The Necro Files (1997)

The Necro FilesI stumbled upon one of the Horror Movie Icebergs one night while I was doing some night fishing, and a film called The Necro Files was mentioned. Just the title alone was more than enough to peek my morbid curiosity, and after watching the first batshit fifteen minutes on YouTube, I was thrilled to discover that the film had just been released on Blu-ray which already deserved a spot in the collection.

 

The Necro Files is a one dollar budget backyard-style horror trash, set in Seattle, which starts off perfectly with a young lady flashing her tits and pussy in a quick shower scene. An intruder with a mask that combines Michael Myers with Charles Manson with a swastika in his forehead, assaults the poor woman, stabs her like a deranged gorilla, spills her guts, cuts of a big chunk of one of her tits and eats it. And he really enjoys it. Yummy-yummy. No subtlety here, what so ever. The two police men Martin and Orwille have been on a personal hunt for this maniac since he raped and murdered one of the officer’s sister, one of two hundred victims. After they finally get the long-awaited message, they drive to the scene, and after a messy confrontation, Mr. Rapist gets shot. Justice served. Good riddance. God bless … for now.

 

Then we jump seven months later. We’re at a cemetery where a group of black cloaked satanists are about to sacrifice a new-born baby. It’s broad daylight, by the way, and no disturbed civilians to see in the background. And don’t worry, it’s a plastic doll. As the baby screams with some voice-over effects, they stab the toddler and buries it, urinates on the fresh soil and – surprise, surprise – the seven months old rotting corpse of Mr. Rapist suddenly pops out from the ground, resurrected as a zombie. He has a lot of unfinished business and starts his comeback by tearing the urinating dick off a victim before he kills several of the satanists, leaving two behind. He’s also more horny than ever and sets out for a raping/murder spree as his thirty inch rubber dick is dangling out of the zipper, ready to slam it in every walking glory holes he would stumble upon.

 

And yeah, there’s also this flying zombie baby floating around on a string. Pure demented z-movie schlock, just the way we like it and probably not in the slightest as you expected. It has it’s fair share of nudity and some kinkiness going on. Mr. Rapist attacks a couple during a S&M act, rapes a brunette with some fluffy butt cheeks before he beheads and mangles her body to a pile of gory mush. There’s a random scene with another hot brunette who’s getting ready for an evening with a sex doll, and her kinky ritual doesn’t go exactly as planned. The two police men dimwits, Martin and Orwille, are the funniest part. The chunky one is like watching a bizarre Dr. Phil impersonator who tries to be the rational one, despite the bonkers dialogues, while the other one is an unhinged, raging drug addict. Well, it’s Seattle, after all. And speaking of: this viral clip of a zombie woman in Seattle is already an oldie, but still, I just had to throw it in here.

 

The Necro Files is a fun little trashfest for those of us who have a weak spot for ultra-cheap homemade VHS horror that has no other intentions than to go completely relentless batshit, having a jolly time and not give a flying (zombie baby) fuck. The Blu-ray is available from Visual Vengeance, featuring extras such as the puppet animation Necro Files 3000, a mini poster and of course a condom, just to mention some.

 

The Necro Files The Necro Files The Necro Files

 

 

Director: Matt Jaissle
Writers: Todd Tjersland, Sammy Shapiro
Country & year: USA, 1997
Actors: Steve Sheppard, Gary Browning, Christian Curmudgeon, Jason McGee, Theresa Bestul, Jenn O. Cide, Dru Berrymore, Anne R. Key, Todd Tjersland, Jonas Arke, Jeff Nelson, Isaac Cooper

IMDb: www.imdb.com/title/tt0203726/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

964 Pinocchio (1991)

964 Pinocchio

Ready for some fucked up Japanese cyberpunk acid-trip that will blow your mind to smithereens and probably put your endurance test to a whole new level? Then let me introduce 964 Pinocchio which starts off like every normal Disney film.

