Still/Born (2017)

Still/Born (2017)Mary, a new mother, gives birth to twins, but only one of them is alive. While taking care of her living child, Adam, she suspects that something, a supernatural entity, has chosen him and will stop at nothing to take him from her.

 

The horror genre has quite often touched the subjects of pregnancy and child birth, where what is supposed to be one of the greatest joys in some people’s lives suddenly turn into unimaginable horror, where the death of a newborn being the ultimate fear of any pregnant woman. After losing one of her children during birth she gets a severe depression, refusing to remove the second crib from the room, desperately holding on to what ‘could have been’. So when the first paranormal incident happen – when she hears a second baby’s cry from the room – we actually see a glimpse of hope in her eyes, not fear. As the viewer you feel that this might portray a mother’s ultimate loss in a way that makes us feel that she is, indeed, on the brink of insanity. Then again…they’ve just moved into a new house. And more things start to happen where it’s not so obvious that it’s all in her mind or a result of depression and anxiety due to her loss.

 

Still/Born does have a certain atmosphere in the first half, much thanks to “old hat” scare techniques where less is more, and where it plays more on the psychological level. When the demon/entity is introduced it turns into something that’s considerably less creepy, despite the idea of this baby-grabbing entity having potential. Unfortunately, the progress becomes somewhat monotonous, where her experiences with the demonic entity has the unfortunate effect of toning down the suspense rather than increasing it. It does have some creepy scenes, but it also feels like there is a bit of lost potential here, as it could have been so much more.

 

Still/Born is director Brandon Christensen’s first feature film, and despite some issues it is not at all a bad movie. Thus, I’m glad he’s already got something else in the works according to IMDb: a horror movie called “Z“, which is about a family that find themselves terrorized by their eight-year-old son’s imaginary friend.

 

Still/Born was co-written by Colin Minihan (one of the directors behind “Grave Encounters“). Colin Minihan is also the co-writer for Christensen’s upcoming horror movie “Z”.

 

Still/Born

 

Director: Brandon Christensen
Country & year: Canada, 2017
Actors: Christie Burke, Jesse Moss, Rebecca Olson, Jenn Griffin, Michael Ironside, Sheila McCarthy, Sean Rogerson, Grace Christensen, Dianne Snape
IMDb: www.imdb.com/title/tt6087426/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Suspiria (2018)

Suspiria (2018)Berlin, 1977. A shitty place to be. A young, disturbed girl named Patricia (Chloë Grace Moretz) is on the run and seeking the doctor/prof/psychiatrist Klemperer. She’s in a state of psychosis and mumbles incoherent lines while she waves with her arms and then says in German “I was right. They are witches”. She then talks about the ballerina school she attended where she was a victim of abuse, and end the therapy session by saying (in German) “they will slaughter me and eat my cunt from the plate”. Yikes… We then get introduced to Susie (Dakota Fanning), a young, shy and naive American lady, who traveled to Berlin to attend this ballerina academy where she meets the strict dance instructor Madame Blanc (Tilda Swinton). She settles in and has no idea what rabbithole she has gotten herself into. In the meantime Dr. Klemperer starts an investigation to take a closer look at what shady business is really going on in this academy.

 

This remake of Dario Argentos “Suspiria”, which was the first of the The Three Mother-trilogy, takes also elements from its two sequels, “Inferno” (1980) and “Mother of Tears” (2007), but goes in its own direction. Which is a good thing. Directed by Luca Guadagnino, who made mainly drama, romances and some documentaries, does a fantastic job here and shows that he has a great eye for horror and the aesthetic. The 70s-style is spot on and while the original had more of a colorful nightmarish fever-look in a baroque environment, this one is the straight opposite. It’s bleak and cold, and the ballerina school being surrounded by tall, wounded buildings gives a more realistic, melancholy look and a sense of dread and urban isolation.

 

The casting is great, but the one who sticks out is Tilda Swinton who plays the ice-cold Madame Blanc and Dr. Klemperer, hidden by the most believable old-makeup I’ve ever seen. Chloë Grace Moretz wanted the role as Patricia so bad that she learned to speak German even though she’s got only six minutes of screen-time. And as a homage to the original, Jessica Harper shows up in a brief moment. The film isn’t without its fair share of death scenes, one who probably stands out the most features one of the dancing students who gets her whole body twisted and broken during a dancing ritual. It’s one of the most terrifying scenes in the movie in terms of violence, but I can assure you that you’ll get a juicy payoff at the end. But the one who got most terrified of Suspiria was the star herself, Dakota Fanning, who got so messed up mentally during the shooting that she had to go to therapy. She also did ballet-training for two years in preparation for the role.

