horror comedy – Horror Ghouls

Return of the Living Dead Part II (1988)

Posted on October 27, 2026October 28, 2026 by HorrorGhouls

What the hell really happened to Return of the Living Dead Part II? It’s a movie that was made, that we at least can say for sure. But it’s certainly not a sequel, nor a prequel. I saw Part 2 on TV (on the Norwegian Broadcast channel, of all places) years before I saw the first film, and can say I got a little confused when I finally got to see it, even though it should have been the other way around. On the surface, this is more or less the same film all over again, a rerun, where Thom Matthews and James Karen reprise their roles in what we might call an alternate universe… something like that. A more fitting title would be Return of the Living Déjà vu.

Dan O’Bannon was not interested in making the sequel as he was moving on to developing his own project, that was The Resurrected. In comes Ken Wiederhorn, a frustrated and struggling director who was notoriously known for hating horror movies since he entered the business in 1977 with his nazi/zombie flick Shock Waves. He also made the sleazy drive-in thriller Eyes of a Stranger (1981) and was only seen as a schlocky horror movie director. He was so desperate to make this as his ultimate segway out of the horror genre that he took a writing class, so he finally could make real movies like William Friedkin and Martin Scorsese. The irony is that the result more or less ended up like a watered-down copy-and-paste version of the original, without the spicy satire. Wiederhorn originally wrote a stand-alone comedy horror which producer Tom Fox saw the big-dollar opportunity to slam Return of the Living Dead Part II on, or “The Police Academy of Horror Movies“, as Wiederhorn proudly called it. Fucking Christ, he should be forever glad that social media didn’t exist back then.

Tom Fox brought back Thom Matthews and James Karen to make some shallow connections to the first film, while the child actors would appeal to the younger audiences. Don Calfa, who played the mortician in the first film, auditioned to play the goofy doctor, but got rejected. The funny thing is that the production was such a miserable experience that Tom Matthews and James Karen told Don Calfa on the phone that he was lucky to not be a part of it.

And against all odds, the film was better than it had any right to be. Even Ken Wiederhorn was taken back of how well received it was. He never got the big break he wanted, though, and only directed some TV series in the early ’90s. His last film was the obscure romance/thriller A House in the Hills (1993), which is the one and only film he’s proud of.

The plot is as basic as it can get, where some canisters of the Trioxin gas/liquid falls off a military truck and into a river that finds its way into a drainpipe near a suburb. And that’s just fantastic, since drainpipes are an exciting place for kids to explore, especially in the 1980s. And speaking of kids, meet the twelve-year-old Jesse and the two bullies, Billy and Johnny, stumble upon the canister, tampering with it until they see a dead cadaver through its glass panel (hello, Tarman) and runs away. As the gas has already started to ooze, because of those damn kids, the damage is done, and it’s just a matter of time before it reaches the local cemetery, and it’s partytime once again (just without the punks and naked gravedancing).

There are several positives about Part 2, though. It’s a great-looking ’80s movie with some tasty atmospheric foggy night scenes and interesting-looking zombies. The dumb comedy really kicks in during the zombie resurrection scene where zombie aunt puts on her glasses, zombie uncle fixes his tie, while others gets stomped on. And if you’re watching this for the first time on DVD you’d go bruh? What’s this? Return of the Living Disco Zombies? The cheese really reeks hard at this cemetery. Even director Wiederhorn says in the commentary track that there’s something wrong with this music, but has no answer to why. Other sources say that there were some copyright disputes and a new score had to be added to the 2004 DVD release. The funny thing is that the original score is still on the French and Italian language track. I also read many years ago somewhere on the internet that the DVD was transferred from a Russian version. Another unsolved mystery is who actually made that awesome movie poster. Rumors says it’s by Peter Mueller who also did the very similar poster for Fright Night (1985) , but nothing has been confirmed.

Well, anyway…James Karen goes full force with the tiresome overacting. Some of the “highlights“ is where he holds a zombie head and let the indexfinger on his other arm get bitten. Just because. Hilarious (sarcasm). While we have lots of zombies shuffling around, there’s actually even less blood here than in the first film. It’s lighthearted, silly and pretty much on the level of gateway horror. And despite the turmoil behind the scenes, and a director that had no idea what made the first one so special, they at the very least managed to be professional and give us a false impression that the actors had fun on set. The slick and polished cinematography by Robert Elswit, is also a big plus, who later did Boogie Nights, There Will Be Blood and Nightcrawler, to mention some. I also like the ending/climax with the sparkling, jiggling zombies where we have a quick cameo from none other than Michael Jackson. Aow!

Writer and director: Ken Wiederhorn
Country & year: USA, 1988
Actors: Michael Kenworthy, Thor Van Lingen, Jason Hogan, James Karen, Thom Mathews, Suzanne Snyder, Marsha Dietlein, Hanala Sagal, Jonathan Terry, Philip Bruns, Allan Trautman
IMDb: https://www.imdb.com/title/tt0095990/

The Return of the Living Dead (1985)

Posted on October 26, 2026November 5, 2026 by HorrorGhouls

It’s the fourth of July, the year is 1984, and it’s time to get horny.

But before we get loose and festive, here are some important facts to know: because did you know that The Night of the Living Dead (1968), yes the George A. Romero classic, was actually based on a true case? Frank can tell. We’re at a medical supply warehouse somewhere in Louisville, Kentucky, where the two workers, Frank (James Karen) and the new, younger employee, Freddy (Thom Matthews) are about to get done for the day. Frank is supposed to be 45 years old, which has to be the most brutal 45 years I’ve ever seen. Bearing the guilt of being responsible for building houses on an unmarked cemetery maybe does that to you. Anyway: It all starts when Freddy asks Frank what’s the weirdest thing he’s ever seen in the warehouse. Oh, he’s surely seen some things, but nothing weirder than the Trioxin gas conspiracy. Because the true story is that in 1969 this chemical got leaked into a hospital in Pittsburgh, leaked down to the morgue and woke up the dead bodies into zombies. The Trioxin was originally developed for the Army, and if it was ever exposed in the movie, Romero and co would have their asses sued.

