A young woman is told the secrets of the world through an art gallery issued audio guide.
Audio Guide is using a pretty interesting idea, making it a creative little horror short!
Director: Chris Elena
Country & year: Australia, 2020
Actors: Emma Wright, Nyx Calder, Matthew Knight, Lisa Malouf, Rachel Baikie, Jaimie Conlon, Simon Convard
IMDb: www.imdb.com/title/tt11719638/
We are in an open field somewhere at the countryside, where a drug deal between two gangs is about to take place, which quickly goes terribly wrong and ends up in some ridiculous martial-art fight scenes. Suddenly another threatening figure with an iron mask appears on the horizon, and finishes the whole match by cutting the throat of the last man standing with a machete, before he breaks the fourth wall by introducing himself with a guttural voice in the most beautiful German: Du Warst Gut! Aber Ich Bin Besser! ICH BIN KARL THE BUTCHER JUNIOR!!!
Then the opening credit sequence rolls with some heavy metal tunes with vocals performed by the director himself, Andreas Schnaas, as we see clips from the first film which gives a clear prediction that you should expect much of the same (violent) shit.
After the opening scene, the movie switches to some unexpected, and out-of-place documentary-ish mode in Hamburg, where journalist Paul Glas investigates a variety of brutal murders that is out “of the ordinary”. He gives a quick history lesson of the city and of course mentions the greatest, infamous, tourist attraction star, Fritz Honka. He interviews some random people on the street, who obviously think they are in a legit documentary about serial killers and not in some amateurish, zero-budget, shits-for-giggles, underground splatter titled Violent Shit 2, (a.k.a Violent Shit II: Mother Hold My Hand) made just to piss off the conservative bureaucrats at the censor boards in Germany. Hardy-har-har.
Anyway, a new killer is on the loose and Paul Glas is seeing similarities between Karl (I forgot his last name, but he was the killer in the first film), and ask an anonymous informant who supposedly has some secret information about the killings, and blah, blah, blah… To just cut it short and get to the point; Karl The Butcher is Son of Karl Senior and he’s out on a mission to avenge his father by wandering on a murderous rampage and kill everyone in his way with his machete. That’s everything we need to know, and enough of a plot that a film like this is able to comprehend, especially if you’re half-drunk while watching this shit already.
After the halting docu-sequence, we’re back at the countryside where Karl Junior lives with his deranged mother. She has a murder fetish, and looks like Hillary Clinton with Freddy Krueger make-up. And of course, she has taught her boy to become an equally retarded, redneck sadist just like his father, so he can entertain her with torturing and killing random victims to feed her fetish and get her pussy wet. Afterwards she drinks the blood of the victims from a bowel that Karl serves her. Karl also forces one of the victims to eat his own shit, just to make us pretty ensured once and for all that it’s still Violent and it’s still Shit, and still one of the most self-aware titles ever.
And from here it’s basically the first film all over again, just with a longer runtime. So if you liked the first one, you’ll love this one, for sure. It’s gag-reel after gal-reel with close-ups showing limbs getting sawed off, heads shoveled off and blown to pieces by a handgun. Entrails getting ripped out of the victims stomach, and we get a pretty nasty scene where someones ballsack gets ripped apart by a hook. Andreas Schnaas is also very careful to shoot the scenes in broad daylight so we can enjoy some of of the nasty details among the muddy image quality. We get a little time to catch our breath with a training montage, Rocky-style, where he levels himself up to hunt victims at a more rapid pace. The film also slips into pornographic territory with some fugly vagina-close-ups just to give the final middle-finger to Germany’s censor board.
Violent Shit II is available from Synapse Fims and has been remastered with some silly, cartoonish sound effects, and replaced the copyrighted music from the original VHS version with its new, own soundtrack. The added subtitles are as hilarious as the first one. It’s also stretched to widescreen to reduce the raw, unfiltered and amateurish home video quality. It still makes Bad Taste look like a glossy Hollywood production by comparison, though.
