2020 – Horror Ghouls

Psycho Goreman (2020)

Posted on January 20, 2023September 9, 2024 by HorrorGhouls

It’s the early 90’s (I assume) in a small middleclass suburbia where the siblings Mimi (Nita-Josée Hanna) and Luke (Owen Myre) are out in the backyard playing Crazy Ball. Yes, would you even imagine that there was a time when kids could have fun without a smartphone? My oh my. Luke is the the quiet and reserved one while Mimi is a fearless sociopath with some strong Tiny Tina demeanours (that crazy girl from Borderlands). She’s mean, sassy, demanding, animated and loves to pick on her brother. Later that evening they decide to dig a big hole in the yard, because that is what kids did back in the day when they couldn’t sleep. After a few feet down they find some pink/purple-glowing mystical artifact that’s clearly not from this planet. Another thing from space is an alien, played by Matthew Ninaber, covered in a full latex costume from toe to top. He’s from the planet Gigax and has telekinesis powers, the ability to throw big fireballs from his hands, and looks like a mishmash of all B-movie monsters from the 80s and maybe early 90s. For my part he reminded me more of Wishmaster.

Mimi and Luke encounter the alien in some abandoned shoe factory where they also stumble upon his first victims, a group of hobos with their bodyparts placed on the wall like a morbid David Fincher crime scene (the most graphic moments where the grittyness is concerned). They don’t seem that scared, though, but more thrilled. We get a whole flashback scene that tells us his origin story and how he came to Earth, but the most important thing to know is that he’s here to kill all mankind. Why? Because why not. The one and only thing that could hold him back is the glowing artifact (also called The Gem of Praxidike) we saw earlier, which Mimi luckily have in her pocket. When the alien gets the sight of it, he freezes. Because you see, those who holds the artifact can command the alien to do what they want, like John Connor did with Arnie in Terminator 2, so to speak. As the kids they are they see him as a big new toy and gives him the catchy name “Psycho Goreman”, PG for short just to play ironically with the title in case the film would end up with a PG-rating, which instead got unrated. Oh, well.

So, where does the plot go from here? A lot of shit happens, but not in the way you’d probably imagine it. Since Mimi outshines the entire cast with her energetic and manic presence and seems to be as psycho as Goreman himself, it would be easy to picture these two as a deadly duo going on an epic genocide crusade-mayhem while being chased by tanks, choppers and the military. Hopefully in a sequel. Mimi and Luke doesn’t know much about what to do with him other than first disguise him in some clothes, like in Frankenstein: The College years (for the few that have seen that film) and hope he gets accepted by their mum and dad. They forgot to cover his face though, but no one would notice such minor details, lol emoji. I couldn’t care much for the scenes with the parents. They’re just there with their own marriage issues to make us know that the kids aren’t orphans. Their goofy deadbeat dad (played by Adam Brooks) has some comedic nuggets here and there, and yeah, he alone got some chuckles out of me. His best scene is where he gets a mental breakdown while taking a dump. Meanwhile when Luke and Mimi gets along with PG as they start a garage band together with PG on drums, play videogames and what kids would do with a huge toy as PG, the council from his homeplanet sends the galactic warrior Pandora, an angelic creature with small wings as eyes, to save us Earthlings from PG’s destruction.

Psycho Goreman is written and directed by Steven Kostanski, a young man from Canada who seems to dedicate his film career with his production company Astron-6, by producing a pastiche of low-budget, 80’s-centric films with titles such as Manborg, The Void, Father’s Day, Leprechaun Returns to name some. With his latest feature he takes inspiration from the early 90s with films like Teenage Mutant Ninja Turtles, Power Rangers, Transformers, Star Wars, the epic intros from the Saturday-morning cartoons from the 80s, martial arts, some spices of Troma and everything from the obscure corners from the 80s, puts it all in a grinder and out comes Psycho Goreman. So, how does it taste? Hmm..