 

Overall, “Suspiria” 2018 is your typical love/hate movie that messes with your head and possibly also with your patience. With its run-time on 2 hours and 30 minutes, it can be a lot to digest. There’s a lot of weird shit going on here that leaves far more questions than answers, opening up to be analyzed to death and beyond. I liked it for what it was and really enjoyed the whole atmosphere, the cold eeriness, the characters and overall the look and style of the film. It grabbed my attention, but you definitely have to be in the right mood and expect the unexpected.

 

Suspiria 2018

 

Director: Luca Guadagnino
Country & year: Italy | USA, 2018
Actors: Chloë Grace Moretz, Tilda Swinton, Doris Hick, Malgorzata Bela, Dakota Johnson, Angela Winkler, Vanda Capriolo, Alek Wek, Jessica Batut, Elena Fokina, Mia Goth
IMDb: www.imdb.com/title/tt1034415/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Housebound (2014)

Kyle Buckneil is a young, troubled lady who has been in and out of prison and rehabilitation programs without much success. After a failed attempt to blow up an ATM, and poor driving skills, it’s right back to the courtroom where she is sentenced to spend eight months of “house arrest” in her childhood home: an old victorian house in the country. With a bracelet around her ankle she can only stay within the property during those eight months, with her mother and stepfather, whom she does not have the best relationship with.

 

The days go by with lots of smoking and slacking around on the couch, but one day she hears on an evening program on the radio that her mother has called in, claiming that the house is haunted…and especially down in the basement, a place that apparently opens up a lot of repressed memories from Kyle’s childhood. Things are beginning to happen gradually, like weird sounds in the walls and a mysterious ringtone that can be heard at night, leading down to – take a guess – the basement, where she gets an unpleasant experience. And of course, she can’t escape since she’s literally forced to stay there.

 

In other words: it builds up to something that may seem like a conventional ghost movie where things go from bad to worse. Our prison bird will be attacked one night by a Poltergeist-style teddy bear, knocking it off and throwing it in the fireplace..only for the teddy bear to come back during a showering scene, freaking her out even more. Eventually she gets enough of all the weird happenings, and would rather spend time in prison than in a haunted house. But of course, she can only forget about that.

 

The first 40 minutes of the film is undoubtedly the best. And with both the title, the alternative cover and an old Victorian house, one expects a claustrophobic chamber drama where God knows what might happen. But I’m not spoiling anything by saying that Housebound isn’t what I expected it to be at all. It’s also listed as a comedy, but I think the comedy aspects is more unintentionally funny and doesn’t blend very well with the tone and atmosphere it builds up in the first act. It’s overall an entertaining movie, but do not let the title and cover fool you.

 

Housebound

 

Director: Gerard Johnstone
Country & year: New Zealand, 2014
Actors: Morgana O’Reilly, Rima Te Wiata, Glen-Paul Waru, Ross Harper, Cameron Rhodes, Ryan Lampp, Mick Innes, Bruce Hopkins, Millen Baird, Wallace Chapman, David Van Horn
IMDb: www.imdb.com/title/tt3504048/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pet Sematary (2019)

Pet Sematary (2019)Dr. Louis Creed and his family have decided to move away from Boston and settle down in rural Maine in order to live a more quiet life, and give Louis more time with his family: Rachel, his wife, Ellie, his daughter, and Gage, his young son. Their new home seem to be peaceful and nice…except for the highway being located right outside where heavy trucks keep roaring by all the time. They soon discover a pet cemetery close by (where a lot of the pets have been victims of said trucks), where children have buried their beloved pets for a long time. The place holds a power that is by no means good, however, something the Creed family is about to discover in the most horrible way.

 

“Pet Sematary” is one of Stephen King’s most famous novels, and is actually based on his own close encounter with a truck nearly killing his own son. He got the inspiration after his time at the University of Maine at Orono, where he was teaching for a year as a gesture of gratitude for the education he had received there. During that time, he and his family rented a house near a busy road who had claimed the lives of numerous pets in the neighborhood, and the children there had created a pet cemetery near the house King and his family rented. They also had a cat at the time: Smucky. Unfortunately, Smucky became one of that road’s victims, and King’s daughter Naomi buried it in that pet cemetery. Shortly thereafter, King’s son Owen had a close call running toward the road. All of this gave him the inspiration for this novel, but after writing it he felt he had gone too far with the subject matter and discarded the idea of having it published. However, since he needed to publish a final book for his contract, he reluctantly submitted it to Doubleday. And of course, it became an immediate success.