And given that this film is actually co-written by John A. Russo, who also co-wrote TNOTLD, the truth is finally coming out. Anyway, the Army sent all the contaminated bodies out, and some of them are in the basement, yes, in this building, with a can of the Trioxin. You wanna see? Of course you do.

The pompous dork that Frank is, takes a quick slam at the canister to show how strong and secure it is. Instead, the gas oozes out that eventually reeks out of the crematorium pipe and up in the air that makes the rain toxic enough to resurrect the dead at the local cemetery. And they want braaaaains! Why exactly brains though? You’ll see.

While Frank and Freddy get more and more sick after inhaling the gas, we meet a charming group of punks who just wanna party. And what could be a better spot to celebrate the fourth of July than in a cemetery? They all stick out in their own ways, but the one we would focus most on, is the redhead Trash (Linnea Quigley). Because when the sun has gone down, and it’s partytime, Trash gets aroused and horny with her own filthy sadomasochistic fantasies of being killed in all kinds of different ways by a bunch of men. Be careful what you wish for, hon. She rips off her clothes and dances on a gravestone, buck naked, which alone made the entire legacy of Linnea Quigley. Not bad. And she runs around naked for the rest of the movie. Quigley already had a background as a nude model, so that explains something.

Fun trivia time: The grave dance scene was as groundbreaking and controversial in American cinema as it was to show a toilet in Psycho (1960). This scene was shot two times. The second time was when they realized that they couldn’t show pubic hair without getting an X-rating. And an X-rating at that time meant zero advertisement other than a small black & white logo of the film’s title hidden in the newspaper. It wasn’t just enough to shave it, no no, she had to wear a prosthetic of her crotch to make her less exposed and make her more doll-like. The funny thing is that the actors had never seen a shaved pussy before, because this was after all the 1980s, and they were more confused about what they were watching. Pretty vacant, like Johnny Rotten would say.

According to the making-of-documentary More Brains! A Return to the Living Dead from 2011, the film was a brutal shoot, a war zone, someone even calls it. A lot of spontaneous rehearsal tapes ended in the final cut, which was usually unheard of. There’s a great chaotic atmosphere here, lots of raw punk rock vibes energy (yeah duh), and much is also due to the director Dan O’Bannon, who according to the actors, was a total punk himself who pushed the actors to the breaking point. Everything that could go wrong, could go seriously wrong and ruin the whole production. In this case, however, it seemed to make the film better. More chaos, more fun. Art by many accidents, or just having a relatively clear vision may help a lot. Even though this was Lloyd Kaufman, I mean Dan O’Bannon’s first time directing, he was the one who wrote Alien (1979), so he wasn’t exactly a nobody.

More fun trivia: One of the actresses had a very awkward meeting with Bannon over a script reading at his house, where he had guns all over his desk and hardcore porn showing on the TV. That’s Hollywood, baby, to quote R. Zegler. The best part of the documentary can be found in the deleted scenes section called “Researching the Dead“. The iconic movie poster was illustrated by Carl Ramsey (1946-2014). He also made the posters for Motel Hell (1980) and Beetlejuice (1988).

The soundtrack has a fitting playlist of some local punk bands such as The Cramps, The Damned, The Flesh Eaters and more. The most memorable will always be Party Time by 45 Grave, and the pop song Tonight We’ll Make Love Until We Die by SSQ is catchy as hell. The good ole’ 1980s. It also has to be said that this is far from a gore fest like Re Animator, which came out the same year as this. You have two scenes where skulls get eaten, more bloody than the other. The satire and the chaotic absurdity is what drives the film, with lots of memorable moments like the restrained zombie who explains why they need to eat brains, the first encounter with Tarman, “send more paramedics“, and the overall pure ’80s atmosphere.

I also like the concept of Frank and Freddy slowly dying while they’re still alive after they inhaled the Trioxin. Having to go through rigor mortis before death is a horror movie in itself. And there you have the irony of zombies running, which you’ll see later on. So no, Zack Snyder was far from the first. My favorite character here is the mortician with the big bulging eyes, Ernie (Don Calfa), who has some of the best reactions as he plays it all straight and rational, which is moons apart from all of the rest. The ending is what it is, because Bannon had no clue how to, well, end it.

And a quick note regarding the shitstains that is Return of the Living Dead Aftermath and Trash’s Revenge, made by convicted conman Richard Driscoll: check out this interview where Linnea Quigley and Beverly Randolph clear up some things. Fuck AI and fuck AI bro scumbags like Richard Driscoll. Have a nice day.

Director: Dan O’Bannon
Writers: Rudy Ricci, John A. Russo, Russell Streiner
Country & year: USA, 1985
Actors: Clu Gulager, James Karen, Don Calfa, Thom Mathews, Beverly Randolph, John Philbin, Jewel Shepard, Miguel A. Núñez Jr., Brian Peck, Linnea Quigley, Mark Venturini,
IMDb: https://www.imdb.com/title/tt0089907/

The Frighteners (1996)

Posted on October 25, 2026 by HorrorGhouls

Are you troubled by strange sounds in the middle of the night?
Do you experience feelings of dread in your basement or attic?
Have you or any of your family ever seen a spook, specter or a ghost?

If the answer is yes, pick up your phone and call the professionals: GHOSTB…I mean Frank Bannister, a true shameless conman that will suck all your money out of your pocket faster than the closet mouth in Carol Anne’s bedroom.

We’re in the small coastal town of Fairwater where Frank Bannister (Michael J. Fox), a chronically depressed “psychic investigator“, drives around in his rusty, yellow Volkswagen Beetle like a madman, throwing away a handful of business cards at random funerals, and does his best to make a not-so earnest living. And here’s the thing: Frank is actually a psychic who can see ghosts clear as day, everywhere he goes, and even lives with three of them in his half-built hillside house: the gunslinger Judge, the disco afroman Cyrus, and the uncool ’80s nerd Stuart. Sounds fun. But instead of investigating real hauntings, Frank uses Cyrus and Stuart to stage false haunting scenarios so he can basically just come in, switch on the lights and write the check. How clever. Judge, on the other hand, is too old to spook around (yes, even ghosts can get old). I guess that being dead isn’t such a luxury, after all.