There’s not as much blood and gore as the title would make you believe, though. If there was some malfunction with the grinder, I don’t know, but the result is more sweet, more innocent and light-hearted than you’d expect. The film relies more on slapstick, goofy fight scenes, and overall a showcase of impressive, if not charming, make-up effects/costume designs and a handful of references. There’s something for everyone to like here, I personally have a weak spot for Death Trapper, a walking meatgrinder filled with body parts. And then we have a giant, wobbling brain with some terrified eyes. The miniatures seen in PG’s flashback scene were nothing but gorgeous which also gave some Mad God vibes. The musical trio Blitz/Berlin adds a fitting retro soundtrack to enhance that fuzzy feel of nostalgia. And then there’s probably a drinking game of references. The most notable are the scenes with the council on PG’s homeplanet which clearly mocks the political nonsense we had to sit through in A Phantom Menace that still seems to haunt us. We also have a reference to Steven Kostanski’s favourite film Phantasm with an extended dream sequence. So, yeah, there’s a lot to chew on here and get inspired by, and with its colorful cartoonish and over-the-top silly, naive tone, Psycho Goreman suits perfectly for the the whole family to enjoy with pizza, coke and root beer on a Friday night.

Psycho Goreman is available on DVD/Blu-ray and can be watched on various streaming sites.

Writer and director: Steven Kostanski
Country & year: Canada, 2020
Actors: Nita-Josée Hanna, Owen Myre, Matthew Ninaber, Steven Vlahos, Adam Brooks, Alexis Kara Hancey, Kristen MacCulloch, Anna Tierney, Roxine Latoya Plummer, Alex Chung, Scout Flint
IMDb: www.imdb.com/title/tt11252440/

Rent-A-Pal (2020)

Posted on April 10, 2021September 30, 2023 by HorrorGhouls

David is a 40 year old single man who has dedicated his life to take care of his mother, who is suffering from dementia. Since we’re in the 90’s, there’s no internet dating services or other easy ways of getting to know someone, so in a desperate attempt to find someone he can share his life with, he signs up on Video Rendezvous, a video dating service (yes, this was a real thing back then). After failed attempts and little response, he one day comes over a VHS tape with the curious title Rent-A-Pal. Deciding to try it out, he brings it back home with him and meets his new friend Andy, who is sitting in a chair and pretending to have a real conversation with whoever is playing the VHS. Finding it awkward at first and struggling to make proper replies to Andy’s lines, he soon becomes accustomed to the conversations, and to David it feels like an actual friendship. Except, it’s just a simple VHS tape…or is it?

Rent-A-Pal is a well crafted psychological thriller, which gets pretty dark and depressing at times. Set in the 90’s, it does a very good job on recreating the era and makes it feel genuine. The portrayal of David and his dementia-suffering mother is both realistic and sad, without being dramatically overdone. It’s like seeing small glimpses of what an everyday life can be when taking care of someone with a condition like that. It is also interesting how the movie initially portrays David as a pretty nice guy, not the clichéd “loser” type or some new Norman Bates. He is genuinely caring and kind, and in one of his video dating performances he actually gives a really good and sympathetic speech about himself and his life, and how he takes care of his mother. However, the video dating service’s cameraman asks him to cut it down and have a re-take, so the end result ends up making him look like a total write-off instead. You can’t help but feeling sorry for the guy…

When the Rent-A-Pal tape starts playing, you don’t really know what to expect, but it feels somewhat creepy and uncanny. There’s nothing explicitly wrong with it, it’s just a normal-looking guy sitting in a chair, pretending to be the viewer’s “friend”, asking questions and delivering simple statements and jokes. And David becomes more and more obsessed with watching the video. Andy, despite being pre-recorded, gives him exactly what he needs: someone who seems to care, someone he can talk to, someone who listens. So, it’s not real…but for David it starts feeling real, and he starts rewinding the tape to certain parts that fits with what he wants to tell Andy, and what he wants him to say. Well…we can all see a few red flags here already, right?

Despite David’s increased obsession with the VHS tape, there are a few instances where something feels a bit off…and Andy’s lines become a bit strange. Andy’s effect on David becomes more and more apparent, and it’s not a good one…so when David finally has a chance of going on a date with a girl who even appears to be perfect for him, Andy’s influence actually makes it harder for him to get what he initially wanted: a girlfriend. Whatever black hole of loneliness that originally filled David’s heart, it has now been filled with Andy’s toxic influence. And it makes it even harder for David to live the life he wished for. While this being a 90’s centered movie, I guess you could easily draw some parallels to all kinds of negative internet influences. People who find themselves in a bad place (whether it be because of loneliness, depression, feeling of exclusion, or other things), might find a connection with someone or something online which gives them a feeling of belonging, but eventually just ends up destroying their every chance of living the life they hoped for as they sink further and further into a harmful rabbithole. And maybe that was the intention of Andy (and all “Andy’s) all along…

Driven by strong performances, Rent-A-Pal is a strange and dark journey, where you always keep wondering what’s going to happen next and where it’s all going to lead.