 

Now, for those of us that have read the book and seen the first movie adaption, it’s hard not to make comparisons. There are quite a few things that have been changed completely here. The first adaption from 1989 actually follows the book more closely than this one, but at the same time I also think that this new adaption captures the dark and tragic tone a lot better, as it is a story that deals with something that all of us know but always dread to think or talk about: the death of loved ones, and how far we would be willing to go if we could reverse it.

 

I was also quite curious about how they would depict Zelda (Rachel’s sister), who was slowly dying in a horrible and painful way from spinal meningitis while turning into a hideous “monster” (and, since the illness turned her clinically insane, also made her bitter and mean towards Rachel), and this has given Rachel PTSD-like symptoms. I actually think Zelda is one of the creepiest parts of the whole story, and it also plays a major factor over explaining why Rachel is struggling so much with everything that’s got to do with death. While there has been some changes regarding Zelda’s death in this movie, I actually think that the book’s version of Zelda’s demise was better…but yeah, I know why they did it, as it gave them a perfect setting to make some creepy scenes and jump-scares.

 

Overall, this new movie adaption of Stephen King’s “Pet Sematary” is a well made horror movie, and despite some differences it manages to capture a lot of the original feelings of dread from the book, while also leaving enough space for both movie adaptions to exist on their own.

 

Pet Sematary

 

Directors: Kevin Kölsch, Dennis Widmyer
Country & year: USA, 2019
Actors: Jason Clarke, Amy Seimetz, John Lithgow, Jeté Laurence, Hugo Lavoie, Lucas Lavoie, Obssa Ahmed, Alyssa Brooke Levine, Maria Herrera, Frank Schorpion, Linda E. Smith, Sonia Maria Chirila
IMDb: www.imdb.com/title/tt0837563/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Us (2019)

Us (2019)The Wilson family owns a vacation house near the beach in Santa Cruz. Adelaide, the wife in the family, had an experience at that beach when she was a little girl and has no desire at all to revisit the place. Her husband convinces her to go there, however, together with the Tyler family to have a good time. Things don’t go as well as planned for, and back at the vacation house that night things turn even worse. Four mysterious people dressed in red appears outside the house, breaking in and terrorizing them. What’s even worse, is that all of these strangers look exactly like themselves…

 

“Us” is the second horror film directed by Jordan Peele, who made a name for himself with his debut horror movie “Get Out” in 2017. Not unexpectedly, the expectations regarding “Us” has been pretty high, but fortunately Peele shows us that he’s not just a one-time-hit director. “Us” manages to balance suspense, creepiness, social commentary and even a bit of comedy very well, just like he did in “Get Out”. “Us” is more of  a straight-forward horror movie, with a higher level of suspense and creepy scenes. With Mike Gioulakis as the cinematographer (who was also the cinematographer for the very suspenseful horror movie “It Follows”), it should come as no surprise that this is a movie that will keep you at the edge of your seat for the most part.

 

“Us” is a movie that is best seen when knowing as little as possible about it, and I personally recommend avoiding any spoilers prior to watching it. It’s very hard, even impossible, to venture much further into the movie’s plot without spoiling things. There are a few plot holes that might leave you scratching your head in confusion, but fortunately not too much to ruin the experience.

 

Now let’s look forward to what Peele’s next entry into the horror world might be!

 

Us

 

Director: Jordan Peele
Country & year: USA, 2019
Actors: Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, Evan Alex, Yahya Abdul-Mateen II, Anna Diop, Cali Sheldon, Noelle Sheldon, Madison Curry
IMDb: www.imdb.com/title/tt6857112/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Wailing (2016)

The Wailing (2016)Jong-Goo is a police officer that lives a quiet life in a little village with his wife and daughter. One day he is called to the scene of a gruesome multiple murder case, where a family member of the murdered people is covered in blood from the victims. His skin is covered in strange boils, and he appears to be in a state of stupor. Soon, more incidents similar to this occur all over the little village, and some of the villagers start to blame a newcomer to the area: a Japanese man (played by Jun Kunimura, known for his roles in “Ichi The Killer”, “Audition” and “Kill Bill”) who’s taken residence in the woods. Jong-Goo starts a battle against time to figure out what is happening, as his daughter also starts showing the symptoms.

