Haunt (2019)

Haunt (2019)It is Halloween, but Harper isn’t really in the mood for a scary celebration as she is already struggling with a real fright in her life: an abusive boyfriend who keeps sending her angry text messages. However, her friends are determined to have a fun night out and enjoy themselves, so she covers her black eye with make-up and they all head over to a costume party. They meet up with two other guys, and the six of them ends up looking for a haunted house attraction in order to make their Halloween night complete. Very much on random, they encounter the sign for such an attraction on a lonely country road, and decide to check it out. Upon entering this Haunted House attraction, they’re forced to leave their cellphones and have to sign liability waivers (which probably sounds like big red flags right there for our naive protagonists, but in real life there are such attractions that actually requires you to sign liability waivers before entering. Like for example McKamey Manor, which requires a 40-page waiver before you’re allowed inside). They do as they’re told, and is shown some rather mainstream horror effects upon entering…until they suddenly witness a scene where a “witch” is branding a girl with a red-hot poker (which they of course think is just an act). From there on things start going more and more wrong, and the attraction goes from fun to deadly in no time.

 

Haunt is a “haunted house attraction” horror movie, a little bit in the same vein as Hell Fest. With the writers of A Quiet Place as directors and Eli Roth as producer, it certainly did sound like something that could be both suspenseful and gory. And you see quite early in the movie that there is a lot to appreciate here: the cinematography is quite eye-candy, and there is a lot of claustrophobic atmosphere once our protagonists enters the Haunt. There are some rather interesting characters who are inhabiting the place: people in several costumes, wearing masks and behaving in creepy ways which makes you wonder who, or what, they really are…

 

Now, while Haunt manages to pack in a good amount of suspense, it feels like there is a little bit of lost potential here where the actual killing scenes felt very toned down…especially with one of the kings of gore (Eli Roth) being the producer and all. The killing scenes come and go rather rapidly, some of them even proceeding to the next scene so fast that you’re barely able to get a glimpse of what really happened. The movie doesn’t dilly-dally with its audience though, or try to be “smart”…instead, it delivers a straight forward slasher where teens are killed because they make dumb decisions and freaks are murderous because…well, because they’re freaks, I guess.

 

However, despite not being the most memorable movie in the genre, Haunt was a fun ride all in all!

 

Haunt

 

Directors: Scott Beck, Bryan Woods
Country & year: USA, 2019
Actors: Katie Stevens, Will Brittain, Lauryn Alisa McClain, Andrew Caldwell, Shazi Raja, Schuyler Helford, Phillip Johnson Richardson, Chaney Morrow, Justin Marxen, Terri Partyka, Justin Rose, Damian Maffei, Schuyler White, Samuel Hunt, Karra Rae Robinson
IMDb: www.imdb.com/title/tt6535880/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ouija: Origin of Evil (2016)

Ouija: Origin of EvilLos Angeles, 1967. Alice is a still grieving widow who works at home as a spiritual medium, and is accompanied by her two daughters when tricking their customers into making them believe that spirits are present. The oldest daughter, Lina, one day suggests that they implement a Ouija Board into her mother’s readings. The youngest daughter, Doris, tries it out alone and invites an evil presence into their home, not realizing how dangerous it is.

 

This is a prequel to Ouija from 2014, and this time with Mike Flanagan in the director’s chair. And that really shows. Compared to the first movie which was a very formulaic teenage horror flick, this prequel packs in a good bunch of tension and atmosphere. I also liked how the movie has a style that reflects the time period it’s supposed to be set in with a bit of a “retro” style to it, even starting off with the old Universal logo. The performances are good, and the visuals well done.

