Nick O’Bannon and his girlfriend is watching an auto race, together with some of their friends. Then (of course) Nick is having a premonition: a terrible accident that happens on the racetrack. After the premonition is over, and he starts noticing certain details that proves to him that this will actually happen, he starts to panic and brings along several other people with him outside of the stadium: his girlfriend Lori plus their friends Hunt and Janet, and also a racist truck driver named Carter, a woman named Samantha, a security guard named George, and mechanic Andy and his girlfriend Nadia. Once they’re outside, the accident happens and while you could’ve thought they were all safely out of reach, a stray wheel comes out of the stadium which decapitates Nadia. Carter also wants to run back inside the stadium because his wife is still there, but George manages to stop him from running into his certain death. Later, Carter has decided to give George a proper thanks for saving his life by driving to his house at night with plans of burning a cross on his lawn. In his distorted, racist mind it was George’s fault that his wife died (or the jackass probably just needed someone to blame, even if it was the man who saved his life). Death has other plans, though. The wind knocks off a horse hoof that was hanging from a rope on to the radio of Carter’s tow truck, where the song “Why Can’t We Be Friends“ starts playing (obviously, Death’s got a sense of humour). The truck starts driving by itself, letting loose a towing chain onto the road. It all ends with Carter getting wound up on the chain, dragging him down the street while sparks cause the chain to catch fire. That’s one of the survivors down. It doesn’t stop there, of course, as more of the survivors keeps dying in strange ways. Nick eventually becomes convinced that Death is coming for them all.
The Final Destination (aka Final Destination 4) is the 4th movie in the Final Destination franchise. It was released in 2009, as one of those 3D movies. The previous film, Final Destination 3, was originally supposed to be the final film, making the series a trilogy. But as already mentioned in that review, there would be no premonition needed in order to foresee that there would be a 4th film sooner or later. James Wong was originally on board to direct this one, but he had to drop it due to scheduling conflicts. Then, David R. Ellis returned (director of Final Destination 2). This movie ended up being the highest grossing of all the Final Destination films so far with $28 million on its first weekend (thus beating Rob Zombie’s Halloween II the same year) and with $187 million worldwide. There’s a sixth movie coming soon, so let’s see if that record gets broken then.
As mentioned, this movie was made with 3D effects. And, uhm… like in most 3D films… the effects haven’t really aged that well. They are not outright horrible per se, but they’re more likely to bring out a few chuckles here and there. As always, though, it’s the lead-up to the kills that brings the entertainment value. There’s some pretty decent gore, and Death is as playful as ever, having as much fun as possible while killing the characters off in all kinds of ways.
The Final Destination brings more of what you’ve already seen in the previous movies. It’s like that ordinary yet fulfilling meal you decide to eat on a lazy day: it’s nothing great, but keeps you content and does what it’s supposed to do. With a Final Destination movie you know pretty much what to expect.
Director: David R. Ellis Writers: Eric Bress, Jeffrey Reddick Country & year: USA, 2009 Actors: Bobby Campo, Shantel VanSanten, Nick Zano, Haley Webb, Mykelti Williamson, Krista Allen, Andrew Fiscella, Justin Welborn, Stephanie Honoré, Lara Grice, Jackson Walker, Phil Austin IMDb: https://www.imdb.com/title/tt1144884/
Inspired by a true story, Lullaby tells the tale of a refugee who is haunted by a devastating incident from her past.
Another Horror Short Sunday is here again, and this time we’re taking a look at Lullaby. A horror short film about a mother who is both figuratively and literally drowning in grief..
Director: Chi Thai Writer: Chi Thai Country & year: UK, 2024 Actors: Le Thi Tu Anh, Rei Sayuri Hatchard, Jan Le IMDb:www.imdb.com/title/tt27788616/
Wendy Christensen is a high school student who goes together with her boyfriends and some friends to have a good time at an amusement park in Pennsylvania. They’re going to board the Devil’s Flight roller coaster (nothing bad can happen on a ride with such a name, right?), but of course Wendy has a premonition that promises total mayhem as lots of people die during the ride due to a dropped camcorder that lands on the roller coaster’s eroded tracks. Following the same formula as the previous films, Wendy sees everyone (including herself) die horrible deaths, and afterwards she freaks out and tries to warn everyone. A total of nine passengers decide to get off due to her hysteria, but several others still remain on the ride, including her boyfriend Jason. And those people all die of course. So, what happens next? Well, you guessed it: the survivors are dying one by one under mysterious circumstances. Kevin, one of the survivors, tells Wendy about the Flight 180 incident (from the first film), and they realize they are in the same situation.
