Evil Dead Rise (2023)

Evil Dead RiseHalloween came a bit early this year with Evil Dead Rise – where I was first and foremost hoping for a direct sequel to the 2013 Evil Dead to finally catch up with Mia, that poor girl who fought till the end against demons and her drug addiction with one arm ripped off while it was raining blood. But instead we get a standalone film with an uncertain timeline, this time written and directed by the Irishman Lee Cronin (The Hole in the Ground and the horror short Ghost Train). Evil Dead Rise was originally scheduled to be released direct-to streaming on HBO Max, but when the film got overly positive reactions from the test screenings, the studio, Warner Brothers, decided to take a U-turn and rather go for a wide theatrical release. And what a genius decision that was, as this is yet another strong entry in a four decade old horror franchise that still manages to rip everyone a new one in full Rock ‘n’ Roller Coaster force filled with carnage, mayhem, grim diabolical violence, gallons of blood and it’s probably the goriest since Evil Dead II (1987).

 

After a brutal opening which includes head scalping and a severed head, followed by a delightfully sinister and creative title sequence for Evil Dead Rise to set the tone, we take a big leap from the known primitive cabin setting to an old, deteriorated apartment complex in Los Angeles (even tough it’s filmed on a location in New Zealand). Here we meet the fresh single mother and tattoo artist Ellie (Alyssa Sutherland) and her three kids in the midst of some rough times as the complex is soon to be demolished and her cheating husband recently left her. After her sister Beth (Lily Sullivan) comes for a visit, an earthquake strikes which blocks the building’s entries and makes them isolated (just like the flood did in the first one). The quake also uncovers a secret room with a vault which has been hidden under the building for hundreds of years, filled with hanging crucifixes, a gramophone and – yeah of course – a certain familiar book made of human flesh that was never meant to be found.

 

Ellie’s son takes the book, the gramophone and some old records up to his room, and as he plays one of the records on it while the book opens up to show some gory illustrations, it conjures an angry, sadistic demon which then possesses Ellie in the elevator. After they find her in the bathtub in full demon makeup, she gives an evil grin to ensure us that mommy’s with the maggots now, and it’s a non-stop pandemonium from here on.

 

Sam Raimi, who’s only been behind the scenes as producer alongside with Bruce Campbell, have been pretty careful to handpick the right filmmakers for the projects, and Lee Cronin proved to be a bullseye for this franchise. He adds a lot of raw energy, tension and flexible camerawork with the cinematographer Dave Garbett who also worked on Ash vs Evil Dead. We have several nods to the earlier films and a pretty awesome tribute to The Shining. The film also has much of the same gritty and slightly more realistic tone as Fede Alvare’s Evil Dead which makes it easy to imagine these two sharing the same universe.

 

Evil Dead Rise is also the first in the franchise to include child actors, which can be seen as a red flag. But don’t worry ’bout that, the film doesn’t hold much back regardless, and with its R-rating, 1,720 gallons of fake blood, it delivers, even more than I expected. The violence is relentless, as it should be, with flawless effects that goes more and more over-the top to the point it made me think of Peter Jackson’s Braindead. We also have the fair share of injuries, one of which being a cheese grater peeling someone’s leg, and of course some glass chewing which always looks unpleasant.

 

Also great performances across the board, most notably Alyssa Sutherland as the possessed Ellie, which is on an unstoppable beast mode here.

 

So, even though this entry doesn’t have anything much to offer on the surface, other than a new claustrophobic setting in a decaying apartment building and a briefly expanded lore of The Book of the Dead, it’s at least a highly entertaining and adrenaline-filled thrill ride with dedicated actors and solid film-making in general. And I’m not expecting more from an Evil Dead film.

 

Evil Dead Rise Evil Dead Rise Evil Dead Rise

 

Writer and director: Lee Cronin
Country & year: New Zealand, USA, Ireland, 2023
Actors: Mirabai Pease, Richard Crouchley, Anna-Maree Thomas, Lily Sullivan, Noah Paul, Alyssa Sutherland, Gabrielle Echols, Morgan Davies, Nell Fisher
IMDb: www.imdb.com/title/tt13345606/

 

 

Tom Ghoul

 

 

 

THIS DARK THOUGHT – Animated Horror Short

While babysitting her newborn sister, a young astronomer struggles with a dark thought after encountering something eerie in the night sky.

 

This Dark Thought is an atmospheric animated horror short about sometimes having dark thoughts we’re not supposed to have.