Then folks around the town start to die suddenly, at a high rate, while Frank sees numbers carved on peoples’ foreheads as a premonition, which seem to draw some connections with the dead notorious serial killer Johnny Bartlett. So, maybe it’s time to cut down the booze and start some serious ghost hunting. Well, that’s maybe easier said than done when Frank himself gets investigated by the FBI for being accused of killing his wife who died in a car accident after Frank’s reckless driving some years back. And if you thought Mulder was “spooky“, then say hello to Milton Dammers (Jeffery Combs). Yikes.

The Frighteners is truly something special, directed by Peter Jackson and co-written with his wife Fran Walsh. It blends the comedy and the “seriousness“ like Ghostbusters (1984) and the more cartoonish elements from Beetlejuice (1988), Casper (1995), and even some grimy true-crime elements. A script like this, with its many layers, subplots, slapstick comedy and more dark horror could easily have been an epic tonal disaster. But like a lightening in a bottle, it works.

There are a lot of colorful characters here and the three ghosts Frank lives with is just the tip of the iceberg. A particular standout here is Jeffrey Combs as Milton -Sieg Heil- Dammers. And there’s nothing shady about him. He only looks like if Adolf Hitler and Judge Doom had a baby, possessed by the paranoid ghost of Jim Carrey (don’t panic, Jim is alive and well, but you get the point). I could watch a whole spin-off with this guy. Then you have the cameo of none other than Gunnery Sergeant Hartman, I mean R. Lee Ermey, as a ghost who protects the local cemetery, and who can’t get enough to showcase his goddamn rights to the Second Amendment. God Bless America, you slimy fucking walrus-looking piece of shit! Rumors say that his screentime is taken from the Full Metal Jacket audition tapes.

Jake Busey certainly looks the part as Johnny (The Homicidal Maniac) with his dead eyes and hideous mouth. Michael J. Fox’s performance as the broken, depressed and desperate shell of a man is a big contrast of his signature role Marty McFly. Fox actually turned down the role as Edward Douglas in The Island of Dr. Moreau (yes, that one) to be in The Frighteners. And ‘boy, even though this wasn’t the biggest moneymaker at the box-office, we can say that he dodged a huge bullet. Dee Wallace also have a central role here as, well, that’s all I can say without slipping too much into spoilers. Danny Elfman gives a fitting and spooky Danny Elfman score, I at least can say.

The film goes heavy on CGI, all created by Wētā FX, who also did the visual effects for the The Lord of the Rings trilogy, the Avatar movies and Van Helsing, to mention some. The post-production to add the visual effects took 18 intense months. After the 15 artists at Wētā was on the verge of getting burned-out, George Lucas’ company, Industrial Light & Magic, had to step in to give a helping hand. Sounds like a messy disaster already, but Universal was so impressed with the final cut that they wanted to release the film right away instead of waiting three months for October, which was its intended release. Not a good plan since the film barely made back its budget. And maybe the R-rating was a factor. Who knows.

In Norway, my home country, the film flopped so hard that it didn’t even survive the first week before it was pulled from the theaters. A prime example of how a flop does not equal a terrible product. The Frighteners holds up, 30 years after its release and is an absolutely delightful fun spookyride. And on October 26, (yes, tomorrow) the film gets a 4k/Blu-ray release from Arrow Video. Happy anniversary!

Director: Peter Jackson
Writers: Peter Jackson, Fran Walsh
Country & year: USA/New Zealand, 1996
Actors: Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Jeffrey Combs, Dee Wallace, Jake Busey, Chi McBride, Jim Fyfe, Troy Evans, Julianna McCarthy, R. Lee Ermey
IMDb: https://www.imdb.com/title/tt0116365/

Seed of Chucky (2004)

Posted on October 8, 2026October 9, 2026 by HorrorGhouls

After the wild ride in the previous film, Bride of Chucky, we are now in for something even more wacky. The child of Chucky and Tiffany has been captured and help captive by a mean ventriloquist called Psychs, who has named the doll “Shitface“. Nice. This doll, however, could definitely be considered a true Good Guy as it’s got a peaceful and kind nature. As if this wasn’t already weird enough, the story continues with how the doll finds out that Chucky and Tiffany are its parents, then manages to escape from Stromboli, er, I mean Psychs, and tracks down the dolls from a prop room in Hollywood. Yeah, because this movie also goes all semi-meta and Chucky movies are a thing here. Voodoo is once again used to resurrect Chucky, and also Tiffany this time. While Chucky is horrified to find out he’s got a child, Tiffany is all over the moon. Then they have to name their child…which becomes somewhat of a problem when Tiffany notices that their child are without genitals (like most normal dolls are). So…is it a boy or a girl..? Not even their child seems to know the answer to that question, the poor thing, who is now stuck in a struggle between mom and dad where Chucky names their child Glen, while Tiffany names it Glenda. And if you didn’t get the reference, it’s to Ed Wood’s cross-dressing cult film Glen or Glenda (1953).

Anyway, Chucky and Tiffany quickly start a new killing spree while Glen/Glenda is confused and just wants them to stop so they can all live as a happy doll family. Aw. And while Tiffany does have an inkling of parental responsibility inside her plastic body, that’s not so much the case with Chucky. And all the stuff that happens from here on is…weird.

Seed of Chucky is the fifth film in the Chucky/Child’s Play franchise, and a direct sequel to the fourth film, Bride of Chucky. And ohh boy…did they decide to go batshit with this one. While Bride had a good balance between the black comedy and the horror elements, always fun, energetic and slightly goofy, this one takes it all several steps further.