Director: Andreas Schnaas
Country & year: Germany, 1992
Actors: Andreas Schnaas, Anke Prothmann, Claudia von Bihl, and a bunch of friends of Andreas Schnaas
IMDb: www.imdb.com/title/tt0105759/
Sequels:
– Violent Shit III: Infantry of Doom (1999)
– Violent Shit 4: Karl the Butcher vs Axe (2010)
Prequel:
– Violent Shit (1989)
A mother is preparing dinner while her young daughter is playing. At the same time, something sinister is lurking outside the house…
Beneath the Skin is a creepy horror short by Tracy Kleeman (who also created the horror short Fear Filter).
Director: Tracy Kleeman
Country & year: USA, 2020
Actors: Luisina Quarleri, Mia Mamurov, Jolie Mamurov, Joel Ezra Hebner
IMDb: www.imdb.com/title/tt11656770/
Corey Thornton has just inherited a mansion from his recently deceased father, and travels to Louisiana to check it out. Upon his arrival at the grand estate, he meets with a beautiful young girl which is described as “jailbait” (but who is clearly in her mid-20s…) and his father’s live-in housekeeper, who is the mother of said girl. And of course, a black-gloved and somewhat fishy-looking lawyer. Corey discovers that his father has written a will which includes a description of how the old man has, supposedly, found a way to return back from the dead, and in doing so he needs the help of his son. Corey soon ends up at the local pub/brothel called Tonk’s, where he meets a witchy prostitute who harbors the secrets of black magic. And she turns people into birds if she feels like it. Corey is now obsessed with the task of fulfilling his dead father’s wish of bringing him back to life, and seeks help from the strange people in the weird voodoo-brothel in the bayou.
Netherworld is a Full Moon Entertainment movie directed by David Schmoeller and produced by Charles Band. Right off the bat the movie sets a certain tone with the illusory opening scene in Tonk’s bar, which features both chicks and chickens in surroundings that resemble a sexy yet uncomfortable fever dream. Downstairs is what you could probably call a funhouse-like brothel with weird hallways and just as weird characters. To top it all we also get to see a flying disembodied hand and a guy that is turned into a bird (although the latter isn’t displayed to the full extent, but more implied). In other words, it gives a certain promise of being a really cheesy popcorn entertainment flick.
Then the movie takes a u-turn when we meet Corey and he enters his newly inherited mansion, and a more serious tone is set. While we get to gradually know more about Corey’s dead father and what he tries to accomplish, the pacing becomes a bit of a problem where it’s all moving a tad bit too slow. The scenes at Tonk’s are definitely the movie’s highlights, with creative usage of color and lighting and some pretty cool old-school effects and jazzy sex scenes. The brothel appears to have lots of girls with names of deceased celebrities, including a woman calling herself Marilyn Monroe, who looks…well..exactly like Marilyn Monroe. This is a pretty cool idea, actually…a brothel where deceased celebrities have been brought back to life.
While it does move a little slowly and never really gets very exciting, it makes up for it with the visuals and a fun premise. Netherworld is entertaining enough with its slightly goofy concept, perfect for a relaxed saturday evening with some popcorn.
Netherworld can be seen on Full Moon Features.
Director: David Schmoeller
Country & year: USA, 1992
Actors: Michael Bendetti, Denise Gentile, Anjanette Comer, Holly Floria, Robert Sampson, Holly Butler, Alex Datcher, Robert Burr, George Kelly, Mark Kemble, Barret O’Brien, Michael Lowry, David Schmoeller
IMDb: www.imdb.com/title/tt0104987/
Things start to change in the life of a depressed middle-aged woman when a mysterious mask appears at her doorstep.
Facelift is a creepy horror short by Virat Pal (who also created the horror short Bells).