Directors: Jon Stevenson
Country & year: USA, 2020
Actors: Wil Wheaton, Brian Landis Folkins, Amy Rutledge, Kathleen Brady, Adrian Egolf, Josh Staab, Luke Sorge, Olivia Hendrickm, Karin Carr, Sara Woodyard, Brandon Fryman
IMDb: www.imdb.com/title/tt12274228/

Host (2020)

Posted on February 26, 2021September 12, 2024 by HorrorGhouls

Six friends want to have some fun during the lockdown, and decide to hire a medium in order to hold a seance via Zoom. At first it’s all fun and giggles, where several of the participants struggle to keep a straight face. However, they soon realize they’ve unleashed something that might take their lives.

Host is a horror movie made during the pandemic, and decides to use this as an advantage in order to make a short but effective chiller. The usage of computer screen-based storytelling has been done before (like in Unfriended from 2014 and the mystery thriller Searching from 2018), and just like the aforementioned movies it works pretty well in order to portray a modern and realistic take on how the majority of people of today tend to communicate, especially now when social distancing has put restrictions on how and when we can interact with each other. Screen-based interactions with other people is just the way many people now communicate, and we see this put well into effect during Host. The concept behind this movie is even more relatable today, when physical meetings are difficult or even out of the question, which means that services where you can interact with each other online is used by pretty much anyone these days (including lawyers, who are not able to turn off their cat filter…)

With a runtime of only 57 minutes, it uses every minute effectively in order to build up the tension and keep the viewer in suspense. It also uses the real names of the actors, and I suppose this helped with keeping the performances more natural and authentic. In fact, I think that keeping it down to barely an hour is an excellent choice, instead of stretching it out unnecessarily just to fit into a more typical feature length. It really does all it can with its limitations, and the result is one of the most effective horror movies released in recent times. While having a somewhat minimalist approach, it manages to pull certain scenes off in a way that is actually pretty scary at times. The characters are reacting to what is happening to them in a believable way, and it becomes relatable, and therein lies the movie’s biggest strength I guess: how the timing, considered the pandemic and forced isolation, gives the entire premise an added feeling of something that hits close to home.

The DVD also included a “behind the scenes” short where they meet up (just like in the movie) to have a seance through Zoom. Nothing really scary happened here, of course, but it was fun to watch nonetheless.

Directors: Rob Savage
Country & year: UK, 2020
Actors:Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward, Alan Emrys, Patrick Ward, Edward Linard, Jinny Lofthouse, Seylan Baxter, Jack Brydon, James Swanton
IMDb: www.imdb.com/title/tt12749596/

Andra Sidan (2020)

Posted on February 3, 2021January 5, 2024 by HorrorGhouls

Shirin moves to a new house together with her boyfriend Fredrik and his young son, Lucas. Their new home is a vertically divided semi-detached house, where the other side is uninhabited and in a slight state of disrepair. As Fredrik’s job requires a bit of travelling, Shirin must stay at their new home with her stepson, who misses his mother (who died of cancer). When the boy makes a new friend who he claims is living next doors in the uninhabited part of the building, Shirin starts to realize that this isn’t all child’s play.

Horror Ghouls have had their first theatrical screening this year, and it’s a movie from our neighbour country (Sweden), called Andra Sidan (which translates to “The Other Side”, but the english title is The Evil Next Door). It’s a ghost/haunted house horror flick, by the director duo Tord Danielsson and Oskar Mellander. It’s also their debut feature film.

Ghosts and haunted houses are among the most popular themes in horror, which also makes it one of the hardest genres to make anything that feels fresh and new to a viewer who has browsed through tons of movies like this. There’s bound to be some usage of cliché’s, and similar plot points and concepts. This doesn’t mean that new horror movies with said themes need to constantly reinvent the wheel, however, and sometimes you simply use what works despite that it’s been used before. What I’m trying to say, is that Andra Sidan is pretty much a bag filled with more of the same old tricks we’ve seen a lot of times before, but fortunately it belongs to the bunch that pulls it off pretty well. It’s quite obvious that the directors have been getting a lot of inspiration from other supernatural movies, and there’s imprints of James Wan all over the place.