 

964 Pinocchio, or simply called 964, is on the outside a young boy with a cute little unicorn haircut, but on the inside he is a broken, demented, helpless cyborg, manufactured in some clinic to be used as a sex slave. Unfortunately 964 can’t get an erection, so some doctors brutally drills through his skull to wipe out his memory and turn him into a lobotomized vegetable before he gets thrown out of the clinic like a dog – and gets a rough welcome to the bleak and depressing society of urban Japan. At least he’s able to walk, and soon finds himself in the isolated environment of Tokyo where he meets the homeless girl Himiko. And the most normal thing in this movie is that he actually meets a girl that’s a fully functioning human being, even with some level of empathy. She invites him to come and live with her in some abandoned industrial shithole, where she does her best to learn him to speak, and cruises along shopping malls to snap food straight from the counter. All filmed in guerilla style, by the way, where all the civilians are unaware extras, and done in a hurry before someone finds out and calls the police.

 

Where we thought the film was seemingly normal, they fall in love, and the moment they exchange their tongues to each other, the image freezes before fading to black, and the the shit is about the get serious. Our unicorn-haired fuckdroid infects Himiko with something that makes her go noodle-shit crazy of some epic proportions, starts to abuse him, and … holy fuck almighty, how am I even going to describe what happens for the next hour and so. Get ready for a lot of close-ups of insane facial expressions, puking, frantic running, some brief low budget body-horror and just overall a relentless odyssey with screaming, shouting and moaning like

OOOOOUUUAAAAAAAAAAAAHH,HHNNGHHHUUAAAAAA, HUUNNDGGHOOOUOAAAAAAAAA, EEEEEEEEEEEH, EEEHHHHH, OOOOOOH, AAAAAAAAAHHUGHH, AAAUUUOOOAHHHHHHOOAAAA, GGHHHHHIIIIIIIIIAAAAAAAAAAGHH, GGGGHHHHHHHHHIIIIII, AAAAAAAAAAAAGGHHHFFHHH

 

… and here you basically have most of the script in a nutshell. And it’s of course natural to compare 964 Pinocchio to its big brother Tetsuo, where also director Shozin Fukui was one of the crew members on that film. Shozin Fukui probably thought to himself that “hah, I can make something more insane that this, even with a much longer runtime. Shiyou! ” When Tetsuo had its perfect runtime of 65 minutes and was able to hold on a certain narrative, flow, and knew where to stop, this mofo on the other hand, goes on for one hour and 37 minutes with scenes that drags on forever with little to no direction. There’s a scene lasting for ten minutes during the last thirty minutes, where 964 runs frantically through the streets of Tokyo while looking like a demented cyberpunk version of the Joker, and of course screaming his lungs off. And that scene feels more like three hours. Pure deranged misery. I will at least give the film credits for its energetic, handheld camerawork which gives off some early Peter Jackson vibes, and the intimate illusion of being present with 964 through his endless, tortuous, kinetic nightmare. The actors give it all with full dedication and Haji Suzuki as 964 is a diabolical force of nature. Others will also pick up a laundry list of metaphors, cryptic symbolism and social commentary between all the monotonous screaming, running and whatnot that only the inhabitants of planet Japan are able to perceive with a straight face. I can recommend 964 Pinocchio mostly as an endurance challenge and just congratulate in advance to those who manage to sit through it in one single setting without any pause. Good luck.

 

The one and only 2004-DVD release from Unearthed Films went out of print ages ago, but is to be found on eBay, very pricey, though.

 

964 Pinocchio 964 Pinocchio 964 Pinocchio

 

 

Director: Shozin Fukui
Writers: Shozin Fukui, Makoto Hamaguchi, Naoshi Gôda
Also known as: Screams of Blasphemy (UK)
Country & year: Japan, 1991
Actors:Haji Suzuki, Onn-chan, Kôji Ôtsubo, Kyoko Hara, Rakumaro San’yûtei, Kôta Mori, Tomio Watanabe, Anri Hayashi, Kyôko Irohani, Michiko Harada, Yûko Fujiwara, Yoshimitsu Takada, Naoshi Gôda
IMDb: www.imdb.com/title/tt0225009/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Mad God (2021)

Mad GodA character wearing a gas mask, The Assasin, descends into a hellish world filled with devastation and mayhem. With him on his dark journey into a dystopian nightmarish world, he’s got a map and a suitcase, and while traveling deeper and deeper he encounters several monstrous creatures. Filth, death, war, despair and, well, hellish surroundings are all over the place.