It is once again written by Don Mancini, and he’s also directing this time in his directorial debut. And this was the last film from the original continuity to be released in the theaters. Don Mancini, who is gay, wanted to explore some LGBT themes for this film and was in fact inspired by Ed Wood’s Glen or Glenda when writing the script including a doll suffering from gender dysphoria. Universal Pictures didn’t want any of this though, and rejected the script with the simple note “This is too gay“. Alright, well fuck them then. The project was later approved by Focus Features and released through Rogue Pictures. It was shot almost entirely in Romania in Castel Studios to keep the costs down, and this time the animatronic and makeup effects were made by Tony Gardner who also had a small cameo in the film.

I’m going to be honest: I get why many Chucky lovers hate this film. Everything has been changed from what was originally a possessed slasher doll into a comedic self-parody. Then again, at this point it was absolutely no surprise. While Bride started it, then Seed definitely took it and ran the entire mile with it. The entire movie is a joke, but it’s supposed to be. I mean, the previous film ended with a crazy doll-birth scene. No need for any clairvoyance to foresee that this would get even weirder and even more over-the-top. It could easily have become a bit too much, but I found the “family issues“ between the dolls somewhat amusing and slightly charming actually. The chemistry between Chucky and Tiffany, now having become parents, is sweet in a kind of messed up way. And the duo killing both while working together and while going solo adds for a lot of fun death scenes and scenarios.

Personally, while I enjoyed Bride of Chucky more, I actually liked Seed of Chucky more than I expected to. It’s cheesy, filled with gore and sick jokes, the kill scenes are as fun as ever, and it’s even got frickin’ John Waters, the “Pope of Trash“ himself. This movie knows exactly what it is. It’s fun and silly, just don’t expect it to be anything else and you just might have a good time. And it kinda has a happy ending too…kinda.

Writer and director: Don Mancini
Country & year: USA, 2004
Actors: Jennifer Tilly, Brad Dourif, Billy Boyd, Redman, Hannah Spearritt, John Waters, Keith-Lee Castle, Steve West, Tony Gardner, Jason Flemyng, Nicholas Rowe
IMDb: https://www.imdb.com/title/tt0387575/

Sequel:
– Curse of Chucky (2013)

Prequels:
– Bride of Chucky (1998)
– Child’s Play 3 (1991)
– Child’s Play 2 (1990)
– Child’s Play (1988)

Remake:
– Child’s Play (2019)

Bride of Chucky (1998)

Posted on October 7, 2026October 9, 2026 by HorrorGhouls

In the previous film, Child’s Play 3, Chucky died for the third time. Well, we all know that slasher villains never truly stay dead, they are always resurrected in some way or other. This time, his ex-girlfriend Tiffany Valentine bribes a police officer so she can get her hands on the Chucky doll’s remains. She of course murders this guy afterwards. In her trailer (because where else would she live) she stitches the doll up and performs a voodoo ritual to revive him. Aaaand…nothing happens. Botched ritual…or perhaps a delayed delivery? Hmm. In the meantime she gets a visit from a dude named Damien who is madly in love with her, and voila, there’s life in the old doll after all and we get the first kill.

While Tiffany is at first very happy about having her love brought back to life, she soon finds out that he was never really that serious with her after all. What a surprise. She gets angry, and locks him inside a playpen while giving him a bride doll to taunt him. Uh-oh…bad idea. Chucky electrocutes her and uses a voodoo spell to transfer her soul into the bride doll. It’s supposed to be an act of vengeance, but at the same time…he got himself a female counterpart. A Harley to his Joker or something like that. They also kinda fall in love with each other all over again, and they certainly seem to be a perfect duo. Now, we have two killer dolls who want to escape their doll bodies, by finding some humans they can switch with, and they end up choosing Tiffany’s neighbor boy Jesse and his girlfriend Jade.

Bride of Chucky is the fourth film in the Child’s Play/Chucky franchise, and the first to use his name in the title. It was once again written by Don Mancini, and this time directed by Ronny Yu. And this is also where the franchise really swerves into a completely different lane, where it’s pure comedy almost to the point of being self-parodic. And to be honest…I kinda liked this turn, as the shift fits with the goofy foul-mouthed doll who was never really scary to begin with (my opinion). And no matter the reception, it became the highest-grossing film in the series.

Kevin Yahger and his team created many animatronic puppets for this film, where Chucky alone had nine different ones, and each doll required seven puppeteers to control. And yeah, we’re going for practical effects, which of course look great. The acting is actually pretty good too, with Dourif naturally returning as Chucky, but Jennifer Tilly also does a very fun performance as his unhinged and slightly cute-naive girlfriend. Her doll version looks great, a perfect counterpart to Chucky and just as full of life and character as he is. Their love-hate relationship comes off as both cute and funny, and the kill scenes are considerably more gory this time around. The only thing that falls a little flat are the two human characters, Jesse and Jade, who become totally uninteresting compared to the rest, but fortunately the majority of the film delivers on doll action and kills.

Bride of Chucky is, just as Mancini himself said: part horror, part comedy, part romance and part road movie. And it is a such a fun time! It doesn’t take itself seriously for even a split second, it knows exactly what it is. And that ending…yeah, that’s certainly something. Which of course gave the perfect idea for the next film, since obviously they decided to say “fuck it, let’s just have a ton of fun at this point and go even more off the rails“.

Director: Ronny Yu
Writer: Don Mancini
Country & year: USA, 1998
Actors: Jennifer Tilly, Brad Dourif, Katherine Heigl, Nick Stabile, Alexis Arquette, Gordon Michael Woolvett, John Ritter, Lawrence Dane, Michael Louis Johnson, James Gallanders
IMDb: https://www.imdb.com/title/tt0144120/

Sequels:
– Curse of Chucky (2013)
– Seed of Chucky (2004)

Prequels:
– Child’s Play 3 (1991)
– Child’s Play 2 (1990)
– Child’s Play (1988)

Remake:
– Child’s Play (2019)

The Happiness of the Katakuris (2001)

Posted on September 15, 2026 by HorrorGhouls

In the year of 2001, Japanese director Takashi Miike made Ichi the Killer, the yakuza splatter horror which got famous for its graphic violence and how it was banned and censored left and right. Even here in Norway the movie was actually totally banned, even though an uncut DVD release in 2007 managed to circulate for a while. The ban was never lifted, so the movie is actually still not legal to distribute and sell or stream here (but it is legal to buy a copy of the movie for private use). Aside from his achievement with this movie, Miike had a very busy year in 2001 where he actually made another five films, one of these being another well-known movie called Visitor Q. However, we’re not going to talk about that one, instead we’re going to talk about another of his films from 2001, called The Happiness of the Katakuris. And…oh boy…if you thought you had figured this director out from watching his horror movie hits, you’ll be scratching your head at this one.

