40% of UK homes now have cameras, largely from CCTV and smart devices. Many of these devices are susceptible to hacking, allowing intruders to watch residents in their own homes.
Exposure is a creepy and mysterious horror short where very little is known about it, except that Bloody Disgusting identified the director to be a guy named Kris Cummins. The horror short is done in found footage style, and is truly effective and chilling!
Director: Kris Cummins
Writer: Kris Cummins
Year: 2024
The year is 1976, and two young journalists named Melissa and David are in search of their very first big story which will lead to fame and notoriety. They decide to investigate a strange case of cattle mutilations which have happened on the French-Swiss border. With their newly acquired camera they decide to film the entire investigation, from start to finish, where they plan to do interviews with the local residents in the area. Both are excited like a fresh TikTok’er who believes their video will lead to an instant success, and they dive head-in and already start planning to present the full story to a television channel which will get the ball rolling into the inevitable road of success and fortune. No feet planted firmly on the ground here, that’s for sure. Naturally, things don’t go according to plan, and it already goes a bit sideways when they are supposed to meet a scientific team which has inexplicably just gone – poof – missing. They do not give up however, oh no, this is just a little bump on their golden road, so they enlist the help of an expert in first-aid, and American Forensic Investigator and a British Biologist which will escort them into the depth of the mountains in search of the missing scientists.
Cold Ground is a French found-footage horror movie from 2017, written and directed by Fabien Delage who also directed the 2016 mockumentary film Fury of the Demon. As far as found footage movies go, this one is certainly not breaking and new grounds as the story and setup threads very familiar roads: it’s your typical story of people lost in unknown territory, slowly finding out that something is wrong and then doing a lot of screaming and running with shaky cameras. Yup, seen all of that a number of times before. Still, it does provide some good stuff: set in the 70’s, they have nailed the 70’s aesthetics which they went for, and the monsters in the movie are actually decent enough, most likely because they are barely visible in any scenes. Their predatory nature is mostly shown in aftermath-scenes where mutilated animals and people are shown, and this actually works in order to heighten the suspense a bit. I’m not sure what the monsters are supposed to be, but I guess they’re some kind of Bigfoot/Yeti/Werewolf hybrid.
Overall, despite not being very memorable and having little new to offer in the genre, Cold Ground was certainly rather pleasant to watch where the nature scenery with snowy areas, mountains and caves makes for an interesting viewing experience. I also like the 70’s style, with added camera grain to make the look more authentic. The combination of filming in those snowy nature landscapes and convincing us that it’s indeed the late 70’s, is what makes this movie stand out at least a little bit.
Director and writer: Fabien Delage
Country & year: France, 2017
Actors: Doug Rand, Philip Schurer, Gala Besson, Maura Tillay, Fabrice Pierre, Geoffrey Blandin, Cyril Lesage, Regis Testa
IMDb: https://www.imdb.com/title/tt4144350/
Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.
As Above, So Below is a found footage horror film from 2014, which was actually the first production ever that secured permission from the French government to film in the catacombs (a place we actually visited some years back, a delightful experience). As part of the promotion for the film, Felix Kjellberg (AKA PewDiePie) traveled through the Paris Catacombs. The film is directed by John Eric Dowdle, who previously directed The Poughkeepsie Tapes, Quarantine, and Devil.
The film incorporates several things, including a little bit of Egyptian history, Knights of Templar, mythology, religion, and of course it draws some obvious inspiration from Dante’s Inferno. Trapped inside some really claustrophobic areas, where the characters are pushed further and further into the complexity of Hell itself, makes for a suspenseful viewing. There’s a lot of atmosphere here and scenes that are both creepy an sometimes even outright scary, with madness and paranoia taking over their resolve. The claustrophobic feeling is genuine and really creepy.
As Above, So Below is a pretty decent found footage horror film with a little bit of an adventurous side to it, which makes it feel like a “National Treasure meets Blair Witch” kind of thing, with a reminiscence of The Descent and The Tunnel. It blends several pieces of mythology with well-executed symbolism, and of course excellent use of scenery as it was filmed in the real Catacombs of Paris with little use of props. Due to its heavy symbolism and use of mythological aspects it may not cater to everyone, of course, but we found it to be a thrilling little ride.