 

If you’ve seen the first movie, you more or less know how it will end, but strangely that still doesn’t take anything away from the viewer experience. You already know that the family will not experience a happy ending, but the point of this movie is not to reveal a twist at the end but to explain the journey that led to it. If there’s anything I’d like to nitpick on, it’s the “ghostly gape” scenes that, instead of building the tension and atmosphere further, manages to take us into cringe-land instead. Seriously: big, gaping mouths rarely look scary, and they’re such a tedious horror-trope to watch these days. Now, I personally don’t think these scenes ruins anything for this movie, but my personal opinion is that it would be much better without them.

 

Overall, Ouija: Origin of Evil is a very decent, yet quite unexpected prequel of a film that didn’t really warrant any sequels or prequels. While the movie doesn’t manage to become scary, it’s still quite atmospheric and a big step-up from the first. Also, here is a little fun fact: for those that have seen Mike Flanagan’s Oculus from 2013, you get a little Easter Egg where you can see the mirror in the basement.

 

 

Ouija: Origin of Evil

 

Director: Mike Flanagan
Country & year: USA, 2016
Actors: Annalise Basso, Elizabeth Reaser, Lulu Wilson, Henry Thomas, Parker Mack, Halle Charlton, Alexis G. Zall, Doug Jones, Kate Siegel, Sam Anderson, Chelsea Gonzalez, Lincoln Melcher, Nicholas Keenan, Michael Weaver, Ele Keats
IMDb: www.imdb.com/title/tt4361050/

 

Related post: Ouija (2014)

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Possum (2018)

Possum (2018)Philip (Sean Harris) is a middle-aged man returning to his hometown in Norfolk with a population of probably ten people, which looks like a depressing place to live in. With him he’s got a brown bag containing a puppet called Possum. A terrifying thing with a human head made of rubber, and with spider feet. Philip turns out to be a totally fragile, traumatized man, trapped in a severe life crisis, who constantly seems be on the verge of blowing out in full panic attack at any moment. And  the nightmare fuel provided by Possum clearly doesn’t makes it any better. Time to watch some cat videos on YouTube, I would say. Anyway, he goes to his decayed, filthy childhood home where he meets his stepfather Maurice (Alun Armstrong), a greasy old man who probably hasn’t taken a shower in years, and likes to preach stuff that doesn’t make much sense. They turn out to have as much of a resentful relationship with each other as Philip has with Possum, which he repeatedly tries to get rid of by dumping it in the river, burying, burning, and beat the shit out of it to a point where you almost feel more sorry for the puppet than for Philip. But just like a cursed Ouija board, Possum always reappears.

 

If you expect a traditional creature-feature here, you can just give up right away. This is a really slow melancholic and feverish nightmare, stuffed with metaphors, cryptic symbolism, and open to being analyzed to death and beyond. Is Possum some sort of a manifestation of Philip’s untreated trauma, or is the guy just crazy? Is the pale, empty, decaying surroundings a reflection of the eternal hopelessness that constantly consumes his head? Who knows. Several scenes seem to last forever without going nowhere, but competent camera work, strong wide-shot visuals and good acting saved the movie, for my part at least. So yeah, a strange little indie film that can be a chore to sit through for sure, and fans of art-house will probably find it more appealing.

 

Possum

 

Director: Matthew Holness
Country & year: UK, 2018
Actors: Sean Harris, Alun Armstrong, Simon Bubb, Andy Blithe
IMDb: www.imdb.com/title/tt6081670/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Lighthouse (2019)

The Lighthouse (2019)On a remote New England Island in the 1890s, two lighthouse keepers have to stay there for four weeks. Thomas Wake, the oldest between the two, has been watching over the lighthouse for a long time and is used to the unfavorable conditions. His new assistant, Ephraim Winslow, does not settle in with ease however. Ephraim is getting more and more frustrated by the older man’s fussing and complaints, where he is being bossed around constantly. When the four weeks are over, and the boat still doesn’t come to pick up Ephraim due to very bad weather, they both realize they might be stuck on the island for far longer than anticipated. Plagued by bad dreams and hallucinations (or are they hallucinations?) Ephraim tries to keep his sanity on the forsaken rock – but this proves to be difficult as deeply sunken secrets are about to break the surface.