There are some nice highlights here (including an attic that is creepy as hell). The house actually does look darn ominous, with its “other side” giving off bad vibes right from the start simply by how it looks. There’s good sound work, and nothing bad to point out about the acting, either, as the actors depict their roles and conflicting emotions in a believable and realistic way. Also, it was fun to see a small and partly obscured The Exorcist reference in the latter part of the movie. Regarding the claim that it’s “inspired by real events”, there is very little information to find about what the source of inspiration actually stems from, which could have been interesting to know. While “inspired by” very rarely means that a movie portrays something close to an actual event (as opposed to when movies say they’re “based on”), it would be nice to know what the source of said inspiration is.

The movie does leave a few questions unanswered, however, which leaves a certain hope for a possible prequel-sequel. Getting and in-depth version of what actually happened on that other side of the house, could be an interesting concept for a prequel story. In fact, we really hope they do make a prequel because there’s a strong foundation to make something really good here.

Overall, Andra Sidan is a dish we’ve tasted a lot of times before, but it’s still a strong addition to the haunted house/supernatural horror genre. Brooding, creepy atmosphere and well-aimed scares makes this a competent and satisfactory entry which I hope won’t be the last we see from the directors.

Directors: Tord Danielsson, Oskar Mellander
Country & year: Sweden, 2020
Actors: Jakob Fahlstedt, Janna Granström, Dilan Gwyn, Karin Holmberg, Troy James, Niklas Jarneheim, Henrik Norlén, Sovi Rydén, Linus Wahlgren
IMDb: https://www.imdb.com/title/tt11320192/

Gretel & Hansel (2020)

Posted on January 23, 2021August 24, 2024 by HorrorGhouls

Gretel is a young girl who struggles to make ends meet and take care of her little brother in the process. In a job interview she is asked by her prospective employer if her maidenhood is still intact, causing her to not accept the much needed job. When they’re both cast out from home by their own mother, forcing them to fend for themselves, their insane mother tells them to “dig yourselves some pretty little graves, and dig one for your mother too“. Things look rather grim for the two siblings, indeed. As they travel in a desperate search for food, work and shelter through the countryside, they end up in front of a strange house in the forest that emits the most wonderful smells of delicious food. An old woman lives inside, and lets them stay and recover from their fatigue. After days of staying there while eating all the delicious food and treats they want, they start to uncover things that proves that this seemingly wonderful place might be a danger to them both.

Hansel and Gretel is one of the most popular fairytales by the Brothers Grimm. It tells the story about a brother and a sister, abandoned by their parents in a forest, and falling into the hands of a cannibalistic witch who lives in a house made of gingerbread. This movie, while based on the fairytale, tells it in quite a different way however. First of all, Gretel (Sophia Lillis) is several years older than Hansel (Sam Leakey), and is obviously the movie’s protagonist from the start. The witch’s house is not made of gingerbread, but with its ominous-looking architecture it looks entirely out of place just as much as any gingerbread-house would. And, of course, the witch is just as cannibalistic as in the original fairytale, but her motives are more complex.

Director Oz Perkins aka Osgood Perkins, is known for making slow, visual and atmospheric horror movies, like I Am the Pretty Thing That Lives in the House. Gretel & Hansel is no exception to that rule, but in many ways I think this is his best effort so far. Like in his other movies, there’s a female-centric tale that requires a certain amount of patience, where atmosphere plays a bigger factor than narrative. With this movie essentially showing Gretel’s side of the story (which is why the names where swapped in the title), it turns into what can be considered a dark coming-of-age fairytale.

Gretel & Hansel is artsy and bit slow, and definitely not for everyone. As far as horror goes, however, I would say it’s more about atmosphere than actual scares and chills. However, the cinematography in this film is excellent, weird, eerie and gorgeous. Also props for the creepy synth score that just fits so damn well into this little witch’s cauldron of various ingredients.

