The Island of the Fishmen (1979)

The Island of the FishmenA married couple are being brought to an island, to explore a cave where there’s supposedly a treasure. Well, after some gory kill scenes (which is pretty much the only real gory scenes to be witnessed here) we realize that this opening was only set up so we could have some kill counts. Okey then, over to our main characters. We’re still in the latter part of the 1800’s, 1891 to be exact, where we’re introduced to some shipwrecked characters. A military doctor, Lieutenant Claude de Ross, and a group of convicts. After getting attacked by the mysterious fishmen we glimpsed in the opening scene, the remaining survivors washes ashore on what appears to be an uncharted Caribbean island. There, some more of them meet their unfortunate ends, and after fleeing through the jungle, Claude and the two last survivors meet a beautiful young woman named Amanda who warns them to leave the island. Uhh…yeah, I think they would if they could, lady. Soon they meet the villainous Edmond Rackham, who is obviously keeping secrets and knows everything about the alleged Fishmen. So does Amanda, apparently, when Claude spies on her one night where she goes into the water and feeds the fishmen some kind of strange milk-like liquid. While Edmond keeps acting more and more like a discarded James Bond villain, Claude eventually finds out the secrets of the Fishmen and the island.

 

The Island of the Fishmen is a horror film from 1979, directed by Sergio Martino. In 1981, approx. 30 minutes of footage from the original film was removed and replaced with new material for an international release by Roger Corman and his New World Pictures company, and this version of the movie was given the title Screamers. The original barely had any blood in it, while the Corman release decided to re-shoot new scenes which included the opening with the kill counts, to add some gore. They did a Shelby Oaks, in other words. Unfortunately, they didn’t just add some gore in Screamers: they also advertised the movie as something it definitely was not, providing a poster with graphics and taglines that promised a completely different film. They’re men turned inside out! And worse…they’re still alive! plus Be warned: you will actually see a man turned inside out. Nope, that’s pure BS, and totally misleading. But that’s enough of the film’s troubled and fucked up production and release, let’s talk a little more about the film itself:

 

The version we have seen is the Screamers one, and it’s obvious from early on that the movie appears to be struggling with some kind of identity crisis: the opening scene which was shot for the American release pretty much promises a goofy gorefest. It’s not. Then we have the crazy scientist meaning well but inevitably creating something horrible, a damsel in distress, a sunken city, an over-the-top villain, and of course a golden treasure to be found. In this boiling voodoo pot there’s so many ingredients that it almost feels a little disorienting. What offers the most entertainment value here is, of course, the fishmen in their goofy B-grade costumes, with their entry often accompanied by what sounds like an elephant trumpeting…and no, they do not have trunks. The locations and settings are nice enough, with the jungle, dilapidated old house and underwater scenery. The characters are mostly quite bland, though, with the exception of Edmond Rackham. Whenever that guy’s on screen it’s filled with his villainry and cheesy smirk-talking.

 

Overall The island of the Fishmen aka Screamers is kind of ridiculous, but not to such a point that it becomes hilarious. A little slow at times, especially after seeing the crazy opening scene which, although fun, didn’t tie well in with the rest of the movie. It’s still got a certain B-grade charm to it, with an adventurous flair. A fine summer watch if you want an adventure-based movie with Humanoids from the Deep-like monsters, where Roger Corman got involved and the fishmen still didn’t become a bigger threat to the women than the men (I can imagine he really wanted to make some changes there, though…)

 

In 1995, Sergio Martino directed a made-for-Italian TV sequel, which was called The Fishmen and Their Queen, aka Queen of the Fishmen.

 

The Island of the Fishmen The Island of the Fishmen

 

Director: Sergio Martino
Writers: Cesare Frugoni, Luciano Martino, Sergio Donati
Original title: L’isola degli uomini pesce
Also known as: Screamers
Country & year: Italy, 1979
Actors: Barbara Bach, Claudio Cassinelli, Richard Johnson, Beryl Cunningham, Joseph Cotten, Franco Javarone, Roberto Posse, Giuseppe Castellano, Franco Mazzieri
IMDb: https://www.imdb.com/title/tt0081467/

 

Vanja Ghoul

 

 

 

 

 

Sharktopus (2010)

SharktopusNathan Sands is a geneticist (or just a mad scientist, if you will) who has been hired by the U.S. Navy to create a new weapon. Together with his daughter Nicole, they have created a large intelligent shark with the tentacles of an octopus, because that sounds like an excellent idea where nothing can go wrong. A sharktopus, in other words, but for some reason they have decided to simply call it S-11. They control the creature by using a device on its head, which gives electromagnetic pulses. Because an attachment to such a creature’s head which is the entire means of control over it sounds like the greatest idea ever, right? Well, as can easily be imagined, the S-11 gets rid of the annoying device, and swims along to Mexican waters to create some mayhem and perhaps enjoy some human burritos. Sands and Nicole must find someone that can help them capture the monster, and meets up with a cocky dude named Andy Flynn who is apparently the most suited for the job. The catch is: the monster must be captured alive. Easier said than done! As Nicole and Andy tries to follow its tracks, a pesky news reporter called Stacy Everheart and her henpecked cameraman Bones starts pursuing the story of the year.