 

The Lighthouse by Robert Eggers (who earlier gave us the very haunting and creepy film The Witch) is a very atmospheric black & white film, and is actually loosely based on a real-life tragedy that happened in 1801. Two Welsh Lighthouse keepers, who were in fact both named Thomas, became trapped due to a storm. That incident is referred to as The Smalls Lighthouse Tragedy. The movie was also shot on 35mm black and white Double-X 5222 film, and due to this, they needed a lot more light, so they put up flickering 500-800 watt halogen bulbs in period-correct kerosene lamps. These lamps were just a few feet away from the actor’s faces, so the result is a lot of imagery that simply looks stunning, especially with the facial expressions and grimaces being heavily toned due to the contrasts. Plain and simple, it is beautiful to watch.

 

There is a good amount of claustrophobic dread to appreciate from The Lighthouse. And with Ephraim’s dreams and visions (or are they all just dreams and visions?) with mermaids and giant tentacles, we get a dose of some of the old and classical myths and legends from sea folk. Thomas tells supernatural tales of sea gulls and bad omens, but while Ephraim tries to ignore the old man’s ramblings, it’s evident that there are certain things laying under the surface that causes him to become vulnerable to the tales. It doesn’t take long before Ephraim is slowly descending into madness…whether it be from the isolation, Thomas and his bossy demeanor and tales, the past…or maybe a mix of it all, who knows. When the men realize they are stranded, possibly for a long time to come, they both start drinking their senses away, somewhat easing up the tension for a little while as the drunken men starts dancing and singing sea shanties – but it doesn’t take long until the songs turn into insults and aggressive behavior, and a battle for dominance as the cabin fever starts to creep in.

 

“Nothing good can happen when two men are trapped alone in a giant phallus”, is the line Robert Eggers have used to describe this film. And he has done a very good job of portraying just this concept!

 

The Lighthouse

 

Director: Robert Eggers
Country & year: Canada | USA, 2019
Actors: Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes, and a lot of sea gulls
IMDb: www.imdb.com/title/tt7984734/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Polaroid (2019)

Polaroid (2019)Bird Fitcher is a teenage girl who loves old things, and is working a part-time job at an antique store. When a co-worker brings in an old Polaroid camera, she’s really excited, and starts using it, snapping pictures of her friends. She soon realizes that something is not quite right with the camera, as the photos show a shadowy figure looming over the persons on the photo…and very soon it becomes apparent that the photos taken with the Polaroid camera has a very deadly effect.

 

This is based on Lars Klevberg’s horror short from 2015, by the same name (you can watch it here: Polaroid Horror Short). And while this movie has been released just recently, it’s not really new…it was originally set to be released in 2017, but due to the Weinstein Company bankruptcy it was almost like the entire movie had been flushed down the drain as a result. However, in 2018, Lantern Company (which had acquired a lot of the Weinstein Company’s assets) and an international distribution company called “13 Films” decided to have the movie released in 2019. In the meantime, however, Lars Klevberg more or less “debuted” with his Child’s Play remake, which received a fair amount of positive reception as well as doing quite well at the box office. So…a happy ending after all, it seems.

 

Now, while I personally think that Lars Klevberg’s Polaroid short is well made and quite creepy, I’m afraid to say that I didn’t quite get the same feeling from this feature film. Now, horror shorts have the advantage of keeping things subtle, and not necessarily giving away the “why’s” and “how’s”. This is something that often gives them a more creepy vibe since the mystery is kept, the boogeyman isn’t revealed and is kept in the shadows. In feature films, however, viewers are more likely to be pissed off by things being too vague or questions not being answered…in movies, as opposed to shorts, we more or less expect answers to what is happening. And sadly, this is what can turn a creepy concept into something that ends up more or less like a typical “run-of-the-mill” horror movie. Unfortunately, Polaroid does end up in this category.