THIS DARK THOUGHT - Animated Horror Short

 

Director: Kris Theorin, Kurtis Theorin
Writer: Kris Theorin, Kurtis Theorin
Country & year: USA, 2019
IMDb: www.imdb.com/title/tt10909092/

 

 

 

 

The Pope’s Exorcist (2023)

The Pope's ExorcistYoga is satanic because it leads to practice of Hinduism and all eastern religions are based on a false belief in reincarnation and practicing yoga is satanic, it leads to evil just like reading Harry Potter. Ko-ko. –  Father Gabriele Amorth

 

Father Gabriele Amorth (1925-2016) was an exorcist of the Vatican city who battled against Dr. Satan’s neverending army of fallen angels throughout most of his life, and I wouldn’t be surprised if he also fought nazi demons during WW 2. The one and only reason I’ve heard of this Italian gentleman is because of the documentary The Devil and Father Amorth from 2017, directed by none other than William Friedkin. And woof, what a bag of unholy baloney that documentary is. An utter, demented clown-show which I can only recommend with a good conscience just by how funny-bad it is.

 

And here we are with a polished  supernatural horror film from Hollywood based on a true story, in the same alley like The Conjuring films, this time focused on the aforementioned pope’s own exorcist Gabriele Amorth, played by a charismatic Russel Crowe. The film starts off on a stormy night during the mid 1980s where we see our Demon Buster in action as he cleanses a possessed boy, tied to his bed.  Amorth brings a pig with him, and pretends to lure the demon to posses it so he then can blow the pig’s brains out with a shotgun and get quickly done with it. Poor piglet.

 

Then we get introduced to the American widow Julia who have just arrived at the countryside of Spain to inherit an ancient convent from the 1400s from her deceased husband. And with her she has the younger son Henry and the teenage daughter Amy. Henry hasn’t spoken since he got traumatized after seeing his father die in a brutal accident, while Amy just hates her mother’s guts for dragging her ass all over to Spain. Suddenly, without no warning, Henry gets possessed by an angry demon who really wants to have a chat with Father Amorth specifically. Bring me the priest”, he growls with the voice of Ralph Ineson. Since he asks so nicely, our maestro drives all the way to Spain with his Vespa Ferrari to do his holy service and confront this nameless demon. A rabbit hole of conspiracies and other dark secrets about the Vatikan are revealed when Amorth opens a well that leads to a morbid tomb under the convent.

 

While Russel Crowe carries most of The Pope’s Exorcist on his strong shoulders, the film really suffers from a lazy and rushed script that seems like a first draft. The film doesn’t allow us to get to know this American family or give them much of a personality, and it lacks a good build-up atmosphere of underlying demonic threat as the possession suddenly happens almost like someone just slipped on a banana peel. Shit happens. I’ve given up expecting anything new or groundbreaking from possession films (or haunted house films, for that matter) a long time ago, but at least give us some tension, something to make our armhairs rise. It’s as scary as an episode of Supernatural. On the positive side though, the film is solid and well directed by Julius Avery (Overlord and Samaritan) who does his best to at least gives us tasty visuals and some ghoulish scenery to chew on.

 

And back to Russel Crowe who is the only reason to give this film at least one watch. To give the film some spice of authenticity, he speaks both Italian and English with an accent as thick as Crowe’s  belly in Unhinged (2020). He’s classy, sympathetic and plays the character with a great sense of humor, as he likes to crack jokes to annoy Satan, sips whiskey after a long roadtrip with his Vespa and… wash his armpits with holy water. Without any spoiling, the film wraps up in a ridiculous climax with cheap CGI effects such as a rubberish stretched-out mouth, an effect that’s been a parody of itself in decades. And of course we have an even more cheap-looking body explosion that belongs in a discarded Xbox game from 2005, before we all can say Amen and good night. It was as dumb and comedic as I predicted after watching the first trailer, and given that I rarely laugh out loud in a movie theater, I can’t say I’m that disappointed.

 

The Pope's Exorcist The Pope's Exorcist

 

Director: Julius Avery
Writers: Michael Petroni, Evan Spiliotopoulos, R. Dean McCreary
Country & year: USA, UK, Spain, 2023
Actors: Russell Crowe, Daniel Zovatto, Alex Essoe, Franco Nero, Peter DeSouza-Feighoney, Laurel Marsden, Cornell John, Ryan O’Grady, Bianca Bardoe, Santi Bayón, Paloma Bloyd
IMDb: www.imdb.com/title/tt13375076/

 

Related: The Devil and Father Amorth (2017)

 

Tom Ghoul

 

 

 

Yeti: Giant of the 20th Century (1977)

Yeti: Giant of the 20th CenturyIs it a bird? Is it a plane? No, its Yeti: Giant of the 20th Century! And he’s ready to funk your shoes off!