Director: Virat Pal
Country & year: USA, 2020
Actors: Carly Jones, Cara Loften, Penny Orloff, Rashmi Rustagi, Nell Rutledge-Leverenz
IMDb: www.imdb.com/title/tt13212248/
After going through a traumatizing event, Madison starts having visions of grisly murders which are carried out by her childhood imaginary friend, Gabriel. Having believed that Gabriel was just a figment of her own imagination, she must try to figure out who he really is and why he has come back to torment her and those around her.
James Wan, after an absence from the horror genre since Conjuring 2 (as a director, at least) he is now finally back with a brand new movie: Malignant. And while most people connect James Wan with haunted houses, ghosts and demons (because of the Conjuring and Insidious movies), he stated early on that Malignant would be something completely different. And that, indeed, it is.
At the movie’s opening, we go back to 1993 and witness a large, gothic building which is some kind of medical research facility, where the researchers are struggling with a patient called Gabriel, who kills and maims the nurses. We get a slight glimpse of this “Gabriel” fellow, and then we fast forward to present day and meet Madison, who lives in a beautiful victorian house with just the right exterior and interior for a proper creepy atmosphere. And of course, we step right into James Wan-ish territory with creepy hallways and things moving in the dark. While building up at first to be somewhat Conjuring-esque, it shifts and mixes in what is an obvious homage to giallo films (for those who don’t know, “Giallo” is a term for murder mystery thrillers with lots of blood and gruesome murders, mixed with detective/suspense elements).
While it definitely felt good to be able to see another horror movie directed by James Wan, I can easily see how people might be a bit divided regarding their experience with this movie. Those who expect James Wan to have done another movie in the same vein as his haunted house flicks, might be put off due to this being something completely different. In fact, while we were watching it at the big screen, there were some people who left the theater when the first bloody murder scene was shown. Clearly, some people didn’t expect the movie to take that route, despite it having been given a strict R rating…but perhaps they thought that this rating was given because of titty scenes or something (which there are none by the way). Who the fuck knows.
James Wan did indeed do something very different with Malignant, and to be honest it was quite a pleasant surprise. Therefore, my advice would be to see this movie and not expect some kind of “Conjuring 4” or whatever. This isn’t a new haunted house flick, it ain’t another jump-scare carousel. It’s a throwback to the late 80’s/90’s slasher/thriller/giallo films, and if you’re familiar with these kinds of movies you’re most likely going to take a lot of the references (like the color usage, the killer wearing black gloves, etc.). Malignant is a decent slasher with atmosphere and creepy scenes, and a good amount of effective blood ‘n gore.
Director: James Wan
Country & year: USA, 2021
Actors: Annabelle Wallis, Maddie Hasson, George Young, Michole Briana White, Jean Louisa Kelly, Susanna Thompson, Jake Abel, Jacqueline McKenzie, Christian Clemenson, Amir AboulEla, Mercedes Colon, Ingrid Bisu, Ruben Pla, Jon Lee Brody, Ray Chase, Mckenna Grace
IMDb: www.imdb.com/title/tt3811906/
An orphanage spirals into mayhem when a boy discovers a shadowy creature who comes to collect more than just the children’s teeth.
Milk Teeth is a beautiful fairytale-like horror short with a creepy spin on the tooth fairy (and probably a little anxiety-inducing on those who are suffering from dental fear…)
Director: Felipe Vargas
Country & year: USA, 2020
Actors: Aaron Bradshaw, Tyler Sanders, Griffin Chodler, Casey Grimm, Viravara Shetty, Eddy Breslin, Ghino Lee, Eddiejames ‘EJ’ Castro, Graham Schulze, Conor Kowalski
IMDb: www.imdb.com/title/tt11421562/
It’s a quiet evening and two young ladies are chilling, smoking bong and watching cat videos on YouTube, like most of us do. Then they hear some noises on the roof that sounds like their cat. When one of them goes up to check, she gets surprised by a tall, skinny person wearing a cat mask. She’s too high to get scared, of course, and laughs it off as if it was a prank. He chops her head of with a shovel and throws it down the stairs, and strangles the other one.