 

Mad God is a stop motion horror film which was written, directed and produced by Phil Tippet. The film was in production over a period of thirty years. Tippet started filming it while working on Robocop 2, but when he became involved in Jurassic Park this set the film on hiatus. Originally, Jurassic Park was supposed to have stop motion dinosaurs, but after Spielberg saw some CGI work of a T.rex, he told Tippett: “You’re out of a job”. To which Tippett replied, “Don’t you mean extinct?”. This was even referenced in Jurassic Park, where Dr. Grant says “Looks like you’re out of a job” to Dr. Malcolm”, and he replies “Don’t you mean extinct?”. Anyhow, Tippett was still kept as supervisor for the CGI animation of the dinosaurs, so at least he wasn’t really out of a job… but due to the change during his involvement in this film he believed that stop motion was now a thing from the past, and because of this he shelved the Mad God project. Which is a sad thought, really, as many stop-motion effects from some older films can look really good, and often better than many of the early CGI effects used. Even now, I think there are some movies whose practical effects look greater than some of the modern CGI of today…

 

In spite of all that, Mad God got pulled out of hiatus-status twenty years later, when members of his studio encouraged him to start working on it again. And with a successful Kickstarter campaign, and a crew of volunteers to assist him, Mad God came into fruition at last.

 

And what kind of movie is Mad God, exactly? Well…I dare say you’ve never seen anything quite like it before. We start off with a scene depicting the destruction of The Tower of Babel, and then we see a citation from Leviticus 26, which reads as follows:

“If you disobey Me and remain hostile to Me, I will act against you in wrathful hostility. I, for My part, will discipline you sevenfold for your sins. You shall eat the flesh of your sons and the flesh of your daughters. I will destroy your cult places and cut down your incense stands, and I will heap your carcasses upon your lifeless idols. I will spurn you. I will lay your cities in ruin and make your sanctuaries desolate and I will not savor your pleasing odors. I will make the land desolate so that your enemies who settle it shall be appalled by it. And you I will scatter among the nations and I will unsheath the sword against you. Your land shall become a desolation and your cities a ruin”.

Yeah…that’s the words of a Mad God indeed, one that is truly pissed off. Or just completely deranged. And we get to see a world that is actively punished by this mad god.

 

Aside from that, there isn’t much of a story to cling to here, although one can clearly see the statement about our world and its condition. There are several segments which are obvious metaphors for certain human behaviour, and you can probably dissect and analyze so many parts that are shown here. Mostly, though, it’s a film that is mainly enjoyed due to its visuals and dark content. There’s so many weird and absurd things happening on screen, everything from things that are disgusting and gross, to the weird and uncanny, to pure nightmare-fuel. There’s also a bit of blood and gore, and other stomach-churning stuff. There’s even a scene (although somewhat obscured) where Putin is taking Trump from behind while Hitler is watching. Jeez. Creatures are chopped into pieces, eaten, tortured, and everything is just filled with decay, debauchery and general ghastliness.

 

Mad God is definitely not a film for everyone’s tastes. Some will find it a nonsensical and gross mess, while others will enjoy the dark, surreal, nihilistic atmosphere and awesome special effects (Horror Ghouls belonging to the latter group of people).

 

Mad God is available on Shudder (for those who live in a country where this is accessible. We live in Norway, where Shudder is not available, though we were lucky enough to get one of the few copies of the film on DVD).

 

Mad God Mad God Mad God

 

 

Writer and director: Phil Tippett
Country & year: USA, 2021
Actors: Alex Cox, Niketa Roman, Satish Ratakonda, Harper Taylor, Brynn Taylor, Hans Brekke, Brett Foxwell, Jake Freytag, Harper Gibbons, Tom Gibbons, Tucker Gibbons, Arne Hain, David Lauer, Chris Morley
IMDb: www.imdb.com/title/tt15090124/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

The Innocents (2021)

The InnocentsIda is a 9-year old girl who moves to a seemingly normal and boring suburban neighborhood with her parents and her older sister, Anna, who has non-speaking autism. It’s also during the summer holiday, and with enough free time Ida starts exploring the surroundings in the nearby forests and playgrounds. She meets a young boy, Ben, who shows her one of his special tricks: he’s able to sling rocks with his mind. Ida is curious and delighted by seeing his Carrie-esque ability, and after meeting another girl with a special ability, Aisha, who is seeming to bond nicely with Anna on the playground, the foursome start playing together. However, their innocent intentions inevitably end up taking a dark turn.