 

Yeti the Funky Giant of the 20th Century is a mentally retarded Italian/Canadian produced ripoff of King Kong (1976) which starts off with  some quick stock-footage of ice melting in some very cold place. A big block of ice is found in the Newfoundland’s coast of Canada with two big feet popping out. Professor Waterman is being sent by a sleazy industry tycoon for an oil company to study the giant, and he brings with him his orphan grandchildren Jane, her younger mute brother Herbie, and of course their Collie. A big happy family who will sit together on the front row and witness the first glimpse of the creature, after they melt the block with several flamethrowers. The big furry creature is then transported by a helicopter to the Canadian mainlands, with Yeti dangling unconscious in something that looks like a big phone booth. Things seem to go pretty smooth and dandy so far, but just wait. Oh, just wait…

 

As soon they descend him to the ground, surrounded by an excited audience waiving their Canadian flags who cant wait to be the first to witness this freakshow, Yeti wakes up and it’s all an epic and spectacular cinematic madhouse from here on that you have to see with your own sober eyes to believe. Yeti looks like a hairy and funky incarnation of a giant pot smoking Jesus Christ with a fluffy Tina Turner wig and enough fur to hide his giant pipeline. He’s so funky you’d expect him to show us some dance moves any time, but instead he screams like an elephant and poses to the camera with various insane goofy facial expressions. It’s truly something else. The guy in the Yeti costume, Mimmo Crau, appeared in the TV mini series Jesus of Nazareth the same year, by the way. But not as Jesus, unfortunately, that coincidence would have been too funny.

 

After Yeti releases himself, he grabs the two grandchildren of professor Waterman and wanders away to the wilderness. The stockholm syndrome hits in turbo speed and a spiritual romantic bond in some bizarre Beauty and the Beast style evolves between Yeti and Jane, as she looks and gaze at him with the most manic borderline-seducing eyeballs. But nah, don’t even think about it: The actress was only sixteen years old at the time, so there’s no kinky furry sex for your fetish fantasies here. And not that I wanted to see that either. The closest we get to a tiny hint of a love scene that never happened is when Jane touches around Yeti’s breast which erects his nipple. Groovy.

 

The best parts is when Yeti is placed on the top of a high building in Toronto, because why not, and causes absolute mayhem like Stay Puft Marshmellow Man in full psychotic saturday night fever dream where the only thing missing is some funk music to put the cherry on top. And for that we have a music video where Yeti cheerfully smashes miniature walls, having fun with an elevator stuffed with panicked people like an overstimulated five-year old playing with lego and action figures, and uses the windows to smash his feet in to climb safely down.

 

He also kills one of the bad guys by strangling him with his toes. But that’s far from all, there’s so much more, and if you’re piss-tired of monster films (especially some of the modern ones) which mainly focuses on boring human characters and treat the monster(s) like an afterthought, well, this one is made for you.

 

Most scenes with Yeti consists of close-ups of his head, feet and hands. Two separte shots are used in the purest and primitive stone age of movie magic technology, when we see him in full form to give us the illusion that’s he’s bigger than he really is. And unless you’ve been too drunk while watching this you’ve clearly seen that he shrinks and grows throughout the film. In a scene he seems as big as The Statue of Liberty and in the next not so much. The Ed wood school of filmmaking, more or less, where minor details like this doesn’t matter.

 

Yeti: Giant of the 20th Century is released on a pretty juicy Blu-ray by the German based Wicked Vision. It’s filled with bonus features which includes a poster, cards, booklet and more. It also have the original Italian theatrical version of 104 minutes and the German dubbed version, both with English subtitles.

 

Yeti: Giant of the 20th Century Yeti: Giant of the 20th Century Yeti: Giant of the 20th Century

 

 

Director: Gianfranco Parolini
Writers: Mario di Nardo, Gianfranco Parolini, Marcello Coscia
Original title: Yeti – Il gigante del 20° secolo
Also known as: Yeti – der schneemensch kommt (Germany)
Country & year: Italy, Canada, 1977
Actors: Antonella Interlenghi, Mimmo Crao, Jim Sullivan, Tony Kendall, Edoardo Faieta, John Stacy, Stelio Candelli, Loris Bazzocchi, Indio, Donald O’Brien, Aldo Canti
IMDb: www.imdb.com/title/tt0076937/

 

Tom Ghoul

 

 

 

THE TRUNK – Horror Short Film

A father and daughter find a chained up old chest hidden in the woods. They bring it home with plans to sell its contents, but quickly discover that what’s inside was locked up for a reason.