 

That being said, Lars Klevberg does manage to build up the tension and atmosphere in some of the scenes, and while lacking any real scares I’m going to judge it as what it’s clearly intended to be: a teenage horror flick, meant for a younger audience. Those of us that have already seen a fair share of horror movies will probably get a Déjà vu all to quickly (we’ve seen it before, done better…but also done a lot worse). When getting closer to the final act, the film also does offer up an interesting twist to the Polaroid’s reason for being cursed/haunted, which was a welcome surprise.

 

So: just consider this movie an easy-going teenage horror, and bring some popcorn, and you might find something to enjoy here.

 

Polaroid

 

Director: Lars Klevberg
Country & year: USA | Norway, 2019
Actors: Kathryn Prescott, Tyler Young, Samantha Logan, Keenan Tracey, Priscilla Quintana, Javier Botet, Mitch Pileggi, Davi Santos, Katie Stevens, Grace Zabriskie, Madelaine Petsch, Erika Prevost, Shauna MacDonald, Rhys Bevan-John, Emily Power
IMDb: www.imdb.com/title/tt5598292/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Wind (2018)

The Wind (2018)Lizzy Macklin and her husband Isaac lives isolated on a harsh and untamed land in the Western frontier in the late 1800s. Soon, a newlywed couple (Emma and Gideon) moves into a house close by. The isolation starts cracking Emma’s psyche, causing her to suffer from Prairie Madness (an affliction that causes a mental breakdown due to the isolation and harsh living conditions, something that would happen to European settlers who were not used to living like this). Emma is clearly not able to get used the the isolation, and starts raving about “demons of the prairie”. Emma’s madness soon starts affecting Lizzy as well, and she starts wondering if there really is an evil demonic presence out to destroy them.

 

The Wind is a western horror-thriller written by Teresa Sutherland, and director Emma Tabbi’s feature film debut. Western horror is still a somewhat rare thing to come by, where most horror movies in this genre belongs to the “lesser known” list (probably with the exception of Bone Tomahawk from 2015, which managed to get a fair amount of publicity). And this is despite the setting of the western period being pretty perfect for all kinds of horror-related ideas…but oh well.

 

Now, The Wind is a movie that focuses more on psychological horror and a fair amount of relationship-based drama, and for this reason it’s chugging along rather slowly. In other words, it’s very likely to not keep everyone’s attention, and the suspense it’s trying to build is somewhat subtle and does not always matches the pace. The movie has a strong and chilling start, but then starts jumping back and forth in time to show us a series of recent scenes and “flashback” scenes. A lot of the story is told through flashbacks, and sometimes it can actually be a little confusing to follow.

 

All that being said, The Wind is beautiful to watch with some great cinematography, and there’s definitely some atmosphere to appreciate. Still, there could have been a lot more actual horror to The Wind…but if you’re in for a slow horror mystery with a bit more drama than chills, you’ll likely find something to enjoy here.

 

The Wind

 

Director: Emma Tammi
Writer: Teresa Sutherland
Country & year: USA, 2018
Actors: Caitlin Gerard, Julia Goldani Telles, Ashley Zukerman, Miles Anderson, Dylan McTee, Martin C Patterson
IMDb: www.imdb.com/title/tt8426594/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Russian Bride (2019)

The Russian Bride (2019)Nina is a Russian woman, who lives together with her young daughter Sasha. She has left her abusive and alcoholic husband, but he still causes trouble for her by coming to her home drunk and demanding to come inside and see his daughter. All Nina wants is a new and better life for herself and Sasha, and after joining a typical “Russian brides” website (dating website for people looking for a Russian woman) she gets in contact with a reclusive billionaire from USA. After traveling abroad to meet her new man, she marries him very soon thereafter. However, she soon finds out that the seemingly nice man has other motives…and Nina eventually realizes that she’s put both herself and her daughter in a dangerous position.

