Berlin, 1977. A shitty place to be. A young, disturbed girl named Patricia (Chloë Grace Moretz) is on the run and seeking the doctor/prof/psychiatrist Klemperer. She’s in a state of psychosis and mumbles incoherent lines while she waves with her arms and then says in German “I was right. They are witches”. She then talks about the ballerina school she attended where she was a victim of abuse, and end the therapy session by saying (in German) “they will slaughter me and eat my cunt from the plate”. Yikes… We then get introduced to Susie (Dakota Fanning), a young, shy and naive American lady, who traveled to Berlin to attend this ballerina academy where she meets the strict dance instructor Madame Blanc (Tilda Swinton). She settles in and has no idea what rabbithole she has gotten herself into. In the meantime Dr. Klemperer starts an investigation to take a closer look at what shady business is really going on in this academy.
This remake of Dario Argentos “Suspiria”, which was the first of the The Three Mother-trilogy, takes also elements from its two sequels, “Inferno” (1980) and “Mother of Tears” (2007), but goes in its own direction. Which is a good thing. Directed by Luca Guadagnino, who made mainly drama, romances and some documentaries, does a fantastic job here and shows that he has a great eye for horror and the aesthetic. The 70s-style is spot on and while the original had more of a colorful nightmarish fever-look in a baroque environment, this one is the straight opposite. It’s bleak and cold, and the ballerina school being surrounded by tall, wounded buildings gives a more realistic, melancholy look and a sense of dread and urban isolation.
The casting is great, but the one who sticks out is Tilda Swinton who plays the ice-cold Madame Blanc and Dr. Klemperer, hidden by the most believable old-makeup I’ve ever seen. Chloë Grace Moretz wanted the role as Patricia so bad that she learned to speak German even though she’s got only six minutes of screen-time. And as a homage to the original, Jessica Harper shows up in a brief moment. The film isn’t without its fair share of death scenes, one who probably stands out the most features one of the dancing students who gets her whole body twisted and broken during a dancing ritual. It’s one of the most terrifying scenes in the movie in terms of violence, but I can assure you that you’ll get a juicy payoff at the end. But the one who got most terrified of Suspiria was the star herself, Dakota Fanning, who got so messed up mentally during the shooting that she had to go to therapy. She also did ballet-training for two years in preparation for the role.
Overall, “Suspiria” 2018 is your typical love/hate movie that messes with your head and possibly also with your patience. With its run-time on 2 hours and 30 minutes, it can be a lot to digest. There’s a lot of weird shit going on here that leaves far more questions than answers, opening up to be analyzed to death and beyond. I liked it for what it was and really enjoyed the whole atmosphere, the cold eeriness, the characters and overall the look and style of the film. It grabbed my attention, but you definitely have to be in the right mood and expect the unexpected.
Director: Luca Guadagnino
Country & year: Italy | USA, 2018
Actors: Chloë Grace Moretz, Tilda Swinton, Doris Hick, Malgorzata Bela, Dakota Johnson, Angela Winkler, Vanda Capriolo, Alek Wek, Jessica Batut, Elena Fokina, Mia Goth
IMDb: www.imdb.com/title/tt1034415/
Kyle Buckneil is a young, troubled lady who has been in and out of prison and rehabilitation programs without much success. After a failed attempt to blow up an ATM, and poor driving skills, it’s right back to the courtroom where she is sentenced to spend eight months of “house arrest” in her childhood home: an old victorian house in the country. With a bracelet around her ankle she can only stay within the property during those eight months, with her mother and stepfather, whom she does not have the best relationship with.
Dr. Louis Creed and his family have decided to move away from Boston and settle down in rural Maine in order to live a more quiet life, and give Louis more time with his family: Rachel, his wife, Ellie, his daughter, and Gage, his young son. Their new home seem to be peaceful and nice…except for the highway being located right outside where heavy trucks keep roaring by all the time. They soon discover a pet cemetery close by (where a lot of the pets have been victims of said trucks), where children have buried their beloved pets for a long time. The place holds a power that is by no means good, however, something the Creed family is about to discover in the most horrible way.
A masked serial killer turns a horror-themed amusement park into his own personal playground, terrorizing a group of friends while the rest of the patrons believe that it is all part of the show.
“Ghostwatch” is a live-documentary that was broadcasted on Halloween night on British national television in 1992. The show opens in a studio at BBC with the dry elderly host Michael Parkinson in suit and tie, saying “The program you’re about to watch is a unique live investigation of the supernatural. It contains material that some viewers may find to be disturbing.” Then we get introduced to the “most haunted house in England”, a council house in North London, where a single mother and her two young daughters are being tormented by poltergeist activity. With BBC’s reporters, cameras and some paranormal investigators in place, they’re ready to hopefully get some paranormal activity on tape for the whole of Britain to see live. The studio also has a phone-number the viewers can call during the broadcast to share their own experiences with the paranormal. Further into the investigation we learn that the family is apparently haunted by a male ghost called Pipes, who likes to hide behind the curtains in the children’s bedroom. We even see a manifestation of him in the children’s bedroom after they’ve gone to sleep, and things starts to get from bad to worse while the cameras keeps rolling.
The Wilson family owns a vacation house near the beach in Santa Cruz. Adelaide, the wife in the family, had an experience at that beach when she was a little girl and has no desire at all to revisit the place. Her husband convinces her to go there, however, together with the Tyler family to have a good time. Things don’t go as well as planned for, and back at the vacation house that night things turn even worse. Four mysterious people dressed in red appears outside the house, breaking in and terrorizing them. What’s even worse, is that all of these strangers look exactly like themselves…