red lipstick, a demonic grin and he’s dressed like a Samurai. Welcome to your worst nightmare. If she wasn’t terrified enough already he gives her a quick foretaste to come by holding a chicken, cuts its head off and tosses it at her as he says This is your fate! He then jabs her with a big dose of some strong drug which knocks her right into wonderland before he gets ready for the killing ritual. The only thing missing is some classical background music.

 

To keep some of the snuff elements, the killer looks at the camera as he breaks the fourth wall by saying something to the viewer in a disturbing poetic manner. It’s all in Japanese with incoherent subtitles from google translate but let’s just pretend he says something like:

What you are now about to witness is hundred percent real! No fake amateur bullshit!

The one who took the bait was Charlie Sheen, of all people, after he got a VHS copy of Flower of Flesh and Blood from the film critic Chris Gore in the early 90s. This story is widely known and legendary but here’s a breakdown: When Sheen saw the film, he got shocked as he thought he’d just witnessed a real snuff film, and reported it to the FBI. They confiscated Sheen’s copy and launched an international investigation to track down those who was involved in the film, including the American distributor and Fangoria writer Chas Balun. FBI eventually found Hideshi Hino in Japan who then showed them a making-of documentary of the film while he probably laughed his ass off and were forever grateful for the global hype and free advertisement, thanks to Charlie Sheen.

 

Compared to the first one, Devil’s Experiment, this is on a whole another level on all aspects like day and night, with the same runtime of 40 minutes, and works so much better for its purpose. This one is also shot like a more traditional film with use of different camera angles, competent use of lighting to create a rotten atmosphere and a great showcase of really impressing shock effects which will make every weak stomachs turn to pure panic attack. Even though there’s some cheesy and out of place sound effects here, this is overall a nasty piece of straight-forward horror gore show and top tier torture porn with a flavor of visual stylishness, plain and simple. Not for everyone (no, you don’t fucking say) which could as well share the same universe as Nacho Cerdà’s wet’n sticky necrophilia dream Aftermath (1994). But for us lower level horror ghouls with a more morbid appetite for sick undergroundish stuff like this  and just want to see a cute and drugged-out Japanese girl being brutally dismembered to the unrecognizable with as real-looking effects as can be, wrapped up with a nice dessert of maggot-infested body parts, well … this is a perfect gore meal – just for you. Itadakimasu!

 

Guinea Pig 2: Flower of Flesh and Blood

 

Writer and director: Hideshi Hino
Original title: Ginî piggu 2: Chiniku no hana
Country & year: Japan, 1985
Actors: Hiroshi Tamura, Kirara Yûgao
IMDb: www.imdb.com/title/tt0161635/

 

Related posts: Guinea Pig 5: Mermaid in a Manhole (1988) | Guinea Pig: Devil’s Experiment (1985)

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Guinea Pig: Devil’s Experiment (1985)

Guinea pig: Devil's experimentIn the mid-1980’s the amateur filmmaker Satoru Ogura wanted to shock and disgust with a series of grotesque films. Sounds cool enough. His first (and only) film was Devil’s Experiment, a 40 minute faux snuff film which became the start of the notorious, bizarre, goofy and overhyped Guinea Pig film series.

 

In the Devil’s Experiment we witness a young woman being tortured by a group of people while someone filming the whole act handheld in found-footage style. The torture happens in several stages/segments. They start soft by smacking her in the face while being tied to a chair. After she’s been bruised up they kick and throw her around the floor like a rag doll. In the next segment she sits on a rotating chair as they are spinning her a hundred times or so, which seems more like a harmless prank than torture, but whatever. They shove a bottle of whiskey down her throat to make her puke so we can go over to the next segment.

 

And already some minutes in there ain’t a single moment of realism here and I have a hard time to believe that anyone who saw this on VHS in the 80s thought they were witnessing a real snuff, because … bro, c’mon, seriously… This is amateur hour-boolshit on its lowest to such extent that it just made me shake my head and chuckle. This shit was actually promoted as a real snuff film when it circulated on the VHS market in Japan, you see, and still to this day it rises concerned questions from naive numbskulls if this is authentic or not.

 

Then there’s the acting, and oh my lord, haha …

 

The lady who portrays the victim couldn’t care less. She seems bored most of the time and acts more as if she’s sitting on a vibrating chair on The Howard Stern Show while she makes some cute moaning sounds such as:

uuhh iuuing uhh tahh iiimghh

 

Then they peel her skin and rips off her fingernails with a plier. An her only reaction is:

ahh ehh uhn … 

 

There’s also a moment where she smiles. Director Ogura auditioned a bunch of women who was eager for this role and this was the best he could pick.

 

In another segment they pour some frying oil over her while she’s tied to a bed. Her reaction is some orgasm and growling sounds. She’s either the worst actress of all time or she’s supposed to have a larger pain threshold than Rambo. I’d guess my first assumption.

 

They also toss some fresh animal intestines on her while they laugh and giggle like a bunch of schoolyard bullies. Watching blurry still images of this scene would make every gorehound cream in their pants and assume she’d been brutally butchered up, but don’t get fooled.