Final Destination 3 is the third film in the Final Destination franchise, and it was directed by James Wong and released in 2006. While Final Destination 2 was very much a direct sequel to the first film, this one was envisioned as a stand-alone film. And just like with the earlier films, few critics gave very favorable reviews but it still became yet another financial success, with a box office of nearly $118 million which made it the highest grossing of the three current films at the time. It was originally intended to be the final part of the series, with the original title actually being Cheating Death: Final Destination 3, where they intended to make it a trilogy. Hah! As if. O f course you don’t just drop something that keeps making bank with every movie that’s being made.
The idea for this film actually came from an incident in Disneyland, the happiest place on Earth (obviously not always, though). Wong said he was inspired by a 2003 Big Thunder Mountain Railroad incident, where a derailment occurred where one man died and 10 others were hurt. So while the first film stirred the fear of traveling by plane, and the second film reminded us how dangerous the highways can be, this third film evokes the fear of roller coasters and how utterly helpless you are if something bad happens. The cast members couldn’t have had much fear of rides like this, though, as they had to ride the roller coaster a total of 26 times on the same night (!) in order to shoot all the scenes for Wendy’s premonition. Must’ve been a blast!
By watching this third film, you can’t blame anyone except yourself if you expected something very different from the first two. Once again the main focus is centered around the deaths and all the details that leads up to them, where you keep wondering how everything will unfold. Sometimes it feels like watching Death playing a point ‘n click game where all kinds of small things eventually lead up to the death of the current victim. As always, the deaths are often over-the-top and cheesy, but that’s just part of the entertainment value in these movies.
Final Destination 3 is more of the same, but still just as much fun.
Director: James Wong Writers: Glen Morgan, James Wong, Jeffrey Reddick Country & year: USA/Canada, 2006 Actors: Mary Elizabeth Winstead, Ryan Merriman, Kris Lemche, Alexz Johnson, Sam Easton, Jesse Moss, Gina Holden, Texas Battle, Chelan Simmons, Yan-Kay Crystal Lowe, Amanda Crew IMDb: https://www.imdb.com/title/tt0414982/
It’s been one year since the fatal Flight 180 explosion, and shit’s about to happen all over again. Just on the ground this time, not in the air. College student Kimberly Corman is going on a spring break with her friends, and they’re heading for Daytona Beach, Florida. Just like in the previous film, our protagonist has a premonition: on the highway, a deadly pile-up is caused by a logging truck. Realizing that this is actually going to happen, she panics and stalls her car on the entrance ramp, which prevents a lot of other people from entering the deadly highway. Everyone’s pissed off, and when a state trooper begins questioning her, the pile-up occurs right in front of their faces. Despite Kimberly’s attempt to save her friends, however, fate (or Death himself) instantly made other plans: instead of her friends being killed off in the way she saw in her premonition, they are all killed when getting hit by a car carrier while the state trooper manages to push her aside at the last second. Still, there’s a lot of other survivors that would otherwise have died in the pile-up since Kimberly blocked the road prior to the accident. How will Death pick them off one by one this time?
Final Destination 2 is a supernatural horror film from 2003, and it is the sequel of Final Destination from 2000. It’s directed by David R. Ellis, with screenplay written by J. Mackye Gruber and Eric Bress. The first movie became a financial success despite rather low ratings from the critics, so of course a sequel had to be made. This movie received mixed reviews, and grossed $90 million internationally. So, yup, another commercial success without a doubt. At this point you didn’t need to get any premonitions in order to foresee that this would be a horror franchise with many sequels to follow.
So, how does the second film differ from the first? Just as much as two Tom & Jerry cartoons differ from one another, more or less. It’s the same premise over again: person gets a premonition of impending death, manages to save themselves and some other people’s asses, and then Death kills them off one by one in the most “random“ ways possible. This one is a bit more bloodier and gorier than the first, and the kills are always a load of fun. Granted, the CGI effects aren’t really that much to write home about, but it’s all about the build-up before the actual killings happen.
Final Destination 2 is, just like the first, a fun popcorn-entertainment horror movie that follows the same formula as the first, but still manages to be entertaining and a lot of fun.