The Happiness of the Katakuris starts off with an opening scene of a woman eating soup in a fancy restaurant. In the soup is some cherub-like claymation stop-motion creature, who sees the screaming woman’s uvula (who has now turned into stop motion as well) and mistakes it for a heart, rips it out of her throat and flies away, and…hell, it’s really one of those things you can’t explain with words without sounding like you’re rambling about your latest fever dream, you just gotta see it for yourself. Anyway: the cherub-thing ends up getting eaten by a crow, who then gets killed by grandpa Katakuri who got pissed off and threw a stick after it because the bird took a shit which landed on his face. What significance this opening had to anything still boggles my mind, but I guess it’s a way of telling the viewer that the world is an absurd place and death is everywhere. Or something like that.

Now we get introduced to the four-generation family of the Katakuris: Masao Katakuri and his wife Terue, his father Jinpei, the couple’s son Masayuki who’s got a criminal past, and their daughter Shizue who is divorced and a single mother with her child Yurie. And of course, we must not forget their cute dog Pochi. They have just purchased a large, old house nearby a former garbage dump close to Mount Fuji, which they have converted into a bed and breakfast and named it “White Lover’s Inn“. Sounds cozy. They have big hopes for this becoming a success, as the road nearby will be expanded up to their house which would turn it into a perfect spot for tourists. However, the road construction isn’t finished yet…and they currently haven’t had a single guest. So when one finally comes during some heavy rain, they’re all so excited. Finally! The first guest! And of course this dude was someone who decided to stay there just to commit suicide during the night. The bastard should’ve just gone to Aokigahara forest instead. To top it all: the way he committed suicide looks more like a murder. The Katakuris decide to save their business by burying the body.

Up next is a sumo wrestler and his young (very young, it appears…) girlfriend. Let’s just say this doesn’t turn out well either. The bodies are piling up, the Katakuris still haven’t had a single “normal“ guest, and Shizue also falls head over heels for a man called Richard Sagawa, who claims he’s a U.S naval officer and the nephew of Queen Elizabeth II. Nothing shady about this one, not at all. Oh, and of course…the nearby volcano also starts rumbling every now and then…

The movie is said to be loosely based on a South Korean film called The Quiet Family, but an obvious The Sound of Music parody is all over the place here and it’s also obvious Miike liked Monty Python. Yes, this movie is also a musical comedy, filled with upbeat and sometimes romantic dance numbers and even a karaoke sing-along. The premise of the story, a family trying to start a guest house and only getting visitors who ends up dying on one way or other, is one that could easily be tackled in all kinds of ways (including ones much darker and grittier). But this is pure batshit bananas absurdist comedy from start to finish. I have to admit it took some time before I got properly into the overall tone of this film. When it comes to comedy, I’m a bit more fan of the dark and subtle kind, and during the first half hour or so I found myself thinking this might be a little too much for me…but somehow, I got more and more into the bizarre, over-the-top vibe without feeling too exhausted. There’s always something happening, it goes from one song number or weird incident to another, and it’s truly unpredictable. Aside from the opening featuring stop motion claymation, this is also featured multiple times during the movie, sometimes mixing real footage with the animated parts. It’s…part uncanny-valley nightmare fuel as well as being fun and amusing.

The Happiness of the Katakuris is a totally bonkers musical that certainly proves that Takashi Miike is a versatile director. And the message you can take away from this movie, I guess, is that no matter how hard and fucked up your life becomes, no matter how much bad luck, just sing a happy song and keep doing your best!

Director: Takashi Miike
Writers: Ai Kennedy, Kikumi Yamagishi
Original title: Katakuri-ke no kôfuku
Country & year: Japan, 2001
Actors: Kenji Sawada, Keiko Matsuzaka, Shinji Takeda, Naomi Nishida, Kiyoshirô Imawano, Tetsurō Tanba, Naoto Takenaka, Tamaki Miyazaki, Takashi Matsuzaki
IMDb: https://www.imdb.com/title/tt0304262/

An American Werewolf in Paris (1997)

Posted on September 8, 2026 by HorrorGhouls

If London wasn’t dangerous enough for Americans to visit, Paris wouldn’t be much better. So try Bratislava instead, haha. That being said, this is not a sequel to the well-known cult classic that is John Landis’ An American Werewolf in London (1981), but more based on the idea that the first film was originally to be set in Paris. And why not. Paris rules! The only thing this one has in common with the original is that an American student visits a European country and becomes a werewolf.

The film has some very loose connections to the first one though, and to cut it short: John Landis was asked to make a sequel to London in 1991 and wrote several screenplays. The studio, Polygram Pictures, declined all of his scripts for whatever reason and ended up with Tom Stern and Tim Burns to write the script that was later rewritten after Anthony Waller got hired as director (catching my breath). He had recently made Mute Witness, a solid horror/thriller which had already gained a cult-following.

Andy (Tom Everett Scott) and his small group of American friends are visiting Paris to sneak up to the Eiffel Tower at night to bungee jump. The big event gets interrupted when they see a young woman, Serafine (Julie Delpy) standing on the handrail, who looks like she’s ready for a suicide jump. After she leaps off, Andy jumps after her, attached to the cord (duh) and grabs her foot at the last second before she would hit the ground. The only thing he has left from her after flying back up is her shoe. Andy gets knocked unconscious and ends up in the hospital. Welcome to Paris.