 

The scene with the eye at the end was well done though, I give it that. But besides from that the whole package is so bad, sloppy, tame as a newborn duckling and downright laughably inept that it actually makes Hostel look like a legit snuff film straight from the deepest dark web. Woof.

 

Guinea pig: Devil's experiment

 

Director: Satoru Ogura
Original title: Ginî piggu – Akuma no jikken
Country & year: Japan, 1985
Actors: A group of uncredited amateurs
IMDb: www.imdb.com/title/tt0161634/

 

Related posts: Guinea Pig 5: Mermaid in a Manhole (1988) | Guinea Pig 2: Flower of Flesh and Blood (1985)

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

SUCKER – Horror Short Film

Two sisters are pitted against each other by a gigantic, abhorrent leech creature that uses its influence to puppeteer them from the inside out.

 

Sucker is a fun creature feature horror short!

SUCKER - Horror Short Film

 

Director: Alix Austin
Writer: Alix Austin
Country & year: UK, 2022
Actors: Sophia Capasso, Annie Knox
IMDb: www.imdb.com/title/tt14850376/

 

 

 

 

 

 

 

Insidious: The Red Door (2023)

Insidious: The Red DoorIt’s now been nine years since the Lambert family had their paranormal troubles and decided to use hypnosis on Josh and Dalton so they could forget about everything and try to live normal lives. Now Josh is divorced from his wife Renai, his mother Lorraine has recently died, and his relationship with Dalton has gone down the gutter. In other words, nine years later things aren’t exactly that great. Josh tries to bond a little with his son when driving him off to college, but everything just ends with a fiery argument instead. And of course, both Josh and Dalton start to experience paranormal things again, and after Dalton accidentally starts wandering into The Further, not really knowing what he’s doing and oblivious of his astral projection abilities, his roommate shows him a YouTube clip of Specs and Tucker talking about the theme. And when Dalton sees a clip of Elise talking about The Further, everything starts to slowly unveil.

 

Insidious: The Red Door is the fifth installment of the Insidious franchise, and it’s directed by Patrick Wilson (who plays the role as Josh in the movies) in his directorial debut. It is a direct sequel to the second film in the franchise, Insidious: Chapter 2, which was released in 2013. James Wan serves as producer together with Jason Blum, and it’s based on a story by Leigh Whannell and Scott Teems. The movie has received rather mixed reviews, and honestly, this one feels like the weakest installment and unfortunately comes off as very sparse with actual scares, which have been replaced with awkward college-themed humour, family drama, and trauma issues. There’s some really cringey scenes at a party featuring a dude dressed up in diapers, maybe the youngsters found this hilarious and a comic relief but I guess I’m too old for such shit. Still, I have to add that the movie does have some nice ideas though, like the college part of The Further which includes the puking ghost of a student that died at the frat house, and the scene in the MRI has a really good build-up and was solidly made.

 

Now, every movie in the franchise have offered us some demonic baddies of various kinds, and what was missing here is the focus on some villainous entity like in the previous movies. There’s the Lipstick-Face demon, but we barely get to see him. I think it could have redeemed the movie a bit if we actually got to see more of this main villain in the series, and his theater-like room with marionettes and a gramophone playing Tiptoe through the Tulips by Tiny Tim. Speaking of which, when we actually get to this area later in the movie, and the gramophone starts playing, I got in the mood for that exact song to relive some of the feeling of the first movie…but instead a different song started playing. And while Tiptoe Through the Tulips could be heard a little while later, I’d found myself already thrown off the mood. The Lipstick-Face demon scenes were used too sparsely to have much payoff, unfortunately.

 

With a budget of $16 million, it’s now looking at a worldwide gross of $126 million, which does make Insidious: The Red Door a financial success at least. But whether this is the final nail in the Insidious coffin and having the red door locked up for good, remains to be seen. If you’re a fan of the franchise and would like to see the (probable) end of the story, it’s likely worth a watch, and if you’ve been watching the previous movies and noticed the gradual decline, it won’t come as much of a surprise that this last installment isn’t exactly a masterpiece. As a directorial debut from Patrick Wilson it’s not all that bad, but it’s unfortunate that the franchise had already come to the point where it’s outstayed its welcome, and with nothing new or exciting to add it fell a bit flat. It’s nice to have seen it if you want the conclusion to the franchise, but overall this one’s probably more fun for the younger audience (who sat screaming, gasping and jumping in the seats when we watched it).

 

Insidious: The Red Door Insidious: The Red Door

 

Director: Patrick Wilson
Writers: Leigh Whannell, Scott Teems
Country & year:
USA, Canada, 2023
Actors:
Ty Simpkins, Patrick Wilson, Rose Byrne, Sinclair Daniel, Hiam Abbass, Andrew Astor, Juliana Davies, Steve Coulter, Peter Dager, Justin Sturgis, Joseph Bishara
IMDb:
www.imdb.com/title/tt13405778/

 

Related posts: Insidious: The Last Key (2018) | Insidious: Chapter 3 (2015) | Insidious: Chapter 2 (2013) | Insidious (2010

 

 

Vanja Ghoul