Director: David R. Ellis Writers: J. Mackye Gruber, Eric Bress, Jeffrey Reddick Country & year: USA/Canada, 2003 Actors: Ali Larter, A.J. Cook, Michael Landes, David Paetkau, James Kirk, Lynda Boyd, Keegan Connor Tracy, Jonathan Cherry, Terrence ‘T.C.’ Carson, Justina Machado, Tony Todd IMDb: https://www.imdb.com/title/tt0309593/
Being a mother is supposed to be joyful. Being a child is supposed to be fun. Having a family is meant to be life-affirming. But nothing in this home is like it’s supposed to be.
Horror Short Sunday again, and this time we’re taking a look at Wash. In this horror short from Sweden, it isn’t only the washing machine that gives off ominous vibes..
Alex Browning is a high school student who is going on a trip to Paris with his other classmates. He boards Volée Airlines Flight 180, but before the takeoff he has a premonition where he sees how the plane explodes in the air, killing everyone on board. He starts panicking, screaming that there will be an accident, and he is removed from the plane. Several of his friends and some other classmates follow him, including one of the teachers. They don’t believe him, of course,with the exception of one: Clear Rivers, who found his reaction so believable that she also decided to leave the plane before takeoff. Afterwards, they can see that the plane explodes shortly after takeoff. Huh! So Alex wasn’t just a crazy loon after all. Naturally, him predicting this beforehand makes him suspicious, and he is interrogated by the FBI. Suspicious or not, it’s pretty clear he doesn’t have anything to do with the accident, and he is just one of the lucky people to be alive. Or…that is, until the survivors keep getting killed in freak accidents. It seems Alex has disrupted Death’s plan, and the lives are now being claimed in the order they would have died if they hadn’t left the plane.
Final Destination is a supernatural horror film from 2000, directed by James Wong. The screenplay was written by Wong, Glenn Morgan, and Jeffrey Reddick, and it was based on a story by Reddick that was originally written as a spec script for an episode for The X-Files. The movie became a financial success despite receiving mostly negative reviews from the critics, making $10 million on its opening weekend. There has since been 5 other films made, with the 6th is heading to the theaters later this month.
What makes Final Destination, and all its sequels for that matter, so entertaining is it’s rather simple premise that still opens up for so many ideas. How many ways are there to die? More than we could possibly fathom. Everyday situations, household items, everything can literally turn into a death trap if the circumstances are right. And while the film series could have become too repetitive, it still manages to serve up so many inventive ways of how people could die in the most unexpected ways possible. In this first movie, the first death provides the classic formula for many of the deaths: several things happen which makes you constantly wonder how the person will get killed off, often with a few red herrings thrown at us as well. Many of the deaths are shown in a slightly cartoony way, sometimes with a bit of gore (although no excessive amounts). Storywise, the suspense mainly lies in how our protagonist, Alex, tries to figure out a way to beat Death while getting help from Clear, the only one who truly believed him right from the start.
Final Destination is a fun popcorn horror movie, where the many ways to die in otherwise normal, everyday situations is the fun part. And while this movie probably didn’t have the same effect as Jaws had on its beach-lovers, I can guess it at least gave a few people the jitters if they were traveling by plane shortly afterwards..
Director: James Wong Writers: Glen Morgan, James Wong, Jeffrey Reddick Country & year: USA/Canada, 2000 Actors: Devon Sawa, Ali Larter, Kerr Smith, Kristen Cloke, Daniel Roebuck, Roger Guenveur Smith, Chad Donella, Seann William Scott, Tony Todd, Amanda Detmer, Brendan Fehr IMDb: https://www.imdb.com/title/tt0195714/
We’re in 1932, where the twins Smoke and Stack have returned to the Mississippi Delta after having spent years in Chicago working for the mafia. They’re back with a lot of money stolen from the gangsters, and they have decided to purchase an old sawmill in order to build a juke joint for the local black community. Along the way, the bring with them other people, including their young cousin Sammie who is an aspiring guitarist. His father is pastor Jedediah, who warns him that blues music may one day invite the devil into his life. “If you keep dancing with the devil, one day he’s gonna follow you home“, are his words of warning. Well, whatever…young Sammie still brings along the guitar and plays on the juke joint’s opening night. The music does indeed draw the attention of someone, who also appreciate music that comes straight from the soul…
Sinners is a horror period drama with musical elements. It was written, co-produced and directed by Ryan Coogler. The movie originally began development through Coogler’s production company Proximity Media in January 2024, but already the next month Warner Bros. Pictures acquired the distribution rights during a bidding war, and afterwards casting for additional roles took place in April. Ludwig Göransson, who has been a longtime Coogler collaborator, composed the film’s score and also served as an executive producer. The movie was filmed primarily in New Orleans and the surrounding areas of Louisiana. Coogler revealed that one of his major inspirations for the film was the novel Salem’s Lot by Stephen King, and a Rod Serling’s The Twilight Zone episode called The Last Rites of Jeff Myrtlebank. Another source of inspiration was his late uncle, a man named James who lived in Mississippi and loved blues music and Taylor Whiskey.