And after he wakes up in the hospital, the film bounces all over the place where we have a rather flimsy romance movie, a ghostmovie that could be in the same universe as The Frighteners, another romance side plot and, of course, something to do with werewolves. Andy spots Serafine at the hospital, where she just by coincidence works as a nurse (or does she?), and goes after her with her shoe, looking like a deranged psychopathic stalker as he’s holding up her shoe and says: You forgot…this! How romantic. After they start to date, Andy and his friends get access to a secret underground nightclub that connects to the catacombs. Nice! But here is also where it gets messy, because one of Andy’s pals finds Serafine, for whatever reason, locked in the basement. And don’t tell me that she can possibly be… a werewolf?! Now that she knows that Andy is in the club, which happens to be an underground society of werewolves who eat tourists (!), she has to get him far away. Too late. The moon is full, hell breaks loose and poor Andy gets bitten in the leg after running around in the sewer before he manages to escape through a pipe. Enjoy rest of Paris and good luck finding an antidote.

There are especially two classic “pure cinema“ moments here that stick out. The first is the most awkward date scene ever, also called the bubble gum scene, where our charming American blows up a condom while Julie Delpy sits in front of him with a cold stare. Can’t really blame her though. I won’t even try to explain the context, just watch it. The second one is where Andy’s werewolf senses start to kick in, goes on all fours in a cafè (still in human form) and does a quick ass sniff to some random woman (Julie Bowen) straight in her bum. Because it’s mating time, baby! They end up having sex at Père Lachaise Cemetery, because, of course, this is Paris, the city of love, after all. But then the moon goes full. Oops.

Going in and expecting a direct sequel to the first film, you’d be disappointed…very disappointed. And forget about any memorable werewolf transformation scene. This is not that kind of movie. It’s all, if not mostly CGI, or “the first CG werewolf in movie history“ as Anthony Waller called it. And it looks like you’d expect from the 1990s: not good. So no, I wouldn’t say that this is a great movie in its genre. It has its glaring flaws, it’s very unfocused at times with a very forgettable villain (yes, there’s a villain here if I forgot to mention) and the romance between Andy and Serafine seems pretty forced. While Tom Everett Scott had a fun time making the film, the same can not be said about Julie Delpy who only took the role to pay her rent. For unknown reasons she hated working on An American Werewolf in Paris so much that she avoided doing any other commercial Hollywood movies. (That was until she signed up for Avengers: Age of Ultron in 2015). She still does a good performance as a mysterious melancholic downer though.

What makes the film a win is the comedic elements, the many set-pieces of Paris and just overall the distinct fun, goofy 1990s vibe which only us who experienced that decade, before the world went down the toilet, can fully appreciate. The few of the practical effects are great, the most noteworthy being the gags where the ghost version of Julie Bowen tries to whistle and pops out her eye instead. Delightful stuff. And since comedy is the most subjective thing ever, I can only speak for myself. Or maybe just being in the right mood helps a lot. I dunno. It’s certainly entertaining and far from the worst movie of all time. The film was not a success at the box-office though, barely earning back its budget. That’s a bummer, because a third film where it was the other way around, A European Werewolf in Chicago would surely be interesting. But then the movie would be over after just ten minutes or so, because, well…I think it speaks for itself.

Director: Anthony Waller
Writers: Tim Burns, Tom Stern, Anthony Waller
Country & year: USA/France/Luxembourg
Actors: Tom Everett Scott, Julie Delpy,Vince Vieluf, Phil Buckman, Julie Bowen, Pierre Cosso, Thierry Lhermitte, Tom Novembre, Maria Machado, Ben Salem Bouabdallah, Serge Basso
IMDb: https://www.imdb.com/title/tt0118604/

Eight Legged Freaks (2002)

Posted on September 1, 2026 by HorrorGhouls

They’re eating the dogs! They’re eating the cats! They’re even eating the ostriches!

Eight Legged Freaks is the title and that’s what you get — and it’s as silly, fun and campy as it sounds. The plot is pretty straightforward: A horde of mutated giant hopping CGI spiders attack a small mining town somewhere in Arizona. Sheriff Sam (Kari Wuhrer) and her love interest Chris (David Arquette) have to come up with a plan to save the day. Good luck. A relatively unknown Scarlett Johanson plays the sheriff’s young teenage daughter, a decade before she became a Royal Hollywood Elite.

Fun fact: The original title for the film was Arac Attack, which had to be changed due to, well, a certain current Iraq Attack in the wake of 9/11. We can all agree that Eight Legged Freaks is a way better title, a passion project by the upcoming director Ellory Elkayem from New Zealand. Too bad that his upcoming took a quick double nosedive after he made the Return of the Living Dead films Necropolis and Rave to the Grave back-to-back in 2005 that as well could be made by Uwe Boll on his worst days.

Anyway… The B-movie monster that became Eight Legged Freaks had its humble start back in 1997 with the black & white horror short Larger Than Life, which is, of course, about monster spiders. Independence Day director Roland Emmerich spat out a budget of 30 million dollars for a full-length film inspired by the short, and used his own FX company Centropolis Entertainment for the visual effects. Still, I have to say if it wasn’t for the cast and the name of Roland Emmerich attached, this could easily have been mistaken for a very late mockbuster of Arachnophobia by The Asylum. This is way more polished than what they ever could fart out though. That being said, the effects here are far from amazing, as this is meant to be a silly lighthearted comedy-homage to schlocky monster movies of the 1950s. And like a lightning in a bottle, it succeeds in every way.

There are a lot of highlights here, but one that sticks out is a scene where a poor cat gets attacked by one of the many big spiders, dragged behind a wall, and well, how should I describe it…I can’t. It’s something straight out of Tom & Jerry, and it’s okay to laugh, folks. Ostriches get killed in a way that looks like a regular day in Peru, or like any poor bastard who’d get traumatized for life after this beautiful sight in the basement, or in Australia where huntsman spiders eats possums for dinner. Brrr! We have some wild motorcycle stunts and a fuel truck gets attacked by a handful of spiders which end up in an epic explosion. Budget well spent. And yeah, the spiders also punches people with cartoon punch sound effect. Because, of course.