We then learn that the person behind the mask is a young man named Ted, who’s turned into a homicidal maniac after losing his beloved cat. When he’s not out killing, he spends his nights jacking off to a cam girl, who’s dressed as a cat. Of course. And he really worships his cat more than anything and wants it back. And to do so, he got the genius idea to kill nine people, collect their blood, to resurrect his cat. He later extends his cat persona by adding a big strap-on dick with spikes (supposed to be penile spines, I guess) because … well, why not.
We then get introduced to Claire, who owns one of the many viral cats on YouTube. She gets an unexpected visit from an obsessed “fan” that you wouldn’t want to get near to. Stupidly enough she invites him in, and he (take a wild guess) rapes her, after he accidentally breaks her cat’s neck and tosses it out the window. She attends to a pet grieving group where she meets Ted. They start dating, fucking, and they have a chemistry like two lobotomized potatoes with a relationship that goes in a bizarre direction which you’ll never see coming. And when Ted is not dating Claire, he’s out body counting.
As a cat-person myself, I was hoping to get an antagonist to feel or at least root for. But no, Ted proves to be just a deranged and complete soulless, cold-blooded serial killer from the very start, who clearly enjoys raping and killing innocent young ladies for the hell of it while feeding his morbid, obsessive fetish fantasies. And when even fellow cat persons gets body counted by him, that’s a big no-no, from me at least. He also kills the cam cat lady we saw earlier for no reason. There’s a lot of sadistic cat killers out there, by the way. Why not hunt some of them, in Dexter-style, which no one would miss anyway? Before I take this shit too seriously I’ll just point out that the idea itself for Cat Sick Blues is pretty genius and unique, just too bad we don’t get any depth or backstory of the killer.
On the more positive note, the film is overall pretty entertaining for what it is, a pure demented serial killer slasher. If you’re in for the gore and kills, you will not be disappointed. As a low-budget film, and the debut feature of Dave Jackson who made it by crowdfunding from Kickstarter, it looks pretty impressive. While there’s some clearly experimental stuff going on with slow motion and scenes that slip into some out-of-place artsy moments, the killing scenes are straight to the point, with some nasty visuals that will probably get your dick as hard as Ted’s strap-on. Also a great use of practical effects with heads smashed to pieces, and chopped off, and of course some throat slashing with some sharp cat claw gloves. Even Selena Kyle would be intimidated by this maniac. And as little as there is to wrap one’s mind around Ted’s deranged head, I have to give actor Matthew C. Vaughan some credit for his acting-style and use of energetic cat body language while he goes hunting for victims.
Cat Sick Blues is available on DVD from Wild Eye Releasing.
Director: Dave Jackson
Country & year: Australia, 2015
Actors: Matthew C. Vaughan, Meg Spencer, Jeni Bezuidenhout, Danae Swinburne, Rob Alec, Mahalia Brown, Shian Denovan, Smokey, Rachel Rai, Noah Moon, Matthew Revert, Andrew Gallacher, James Arnold-Garvey
IMDb: www.imdb.com/title/tt4185862/
Mo Patterson is a lonely weirdo who finds it difficult to make friends. An invitation to his old school reunion brings the opportunity to reconnect with his old childhood sweetheart…
Making Friends is a weird little horror short with a nice balance between being humorous and disturbing.