 

Sharktopus is a SyFy horror film produced by Roger Corman and directed by Declan O´Brien, which later sparked a franchise. And ohhh boy, could this one have been a total rotten fish of a stinker if it wasn’t for the obvious tongue-in-cheek approach and the self-awareness displayed here. It’s made as a so-bad-it’s good movie, and that is a much harder achievement than one might initially expect. Few movies that aim for this setup manages to pull it off, but Sharktopus is one of those exceptions. It delivers exactly what it promises, and you’d have to be an idiot if you were to take it seriously for even a split second. It’s yet another movie where I’m glad we have badges instead of ratings here on Horror Ghouls…

 

The setup is pretty simple: crazy scientist creates monster, monster runs amok, heroes must stop it. The characters are pretty bland, with Eric Roberts as Nathan Sands being the most decent of the bunch. That being said, the over-acting and clunky performances from several of the actors here is what offers some decent laughs, plus the hilarious kill scenes mixed with bad CGI effects. Not to mention campy lines like:

 

Oh no, not like this! Arrrgghhhhhh! (while attempting to convince the viewer they have really been caught by those crappy CGI tentacles)
Damn you Sharktopus!
You can stop staring at my rack. They’re just boobs. They’re not gonna get up and dance or anything.
That guy was killed in front of us inches away. Inches away! Gosh. He was kind of a nice guy, you know? Smell a little funky, but he was okay. Now he’s dead.

 

Yeah…if I haven’t made it pretty clear already, Sharktopus is indeed a horrible movie, but for all the good reasons. It’s a lot of stupid fun, and a nice watch for the shark week!

 

Also, in 2023 the movie actually had a remake…from China, of all places. And to be honest it looks more like they tried to make a remake of Deep Rising. Currently not available officially anywhere outside of China…but as of now, there’s YouTube…and here’s a link to the trailer.

 

Sharktopus Sharktopus

 

Director: Declan O’Brien
Writers: Mike MacLean, Stephen Niver
Country & year: USA, 2010
Actors: Eric Roberts, Kerem Bürsin, Sara Malakul Lane, Sara Malakul Lane, Héctor Jiménez, Liv Boughn, Julian Gonzalez Esparza, Blake Lindsey, Peter Nelson, Maija Markula
IMDb: https://www.imdb.com/title/tt1619880/

 

Vanja Ghoul

 

 

 

 

 

Humanoids from the Deep (1980)

Humanoids from the DeepIt’s summer and the place is a sleepy hillbilly fishing town, Noyo, in northern California, where the local women are starting to get raped by humanoid fish monsters. Some context: it all starts with a fishing trip going horribly wrong when they catch one of the humanoids in their fishnets. It goes from bad to worse when the fisherman’s young son falls overboard and gets pulled under the water and killed. The boat gets blown to pieces when a flare gun accidentally fires into the gasoline-soaked deck.

 

Fishmonsters must be on everyone’s mind who witnessed it, right? Of course not. The locals suspect Johnny to have caused the explosion, because he’s an Indian and those who died on the boat didn’t like those kinds of people. Racist alarm. Well, there’s not much of a mystery here as the viewer is fully aware of what really happened. A dog disappears and gets found by the shore, totally mangled. Poor doggie. But that’s not the only one, as all the dogs in town have been brutally killed overnight and discarded like trash by the docks. And the only dog left alive is Johnny’s, the Indian guy. Not the greatest start when the town is preparing for a festival, sponsored by the legendary Olympia Brewing Company.

 

It gets more serious when more townspeople are getting killed. The schlock elements really kicks in with a teenage couple having a swim at the beach and getting attacked by some humanoids. Here we see them in full costume, which actually doesn’t look too bad. But that’s until we see them in motion, because actors in big, heavy rubber costume suits are not a good combination. A scientist, Dr. Susan Drake, enters the scene to get to the bottom of the case and her research can inform us that the town is being plagued by mutated salmons.