The movie has received an unanimous amount of praise, and is already deemed the best (or one of the best) horror movies of the year. Prior to seeing this film I had not only taken notice of all the praise, but also seen headlines that were comparing it to From Dusk Till Dawn (1996), which set the bar pretty high. Sure, the movie’s got a bar and vampires, but Club Juke certainly ain’t no Titty Twister. And while I enjoyed the movie for the most part, I’m glad I toned down the expectations a lot prior to going into the big screen.
I’ll start with the positives: first and foremost, the movie looks great, the visuals are really gorgeous. I also enjoyed the somewhat slow build-up when introducing the characters, where our protagonists are set to put together their little joint. Almost felt like the set-up in a video game where you need to talk to all the npc’s who each can provide something for your “build the juke joint“ quest. I also enjoyed the musical parts quite a lot. There’s a scene where Sammie starts playing his guitar and sings, and everything transcends into a slightly surreal montage where musicians from both the past and the future are present: we see characters among the juke joint’s patrons who are obviously from modern day, as well as tribe people from a long gone past, all joining in the music and providing an excellent visualization of how music connects us throughout the ages. Despite this musical number’s greatness, however…just like in the old classic Disney movies and many other musicals, the villain gets the best song. The lead “vampire“, outside the joint stack, leads his vampire minions in a ring while starting to sing an Irish Jig, which increasingly builds up its crescendo and provides music that sounds both jolly, slightly evil and slightly primal at the same time, providing a perfect counterpoint to the previous musical number and once again showing the connection effect of music from both new and old times. To be honest, these were the parts I enjoyed the most since the musical numbers here were used in a way to enhance the story and character’s motivations (rather than just being a song played in the background).
The things I didn’t particularly care about, was the amount of excessive dialogue where some if it became simply too repetitive, which caused some pacing issues. Another major disappointment is the invasion scene where the vampires finally enter the building at last (isn’t really much of a spoiler, it’s a part that you knew would inevitably happen). It felt too disjointed and underwhelming, and I simply could not help having the From Dusk Till Dawn invasion in mind, and thinking how so much of that epicness was missing here. There were some mentions of the KKK earlier on in the film, and I was actually hoping for some crazy, epic fight where the Klan would come to the place and get killed off by the vampires (preferably in the most gruesome ways possible) while the survivors inside the joint would have to fight and conquer both threats. No such luck, though. There were also a tribe of Native Americans introduced in the middle of the film, which were vampire hunters (or something..?) and we never get to see them anymore.
Overall, I think Sinners is a pretty good period drama movie with some great musical elements and horror mixed in, and while I wasn’t as “blown away“ as the majority who watched the movie seems to have been, I could easily appreciate the movie’s higher notes and qualities.
Writer and director: Ryan Coogler Country & year: USA/Australia/Canada, 2025 Actors: Miles Caton, Saul Williams, Andrene Ward-Hammond, Jack O’Connell, Tenaj L. Jackson, Michael B. Jordan, David Maldonado, Aadyn Encalarde, Helena Hu, Yao, Sam Malone IMDb: https://www.imdb.com/title/tt31193180/
An overworked single mother encounters a bloodthirsty inter-dimensional demon – and possible salvation – in the laundry basket.
Horror Short Sunday has yet again arrived, and this time we’re taking a look at Lode. A fun horror short about a single mother nearing the end of her breakdown. Of course it doesn’t help with an adult son who can’t even be arsed to wash the dishes or do his own laundry. Something in the laundry basket is ready to change things, however (poor doggie, though..)