Director: John Erick Dowdle
Writer: John Erick Dowdle, Drew Dowdle
Country & year: France, USA, 2014
Actors: Perdita Weeks, Ben Feldman, Edwin Hodge, François Civil, Marion Lambert, Ali Marhyar, Cosme Castro, Hamid Djavadan, Théo Cholbi, Emy Lévy, Roger Van Hool, Olivia Csiky Trnka, Hellyette Bess
IMDb: www.imdb.com/title/tt2870612/
The New South Wales State government plans to recycle the huge amounts of trapped water in a network of abandoned train tunnels. However, these plans suddenly come to a halt, and publicly no one is ever told why. Rumors are spreading, like how homeless people using the tunnels end up going missing. This brings a young journalist, Natasha, to start an investigation into what she thinks is some kind of government cover-up. She and her crew decide to enter the tunnels and look for answers, but after being refused entry by a security guard, they do of course find an alternative entrance into the place. While exploring the tunnels, they start hearing strange noises through the audio headphones, and when one of the crew members go missing they eventually realize that they might not be alone in these deep, dark tunnels.
The Tunnel is a crowd-funded Australian horror film made in the mockumentary style (faux documentary), directed by Carlo Ledesma and written by Enzo Tedeschi and Julian Harvey. While found footage movies have pretty much become dime-a-dozen these days, it is still a format that can be quite effective. By the time of this movie’s release back in 2011, Australia already had an other gem in their mockumentary-horror repertoire: Lake Mungo from 2008, a movie that’s mostly been obscure and little known but have had some kind of re-discovery as of late. While Lake Mungo is a movie that plays more on loss and grief with some supernatural vibes underneath, The Tunnel hits heavier on the creep-keys with atmospheric scenery and things going wrong in the dark. It does have a fair amount of creep factor and plays a lot on the fear of what might be lurking in the dark, and the creepy setting helps to set the mood. The claustrophobic and dark atmosphere is pretty much what carries the movie, and easily manages to give you a whiff of the heebie jeebies since the darkness implies more than it shows, and leaves a bit to your own imagination.
The movie isn’t fast-paced and spends some time before plunging the characters (and viewers) into the tunnels and the horrors that lurk there, and it also spends some time on “interviews” in order in order to maintain the documentary-style. If you have patience for the somewhat slow build-up and can appreciate that the creep-factor is more focused on what you can imagine instead of actually seeing, then you should be able to enjoy this low-budget Australian mockumentary.
Director: Carlo Ledesma
Writers: Enzo Tedeschi, Julian Harvey
Country & year: Australia, 2011
Actors: Bel Deliá, Andy Rodoreda, Steve Davis, Luke Arnold, Goran D. Kleut, James Caitlin, Ben Maclaine, Peter McAllum, Rebecca Clay, Shannon Harvey, Arianna Gusi, Russell Jeffrey, Jessica Fallico, Ben James
IMDb: www.imdb.com/title/tt1735485/
A cameraman helping to shoot an indie film suddenly finds himself wandering a liminal space.
The Backrooms a 9 minute found footage short film made by the 16-year old director and VFX artist Kane Parsons which takes the concept of liminal spaces to a whole new level of horror.
Director: Kane Parsons
Country & year: USA, 2022
IMDb: www.imdb.com/title/tt17291392/
Adam Green starts working on a documentary about monster/creature artwork. Out of the blue, a man suddenly contacts him and claims he has proof of the existence of monsters. This man’s name is William Dekker, and he is a retired detective who is convinced that there’s underground monsters in a place he calls “The Marrow”. Green sees this as an opportunity to refocus his documentary into the story of Dekker and his efforts to expose these so-called underground monsters. They set up cameras in the woods nearby the hole where Dekker claims the monsters sometimes come out from, but Green and his crew are not sure whether this man is just setting up an elaborate hoax, or if he is just batshit crazy…or, maybe, if he’s actually telling the truth.
Digging Up the Marrow is a mockumentary-style horror film directed by Adam Green (yes, the same name as the protagonist, he is actually playing himself). The concept behind the movie is inspired by a fan mail sent to him by a guy named Alex Pardee. Later, Green met Pardee at a convention, where he shared his concept story which was about an artist that got commissioned to paint so-called real monsters. While the movie is made in pure mockumentary-style, the filmmakers actually decided to use a famous actor in the role as the crazy monster hunter Dekker, as they didn’t want the movie to come off as an attempted hoax. Thus, Ray Wise (Twin Peaks, 24, Robocop, etc.) was cast for the role. This does, of course, take away from the feeling of being “genuine” (which is usually what mockumentaries aim for), but Wise does a great job with portraying the slightly unbalanced monster hunter.
As for the effects used in the film, they’re actually pretty decent. Most of the effects used in the film were practical, based off of Pardee’s designs. The team had a bit of trouble when creating fully working animatronics though, due to Pardee’s designs being a tad bit too surreal…however, Green said he wanted to use designs that were unique, rather than doing something generic which the viewers had already seen many times before. And of course, it’s always fun seeing some dude playing a monster while dressed up in a full rubber costume!
So overall, Digging Up the Marrow is an easy watch and enjoyable enough. It is not a fast-paced creature feature flick, which should be obvious with the choice of filming it as a faux documentary, and there are more than a few dull moments. Still, it’s imaginative and compelling enough to entertain.