 

Killing dogs is one thing, but the most alarming thing must be that the humanoids rape the female victims, something that was not originally included in the rough cut. First-time film director Barbara thought a rape scene with a rubber-looking fishmonster would look dumb. She has a point, though. And her being a feminist, she refused to film such a scene. Roger Corman (RIP) was a producer on this thing, which explains a lot as his fingerprints are spotted all over the place. But why he hired a female feminist to direct under his New World Picture company is a ball-scratcher. Well, he never hired a woman to direct again. So, he fired Barbara (even though she’d already completed the principal shooting) and hired Jimmy T. Murakami (Battle Beyond the Stars, When the Wind Blows) to shoot the scene. Corman got some backlash for this, so for the hell of it, he recycled it one year later in Galaxy of Terror with a giant, horny maggot.

 

Another fun trivia: actress Ann Turkel, who plays the scientist, once said why she chose to do this film: It was an intelligent suspenseful science-fiction story with a basis in fact and no sex. It also had the working title Beneath The Darkness, which she loved. Oof, talk about being totally duped. Roger Corman, you little rascal. Because, not only did Corman add more scenes of graphic nudity, and spiced up the sleazy nature and monster rapes to amp up the schlock elements, he also changed the title to Humanoids from the Deep, which Turkel of course hated.

 

The script is very unfocused which blends some out of place slasher elements with melodrama between the Indian and the other locals that escalates into cheesy mass-fistfights while we’re waiting for some fishmonster action. It’s still a silly, entertaining and campy B movie that walks the tiny line between the more wooden Z movie territory. Surely not a masterpiece. The climax at the carnival is a highlight where we have some really bad acting to laugh at, and the film is as cheesy and fun as the title suggests. The awesome cover art for the Blu-ray does not lie, in other words. The gore is minimal, though, so don’t get too excited. But the little we have is pretty solid. Some of the makeup crew later worked on films like Cocoon, RoboCop, The Blob, Night of the Creeps, Blade II and more, so that should say something. It’s also worth mentioning that the film has the first musical score by James Horner, who was to become one of the most prolific composers in Tinseltown.

 

Humanoids from the Deep Humanoids from the Deep Humanoids from the Deep

 

Director: Barbara Peeters
Writers: Frank Arnold, Martin B. Cohen, William Martin
Country & year: USA, 1980
Actors: Doug McClure, Ann Turkel, Vic Morrow, Cindy Weintraub, Anthony Pena, Denise Galik, Lynn Theel, Meegan King, Breck Costin, Hoke Howell, Don Maxwell, David Strassman
IMDb: https://www.imdb.com/title/tt0080904/

 

 

Tom Ghoul

 

 

 

Galaxy of Terror (1981)

Galaxy of TerrorAfter making fifty-plus films since 1955, Roger Corman was tired of directing and stepped down as a producer. The guy is now 97 years old and is still working in the business. Salute! With his company, New World Pictures, he hired young talents who would later work in big Hollywood films. And Galaxy of Terror is more or less his trademark film with the ingredients Corman got notoriously known for: schlock and awe with tons of entertainment value. Galaxy of Terror had a budget of 1.8 million dollars and was filmed in Roger Corman’s backyard in Venice, California.

 

The film starts with a space guy who runs from someone, or something, in a spaceship which has crashlanded on the mysterious planet Morganthus. He gets brutally killed by an unseen force which we soon learn comes from a huge, futuristic-looking pyramid not so far from the crashing site.

 

We’re not on Earth, however, but on planet Xerxes where an obscure ruler called Planet Master whose face is covered with a red, gloving dot is ordering the crew of the spaceship Quest to go on a mission on the same planet we saw in the beginning. Why? That’s a good question. We meet our crew of ten: Cabren, Alluma, Kore, Baelon, Ranger, Dameia, Quuhold, Cos, Captain Trantor and Commander Ilvar. The two most familiar faces we see here are Sid Haig, 22 years before he became a more household name as the killer clown Spalding. The other one is Robert Englund, three years before he wrote film history with his killer glove.

 

As the crew lands on the planet, they are quick to discover the pyramid, which they decide to investigate. And what they encounter as soon as they even touch the pyramid are not scary aliens, but a manifestation of their own deepest fears which are ready to kill them in the most brutal ways.

 

Visually, the film takes a lot of inspiration from Alien and copies the style of H.R. Giger with some mixture of 1950s sci-fi. So it’s no wonder it’s been called a rip-off of that film. But that’s only on the surface. Plot-wise, Galaxy of Terror goes in its own unique direction whereas Event Horizon took the concept to the more extreme.