Director: Theo Watkins Writer: Theo Watkins Country & year: UK, 2024 Actors: Rory Alexander, Daisy Beaumont, Tamzin Outhwaite IMDb:www.imdb.com/title/tt32537771/
– You’re just inches away from a fate worse than death. And that is directing Klaus Kinski!
It should be a big red flag when you have an old weirdo named Karl Gunther who owns an apartment complex which he only rents out to young women. And especially when he looks like Klaus Kinski. But there’s nothing shady about him, how could there be with those blue, warm and kind eyes? He only likes to kill some time by crawling around the air vents like a rat and spying on the tenants while they do their daily things, like having girls parties with tequila mixed with milk (yuck), and dates with cringe sex acts. Because when you couldn’t stalk people through social media and webcams, like today, you had to be more creative and use your imagination, like this Gunther guy.
And in his secret little attic apartment he has his small collection of bodyparts in jars, building death traps, and where he writes his secret journal while he has a cute, little white kitty to keep him company. And don’t worry, nothing bad happens to the cat… ha-ha. He also has an another pet, and that is a woman trapped in a cage who has gotten her tongue cut off. Between the killings, Gunther plays Russian Roulette as a form of self-punishment. If the bullet goes off, well, it’s game over. If not, so be it, and over to the next victim. As Gunther does his normal business by stalking and murdering his female tenants one by one, he, one day, gets an unexpected visit by a young man who’s about to expose his dark and shady past, which explains one thing or ten about Gunther’s murder tendencies. You can be happy to confront him, by all means, but not sit too comfy in his chairs…
And if the building looks somewhat familiar, it’s because it’s the same set-design used in Trollthe same year. But the real troll in this place, is none other than the goblin, the myth, the monster himself: Klaus Kinski.
Crawlspace is written and directed by David Schmoeller and produced by Charles Band’s Empire Pictures. And of course, talking about this particular film is impossible without diving into the behind-the-scenes madness, which is more entertaining than the film itself. Because David Schmoeller was highly excited to work with Klaus Kinski, after watching him in the great Werner Herzog films. To do some quick background checks on Kinski, David Schmoeller contacted the previous director he worked with (Ulli Lommel, I’d guess). He said that Kinski was wonderful to work with and nothing but a good experience. Had he spoken with Herzog instead, God knows how that conversation would have turned. In other words: He was completely oblivious to what kind of a deranged madman he really was and the radioactive shitstorm that would follow him. It wasn’t after he read an interview with him in the Playboy Magazine that he knew that he was in big trouble. “Oh…“. Yeah, you can say. Enjoy the Klaus Kinski Crazy Train!
On day three of shooting, Kinski went on full war with the crew that escalated into six fist fights. And that’s just him warming up. He refused to follow basic orders, such as start acting when hearing “action“. He would instead scream and yell: Action! Action! Action! I’ve made over 200 movies and directors always saying action! So, instead of “action“, Schmoeller said: Light, camera, roll … Klaus. That form of ego boost worked for a day and a half until Kinski suddenly started screaming again. Klaus, Klaus, Klaus..! All my life, directors have called Klaus! … facepalm.
So, if the director couldn’t say “Klaus“ to start the scene, what should he say then? Kinski replies: Say nothing. I start when I’m ready. Alright then. But the madness is far from over. Because after Schmoeller says “cut“, Kinski screams again and yells: Cut! Cut! Cut! I’ve made over 200 movies and the directors are always saying cut! He points at the director and says: Don’t say cut. I stop when I’m finished.
Kinski would never do a take two, because why should he. He was the best, after all, he just always happened to be surrounded by a bunch of mongoloid amateurs ( the viewpoint by none other than Kinski, der meister himself ). According to the commentary track by writer/director David Schmoeller on the Blu-ray, Kinski would cut lines and refuse to say certain important plot-related dialogues which Schmoeller assumed he just forgot. He would reply with I didn’t forget, I just didn’t need to say it. The only way Kinski would say these lines was after Schmoeller had to go to him and say You know what, Klaus, I don’t think you need to say this next line. Kinski would then disagree and say Yes, I do. It’s an important line. Bro, talking about pure tiresome childish mindgame fuckery mixed with a handful of deep-rooted borderline narcissism. But a big thanks to the goldmine of funny trivia.