Director: Chris Vincze
Country & year: UK, 2019
Actors: Mark Davison, Lucy Roslyn, Rick Warden, Lucy Barker
IMDb: www.imdb.com/title/tt10450236/
Redneck Zombies is probably most known for being one of the first films that was shot entirely on videotape (VHS) and released direct-to-video. Combined with that the film was shot on video and the result being what it is: a complete trashy home-made schlockfest with amateur actors and a script that seems to have been scribbled on toilet paper as they went along, didn’t impress the distributors very much. They basically told director Pericles Lewnes to fuck off, and after having enough rounds of rejections, he finally decided to try his luck with Troma – which is pretty odd he didn’t do in the first place since Redneck Zombies feels like pure Troma from start to finish, and just the title itself could probably give Lloyd Kaufman an instant hard-on. Most of Troma’s trademarks are all over the place: the outlandish over-the-top looney tunes acting with dialogues that are so stupid you’ll lose some braincells while watching, a demented plot which makes no sense, blood, greasy gore, puke, and I wish I could say tits. Whatever.
The plot goes something like this: It’s a regular day in the middle of redneck-nowhere in ‘Merica where the soldier Tyrone is transporting a barrel full of toxic waste. As he drives along the bumpy hillroad, smokes a joint and talks shit to his passenger dog, the barrel suddenly rolls off the jeep and further down a valley. The valley of redneck Hell no-go zone that is. When he tries to retrieve it, he immediately gets gunpointed by Ferd, a redneck slob who wants the barrel, since it already trespassed on his “land”. After Ferd scares him away with a warning shot, in true second amendment-style, he trades the barrel with a clan of imbecile inbreds who mixes the waste with moonshine and starts to drink the damn thing like there’s no tomorrow. And you can’t in a million years guess what happens next … the liquid turns them into zombies. Who could possibly know. But they are not some regular zombies, no-no, they’re REDNECK zombies! Good lord.
At the same time, a group of city slickers are camping nearby, which seem to have the same level of IQ as the rednecks, or they are just as bad actors. The only thing that differentiates the rednecks from the “civilized people”, to use that word loosely, is really the dress code. And to no surprise they eventually stumbles upon the redneck zombies and a lot of weird, retarded, crazy shit happens. I can mention the scene where the rednecks start to drink the waste and the TV screen goes into a full psychedelic acid-trip, and the effects are just horrendous.
While the plot seems seemingly straightforward, the film throws in a lot of random filler scenes that gives us some nuggets of what the heartland has to offer, and to give a more authentic impression of the redneck community. Here we learn that The Elephant Man himself is still alive and well, but still covering his head with a burlap sack with one hole in it to peek through. The rednecks calls him Tobacco Man, since he sells tobaccos from his vendor van. He’s also some kind of a prophet which the rednecks worships, and rambles some weird, crazy nonsense with a dark baritone voice.
There’s also a complete random parody of the hitchhiker scene from Texas Chain Saw Massacre. Well, why not. And we get some scenes of a redneck lady with her beloved Perky the Pig, where she promises him that he won’t end up as bacon. When we thought we’ve seen it all in redneck hell, we jump right into a scene where two dudes are watching chickens getting slaughtered on TV, and who have a girl in the living-room, wrapped in duct tape. Of course. There’s some scenes that are shot like it was a sitcom where the only thing missing is fake laugh tracks. This film has some serious symptoms of schizophrenia, and I believe even Dr. Phil would agree on that.
The gore delivers, for the most part, at least. Heads are being scalped, beheaded with a shovel and crushed with bare hands, eyes gouged out, limbs ripped apart and so on. It’s juicy, greasy and at times, a little gruesome. Some looks cheap, others looks almost too competent for a film like this. It’s also hilarious that the zombie make-up was made by cornflakes. Yes, really. My final verdict? Get drunk, pretend to be a young teenager and you’ll probably have a blast with this one.
Director: Pericles Lewnes
Country & year: USA, 1989
Actors: Steve Sooy, Anthony M. Carr, Ken Davis, Stan Morrow, Brent Thurston-Rogers, Lisa M. DeHaven, Tyrone Taylor, Anthony Burlington-Smith, James H. Housely, Martin J. Wolfman, Boo Teasedale, Darla Deans
IMDb: www.imdb.com/title/tt0093833/