Director: Adam Green
Country & year: USA, 2014
Actors: Ray Wise, Adam Green, Will Barratt, Josh Ethier, Rileah Vanderbilt, Kane Hodder, Sarah Elbert, Tom Holland, Mick Garris, Alex Pardee, Jimmy McCarthy, Nic Henley, Caitlyn Brisbin, Robert Pendergraft
IMDb: www.imdb.com/title/tt1991031/
We’re in the 1980s somewhere in the Norwegian forests, where the young couple Rebecca and Thomas are on a car trip. They run over a dog, and assume that the owner lives in the old victorian-styled hotel not so far away. Rebecca takes on the task to enter the hotel, which seems to be abandoned at first glance. But a horde of zombies suddenly show up, with the transsexual zombie-hotel owner itself Mor Monsen (Mother Monsen). This is not really happening, by the way, we are at the beginning of a clunky student film called “De Døde Våkner” (The Dead Awakens) and we get a series of behind-the-scenes footage that documents the film shooting, that goes from chaotic to the brink of disaster, and a showcase of how the film industry may not be as glamorous as one might think.
We meet the insecure director Julie Lundgreen with a big ego who has her script carved in stone, and is constantly in a protecting mode of “her vision” while the film’s main character, Rebecca, played by Iben Akarlie, is a feminist who tries to persuade the director to skip the scene where she has a threesome with two zombies. Nearly everyone are obviously amateurs, and gets really starstruck when they hear that the veteran Dennis Storhøi, which is one of the biggest movie stars from Norway, will play the role of the transsexual zombie. It does not take long before he starts fighting with the film crew and makes the director cry, and realizes that this is way too amateurish for a serious movie star like him, while he strongly misses the good ole’ days. So what else can go wrong here? Of course, a meteor strikes right next to the filming location, that could have been something straight from Alien, and someone is stupid enough to stick his hand in it. Not a good idea..
So what exactly is this? Drama? Comedy? Horror? All of the three, I would say, plus some turbulent relationship drama and how crazy you have to be to make a film with a low budget, little resources and zero experience. Meta-film, as it is called, although it is more in the mockumentary territory with a clear inspiration from The Blair Witch Project. The Japanese One Cut of the Dead also comes to mind even though this is a completely different beast. This is far from a traditional horror film, and in fact the first of its kind that has been made in Norway which puts it in a unique light. The monster scenes are placed in the back seat where the focus is mostly on the chaotic film-making, which may be a disappointment for some. What makes the film work so well is the dysfunctional relationship between the characters, and surprisingly good acting with dialogues and a dynamic that seem both organic and natural, while the line between fiction and reality gets somewhat unclear.
There are many fun moments here, especially the scenes where the stressed director goes into full Stanley Kubrick mode and wears out the actors with an x-number of takes till they act badly just on purpose to taunt her. And Dennis Storhøi as the more eccentric version of himself made me laugh several times. Unlike the role he plays, he seems to really have a blast in Project Z and is one of the main reasons I will re-watch this movie several times. The only thing that does not work as well, is the ending, which seemed a bit anti-climatic.
Technically, the film looks really good. It’s limited with shaky-cam, which is a plus, and the aesthetic with the victorian-like surroundings gets a lot of room to shine, thanks to steady cinematography by Oskar Dahlsbakken, the brother of the director, Henrik Martin Dahlsbakken. The older audiences will also appreciate the fact that “The Dead Awakens” segments are filmed in the old-school way at 35mm, while the documentary is shot digitally in various formats. Considering that director Dahlsbakken can make two films a year, completely independently and outside the studio system, one could expect some direct-to-DVD cheapness, but it’s surprisingly competent. And the guy seems to have a good sense of humor and the ability to mix genres without it getting muddy. So yeah, it will be interesting to see what he does next. And as we speak he is already in post-production with his next horror film titled “Possession” which seems to go in a far more serious direction. I’m already excited.
Director: Henrik Martin Dahlsbakken
Country & year: Norway, 2021
Actors: Eili Harboe, Vebjørn Enger, Iben Akerlie, Dennis Storhøi, Ole Christoffer Ertvaag, Alfred Ekker Strande, Regina Tucker, Jonis Josef, Arthur Berning, Alexandra Gjerpen, Laila Goody, Benjamin Helstad
IMDb: www.imdb.com/title/tt11444644/
It’s 1975, and an investigator enters a house, filming while he walks through the murder scene. The murders were committed by a cult calling themselves “3rd Eye”.
This horror short, made by the “Midnight Video” team, is presented as a “crime scene footage”, and it was actually made during quarantine. Much like several of their other horror shorts (like for example Mikus and Your Date is Here), it’s simple, yet very effective.