 

“The Wailing” is a Korean horror movie that lasts for 2 hours and 36 minutes, but thanks to great cinematography and some really weird and strangely entertaining scenes, it manages to spend its time well without becoming a hassle to watch through. It’s quite beautiful to watch with its misty mountains and forest locations. The story’s pacing is good enough, we are being told things gradually while still pondering about the mystery behind the murders and “possessions”, and the Japanese newcomer (is he really the bad guy here, or is something else going on?).

 

There are some comedy elements in the movie (which was for the most part intended, I think), especially an exorcism scene that is so dragged-out and insane that it actually gets oddly hilarious. The protagonist’s facial and emotional reactions are almost cartoony sometimes, and the mix of being dark and vicious with being so colorful and sometimes comedic makes it a pretty weird watch. The story keeps you guessing throughout the entire movie, until the ending reveals the true villain in its full form.

 

The Wailing

 

Director: Hong-jin Na
Country & year: South Korea | USA, 2016
Actors: Do-won Kwak, Jung-min Hwang, Jun Kunimura, Woo-hee Chun, Hwan-hee Kim, Jin Heo, So-yeon Jang, Do-yoon Kim, Kang-gook Son
IMDb: www.imdb.com/title/tt5215952/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Terrified (2017)

Terrified (2017)When strange events occur in a neighborhood in Buenos Aires, a doctor specializing in the paranormal, her colleague, and an ex police officer decide to investigate further.

 

I first heard about this movie from “Shudder“, a streaming site dedicated to horror, which is unfortunately not available in our country (it’s currently only available in the US (and its territories), Canada, UK, and Ireland). Being quite curious due to all the praise it’s gotten from various horror sites and reviewers, I was really pleased when the movie finally got to Netflix and thus gave us the chance to check it out.

 

The movie starts with a woman that hears whispering voices from the kitchen, which soon escalates into a bloody outcome for her while a terrified husband can’t do anything else but watch. We soon learn that the supernatural occurences is rooted in the neighbouring houses as well, and a group of paranormal researchers are trying to investigate the strange happenings. A dead boy returning from his grave, a naked man hiding under the bed, and strange noises and disturbances are just some of the occurences in the neighborhood that is obviously plagued by something paranormal. When the investigators start their research (the investigators being a group consisting of aged “Ed & Lorraine”- alikes and a nervous cop close to retirement due to health issues) things quickly escalate.

 

“Terrified” aka “Aterrados” is a solid addition to the paranormal/supernatural genre, and is the kind of movie that focuses its scares on being creepy and suspenseful, with some pretty effective scenes that can easily give you the heebie jeebies. Granted, there isn’t really much of a plot in the movie, and when it ends there are more than just a few unanswered questions. It’s a movie that still stands well planted on its own feet due to atmosphere, suspense and effective scenes alone, and should be well worth a watch.

 

Terrified

 

Director: Demián Rugna
Country & year: Argentina, 2017
Actors: Maximiliano Ghione, Norberto Gonzalo, Elvira Onetto, George L. Lewis, Julieta Vallina, Demián Salomón, Agustín Rittano
IMDb: www.imdb.com/title/tt7549892/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Truth or Dare (2018)

Truth or Dare (2018)While on a partying trip to Mexico, a group of young friends meet a guy who wants them to join him for a game of “Truth or Dare” in an old abandoned church. What starts out as an innocent game, soon turns deadly when they realize they’ve been tricked into an evil demon’s version of the game. If you fail to answer truthfully on the demon’s “truth” questions, or refuse to commit its “dares”, the consequence is a quick and painful death.

 

Yes, you know this is going to be silly as hell. When I saw the trailer for this movie, I actually decided to skip watching it on the big screen. I normally watch most horror movies that comes out in the cinema, but the incredibly silly “demonic faces” the trailer showed off all the time made it somewhat cringeworthy. Thank goodness for streaming services like Netflix and SF Anytime.

 

Watching this movie in the comforts of home, I have to admit that I didn’t find it as bad as I had expected it to be. Silly concept/plot? Yeah, sure. The chesire-cat grins of the demonic faces didn’t bother me as much as I had feared, and I found myself entertained enough. These days, I never expect a movie to be able to scare me anyway (after watching so many horror movies, I’m afraid those days are long gone). The movie goes forward just like you’d expect a movie of this kind to do: young sexy people need to battle the supernatural force while being killed off in various ways, one by one, until (after enough of them have been killed off), the remaining ones need to dig deeper into finding a way to solve the “mystery” behind the deadly game and how to escape from it alive. Yes, you’ve pretty much seen it before…it’s a tried a tired formula that every horror movie fan has seen numerous times already, but who cares about that as long as it works to entertain you. Every new movie release doesn’t need to bring a brand new dish to the table in order to be watchable.