 

The Trunk is a creepy supernatural horror short with a little bit of proper gore. By the same director that also made “The Silent Lay Steady“.

THE TRUNK - Horror Short Film

 

Director: Travis Laidlaw
Writer: Travis Laidlaw
Country & year: Canada, 2022
Actors: Ashleigh Morrison, Craig Monk, Anne Shepherd
IMDb: www.imdb.com/title/tt21151200/

 

 

 

 

 

BABY BOOM – Sci-Fi Horror Short

The middle-aged alcoholic Runar believe he has scored the perfect date. Things take a strange turn when he realizes he’s impregnated with her alien eggs.

 

Baby Boom is a fun and silly sci-fi horror short! He should definitely have worn some protection..

BABY BOOM - Sci-Fi Horror Short

 

Director: Thomas Lunde
Writer: Espen Aukan, Thomas Lunde, Martin Ødegaarden
Country & year: Norway, 2022
Actors: Oddrun Valestrand, Egil Birkeland, Jesper Malm, Espen Petrus Andersen Lervaag, Tina Schei, Anja Maria Svenkerud, Henrik Horge, Anne Cecilie Ukkelberg
IMDb: www.imdb.com/title/tt12451802/

 

 

 

 

SOUND FROM THE DEEP – Horror Short

An international research group is searching natural resources from the Arctic Ocean. They pick up a strange underwater sound from far north, and start to follow it to the uncharted waters. Inspired by the works of H.P. Lovecraft.

 

Sound from the Deep is a nice Lovecraftian horror short!

SOUND FROM THE DEEP - Horror Short

 

Director: Joonas Allonen, Antti Laakso
Writer: Joonas Allonen, Antti Laakso, H.P. Lovecraft
Country & year: Finland, 2017
Actors: Eero Ojala, Lasse Fagerström, Anastasia Trizna, Mikael Andersson, Fabian Silén, Kristofer Gummerus, Gabriela Rodriguez-Aflecht
IMDb: www.imdb.com/title/tt7213856/

 

 

 

 

THE END OF THE SQUIRREL – Horror Short

The End of the Squirrel is an irreverent indie apocalypse film about two siblings stranded in an antique shop waiting for the impending zombie horde to break in and end their lives. A surrealist sequence provides a visual reflection on their time in the barn, scored by an original song played on a weathered piano uncovered among the mountains of ancient treasures.

 

The End of the Squirrel is an emotional zombie horror short about two people awaiting their deaths as a horde of zombies are about to break into their little shelter.

THE END OF THE SQUIRREL - Horror Short

 

Director: Michael Christensen
Writer: Michael Christensen
Country & year: USA, 2022
Actors: Katherine Olson, Jeremy Appel
IMDb: www.imdb.com/title/tt19356128/

 

 

 

 

PIGGY – Horror Short

Overweight teen Sara lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend Claudia defends her when she’s bullied at the local pool in front of an unknown man. Finally, her clothes are stolen and she must get home wearing only her bikini. Her long walk home will mark the rest of her life.

 

Piggy aka Cerdita is a horror short where you actually root for a serial killer. The director Carlota Pereda also made a full-length movie based on this short, which was released in 2022.

PIGGY - Horror Short

 

Director: Carlota Pereda
Writer: Carlota Pereda
Country & year: Spain, 2018
Actors: Laura Galán, Elisabet Casanovas, Paco Hidalgo, Mireia Vilapuig, Sara Barroso, Jorge Elorza, Alejandro Chaparro, Pascual Laborda
IMDb: www.imdb.com/title/tt8286974/

 

 

 

 

THE DOOR – Zombie Horror Short

After a zombie attack, the sole surviving police officer of the rescue team recalls his painful memories during an interrogation. But the truth becomes more elusive as more conflicting evidence comes to light.

 

The Door is a fun Chinese horror short about a zombie outbreak and police officers struggling to make the right choices..

THE DOOR - Zombie Horror Short

 

Director: Hetong Zhang
Writer: Hetong Zhang
Country & year: China, 2021
Actors: Nilie An, Jiliang Li, Ping Sang, Shilin Sun, Nibuaki Takahashi
IMDb: www.imdb.com/title/tt23023600/