Director: Todd Spence
Country & year: USA, 2020
IMDb: https://www.imdb.com/title/tt13884658/
Tom Riley has just bought a house at a price that is way below market value. With intentions of “flipping” it (a term for buying a house and selling it later for a profit) he goes through the house while filming the entire process with his iPhone. After residing in the house for a short while, however, he notices strange happenings, and decides to set up a bunch of surveillance cameras both inside and outside. At first he’s convinced that people are breaking into the house…but soon, he realizes that he might be dealing with something paranormal.
Bad Ben is an odd little horror film. With “found footage” horror movies being all over the place these days, it feels like everyone with a camera and some video-editing software can make their own addition to the genre. While the majority of these movies have a very limited cast and budget, they still manage to (sometimes) turn out as quite decent films. And it kind of feels like Nigel Bach once joined in a discussion about this topic, simply said “Hold my beer”, and went and made a found-footage movie in his own home with himself being the only person involved. Yes, you read that right. This is a 1-man movie. Filmed with an iPhone and the rest consisting of security camera “footage”, with a budget of only $300.
Now, an idea like this sounds like the perfect recipe for a disaster of a movie, which could only be appreciated by close friends and family. But to our surprise, we found that it’s actually quite decently made for what it is. And since nearly every single found footage horror movie includes a cast with teens/young people, it was actually a bit refreshing to see a grumpy, middle-aged man who is more pissed off at the goings-on than afraid of it. The movie does have a tone of humor in it, and it manages to keep you captivated throughout the protagonist’s exploration and experiences. It is also kinda fascinating and somewhat inspiring that the entire movie was made as a one-man-show, and part of the entertainment value comes from keeping this in mind.
Bad Ben is not a horror movie that will be appreciated by everyone, but for those of us that watch horror movies on a regular basis and has trudged through a ton of various indie horror, it’s easy to see why Nigel Bach’s Bad Ben found a fan base. Bad Ben has turned into a series of a total of 7 movies (so far).
Director: Nigel Bach
Country & year: USA , 2016
Actors: Nigel Bach
IMDb: www.imdb.com/title/tt6269810/
We are introduced to the YouTube channel Prankstaz.tv, run by two mildly sociopathic douchebags who make prankster-videos where they break into a morgue (among other things) and takes a selfie with one of the cadavers. And all just to see those precious views on YouTube. Reminds me of a certain guy with a similar channel who went to Suicide Forest in Japan in late 2017, to film a fresh corpse hanging from a tree and laugh at it and mock it afterwards. So, here we get a satirical glimpse at how toxic and obnoxious the YouTube prankster-community can be, and how far they are willing to push the shock factor to get the desired attention and views.
However, the next project by The Prankstaz is to spend a night in the closed and abandoned Beeliz Heilstätten (or Beeliz Sanatorium), outside of Berlin, which was used during the Nazi era. The sanatorium is supposed to be haunted by a woman, or simply “patient 106”. She killed herself by slitting her wrists in a bathtub after she got pregnant with one of the doctors, and it’s said that she cursed the place. They bring some other YouTubers along with them: a local historian to creep us out with the sanatorium’s dark past, and of course a medium. After they’ve installed static cams in every corner and start to settle in for the night, it doesn’t take long until some spooky shit starts to happen. Of course.
The location is also based on the real sanatorium, Beelitz Heilstätten, where the Führer himself was treated for a leg wound in 1918. So yeah, this place goes way back, and was in its time the biggest building of this kind. But the place is most known for the murders by serial killer Wolfgang Schmidt, who allegedly killed five women on this location in the 80’s. A homeless man also hung himself in the sanatorium after it got closed down and abandoned in the early 90’s. A scene from The Pianist (2002) was shot here, and Rammstein used the location for the music video “Mein Herz Brennt”. In Haunted Hospital: Heilstätten they used Heilstätte Grabowsee as the location, another huge abandoned sanatorium outside of Berlin. And yes, Grave Encounters (2011) comes to mind, and they share much of the same qualities, I would say. A huge, dusty, decayed, broken down mental facility with narrow corridors that just seem to go into obscurity, great sound design, thick atmosphere, pretty much the ingredients you need to make a great found footage horror.
And then there’s a twist, which you will probably see a mile away, but unfortunately was very poorly executed. But besides of that, Haunted Hospital: Heilstätten is a pretty solid found footage horror that deserves a watch.
Director: Michael David Pate
Country & year: Germany, 2018
Actors: Nilam Farooq, Farina Flebbe, Sonja Gerhardt, Maxine Kazis, Lisa-Marie Koroll, Emilio Sakraya, Tim Oliver Schultz, Davis Schulz, Timmi Trinks
IMDb: www.imdb.com/title/tt7214470/
