The Atticus Institute (2015)

The Atticus InstituteWe are in the 1970’s, and Dr. Henry West has created an institute in order to research people with supposed supernatural abilities. When a woman named Judith Winstead arrives at the facility, Dr. West gets to experience a series of amazing abilities for the first time. In fact, Judith’s supernatural powers even gains the attention from the U.S. military, who assumes control over the lab under orders of national security in hopes of utilizing Judith’s powers as a weapon. But something is not quite right with Judith…and it becomes clear that her supernatural powers are stemming from something else than herself…

 

The Atticus Institute is made in a “mockumentary” style (faux documentary), meaning that it’s somewhat similar to the found footage genre but without any shaky cams. It does stand out with its rather unique concept though, and I have at least never seen a movie where the military is mixed up in a supposed demonic possession, hoping to use it as a weapon (although you could easily imagine that this is something they’d probably be interested in doing if such things actually existed). Still, it’s not a movie for you if you’re in for some fast-paced action, because there’s a lot of talking heads here. However, with several “interviews” mixed with the “footage”, the movie gets a somewhat authentic feel to it. This “authenticity” is quickly punched back to the ground by having a bunch of well-known actors, though, as several of them have had roles in major movies and TV-Series (like Dexter and Lost). But that’s just nitpicking, as we do of course know it’s all fake. Still, it’s actually doing a pretty good job of feeling like an actual documentary.

 

The Atticus Institute is a nice entry into the mockumentary horror genre, which derives a bit from the typical found-footage bunch (meaning no shaky cameras or running around screaming while filming the ground). Its slow burn may turn some people off, however, and the ending feels a bit underwhelming and rushed. There’s nothing groundbreaking here, and there’s more than a fair share of horror-cliches we’ve seen a ton of times before, but the combination of mockumentary and demonic possession helps it feel fresh enough.

 

The Atticus Institute

 

Director: Chris Sparling
Country & year: USA, 2015
Actors: Rya Kihlstedt, William Mapother, Sharon Maughan, Harry Groener, John Rubinstein, Julian Acosta, Lou Beatty Jr., Anne Betancourt
IMDb: www.imdb.com/title/tt5119116/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TUCK ME IN – Horror Short

Alex asks his father to tuck him in, but that’s not the only thing he asks for.

 

Tuck Me In has a run-time of 1 minute only, and is an adaptation of a two-sentence horror story by Juan J. Ruiz. Simple, but effectively creepy.

 

TUCK ME IN - Horror Short

 

Director: Ignacio Rodó
Country & year: Spain, 2014
Actors: Luka Schardan, Mark Schardan
IMDb: www.imdb.com/title/tt3776384/

 

 

 

 

 

 

 

Pyewacket (2017)

PyewacketLeah is a teenage girl who becomes increasingly frustrated with her newly widowed mother, who decides to relocate them both to an isolated house in the woods somewhere. Leah now finds herself more or less trapped in a house with an erratic mother, far away from her friends and the life she used to know. The frustrated teen gets her hands on a black magic book, and out in the woods nearby she ends up crossing a line she can never retrace back from.

 

Pyewacket is a supernatural horror/mystery thriller, directed by Adam MacDonald (who also directed the third season of the horror series Slasher). The “Pyewacket” was actually one of the supposed familiar spirits of a witch from back in 1644, where Matthew Hopkins (witchfinder general) accused her of witchcraft and had her arrested. It has later been referenced in novels and other media, including William Friedkin’s The Guardian (where the nanny brings a toy she calls “Pyewacket”).

 

Now, a plot concerning a frustrated teen wanting to kill her own mom with black magic, sounds a little bit cheesy perhaps. But this movie plays out the story in a very serious tone, and it works. Both the daughter and mother are portrayed in both a positive and negative light – they’re both grieving, but in different ways and separate from each other, but it’s obvious that they’re not really in tune with the other’s feelings and needs, and thus they’re both coming off as quite self-centered. While Leah finds comfort by hanging around with friends and dabbling in the occult, the mother wants to rid herself of everything that reminds her of her dead husband, thus forcing through the relocation to the house in the woods. This is where Leah eventually loses all her patience, and only wants to get rid of her own mother by using a black magic ritual.