Writer and director: Oz Perkins
Country & year: USA, Canada, Ireland, South Africa, 2020
Actors: Sophia Lillis, Samuel Leakey, Alice Krige, Jessica De Gouw, Fiona O’Shaughnessy, Donncha Crowley, Jonathan Gunning, Charles Babalola, Giulia Doherty, Jonathan Delaney Tynan, Darlene Garr, Melody Carrillo, Nessa Last
IMDb: www.imdb.com/title/tt9086228/

Relic (2020)

Posted on November 7, 2020September 30, 2023 by HorrorGhouls

Kay needs to visit her old family home after receiving the message that her elderly mother Edna has gone missing. Bringing her daughter Sam with her, they both try to find clues which could help them figure out Edna’s whereabouts. Once inside the old country home, they soon find evidence all over the place regarding Edna’s increasing dementia. Post-it notes are found everywhere, with reminders of everyday things. After three days, Edna suddenly appears inside the house like nothing has ever happened, causing both tremendous relief for Kay and Sam, but also increased worry. The old lady’s behavior starts becoming more and more incomprehensible, and it feels like an ominous presence has taken control over her.

This year there have been so many horror movies postponed that was supposed to come to the theaters. So it goes without saying that, while starting the year off with great movies like The Lighthouse, Golden Glove and The Invisible Man, we Horror Ghouls haven’t had many chances to get our horror fix at the big screen for the remainder of the year. Thus, it was a nice surprise to see that our local cinema here in Norway had put up screenings for this Aussie horror flick.

Relic is Natalie Erika James’s debut feature film, and is a psychological horror movie with dementia/Alzheimer’s as the core of its terrifying happenings. The director used her own experiences as inspiration for the movie, as her grandmother suffered from Alzheimer’s for years. Upon visiting her in a traditional Japanese house (which she perceived as rather creepy) and for the first time experiencing that her grandmother no longer recognized her, it filled her with feelings of grief, guilt and fear. Which is quite understandable. Alzheimer’s is a terrible condition both to be in, and witness loved ones succumbing to. It doesn’t just make you forget things, it sooner or later makes you forget how to remember…and there is no way back from that. It’s a disease that causes both pain, confusion and fear, to the extent where there are even cases among religious people where family members perceive it as so terribly frightening, that instead of calling the doctor they prepare for an exorcism. Which is just…incredibly sad, if you think about it. And Relic does an excellent job on portraying the feelings of hopelessness and creeping dread.

Already from the start of the movie, where you witness an eerie scene with an overflowing bathtub with water running down to the steps below, only to meet Edna naked with only a towel covering the front of her body while looking anxiously inside the dark living room, we know this movie is going to play heavily on atmosphere. And in that regard, I think the choice of surroundings are perfect, with Edna’s typical country home which has gotten a bit run down, and the glimpses we see of an old shack which used to be there in the past. It is a bit of a slow-burner and it doesn’t rush in telling you its tale, but it keeps your interest up by feeding you eerie details, chilling atmosphere and compelling visuals.

For those unfortunate enough to have personal experience with the dreadful disease, the movie’s metaphors will be quite clear, and some of them are pretty cleverly made. Having knowledge of and/or a certain investment in the disease will, in all likelihood, heighten your experience with this film. If you view the film by taking everything that happens literally, without understanding the rather discernible metaphors, you will miss out on the true horror laying beneath the layers.

Director: Natalie Erika James
Country & year: Australia | USA, 2020
Actors: Emily Mortimer, Robyn Nevin, Bella Heathcote, Steve Rodgers, Chris Bunton, Robin Northover, Catherine Glavicic, Christina O’Neill, John Browning, Jeremy Stanford
IMDb: www.imdb.com/title/tt9072352/

Ouija Shark (2020)

Posted on September 17, 2020September 12, 2024 by HorrorGhouls

So, it’s time to check out one of the newest, fresh releases of shitty shark films that have been spewed out like a never-ending diarrhea during the last two decades. This joke of a film is “directed” by Brett Kelly (who goes under the pseudonym Scott Patrick), who’s made a laundry list of no-budget films since 2001, such as Jurassic Shark, Raiders of the Lost Shark, Attack of the Giant Leeches, Avenging Force: The Scarab, Kingdom of the Vampire, Agent Beetle, and so on. Ouija Shark has no relation to Ghost Shark or Shark Exorcist, for those who would even give a shit.

The “plot” can be summed up in one short sentence: A young woman comes across a Ouija board at the local beach, which her and her friends are using to summon a… man-eating ghost shark.