 

Those typical “Russian Brides” dating websites is nothing new, and have existed for quite a while. No matter how you may want to label the women using such websites – “gold diggers” or simply someone wanting a better life for themselves – this movie portrays a woman belonging to the latter category. We understand Nina’s desperate need to move away from her stalking and abusive ex, and a rich and gentle elderly man from another country seems like her perfect escape. What could possibly go wrong, right? Well…

 

The story builds up rather nicely, and you see early on that Nina’s new husband has ulterior motives. Since his spacious mansion is also located in a very isolated area, you can feel the overwhelming amount of helplessness that she’s going through, in an other country and no means of escape. Nina and her daughter Sasha are surrounded by snow and nothingness, and solely dependent on her new husband that shows more and more signs of not necessarily having their well-being in his best interest.

 

The suspense in The Russian Bride builds towards what we surely expect to be a great reveal and a bloody climax (at least, based on the DVD cover which isn’t exactly toning down on its promise of a certain amount of blood ‘n gore). And we get both, although I would have to admit I think they could’ve stretched it even a bit further as blood ‘n gore goes. There’s room for a lot more than what was given us, but still makes it earn its “Gore” badge.

 

The Russian Bride is an okay horror thriller, although it may be worth noting that despite the bloody cover, this kind of stuff is held back for the climax and is not meant to be part of the main focus of the film (so gorehounds may want to sniff around elsewhere). Now, the film does come off as a bit predictable (we know the guy is up to something, we just don’t know what), and it also feels a bit inconsistent with a few things, like a certain paranormal entity that doesn’t really provide much to the film except sugarcoating the end a bit and functioning as a deus ex machina. However, it’s entertaining enough and well worth a watch, despite some flaws.

 

Director: Michael S. Ojeda
Country & year: USA, 2019
Actors: Corbin Bernsen, Oksana Orlan, Oksana Orlan, Lisa Goodman, Michael Robert Brandon, Alison Korman, Yefim Somin, Gregory O’Gallagher, Keenan Johnston, John Paul Brandt, Clement Valentine, Kenneth G. Beaudin, Maryanne Nagel, Blake Brown, Guido Den Broeder
IMDb: www.imdb.com/title/tt6214468/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Queen Crab (2015)

Queen Crab (2015)A young girl (Melissa) is playing nearby the pond close to her family’s residence, and finds a cute little crab whom she names Pee-Wee (yeah, you could probably make some STD jokes here). She decides to keep it, and starts to feed it some of the weird fruit from her father’s laboratory where he’s experimenting on a formula to make things grow larger. Soon, Pee-Wee starts to grow much bigger (I’m talking about the crab, of course). After an accident that kills both of Melissa’s parents, she lets Pee-Wee back into the pond and goes to live with her uncle, the town sheriff. Many years later, Melissa is still caring for her secret giant crab pet (who is, despite the name, actually a female). All is well until “Pee-Wee” gets some huge crab babies that start to cause trouble all over town…

 

Queen Crab aka Claws is a low budget ($75.000) creature feature with old-fashioned stop-motion effects, that can easily be considered a homage to the monster movies of the 50’s and 60’s. It’s written and directed by Brett Piper, and while this movie was actually our first introduction to his work, the guy has been going at it since the 1980’s. Some of his earlier work includes titles like The Nymphoid Barbarian in Dinosaur Hell, Drainiac, and Shock-O-Rama. Specializing in low-budget horror and monster flicks with old school effects, he’s built himself quite the portfolio, and I expect that we at Horror Ghouls are likely to check out more of his movies.

 

Now, Queen Crab is definitely going for a “so bad it’s good” feeling, but there is unfortunately a lot of scenes with little progression, and that makes the movie feel somewhat dragged out in places. The acting is a mix of bad/laughably bad, but that’s most likely intended. I’d reckon that the customer base for movies like this are already familiar with low-budget indie horror films and their usual flaws, and if you belong to this group you’re more likely to enjoy it for what it is. There’s no denying that the stop-motion effects is the movie’s main selling point, and combined with the bad/laughable acting and goofy premise, you’re actually getting a rather decent indie monster film. Surprisingly, there’s even a certain charm to it in regards to the “relationship” between Melissa and her giant monster crab.