 

Much of the excitement comes from not knowing exactly what is happening. Is there really a murderous supernatural entity, or is Leah imagining everything? One could probably define this movie as a little bit of a slow-burn, but instead of fizzling out in nonsense or nothingness, it delivers a final act that keeps your attention throughout. Much of the build-up is to ensure that the viewer understands the tension between mother and daughter, and to give Leah’s actions a bit more credence through proper character-building. Once Leah has performed the occult rituals, however, she quickly regrets everything…but of course, what’s done cannot be undone. Which is often the case when people commit actions in a fit of rage without thinking anything properly through, which is not an uncommon thing to find in broken family dynamics.

 

Overall, Pyewacket is an entertaining horror thriller that keeps your attention and manages to pack in a few chills.

 

Pyewacket

 

Director: Adam MacDonald
Country & year: Canada, 2017
Actors: Laurie Holden, Nicole Muñoz, Chloe Rose, Eric Osborne, Romeo Carere, Bianca Melchior, James McGowan, Victoria Sanchez, Neil Whitely, Missy Peregrym
IMDb: www.imdb.com/title/tt5119116/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SALT – Short Horror Film

A demonic presence closes in on a mother and her sick daughter. Their only protection – a ring of Salt.

 

Sam and Dean always made it look so easy.. in SALT, however, it becomes quite clear that trying to protect yourself against a demonic entity with a ring of salt is easier said than done!

 

SALT - Short Horror Film

 

Director: Rob Savage
Country & year: UK, 2017
Actors: Alice Lowe, Beau Gadsdon, James Swanton
IMDb: www.imdb.com/title/tt7428340/

 

 

 

 

 

 

SALT – Short Horror Film from Rob Savage on Vimeo.

 

Nekromantik (1987)

Nekromantik

Rob and Betty are two deranged necrophiliacs who share a small flat in Berlin. Rob works for a street-cleaning agency where he cleans up dead bodies from road accidents, and takes some of those bodies home so he and his girlfriend can have a nasty threesome now and then. After one of their sex rituals, they have a fight, break up, and Betty leaves Rob alone with their cat – which he smashes in a rage and then takes a bath while he rubs the cat’s intestines over his body. He loses his mind completely, as if he already haven’t, and goes out at night chasing hookers to kill (and rape their dead bodies). And to fill out the running time, we get some bizarre and tedious artsy-fartsy avant-garde montages that doesn’t add much more than an urge to push the fast-forward button.

 

The trivia page on IMDb can tell us that the director, Jörg Buttgereit, never intended to be a director and Nekromantik was just a film to rebel against the German film rating system, trying to shock as many people as possible. And I’m not doubting that for one bit, since there isn’t much film-making to witness here, really. The technical aspects speaks for itself when the director has to start the commentary track by explaining that someone is pissing on a dead pigeon in the opening scene, which you can’t see due to the poor image quality. And when the director says it’s terrible, then that’s all you need to know. Most of the film takes place in a cramped, filthy apartment, shot with a Super 8 camera showing close-ups of the couple sitting and daydreaming, bathing and fucking a corpse when it gets too boring. We also get a complete random, pointless stock-footage scene where a rabbit gets skinned and slaughtered on a farm to add some cheap shock value. However, I can at least point out a certain, hysterical scene that includes a big, erected rubber dick that doesn’t look real for a second, which is the films most memorable moment, for all the wrong reasons. Even though Nekromantik is too sloppy and amateurish to be taken seriously, it quickly found its way to controversy and made its purpose by being banned in numerous countries, and has a dedicated cult-following.