Due to all the Kinskiness, the twenty days-shooting schedule had to be extended by ten days. They also had to have some of the crew members on his tail when he was out for lunch, like a wild dog on a leash, so they could bring him back to set to finish the movie. Because hiring Klaus Kinski was far from cheap where his name alone was a big selling point, and there was no budget to replace him. And speaking of hiring Klaus Kinski and the risk that he would sabotage the whole film, listen to this: The Italian producer, Roberto Bessi, actually wanted to kill off Klaus Kinski so that they could have his insurance money. Yes, really. David Schmoeller made a short documentary in 1999 titled Please, kill Mr. Kinski where he goes more in detail. This was not the first time someone behind the scenes wanted to delete him though. During the making of Fitzcarraldo (1982) one of the natives offered director Werner Herzog to kill Kinski. Herzog wisely decline, because, well, he needed the bastard to finish the film. And the same said David Schmoeller as he also was hellbent to survive the Kinski Crazy Train, because that in itself is always worth a golden medal.
I really hope that some day a biopic of him gets made, because the sheer absurdity that was the demented world of Klaus Kinski is something that no one could make up, not even Chris Chan. Just watch the five films he made with Werner Herzog, the documentary My Best Fiend Klaus Kinski, his insane directorial acid-trip delirium Kinski Paganini, which also became his last film before he died of a heart attack in 1991 at age of 65. Then we have a series of his bizarre public outbursts, and the cultural trainwreck fiasco that was his short-lived tour as Jesus Christ Savior that was canceled after one show because he couldn’t keep himself together. And that’s just the surface. Because when you dig deeper into the Klaus Kinski iceberg, we also have the sexual abuse/rape/incest allegations, which is a whole horror story by itself for a Netflix miniseries. Bill Skarsgard would be a great choice to play Klaus Kinski.
Uhm, what the hell was I originally talking about… yeah, Kudos to David Schmoeller for being able to end up with a polished-looking film, considering the circumstances. It has some stylish qualities with some slick camerawork and cinematography, especially during the last act where Kinski chases the final girl through the crawlspaces on a trolley. Despite the behind-the-scenes insanity, Kinski does a great, and sometimes an eerie/mesmerizing performance here, and his far more soft-spoken to almost whispering approach adds to the creepy/weird factor, a stark contrast from his megaphone-loudmouth that we’re mostly used to. Much of the horror relies on the psychological aspects where our man, Gunther, only leaves the victims as morbid corpses after killing them off-screen, except for two, if I remember correctly. It’s also obvious that David Schmoeller used all his writing juice on Karl Gunther, where the moldy leftover dialogue went to the rest of the cast, who have as much personality as rubber sex dolls. And the final girl isn’t much to root for, to be honest. The only woman here who actually does a convincing job is the mute one in the cage who emotes with her scared and traumatic eyes.
At the end of the day, Crawlspace works maybe more as a curiosity for the die-hard Klaus Kinski fans, and he’s the sole reason to give the film a watch, like most of the Kinski films. Or just to quote the director himself: Crawlspace is not a particularly good movie, except for the fact that it has Klaus Kinski in it.
Writer and director: David Schmoeller Country & year: USA/Italia, 1986 Actors: Klaus Kinski, Talia Balsam, Barbara Whinnery, Carole Francis, Tane McClure, Sally Brown, Jack Heller, Abbott Alexander, Kenneth Robert Shippy IMDb: https://www.imdb.com/title/tt0090881/
Wilbur Gray (Peter Cushing) is a horror writer who is preparing to show off his latest work to his sceptical publisher. With this, he’s going to reveal something truly sinister: that cats are supernatural creatures who’s got all of humanity in their controlling claws! Wilbur ventures off in the dark to visit his publisher, and a black cat appears to be following him. Inside his publisher’s abode, Wilbur also discovers that this man owns a white, fluffy Persian cat named Sugar. A fitting name for such a sweet furball. Wilbur, however, becomes even more terrified. The enemy is everywhere, oh my! He desperately tries to convince his publisher that the feline race is, indeed, a threat to humanity and the devil itself in disguise. And in order to prove it, he tells three tales about cats causing death and mayhem.
The Uncanny is a British-Canadian anthology horror film from 1977, directed by Fenis Héroux and written by Michel Parry. It stars Peter Cushing, Donald Pleasence, Ray Milland, Joan Greenwood, Donald Pilon, Samantha Eggar, and John Vernon. The movie was shot on location in Montreal and Senneville, Quebec, and Pinewood Studios in England. All of Peter Cushing’s scenes were shot in England, as Cushing wasn’t too keen on traveling abroad at that stage of his career.