 

Not a masterpiece by any standards, but if you’re in for some campy “shut down your brain first” kind of fun with old-school effects, you’ll most likely find yourself entertained!

 

Queen Crab

 

Director: Brett Piper
Country & year: USA, 2019
Also known as: Claws
Actors: Michelle Simone Miller, Kathryn Metz, Richard Lounello, A.J. DeLucia, Steve Diasparra, Danielle Donahue, Ken Van Sant, Yolie Canales
IMDb: www.imdb.com/title/tt2319456/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Scary Stories to Tell in the Dark (2019)

Scary Stories to Tell in the Dark (2019)It’s 1968, and we’re in a small town called Mill Valley where a group of teens are dressing up and getting ready for Halloween. This trio consists of Stella, an aspiring horror writer, a nervous nerd named Auggie, and the prankster Chuck. It’s their final year of trick-or-treating on Halloween together, and they’ve planned to use it as an opportunity to play a trick on the local school bully Tommy. This ends up with Tommy’s car getting vandalized, and he and his gang starts chasing them into a drive-in theater. While the trio is desperately looking for a hiding place, they all enter a young man’s car. His name is Ramon, and Stella immediately feels attracted to him as it becomes clear that he also shares the same passion for horror movies as she does. When Tommy and his gang are out of the way, Stella suggests that they visit the haunted house nearby: the old Bellows family residence. The Bellows family had a daughter, Sarah Bellows, whom they locked inside the house. No photos of the girl existed, and the story tells that she hanged herself inside the house after being accused of causing the death of several children after reading them some of the scary stories she used to write. When the group of teenagers enter the old house, they find the secret entrance to the room where the family kept Sarah locked in…and one of her “Scary Stories” books. Stella brings it back home with her, but when she starts reading it, a new story suddenly starts writing itself on one of the blank pages. Sarah Bellows is back at telling scary stories again…

 

“Scary Stories to Tell in the Dark” is a movie that plays a lot on the nostalgia for those of us who have read the book series by the same name, with the infamous illustrations by Stephen Gammell. The illustrations have played the biggest role in making the blood run cold in many a child’s veins when browsing through the pages, and the movie is actually taking clear references from the actual drawings themselves, even more than from the original stories. Like for example “Harold”, the scarecrow story. The story in the movie is nothing like the original story (in fact, the original story from the book is much darker), but in the movie’s setting it works in order to tie it up with the rest of the characters. And the woman from the story called “The Dream” is so much like the character from Stephen Gammell’s original illustration that I actually got a little chill. Now, in order to tie the original stories together with the plot in this movie, changes had to be made of course. Many of the stories from the original books were also based on folklore and urban legends, and thus some of the characters in the movie actually references to remembering some of the stories from their earlier childhood. There is also a new addition to the movie: the “Jangly Man”, which is a character composed from several of the stories and Stephen Gammell’s illustrations (including the “Me Tie Dough-ty Walker” story). While there aren’t references to every single story in the series of three books, there’s enough to keep you satisfied.

 

Now, “Scary Stories to Tell in the Dark” is not a horror movie for gore-hounds or those looking for something really scary. It’s a visually rich film with the excellent dark fantasy-mood that Guillermo del Toro has become so known for, and the direction by André Øvredal (who previously made “Trollhunter” and the quite dark and scary “Autopsy of Jane Doe” is confident and strong. Also keep in mind that the books were all written for and intended for children (so why they had some of the most nightmare-fueling illustrations you could possibly find is a bit mind-boggling, but really cool nevertheless). Still, the movie is really entertaining and chock-full of atmosphere (and actually some creepy scenes as well). You’ll also easily be able to enjoy it without having read the books, but there’s still no doubt that this movie will probably get a stronger hold on those of us that have read (and seen) them.