 

The most remarkable thing here is the set-design and overall look of the planet, which was constructed by a young workaholic by the name James Cameron. He worked day and night on the set, also as a second-unit director, to prove himself, and so he did. Much of the visual style was also used some years later in Aliens which explains some of the similarities. The spaceship hallways were set up in Roger Corman’s own house.

 

And with that being said, the film has enough of schlock and fun B-movie moments to get entertained by. There’s some very wonky and eye-rolling dialogue here and no one can blame Sid Haig for demanding to play his character as a mute. That was only until he had to say his one line I live and I die by the crystals.” And sure he did. RIP. The acting is overall decent and they do the very best of what they had to work with. We have some great and fun death scenes that include a victim getting sucked by some tentacles with the most cartoonish slurping sound effect. Robert Englund fights an apparition of his dark self (an early glimpse of Freddy, perhaps?) while the others among the crew get burned alive and blown to pieces.

 

And, of course, what is Galaxy of Terror without its classic rape scene? And not just any rape scene, but with a huge, slimy maggot! Director Bruce Clark refused to film it, so Roger Corman had to step in and do it instead. He’d already gotten some flak for filming a rape scene in Humanoids From the Deep the year before where a fish monster fucks one of the victims. So this was clearly right up his alley. The blonde actress Taaffe O’Connell got the pleasure of almost getting killed when the thing almost squeezed her to death, completely naked and covered in slime, during filming. Luckily, she survived and looks back at the incident with a great sense of humor. This scene had to go through the editing process three times before it got an R rating instead of an X. This was originally meant to be a morbid love scene where Taaffe moans like a porn star and literally dies of an orgasm overdose. Anyway, it became the film’s big money shot, which Robert Englund can tell when a film critic in a suit and tie once came to him shortly after the release and said: You were MARVELOUS in that film where the giant maggot FUCKED THE GIRL!”

 

Galaxy of Terror Galaxy of Terror Galaxy of Terror

 

 

Director: Bruce D. Clark
Writers: Marc Siegler, Bruce D. Clark
Country & year: US, 1981
Actors: Edward Albert, Erin Moran, Ray Walston, Bernard Behrens, Zalman King, Robert Englund, Taaffe O’Connell, Sid Haig, Grace Zabriskie, Jack Blessing, Mary Ellen O’Neill
IMDb: https://www.imdb.com/title/tt0082431/

 

 

Tom Ghoul

 

 

 

The Evil (1978)

The EvilThe caretaker Sam is about to check on a big, empty, victorian house that was built during the civil war, and is now filled with dust and cobwebs. It’s broad daylight and he’s still scared shitless to go inside. He starts right away to hear noises that leads him down to the basement (of course) where he suddenly bursts into flames and never gets heard from again. Then we get introduced to the couple C.J and Carol, two doctors who buys the house and plans to open it as a rehabilitation center. The house is in need of fixing and the doctors gathers a team to do the renovation work. And nothing goes wrong from here on. Just kidding.

 

Since the house is filled with ghosts, Carol soon discovers her ability as a clairvoyant, and starts to see ghosts just minutes after they enter the house, which only she can see. Her husband, C.J, doesn’t believe her, of course. Statue heads starts to move by themselves, fireplaces suddenly lit up, and they find the body of Sam, hidden in a dumbwaiter, crisp as a fried chicken. And as C.J opens a mysterious trap door in the basement, which unleashes diabolical forces, the house locks itself down and traps everyone in it.

 

The Evil is a film that you can call an “obscure little gem”, co-produced by Roger Corman. The setting in the old mansion is pretty cool, which gives a great place for a cat-and-mouse scenario where our characters are being terrorized by an evil unseen  force. People are being electrocuted by flying wires, one of the ladies gets brutally assaulted, Invisible Man-style, while we hear a cheesy, evil laugh in the background. Even though the directing is real solid and stylish with a raw, thick 70’s atmosphere, I couldn’t call it scary, but it has a lot of unpredictable entertainment value, and has a complete oddball ending that took me off guard.

 

The Evil

 

Director: Gus Trikonis
Country & year: USA, 1978
Actors: Richard Crenna, Joanna Pettet, Andrew Prine, Andrew Prine, George O’Hanlon Jr., Lynne Moody, Mary Louise Weller, Robert Viharo, Victor Buono, Milton Selzer, Ed Bakey, Galen Thompson, Emory Souza
IMDb: www.imdb.com/title/tt0077524/

 

Tom Ghoul