The three tales told makes one thing pretty clear very early on: it’s not really the cats that are the baddies here. They pretty much just take revenge on horrible humans and gives them some well-deserved karma. In the first segment, taking place in London in 1912, the story is about a wealthy woman owning a bunch of cats, and she has decided that she wants her cats to inherit her fortune. The maid, who also happens to be the lover of this rich lady’s nephew, wants to intervene so the nephew and her can inherit the money (if this plot sounds a little similar thus far, you’ve probably seen Disney’s Aristocats from 1970). The cats won’t have any of this bullshit, of course, and the maid’s actions receive a well-deserved revenge.
The second segment, taking place in Quebec in 1975, takes a rather whimsical turn. The orphaned girl Lucy comes to live with her aunt and husband, and the mean cousin Angela. Lucy’s only friend is her black cat Wellington, but her cousin does everything she can to have the cat removed. In the end, everything turns into some pretty crazy and utterly cheesy scenes that I certainly didn’t see coming!
The final segment, taking place in Hollywood in 1936, is where everything goes completely into Looney Tunes territory however. The actor Valentine De’ath replaces the blade of a fake plastic pendulum with a real one, causing his wife to be killed during the shooting of a scene. His young mistress gets the role his deceased wife had, and he brings his mistress to his home immediately. There, we even get a Looney Tunes reference when the mistress sees the wife’s cat and says “I thought I saw a pussy cat! I did, I did!“ which is of course an obvious reference to little Tweety’s famous line. And Valentine, that bastard, dispose of the cat’s newborn kittens, just to prove how much of an absolute shitstain he is (like the killing of his wife hadn’t already established that). Once again the cat gets revenge, with several scenes of silly chasing and cartoonish fun.
In the UK, the film was originally given an X-rating (not really sure why, although there are some pretty decent gore scenes which was probably considered a little bit too much at the time), but it performed poorly at the box office. And, well…this movie certainly isn’t for everyone. While the first segment is having a more serious tone, the rest goes from wild to completely bonkers. Perfect Horror Ghouls material for sure, though!
The Uncanny is a movie where you really need to go in with the expectation of watching something truly silly, as this is one of those movies that shouldn’t be taken seriously for even a second. It’s just pure, cheesy fun, with lots of cute cats. And like several other cat-themed horror movies (like Uninvited and Cat’s Eye), you root for the cats of course, and you don’t really have any reason not to. The humans are the bad guys. Just like in real life.
Director: Denis Héroux Writer: Michel Parry Also known as: I kattens klør (Norway) Country & year: Canada/UK, 1977 Actors: Peter Cushing, Ray Milland, Joan Greenwood, Susan Penhaligon, Simon Williams, Chloe Franks, Katrina Holden Bronson, Donald Pleasence, Samantha Eggar, and a legion of angry cats IMDb: https://www.imdb.com/title/tt0076853/
Nick O’Bannon and his girlfriend is watching an auto race, together with some of their friends. Then (of course) Nick is having a premonition: a terrible accident that happens on the racetrack. After the premonition is over, and he starts noticing certain details that proves to him that this will actually happen, he starts to panic and brings along several other people with him outside of the stadium: his girlfriend Lori plus their friends Hunt and Janet, and also a racist truck driver named Carter, a woman named Samantha, a security guard named George, and mechanic Andy and his girlfriend Nadia. Once they’re outside, the accident happens and while you could’ve thought they were all safely out of reach, a stray wheel comes out of the stadium which decapitates Nadia. Carter also wants to run back inside the stadium because his wife is still there, but George manages to stop him from running into his certain death. Later, Carter has decided to give George a proper thanks for saving his life by driving to his house at night with plans of burning a cross on his lawn. In his distorted, racist mind it was George’s fault that his wife died (or the jackass probably just needed someone to blame, even if it was the man who saved his life). Death has other plans, though. The wind knocks off a horse hoof that was hanging from a rope on to the radio of Carter’s tow truck, where the song “Why Can’t We Be Friends“ starts playing (obviously, Death’s got a sense of humour). The truck starts driving by itself, letting loose a towing chain onto the road. It all ends with Carter getting wound up on the chain, dragging him down the street while sparks cause the chain to catch fire. That’s one of the survivors down. It doesn’t stop there, of course, as more of the survivors keeps dying in strange ways. Nick eventually becomes convinced that Death is coming for them all.