 

De Uskyldige (The Innocents) is a Norwegian supernatural thriller from 2021, written and directed by Eskil Vogt. The title of the film, as suggested, challenge the perceived notion that children are inherently innocent. Through their play, one gets to see the thin line between what is simple and childish fun, and how little it can take to tread over the barrier into something outright evil. While horror movies have its own sub-genre for “evil children”, this movie differs in its depiction of them. When most horror movies about evil kids are either about them being demonic/possessed, monsters, or total psychopaths, this movie displays a group of kids where some of them simply have supernatural abilities, while they are still very much normal children in a normal world…and not all of them grow up under good circumstances. For this reason, the movie makes an obvious effort to describe how childish innocence can be completely tainted by awful parenting and a toxic living environment. This is a movie seen from the children’s perspective, and the adults in the movie are merely bystanders. The children are living out their secret lives in the playground, in the forest, in the surrounding areas, just “playing”. Like most children do, without their parents ever really knowing exactly what they’ve been up to, and don’t really care either as long as they’re home in time for dinner or curfew.

 

The child actors are all doing a controlled and convincing display of their characters, which is important since the movie is heavily carried along due to the performances by the actors. There’s equal amount of childish glee in their faces when they have fun, as well as obvious fear and confusion when things go wrong. It’s never really any outright in-your-face horror (aside from a couple scenes that are quite uncomfortable to watch), but it’s creeping steadily under your skin, where you always have the anticipation of something going wrong. And of course, it really does.

 

De Uskyldige (The Innocents) is a slow burning thriller which gradually turns up the heat, and the underlying tension builds up in a way that grips you from start to finish.

 

The Innocents The Innocents The Innocents

 

Writer and director: Eskil Vogt
Original Title: De Uskyldige
Country & year: Norway, 2021
Actors: Rakel Lenora Fløttum, Alva Brynsmo Ramstad, Sam Ashraf, Mina Yasmin Bremseth Asheim, Ellen Dorrit Petersen, Morten Svartveit, Kadra Yusuf, Lisa Tønne
IMDb: www.imdb.com/title/tt4028464/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Smile (2022)

SmileOne day at work, the psychiatrist Dr. Rose Cotter meets with a recently admitted patient called Laura Weaver. Laura is a PhD student, who appears to be having some kind of mental breakdown, caused by witnessing her professor committing suicide some days earlier. She claims that some kind of entity is trying to kill her, and it pretends to be other people smiling at her. As Rose tries to calm her down, Laura suddenly screams in panic and falls to the floor, convulsing. Rose calls for help, but after making the call she turns to see that Laura is standing on the floor, smiling widely at her. And then she cuts her own throat with the shard from a broken vase.

 

After this, Rose is understandably upset. And she starts seeing and experiencing things she can’t quite explain. At first, both she and everyone around her believes that it’s the stress and trauma of witnessing a patient committing suicide right in front of her, but as the supernatural occurrences continue she starts noticing the smiling entity Laura mentioned in their brief session. Things escalate quickly, causing misery to both her and everyone around her, including her sister Holly whom she’s already got a strained relationship with ever since the death of their abusive mother, who overdosed when Rose was a child. So, when Rose tries to explain what is happening to her, no one believes her and thinks it’s either the trauma from her childhood flaring up, or even that she’s starting to show traits of her own mother’s mental illness. Desperate for answers, she embarks on a stressful and frightening journey in the hopes of breaking the curse.

 

Smile is a horror film directed by Parker Finn, which is his directional debut. It is based on his 2020 short Laura Hasn’t Slept. At first, Paramount originally planned for this $17 million dollar budget movie to head straight for a streaming-only release on Paramount+. Thankfully they changed their mind! During the test screening the audience feedback scored much higher than they expected, which prompted them to give the movie a theatrical release. And the budget was already earned back during the opening weekend, where it grossed $22 million, to where Paramount’s distribution chief Chris Aronson said it exceeded their wildest expectations.

 

So, Smile has already made a place for itself in the horror genre, proving that using some well-known horror tropes and familiar ideas can still give us an effective experience and make for a good movie. In some ways it highly resembles It Follows (another horror movie that was highly effective and scared the bejeezus out of some people) as well as a little bit of ideas from other movies like for example The Ring. There were even some parts later in the movie which had a little bit of Resident Evil vibes. But most importantly, it also has a flair of its own stuff.