Do I really need to say more? I mean, seriously, just take a look at the damn trailer, that speaks for itself. It’s exactly what you think it is. To even call this a “film” is one of the biggest understatements of the year, having a running time of about one hour and ten minutes, with zero budget, talent or script. It looks more like a compilation of gag reels stitched randomly together. Pure cringe from start to finish.

The shark itself is pretty funny, though, which is just a layer that wobbles around on the screen, while the actors really struggle to seem at least a little bit terrified as they are being chased in the woods in broad daylight. The shark also roars like a lion, which is actually a thing that goes way back to Shark Attack 2 from 2000. I also like the sound effect when the shark is supposed to eat its victims, which sounds like someone taking two bites of an apple in a videogame to increase the health bar. And you can forget about any blood and gore, the victims just disappear into thin air. The lack of effort is quite astonishing, this is a whole another level of not even trying.

One of the cheesiest moments of the film include some scenes featuring a non-convincing fortune teller with a flashing plastic ball, probably bought on the Halloween section at Walmart for under one dollar, while the rest of the budget must have been spent on the misleading poster which doesn’t represent the movie in any single way. However, if you know exactly what kind of film this is before pressing the play button, you may at least be in for some good laughs! Because, with the right mindset, low-budget indie horror like this can be an entertaining way to waste a bit of your time.

Director: Brett Kelly
Country & year: Canada, 2020
Actors: Leslie Cserepy, Leslie Cserepy, Kylie Gough, Robin Hodge, Staci Marie Lattery, Kyle Martellacci, John Migliore
IMDb: www.imdb.com/title/tt11650674/

Sequel: Ouija Shark 2 (2022)

The Turning (2020)

Posted on May 31, 2020September 15, 2023 by HorrorGhouls

Kate is applying for a job as the new governess for Flora Fairchild, a wealthy young heiress whose parents are both dead. Flora’s older brother, Miles, soon arrives home from boarding school, and it appears he’s got an attitude that Kate finds troublesome. In fact, Kate starts experiencing things around the house that makes her believe something is going on, and it cannot all be blamed on tricks put in by little children. What is going on inside the house – and what happened to the previous governess who just ran away?

It isn’t often that we see a movie purely based on a curiosity of how much of a stinker it really is. Upon its release, The Turning received almost unanimously bad reviews, with very low scores. It was obvious that a lot of people didn’t just dislike the movie, in fact, many seemed to be quite pissed off by it. So what is all the fuss about? Well…

First of all, let me start off by saying that the movie is another take on Henry James’ novella The Turn of the Screw, which has been put on the screen several times before. This movie is quite loosely based, however, which may be off-putting for people who are fans of the novella. Still, the movie isn’t that much of a stinker as we thought it would be, to be honest. It does have a fair amount of atmosphere and creepy settings, great visuals and good acting by the cast. While it’s not the least bit scary, and even a bit slow, it could have fared well as a simple gothic ghost story…but there is a major flaw: the ending. It’s both sad and a little baffling that they chose an ending which leaves the viewer both confused and frustrated. It’s a perfect example of how an ending can literally destroy a movie, and if it wasn’t for the overall okay experience prior to the movie’s final moments, it wouldn’t be so disappointing. I mean…we’ve seen a ton of horror movies that are just lacking throughout, so a bafflingly bad ending doesn’t make much of a difference. Here, however, it just feels unfair, and you get the impression that this ending was added more like a rushed afterthought and not being the planned ending at all. I have heard there is an alternative ending included on the physical releases, and I can imagine it’s better (then again, pretty much anything would be better).

Now, I cannot say I feel that watching The Turning was a total waste of time just because of its final moments. With its strong visuals and good cast we did find it somewhat entertaining throughout, despite it being a bit slow and sluggish. I’m guessing that viewing it with its alternative ending may make it an overall better experience. Of course, since we watched this movie with very low expectations and were already aware of its supposedly horrible ending, I’d say we came prepared. We find that its fair to give the movie the “Creepy” badge, but mostly due to the atmospheric scenery and visuals.

Directors: Floria Sigismondi
Country & year: UK | Ireland | Canada | USA | India, 2020
Actors: Mackenzie Davis, Finn Wolfhard, Brooklynn Prince, Barbara Marten, Joely Richardson, Niall Greig Fulton, Denna Thomsen, Kim Adis, Darlene Garr
IMDb: www.imdb.com/title/tt7510346/