 

To point out some qualities, the musical score by Hermann Kopp is pretty remarkable, the poster is pretty cool, and the cadaver dolls look decent enough, which took four weeks to make, and I assume that’s where the budget was spent. They also used slimy pig’s eyes to put in the corpse’s head, since they couldn’t afford to make fake eyes, which one of the actors got the honor to suck on during one of the nekro-love scenes. He could tell us that it tasted like turpentine. Yummy. John Waters is of course a big fan of Nekromantik in which he calls it “Ground-breakingly gruesome” and proclaimed it as “the first ever erotic film for necrophiliacs”. So, at the very first glance at the title and cover you should quickly know if this is your thing or not. And if you don’t get enough, there’s also a sequel, Nekromantik 2 (1991) to enjoy. And just to put the cherry on the top if you want to feel extra dirty and maybe a little nauseous, also check out the short film Aftermath (1994) by Nacho Cerdà.

 

Nekromantik

 

Director: Jörg Buttgereit
Country & year: Germany, 1987
Actors: Bernd Daktari Lorenz, Beatrice Manowski, Harald Lundt, Collosseo, Henri Boeck, Clemens Schwender, Jörg Buttgereit
IMDb: www.imdb.com/title/tt0093608/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PLEASANT INN – Animated Horror Short

A lonely Inn becomes a setting for survival against a monstrous visitor.

 

Pleasant Inn is an animated horror short, both directed and animated by David Romero. Make sure to check out his channel for more of his work, this guy has a lot of awesome stuff!

 

PLEASANT INN - Animated Horror Short

 

Director: David Romero
Country & year: USA, 2019

 

 

 

 

 

 

 

CRESWICK – Horror Short

Sam’s fear of her childhood home is brought to light when her ageing father claims there is another presence in the house.

 

Creswick is the horror short that was made before the feature film Relic. The story is a bit different, but the atmosphere and the sense of dread is just as strong!

 

CRESWICK - Horror Short

 

Director: Natalie Erika James
Country & year: Australia, 2017
Actors: Dana Miltins, Chris Orchard
IMDb: www.imdb.com/title/tt5512608/

 

 

 

 

 

 

CRESWICK from Natalie Erika James on Vimeo.

 

Relic (2020)

RelicKay needs to visit her old family home after receiving the message that her elderly mother Edna has gone missing. Bringing her daughter Sam with her, they both try to find clues which could help them figure out Edna’s whereabouts. Once inside the old country home, they soon find evidence all over the place regarding Edna’s increasing dementia. Post-it notes are found everywhere, with reminders of everyday things. After three days, Edna suddenly appears inside the house like nothing has ever happened, causing both tremendous relief for Kay and Sam, but also increased worry. The old lady’s behavior starts becoming more and more incomprehensible, and it feels like an ominous presence has taken control over her.

 

This year there have been so many horror movies postponed that was supposed to come to the theaters. So it goes without saying that, while starting the year off with great movies like The Lighthouse, Golden Glove and The Invisible Man, we Horror Ghouls haven’t had many chances to get our horror fix at the big screen for the remainder of the year. Thus, it was a nice surprise to see that our local cinema here in Norway had put up screenings for this Aussie horror flick.

 

Relic is Natalie Erika James’s debut feature film, and is a psychological horror movie with dementia/Alzheimer’s as the core of its terrifying happenings. The director used her own experiences as inspiration for the movie, as her grandmother suffered from Alzheimer’s for years. Upon visiting her in a traditional Japanese house (which she perceived as rather creepy) and for the first time experiencing that her grandmother no longer recognized her, it filled her with feelings of grief, guilt and fear. Which is quite understandable. Alzheimer’s is a terrible condition both to be in, and witness loved ones succumbing to. It doesn’t just make you forget things, it sooner or later makes you forget how to remember…and there is no way back from that. It’s a disease that causes both pain, confusion and fear, to the extent where there are even cases among religious people where family members perceive it as so terribly frightening, that instead of calling the doctor they prepare for an exorcism. Which is just…incredibly sad, if you think about it. And Relic does an excellent job on portraying the feelings of hopelessness and creeping dread.