 

Smile is a horror movie that centers around trauma and its impact on not only the people who experience it, but how those who suffer from trauma may also affect their surroundings. The entity in Smile isn’t just something that wants to scare you and simply kill you, it feasts on emotional pain, which means it must make you suffer. While both the title and the entity displays a surface-level metaphor (how people suffering from trauma and depression are often forced to just “smile” and put on a mask in order to pretend to their surroundings that everything is okay), there are also a few other subjects which is delved a little into, like for example the lackluster healthcare services which often doesn’t give people with mental illnesses the treatment and care they need, how mental illness is something that is highly stigmatized, how people close to those with mental illness may be affected by it, and how those who suffer may get turned away with a “I can’t deal with this right now”, often leaving the sufferer alone and feeling helpless. Smile is a dark and grim horror movie, executed with an obvious understanding of tension building and how to make the jump-scares effective as a whole and with the full context. It’s a curse-themed horror movie that’s got teeth, and it bares them with a smile.

 

Smile Smile

 

Writer and director: Parker Finn
Country & year: USA, 2022
Actors: Sosie Bacon, Kyle Gallner, Jessie T. Usher, Robin Weigert, Caitlin Stasey, Kal Penn, Rob Morgan, Gillian Zinser, Judy Reyes, Jack Sochet, Nick Arapoglou, Perry Strong, Matthew Lamb, Dora Kiss
IMDb: www.imdb.com/title/tt15474916/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Gutterballs (2008)

In this little 80’s throwback slasher and rape/revenge-flick Gutterballs, we spend time in a bowling hall with two groups, getting ready for a bowling contest. But the plan for that night goes down the toilet when a fight escalates. The individual that stands out is the unhinged Steve, a sadistic bully with some serious anger issues. He screams desperately for attention in every scene, spews out a world record list of obscenities, one of them being over 600 fuck-bombs (yes, someone actually tried to count them). I wouldn’t recommend the drinking game for obvious reasons, but at least we have some other use of colorful words to play with such as cunt, bitch, motherfucker, whore, pussy, etc…

 

The plot and the boners thickens when Steve and his group of friends gang rapes Lisa, the girl whom left Steve for some other guy in the other group. The next night the two groups hook up again in the bowling hall to start over. Lisa is still there, that poor girl, but reserved behind some, big dark sunglasses. And when the bowling-match is about to settle, a mysterious, unseen player by the name BBK is shown on the score monitors. They soon learn that they’re being terrorized by a killer wearing a bowling bag over its head and using sharp bowling pins to penetrate the victim’s private parts.

 

THE MOST OFFENSIVE FILM EVER, many calls it. Well, at least it’s far from being boring. But yeah, it’s hard to not agree that the characters are a bunch of insufferable fucks performed by the bottom of the barrel actors from Troma, and you can’t wait to see them get brutally killed. And let me tell you, Gutterballs doesn’t disappoint in that aspect. Some dude gets his head crushed by two bowling balls, another’s head gets blown to smithereens by a shotgun, we get a nasty close-up castration, sodomizing, face melting and even more. The most memorable scene is the couple getting killed while having a steaming 69 in the bathroom. Sadistic and perverted fun for the whole family.

 

Writer and director Ryan Nicholson has since the mid 90s primarily worked as SFX artist on titles such as Ghost Rider, Stargate, Transformers, X-Files and the list goes on. Special effects is clearly his main focus, but despite the film’s limited budget, he also manages to lit up the bowling hall with the use of neon light to enhance some of the 80s atmosphere. He followed up with the sequel Gutterballs 2 for his cult-followers in the underground horror movie community, and also made films such as Dead Nude Girls. Sounds fun. Gutterballs seems to be his most approachable film for the masses, and if you like raw, trashy and silly 80s slashers like Intruder, Chopping Mall, Savage Streets and Troma in general, this one will surely please you.