 

Overall, “Truth or Dare” is an easy-going horrorflick to watch on a rainy evening with some pizza and beer. It’s not a masterpiece, but certainly delivers if you’re in the mood for some silly fun.

 

Truth or Dare

 

Director: Jeff Wadlow
Country & year: USA, 2018
Actors: Lucy Hale, Tyler Posey, Violett Beane, Hayden Szeto, Sophia Ali, Nolan Gerard Funk, Landon Liboiron, Sam Lerner, Tom Choi
IMDb: www.imdb.com/title/tt0099611/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I Am the Pretty Thing That Lives in the House (2016)

I Am the Pretty Thing That Lives in the House“A house with a death in it can never again be bought or sold by the living, it can only be borrowed by the ghosts that stay behind.”

 

A young nurse has been hired to take care of an old woman. This old woman is Iris Blum, a prolific horror author that now lives all alone in her New England mansion and suffering from chronic dementia, and needs to be proper taken care of 24/7. When the young nurse, Lily, starts living there in order to take proper care of Iris, Lily starts experiencing certain things that makes her imagination run wild. With Lily being a bit of a scaredy-cat as well, she tries all she can to re-focus and pretend that nothing is happening…until she can’t pretend any more.

 

“I Am the Pretty Thing That Lives in the House” is a strange dish. While being a haunted house movie, it’s told from a somewhat different angle (from the actual haunting itself, so to speak). The movie starts with Lily herself being the narrator, stating “The pretty thing you are looking at is me. Of this I am sure. My name is Lily Saylor. I am a hospice nurse. Three days ago I turned 28 years old. I will never be 29 years old“. No spoilers to be had there, in other words…we know exactly what will happen to Lily, just not how. That being said, Lily is only part of the haunting: another spectre is already present. A young woman in a white victorian dress, who have a direct connection to Iris and her books…a mystery Lily eventually feels compelled to solve, and will lead to her unfortunate demise. With regards to this movie, I guess it’s fitting to say that sometimes, curiosity really does kill the cat…

 

I many ways, it’s a little hard to review this movie as a horror movie, because in many ways it’s more like a gothic poem, and certainly more beautiful than scary. It is very slow-paced, and it’s not one that is there to deliver all the answers…however, it does have a pretty good atmosphere and could be well worth a watch if you find yourself in the mood for a slow poetic ghost story.

 

I Am the Pretty Thing That Lives in the House

 

Writer and director: Oz Perkins
Country & year: Canada / USA, 2016
Actors: Ruth Wilson, Paula Prentiss, Bob Balaban, Lucy Boynton, Brad Milne, Daniel Chichagov, Erin Boyes
IMDb: www.imdb.com/title/tt5059406/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Happy Death Day (2017)

Happy Death Day (2017)Tree Gelbman, a young college student, wakes up in a guy’s room, hungover as hell and barely no memory from last night. On top of it all, it’s her birthday today, a day she is not too fond of for reasons later revealed in the movie. She leaves the guy’s room with a pissy attitude, and we see pretty quickly that this is a girl that tends to make bad choices in her life, and treat people around her like crap. At the end of the day, she gets chased by someone wearing a mask, and ends up being killed. And then she wakes up in the guy’s room again, repeating the day all over again. In a desperate fight to reveal the identity of the killer, and try to figure out how to avoid being killed by him/her, she relives the day of her birthday and murder over and over…

 

«Happy Death Day» goes into a concept that has been touched multiple times over in other movies and tv-series: that of reliving a specific day over and over («Groundhog Day»«Triangle» and «Timecrimes», just to mention some). So in that regard, this movie brings nothing new or groundbreaking to the horror genre. It’s a simple yet entertaining horror comedy that is best served without any expectations in mind.

 

 

Happy Death Day

 

Director: Christopher Landon
Country & year: USA, 2017
Actors: Jessica Rothe, Israel Broussard, Ruby Modine, Charles Aitken, Laura Clifton, Jason Bayle, Rob Mello, Rachel Matthews
IMDb: www.imdb.com/title/tt5308322/

 

Vanja Ghoul