 

Already from the start of the movie, where you witness an eerie scene with an overflowing bathtub with water running down to the steps below, only to meet Edna naked with only a towel covering the front of her body while looking anxiously inside the dark living room, we know this movie is going to play heavily on atmosphere. And in that regard, I think the choice of surroundings are perfect, with Edna’s typical country home which has gotten a bit run down, and the glimpses we see of an old shack which used to be there in the past. It is a bit of a slow-burner and it doesn’t rush in telling you its tale, but it keeps your interest up by feeding you eerie details, chilling atmosphere and compelling visuals.

 

For those unfortunate enough to have personal experience with the dreadful disease, the movie’s metaphors will be quite clear, and some of them are pretty cleverly made. Having knowledge of and/or a certain investment in the disease will, in all likelihood, heighten your experience with this film. If you view the film by taking everything that happens literally, without understanding the rather discernible metaphors, you will miss out on the true horror laying beneath the layers.

 

Relic

 

Director: Natalie Erika James
Country & year: Australia | USA, 2020
Actors: Emily Mortimer, Robyn Nevin, Bella Heathcote, Steve Rodgers, Chris Bunton, Robin Northover, Catherine Glavicic, Christina O’Neill, John Browning, Jeremy Stanford
IMDb: www.imdb.com/title/tt9072352/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FACE MASK – Short Horror Film

When one man takes the trash out and is confronted by a neighbor one night for not wearing a mask, things get a bit tense.

 

Face Mask is an unsettling little horror short, from Midnight Video!

 

FACE MASK - Short Horror Film

 

Director: Adam Huber & Dan Allen
Country & year: USA, 2020
Actors: Bill Parmentier, Zachary Allen Farmer

 

 

 

 

 

 

 

Call Girl of Cthulhu (2014)

Call Girl of CthulhuWe meet the young, starving artist Carter who lives in a cramped apartment complex, where he spends most of his time in his room, jerking off to a blonde cam girl. He immediately catches sight of the escort Riley, whom he falls in love with at first glance and starts dating. At the same time, Sebastian is in town, looking for prostitutes who should have the mark of a baby Cthulhu on one of their butt cheeks. And he always goes straight to the point by asking, with his Oscar-worthy line: “Ladies, would you mind taking off your skirts? I would like to look at your … asses”. By the way, he is a sleazy cult leader who is looking for the chosen woman to give birth to the child of the alien / God Cthulhu, and then destroy humanity. Riley eventually pops up on his radar after he sees a nude portrait of her, which has been drawn by Carter, with that specific Cthulhu mark – something Riley only thinks is a birthmark. It is not long before Carter has to team up with a group of Monster Hunters to save his damsel and the world from its doom. And by the way, yes, the jealous and mildly insane roommate Erica is secretly in love with Carter who opens up for a bit of a silly triangle drama, or something like that.

 

At first glance, Call Girl of Cthulhu could easily sound like a porn spoof with a crazy premise that belongs in the 1980s in a corner somewhere in Tromaville. A dizzy ride with a lot of good cartoonish humor, energy and self-awareness that makes a lot itself with a small budget and limited resources. While some of the old-school effects are quite impressive and inventive, others looks like something one could see in an elementary school play. And what’s the deal with Sebastian’s henchmen with the pacifiers in their mouth? Talk about some edge-lords, I guess. Mr. Lovecraft did encourage others to borrow ideas from his stories, but maybe he would have rolled in his grave to this insanity, where we are entertained with monster dicks, monster tits, zombies, sleazy nudity and an unique insight into an escort’s lugubrious everyday life. Or he might have loved it, who knows. Regardless, there is a lot of enthusiasm and love for Lovecraft’s imagination that balances and walks the line perfectly on spoofing and praising him with dedicated amateur actors who seem to have a lot of fun.

 

Call Girl of Cthulhu

 

Director: Chris LaMartina
Country & year: USA, 2014
Actors: David Phillip Carollo, Melissa LaMartina, Nicolette le Faye, Dave Gamble, Helenmary Ball, Sabrina Taylor-Smith, Alex Mendez, Craig Peter Coletta, Elena Rose,  George Stover, Leanna Chamish, Troy Jennings, Stephanie Anders, Ruby Larocca
IMDb: www.imdb.com/title/tt2689354/

 

Tom Ghoul