 

Gutterballs Gutterballs Gutterballs

 

Writer and director: Ryan Nicholson
Country & year: Canada, 2008
Actors: Alastair Gamble, Mihola Terzic, Nathan Witte, Wade Gibb, Candice Lewald, Jeremy Beland, Trevor Gemma, Nathan Dashwood, Scott Alonzo, Jimmy Blais, Danielle Munro, Stephanie Schacter, Saraphina Bardeaux, Dan Ellis, Brandon Dix, Ryan Nicholson
IMDb: www.imdb.com/title/tt1087853/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

Fear of the Dark (2003)

Ryan is a young boy who is afraid of the dark, and believes that there are sinister entities hell-bent on getting their claws on him once he finds himself outside the protection of light. And of course…no one believes him. One evening, Ryan’s parents are going out on a date, and his big brother Dale is going to babysit him. And what happens? There’s a power outage, of course! And Dale, who previously used to mock Ryan for his fear of the dark, soon experiences that this fear is not at all unfounded. The good old phrase “there’s nothing there in the dark that isn’t there in the light”, which Dale has told Ryan to tell himself over and over, now also lose its power over Dale as well when it becomes evident that there is indeed something there in the dark after all…

 

Fear of the Dark, with its cheesy ghoulish dvd cover and simple concept, pretty much gives you exactly what it promises: this is a “horror” film for a younger audience, and could pretty much be seen as a long Goosebumps episode, and perhaps as being a little reminiscent of Are you afraid of the Dark, which was also a horror series for a young audience which is considerably lesser known than the aforementioned one. With that in mind, and without any expectation of getting some real scares here, it can be a decent enough watch. The story is simple enough: when it gets dark, the boogeymen are coming after you. Something that is easily identifiable for many of us, as a fear of the dark is something a lot of children have experienced (and mostly, thankfully, grown out of). But not for this film’s protagonist, of course…here, the boogeyman is real, and there’s not just one, but several of them. They come off as some kind of mix-up with Freddy Krueger and the aliens from Dark City, wearing long coats and hats. Not scary in the slightest, but maybe a little for the kiddies, and the ghoulish appearance of the boogeymen kind of fits with the film’s otherwise slightly cheesy tone.

 

There’s not really all that much to say about a movie like this, and if you’re looking for a scare, then, well…this is definitely not the movie you should watch. If you’ve still got enough of your child in you to appreciate a movie aimed for a younger audience, then Fear of the Dark can be an okay experience if taken for what it is.

 

Fear of the Dark Fear of the Dark

 

Director: K.C. Bascombe
Writers: K.C. Bascombe, John Sullivan
Country & year: Canada, 2003
Actors: Kevin Zegers, Jesse James, Rachel Skarsten, Charles Edwin Powell, Linda Purl, Daniel Rindress-Kay, Derrick Damon Reeve, Charles-Etienne Burelle
IMDb: www.imdb.com/title/tt0308252/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Lucker (1986)

It’s the 1980’s and the place is Belgium, where the young upcoming filmmaker Johan Vandewoestijne had the rebellious desire to show the government and the strict censor board the middle finger with his slasher film Lucker. It’s the similar premise that the like-minded Jörg Buttgereit and Andreas Schnaas did in Germany some years later. And with that being said, you would already know by now what kind of territory this is. This is also the one and only horror film made in Belgium during the whole 1980s, and it’s a product that shouldn’t even exist after the film’s unnamed producer destroyed all the negatives. The only surviving material was a VHS copy that was bootlegged to shreds in the underground horror circle throughout the years – and the only source for director Vandewoestijne to make a Director’s Cut for the 2007-DVD release by Synapse Films.

 

In Lucker (also known as Lucker the Necrophagous), or a more fitting title which could’ve been Lucker The Corpse Fucker, we follow the morbid journey of the serial killer John Lucker (Nick Van Suyt) – a middle-aged, bulky guy with a double-chin, thin hairline and overall the perfect look for a deranged homicidal madman. After ending up unconscious in a clinic after a suicide attempt to escape from the police, one of the nurses asks (with a cheesy and stiff, cartoonish dub) while standing over his bed:

 

Hmm..? Who is this guy ANYway?
His name is John Lucker. A few years ago, he murdered eight girls. Raped them afterwards. And when I say afterwards, some of the corpses were decomposing.
A guy like that should be in a MENTAL institution.