 

There’s also possibilities for a sequel or two here, and I hope they use that opportunity. Maybe a trilogy, just like the books. We’ll find out, sooner or later!

 

And, of course, the Horror Ghouls own the books and have done so for some years now. Here’s some photos from the books, and you’ll easily be able to see the similarities of the characters from Stephen Gammell’s illustrations. And for those interested in getting their hands on these books: they used to be out of print and not so easy to get your hands on (aside from some eBay listings), but they had a reprint a couple years back. The books had a reprint earlier as well, but that version didn’t contain Stephen Gammell’s illustrations as instead they hired Brett Helquist for the job to make new ones. While Brett Helquist is a very talented illustrator, known for making the art for books like “A Series of Unfortunate Events” and many others, the new illustrations just weren’t as bloodcurdling as the originals by Stephen Gammell. Thus, the replacements in the previous reprint did of course disappoint a lot of people. But now, you can easily get your hands on the books with the original drawings!

 

Scary Stories to Tell in the Dark

 

Scary Stories to Tell in the Dark

 

Director: André Øvredal
Country & year: USA | Canada, 2019
Actors: Zoe Margaret Colletti, Michael Garza, Gabriel Rush, Dean Norris, Gil Bellows, Lorraine Toussaint, Austin Zajur, Natalie Ganzhorn, Austin Abrams, Kathleen Pollard, Stephanie Belding, Hershel Blatt, Brandon Knox, Jane Moffat, Amanda Smith
IMDb: www.imdb.com/title/tt3387520/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wish Upon (2017)

Wish Upon (2017)Clare (Joey King) lives together with her father, who is collecting scrap metal and junk in order to make a living. In addition to feeling embarrassed whenever her father goes dumpster diving, she’s also plagued with nightmares and memories from a childhood trauma: her mother committed suicide by hanging herself in the attic, and Clare was the one who found her. Due to this, Clare is troubled with a lot of “what if’s” in addition to a general dissatisfaction over the life she’s currently living. One day she gets a Chinese music box as a result from her father’s recent scrap hunt, and this box is supposed to grant wishes. Trying it out merely for the fun of it, she soon realizes that the wishes actually comes true. What she doesn’t realize until it’s too late however, is that the wishes come at a price…

 

Being granted wishes is not a concept you’ll only find in “Aladdin”. There are many stories dealing with this concept, and much darker ones too. One prime example would be “The Monkey’s Paw”, a horror novel from 1902 by W.W. Jacobs, where each wish is meddling with the fate of the one making it…and in quite a horrible way. “Wish Upon” is some kind of modern version of this, where each wish is only fulfilled by either the death or ill fate of someone else (example: wishing for wealth – the rich uncle dies and they inherit his house and money). It does take some time before our protagonist realizes the price tag on each of her wishes, but it isn’t until most of the people close to her falls victim to her wishes in some kind of way, that she decides that she must stop making them. But of course, it’s not just that easy…

 

“Wish Upon” is directed by John R. Leonetti, who also directed the first “Annabelle” movie from the Conjuring-universe. That being said, “Wish Upon” is a much milder dish which doesn’t live on jump-scares or scary things hiding in the dark. Instead, it’s a typical easy-going PG-13 horror flick that is well served together with some popcorn and candy on a Saturday evening. For what it is, the movie plays out pretty well.

 

Wish Upon

 

Director: John R. Leonetti
Country & year: USA | Canada, 2017
Actors: Joey King, Ryan Phillippe, Ki Hong Lee, Mitchell Slaggert, Shannon Purser, Sydney Park, Elisabeth Röhm, Josephine Langford, Alexander Nunez, Daniela Barbosa, Kevin Hanchard, Sherilyn Fenn, Raegan Revord, Alice Lee, Victor Sutton
IMDb: www.imdb.com/title/tt5322012/

 

Vanja Ghoul