There’s also a nod to Dawn of the Dead where all the townsfolk go to hide in a shopping mall which quickly escalates to crazy action which most notably includes a scene where a dude in a Jason mask is slashing through the spiders with a chainsaw. The older Marvel fans will probably go nuts when ScarJo gets attacked and webbed against the wall after a spider crawls into her bedroom. The actors play their roles seriously, maybe except David Arquette, who knows exactly what kind of a film this is. It was also him that came up with the title Eight Legged Freaks after the Arac Attack had to be canceled. As a first time watch in the year of 2026 it’s also a bittersweet nostalgic reminder for us older millennials when Hollywood blockbusters once in a time knew how to have fun with no agenda and bullshit.

Director: Ellory Elkayem
Writers: Ellory Elkayem, Randy Kornfield, Jesse Alexander
Country & year: USA, 2002
Actors: David Arquette, Kari Wuhrer, Scott Terra, Scarlett Johansson, Doug E. Doug, Rick Overton, Leon Rippy, Matt Czuchry, Jay Arlen Jones, Eileen Ryan, Riley Smith
IMDb: https://www.imdb.com/title/tt0271367/

Zombie Ass: Toilet of the Dead (2011)

Posted on January 2, 2026March 21, 2026 by HorrorGhouls

What if Quentin Tarantino had a serious mental collapse and flew to planet Japan to make his 10th and final movie? Well…

The film starts exactly how you’d expect: A crazy-like scientist makes a zombie puke something in the mouth of his young daughter who has blood cancer. Saitei! After a groovy and quick opening credits which I won’t spoil, we meet a group of friends who are on a camping trip: we have the schoolgirl Megumi, the druggie Tak, his airhead girlfriend Maki and the geeky goofball Naoi. Megumi, the one dressed in the classic and cute Sailor Moon uniform, knows her karate just to make sure that she’s the star here and not one to mess with. She’s also grieving after her sister killed herself in shame after she farted in front of her bullies. Oof. That’s brutal. My condolences. Anyway: the airhead Maki wants to be a model and catches a trout to find a tapeworm so she can speedrun her loose-weight process. Always a great idea. She slurps a big fat tapeworm like a noodle, and hopes for the best.

And to say that shit starts to happen is the biggest understatement of the century.

Maki’s stomach starts to act funny, and she has to take a shit. Uh-oh. Well, girls have to shit too. As they enter a small empty village, she finds the nearest outhouse toilet where a zombie grabs her buttcheeks. Makes me wonder if this is the same guy from Headhunters (2011). A dozen of shitty zombies emerge from the toilet of the dead, called “Shit men“, plain and simple (thanks to the subtitles). They vomit and throw shit, and from here on we can say that the film surely lives up to the title. Maki unleashes an epic yellow cloud of fart that forms into a demonic shape. Absolutely diabolical, as Ed Warren would have said. An alien-looking parasitic monster comes out of her brown hole, not so unlike what we saw in Dreamcatcher (2003), and our group of friends are surrounded by shit men and parasites. All this is caused by the scientist we saw at the beginning. Why and how? To find a cure to save his young daughter. Good news is that Megumi also knows how to handle a shotgun.

What we have next is a, well, an epic shitstorm where director Noboru Iguchi (The Machine Girl, RoboGeisha, Dead Sushi) turns his extreme fart-fetish all up to 11. He started his career with the fetish porn film Doctor Enema and continued to work in that side of showbiz throughout the 1990s to mid 2000s. So, this is clearly his alley. The year after Zombie Ass, he got the golden ticket to direct a segment of the horror anthology The ABCs of Death, and you can guess which letter: F for Fart, which also actress Arisa Nakamura (who plays Megumi) got the pleasure of being in. If that’s not the most embarrassing kind of typecasting, I don’t know what is.

While the film is as silly, goofy and cartoonish as it is, here’s some of the more thought-provoking dialogues: I’m bleeding from my butt! — Why am I releasing a neverending fart? — You fart and fart until you die. That is your fate! — I just farted! — That butt ate my bat! — I killed him with my butt! — Dumb ass! You’ve got shit for brains! — ANAL VOLCANO!

And there you pretty much have Zombie Ass in a nutshell, more brown than usual, with lots of farting, fetish-driven grossness, exploding heads, karate fights in manga-style and tentacle/body horror sprinkled with some more serious topics such as bullying. Just a normal day in Japan. It has it all, almost. The blood is mostly cheap CGI, but(t) while the green-screen effects look like something from a YouTube skit. The shit seems at least real. So real, in fact, that actress Asana Mamoru (Maki) had to control her bowel movements while filming the outhouse scene so she didn’t poop on the zombie who had the pleasure of grabbing both her buttcheeks. Some of the farts heard were also real! Amber Turd or Blake Lively wouldn’t hold back for even a split second. Working in showbiz is so glamorous, innit? Can’t wait for the cocaine and the hookers that don’t fart. In an alternate universe, Siskel & Ebert gave this Two Brown Thumbs Up! …eew. Eating a can of chili beans beforehand while wearing a fresh skid marked underpants could also add some nice Smell-o-Rama effect. Zombie Ass: Toilet of the Dead can be found at the one and only streaming site that (fecal) matters — Tubi. Enough cringe wordplay for today.

Couldn’t actually find any watchable trailer for this masterpiece, but the screenshots, if not the title alone, speak loud and clearly for themselves.

