Anna Madden is an 11 year old girl, who one day starts having fainting spells at school and when playing with her friend. She’s suffering from glandular fever, and must stay at home and finds herself bedridden much to her dismay. She draws a house, and when she falls asleep she starts having disturbing dreams about this house. Later she draws a face in the window, and the next time she dreams there’s a boy there. His name is Marc, and he’s suffering from muscular dystrophy and cannot walk. She keeps adding things to the drawing in order to form the house more to her liking, like adding stairs and furniture. She also tries an attempt at fixing Marc’s legs, but this proves futile. Something’s not right in her dreams, however, and in real life Anna’s having troubles with her relationship with both her mother and her absent father who’s struggling with alcoholism and is often away for work at long periods of time. One day when her doctor comes for a visit, Anna finds out that the doctor has another patient whose name is Marc. And now she’s starting to realize that the house in her dreams may not just be a pure fantasy after all.
Paperhouse is a dark fantasy film from 1988, directed by Bernard Rose who later directed Candyman (1992). This movie is based on a novel from 1958, called Marianne Dreams by Catherine Storr. This novel was also the basis of a British TV series made for children in the early 1970’s, called Escape Into Night. This movie, however…is clearly not a movie suitable for the young’uns, despite being originally marketed as a children’s fantasy film. Sure, the horror elements aren’t very explicit and it takes a while for them to settle in, but there’s a definite ominous atmosphere throughout, and the scene where her blind father appears in her dream (blind because she didn’t draw his eyes properly) and starts hunting her with a hammer, isn’t exactly Saturday morning material.
I have to say that the work they did on the dreamworld is pretty well made, where everything looks like it’s trapped in a closed space where nothing else exists. It’s filmed in a desolate field, where you can see the ocean nearby but it’s all just vast and empty. No other islands to spot, no trees, other buildings, absolutely nothing. The surrealism and weirdness of the place is spot-on, and the strange interior of the already strange and crooked-looking house only adds to the vibe.
Paperhouse is a pretty strange coming of age movie, not outright a horror movie but it certainly has some elements thereof. The surreal tone, the somewhat unconvincing acting (especially by the lead actress, who also never played in any other film after this one) gives the whole film a very weird vibe. Also some nice music from Hans Zimmer which strengthens the incredibly dreamy and outlandish mood. Worth a watch if you want something strange and different.
Director: Bernard Rose
Writer: Matthew Jacobs
Country & year: UK, 1988
Actors: Charlotte Burke, Jane Bertish, Samantha Cahill, Glenne Headly, Sarah Newbold, Gary Bleasdale, Elliott Spiers, Gemma Jones, Steven O’Donnell, Ben Cross, Karen Gledhill, Barbara Keogh
IMDb: https://www.imdb.com/title/tt0098061/
It’s a dark and stormy night when comic book artist Colin Childress (Jeffrey Combs) works on his horror series Cellar Dweller. He sets his final drops of ink on a sequence where a young, half-naked damsel in distress runs through the woods and ends up trapped by a satanic, hairy monster. After Colin randomly quotes some obscure phrases from a book of witchcraft, he unconsciously manages to summon both the monster and the damsel who emerges right behind his back. While Herbert West..uhm, sorry, I mean Colin, runs frightened out of his studio, the monster kills the damsel off-screen. Since the monster was summoned from the drawing paper, Colin gets the brilliant idea to set the artwork on fire, which escalates into an inferno that kills them both. The rest of his artwork manage to survive, though.
Carol Anne has now moved to her uncle and aunt at the John Hancock Center in Chicago where she attends a special school for gifted children and visits a psychologist regularly. She would prefer to not talk about the past, but the shrink hypnotizes her to do so and can assure Carol Anne that talking about the past will make it go away. In this case it makes the dark forces enter her life again and a certain scary old man starts to manifest in mirrors and reflections. To quote Tangina: He’s back!
The movie opens with a group of duck hunters who happens to shoot down a bat. “It’s bad luck to kill a bat” one of them says, before one of their dogs eats it. And no, it wasn’t Nosferatu the dog ate, just a random bat. Then we jump to Venice where Professor Paris Catalano (Christopher Plummer) arrives to meet a young lady after getting a vague letter about Nosferatu. According to the letter, Nosferatu was last seen in Venice during a carnival in 1786, and legend has it that he’s still hiding in the city. Paris Catalano has dedicated his life to study Nosferatu, and is more or less the equivalent of Van Helsing. I assume they had to add a different name due to copyright, who knows. He eats dinner with the same people we saw in the duck hunting-scene in the beginning, where he gives a quick and half-hearted lecture about vampires, before he gets escorted down into a crypt under the tunnels of the city where a casket from Transylvania is located. The legend says that Nosferatu is the one who’s buried in that casket. So why not just open it, put the stake through his chest, and just be done with it? You tell me…