 

Lucker

 

Huh, no shit, Sheri Holmes! Anyways … he wakes up, sneaks out of the clinic, body counts two people on the way, steals a car and heads out to the nearest town. He tails one of the first women that appears on his radar and kills her in some…weird way. The filming is too inept to really see what’s going on, but her entrails get spilled out of her stomach, or maybe a fetus if we use a little morbid imagination. He later hooks up with a young chick from a bar, ties her up in a bed in some apartment and … well, while she gets aggravated and deliver a line such as: Untie me … I hate creeps like you … Untie me  … Lucker sits on a rocking chair next to her, swinging back and forth like an old demented doofus, while he gives her the silent treatment, only to drag out the running time. After he finally kills her, we jump four weeks later where her body has been decomposed to a slimy maggot infested corpse and fuckable enough for lucky Lucker to finally give us Jörg Buttgereit’s favorite scene of all time.

 

So … where do we go from here? To get the run time going forward to at least the 45 minute mark, Lucker gets his eyes on one of his former victims, a walking trophy, that got away from him, and of course he can’t have any of that.

 

There’s two versions of Lucker, the VHS version and the Director’s Cut version, and both of them are available on the Special Edition DVD from Synapse Films. The VHS version, with its runtime on 74 minutes, is a tedious slog of a chore to sit through. There’s an endless scene with Lucker just walking on an empty road. After he hitchhikes to a town, there’s more walking. And … even more walking. Lucker The Walking Man. There’s zero pace and you’ve already dozed off when something interesting is about to happen.

 

Then we have the Director’s Cut version presented in 16:9 ratio and cut down to 68 minutes. It’s still trash, but better edited. And I have to  give director Vandewoestijne some credit for at least for trying his best to stitch together a barely watchable film from the VHS material. He’s also filmed a new opening title for the occasion. Even though there’s less mindless walking and more pacing, there’s still a lot of drawn-out scenes. There’s especially this shot where Lucker ties up a woman, then sits down and just stares at her while she screams like she’s faking an orgasm, which is copy-pasted to make the running time reach its milestone of 60 minutes.

 

And yeah, both versions contain the corpse fucking scene, so don’t you worry ’bout that.

 

Lucker Lucker Lucker

 

Director: Johan Vandewoestijne
Writers: Johan Vandewoestijne, John Kupferschmidt
Also known as: Lucker the Necrophagous
Country & year: Belgium, 1986
Actors: Nick Van Suyt, Helga Vandevelde, Let Jotts, Marie Claes, Martine Scherre, Carry Van Middel, John Edwards, Tony Castillo
IMDb: www.imdb.com/title/tt0091446/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Two Evil Eyes (1990)

Sometime in the late 80s, George A. Romero was invited to Italy to eat pasta and sip red wine with Dario Argento. The result of that meeting became Two Evil Eyes, an anthology of two films, one hour each, based on stories by Edgar Allan Poe. The original idea was an anthology of four segments in which also John Carpenter and Stephen King was considered to make the other two. However, Carpenter was busy with other stuff while Stephen King, still and forever traumatized by the experience with Maximum Overdrive, had no desire to call himself a “moron” a second time, and thus Four Evil Eyes got reduced to Two Evil Eyes.

 

THE FACTS IN THE CASE OF M. VALDEMAR – George A. Romero

The millionaire Ernest Valdemar is on his deathbed in his big mansion suffering from terminal illness, and his younger and gold-digging wife Jessica and Dr. Robert Hoffman have a plan: to hypnotize Valdemar into signing the will papers so they can get away with all his money. During the last hypnosis session, things go horribly wrong and the old man dies … well, sort of. They hide him in the freezer in the basement while Valdemar seems to be trapped in hypnosis and moans with a ghoulish voice that a bunch of demons will take over his body.

 

George A. Romero were on hiatus during most of the 90s where he made only two films; The Dark Half and this one. Instead of tons of gore, we get a slow build-up and an eerie atmosphere where Creepshow meets Tales From the Crypt. Even though the story itself is intriguing, Romero’s direction feels as stale as if it was meant to be made for TV, and the runtime could have been cut down to thirty minutes. The scenes with Jessica and Dr. Robert is as dry and boring as a soap opera, and with even stiffer acting than Valdemar in the freezer. As already mentioned though the atmosphere is great, and Tom Savini, who worked on both segments, provides with some top-notch prosthetic makeup and a memorable death-scene.

 

THE BLACK CAT – Dario Argento

We follow the crime-photographer Rod Usher (Harvey Keitel) who documents the most brutal crime-scenes in Pittsburgh, George Romeo’s hometown of all places. Rod is a cold psychopath with a distant relationship with his empathic girlfriend Annabelle. As she feels ignored, she gets some comfort in a stray black cat. The cat hates Rod and he hates the cat back and as the classic story goes, he kills the cat who then starts to haunt him until he descends into complete madness.