Director: Noboru Iguchi
Writers: Noboru Iguchi, Tadayoshi Kubo, Ao Murata, Jun Tsugita
Original title: Zonbi asu
Also known as: Zombierumpe: De dødes toalett (Norway)
Country & year: Japan, 2011
Actors: Arisa Nakamura, Mayu Sugano, Asana Mamoru, Yûki, Danny, Kentaro Kishi, Demo Tanaka, Asami, Sayuri Yajima, Haru Shiina, Yûya Ishikawa, Hideki Kurauchi, Takeo Gozu
IMDb: https://www.imdb.com/title/tt2061869/

There’s Something in the Barn (2023)

Posted on December 23, 2025December 23, 2025 by HorrorGhouls

Bill is a family man who is about to fulfill the dream of his life: moving back to his ancestral family farm in Gudbrandsdalen in Norway. The problem is: he’s pretty much the only one who is very, very excited about this. The teenage daughter Nora feels like her life has fallen apart when being dragged from sunny California and over to cold desolated Norway. Carol, the stepmother, tries to keep an optimistic tone with her life coach visions, but it becomes apparent that she really struggles with keeping the smiles up for Bill’s sake. Lucas, the youngest son, tries to be more enthusiastic though. When exploring their new home and the surrounding area, he discovers something fantastic: there’s something in the barn! It’s a good ol’ classic “fjøsnisse“ as we call them here in Norway, or what a local man tells Lucas is a “barn elf“. These humanoid creatures comes with a set of rules: they hate modern changes, loud noises, and bright lights (feeding them after midnight is okay though, they aren’t gremlins). If you ignore those rules, there will be some horrible consequences, because you really, really do not want to make the barn elf angry!

There’s Something in the Barn is a Norwegian comedy horror film from 2023, directed by Magnus Martens and written by Aleksander Kirkwood Brown.

This is a movie that’s mixed with Norwegian folklore, combined with some comedic elements regarding some of our cultural oddities. And with a good dose of that bad English, of course. That cheesy, broken sing-song English that is the common Norwegian accent! (God, whenever I travel abroad I hate hearing my own voice when I speak English). And most of the Norwegian characters in this movie plays this up a bit, especially Henriette Steenstrup who plays the sheriff, and Calle Hellevang Larsen who plays the local barn-elf expert. And speaking of these so-called “barn elves“: this creature stems from very old Norwegian folklore predating the Christian times. Most of the original lore regarding these creatures have been included in the movie, like how they will become quite mischievous if you do not treat them well, however it was originally mostly enough to give them a big bowl of porridge and they’d be satisfied. They were never known for becoming dangerous, though. If dissatisfied with you, they were believed to do things like making noises to bother you, or let the animals in the barn out during the night. Otherwise, they were generally goodhearted and watched over the farm animals, and were especially friendly with the barn cat which most farmers would have to keep away rodents. However, since the filmmakers were making a gremlins-like horror movie, they did of course have to make the barn elves quite mean, with the exception of the “main“ elf which I guess is like the Gizmo of the movie. And yes, there’s no doubt that there’s a lot of inspiration from, and a homage to, the classic 1984 movie Gremlins which is also a holidays-themed movie.

Much of the humour is aimed at the total cultural differences between Norwegians and Americans, where especially the family father is trying his best to adapt. Both “sides“ are purposefully caricatured, and while I’m certain that there are a lot of the Norwegian references that won’t be properly understood when viewed by those abroad, the humour is still straightforward enough even for those who doesn’t know the slightest about Norway or Norwegian culture. The movie explains some of the things gradually through the eyes of the Americans who just moved there, so we see everything through their experience, and often through the experiences of the boy Lucas who first sees the barn elf. Despite Lucas trying to warn his family (no one believes him, of course) they piss the creature off by breaking the rules one by one. What a shocker. First of all, it’s the “bright lights“ rule when they put up all their Christmas holiday decorations, full-on American style (which means a lot of decorations). Then, in order to get to know their Norwegian neighbours better, they also decide to redecorate the barn and throw a party in there, because who knew: they only way to get a Norwegian out of their cold, hard shell is to get them shitfaced on alcohol! And yes, that’s a little bit too true, and as someone who doesn’t drink alcohol I’ve been frowned upon more than once for this choice, it’s like committing a total blasphemy around here. Well, anyway. All rules have been broken, and the barn elf is now majorly pissed off! There’s only one way to appease him…bringing him a big bowl of porridge. So Lucas, as the goodhearted boy he is, makes some and puts it in the fridge to serve the angry nissemann later…only to discover it has gotten eaten by his father. The only thing Lucas can give the barn elf now are the leftovers from a botched “Norwegian dinner“ attempt from earlier that day: the dish Lutefisk. Which, of course, breaks the final straw for the poor little barn elf and makes all hell break loose. Believe me, you’d be pissed too.

From here on, the movie takes a turn from a rather cozy one to bringing in the horror elements, where we get some kill counts and a bunch of violent and mean barn elves running around and wreaking havoc. It’s still too charming and fun to be scary in any kind of way with the goofy antics of the creatures, including them getting drunk after smashing the living room and having the family trapped in the upstairs bedroom. In between, we do get a little bit of forced family drama just to pack it in with some kind of “rediscovering togetherness during the holidays“ message, but it’s also slightly mocking this cliché a bit. While it’s a little sugar-coatey at times with the family dynamics, it kinda works in a premise like this. Never hated any of the characters, although I did root for the barn elves of course.

Visually, the cinematography offers up the beauty of a snowy winterlandscape, and it is jam-packed with Christmas vibes! Despite being a movie that’s featuring some very typical Norwegian scenery, it’s informed in the film’s trivia that half of it was shot on stages in Lithuania. There was also a limited snowfall during the shooting (so there goes that illusion of how Norway is always fully packed with snow) so they had to bring in snow by truckloads in order to accomplish the vision they needed.

Overall, There’s Something in the Barn is a fun gateway horror movie with a good amount of holiday charm. And as can be expected from such a goofy, lighthearted horror movie, it all ends on a good note despite all the mayhem. And it becomes good to be a nissemann, after all.

Happy Holidays and God Jul! Now remember to put out that bowl of porridge (julegrøt) for the nisse with a good portion of butter in the middle and some cinnamon spread atop! Just don’t serve him any Lutefisk…or you know what will happen.

Director: Magnus Martens
Writers: Aleksander Kirkwood Brown, Josh Epstein, Kyle Rideout
Country & year: Norway, 2023
Actors: Martin Starr, Amrita Acharia, Kiran Shah, Townes Bunner, Zoe Winther-Hansen, Calle Hellevang Larsen, Henriette Steenstrup, Jeppe Beck Laursen, Eldar Vågan and a horde of angry barn elfs
IMDb: https://www.imdb.com/title/tt23060796/