 

The Black Cat is one of Poe’s most famous works, and this film adaptation is made in modern times where a crime-scene photographer has been replaced with the author himself, Poe. Harvey Keitel is the money shot here, alongside with FX maker Tom Savini, and the only reason alone to give Two Evil Eyes a watch, to be honest. Argento’s segment is also far more stylish, better paced, better acted and of course more graphic.

 

So, there you have it. Two short horror tales from two directors with their own style of filmmaking and approach to storytelling. And some with more meat on the bone than the other.  For HD buffs, the film is available on 4K Ultra HD from Vingar Syndrome.

 

Two Evil Eyes

 

Directors: George A. Romero, Dario Argento
Writers: George A. Romero, Dario Argento, Franco Ferrini, Peter Koper
Original title: Due occhi diabolici
Country & year: Italy, USA, 1990
Actors: Adrienne Barbeau, Ramy Zada, Bingo O’Malley, Jeff Howell, E.G. Marshall, Harvey Keitel, Madeleine Potter, John Amos, Sally Kirkland, Kim Hunter, Holter Graham, Martin Balsam, Chuck Aber
IMDb: www.imdb.com/title/tt0100827/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

She Creature (2001)

We’re in Ireland, and the year is 1905. Two carnies, Angus Shaw and his infertile wife Lily, runs a fake mermaid show where Lily plays the role of a beautiful and enchanting mermaid. One evening, during one of their shows, a mysterious fellow named Mr. Woolrich appears and privately calls them out on their act, while at the same time appearing strangely relieved that Lily was, in fact, not a real mermaid. They offer him a ride home, where it’s revealed that he’s got a mermaid captured. A real one. Naturally, Angus wants to use this creature as part of the freak show, but Woolrich strongly warns against it. Not easily deterred, Angus later brings a few colleagues back with him to abduct the mermaid, and smuggles her aboard a ship in order to take her to America. Lily tries to object to this idea, but to no avail. And onboard the ship, the mermaid soon reveals her darker side…

 

She Creature is a 2001 made-for-TV horror film, directed by Sebastian Gutierrez (the title of this film was originally Mermaid Chronicles Part 1: She Creature, but there was never any part 2). It’s the first in a Cinemax film series called “Creature Features”, which were all paying tribute to the films of American International Pictures, where the titles are reused without being actual remakes. In this case, the title is borrowed from the 1956 film The She-Creature.

 

She Creature was shot in 18 days, and is a typical B-budget movie . It’s filmed in a style that resembles the old monster movies, and with taking place in the Victorian era there’s also some really atmospheric cinematography reminiscent of the old Hammer films. With the renowned Stan Winston as producer it also should come as no surprise that the special effects are pretty decent. The mermaid is also portrayed in a rather convincing way, possibly much due to the fake mermaid we witness early on at the freak show. The mermaid Lily plays there is so obviously over-the-top fake, that when we get to witness the real mermaid in a tank of water the contrast makes it come off as believable. The real mermaid does not sing, she does not talk (except from making a few sounds), and appear more like an intelligent animal with human features rather than any “little mermaid” by Hans Christian Andersen. This is no Ariel, that’s for sure…

 

Much of the atmosphere comes from the Victorian scenery and settings, fitting like hand in glove when constructing a horror tale with a blend of fantasy and gothic mystery. She Creature is by no means any masterpiece, but it’s a fun and slightly cheesy little throwback to the monster movie era with moody cinematography, good production design and some really cool CGI-free special effects. Overall, it makes for a pleasant little pearl of a gothic and aquatic creature feature film.

 

She Creature She Creature She Creature

 

Writer and director: Sebastian Gutierrez
Also known as: Mermaid Chronicles Part 1: She Creature
Country & year: USA, 2001
Actors: Rufus Sewell, Carla Gugino, Jim Piddock, Reno Wilson, Mark Aiken, Fintan McKeown, Aubrey Morris, Gil Bellows, Rya Kihlstedt, Hannah Sim, Jon Sklaroff
IMDb: www.imdb.com/title/tt0274659/

 

 

Vanja Ghoul