Kuso (2017)

KusoI LOVED this earthquake! It was the best one I’ve ever seen. All my enemies are DEAD! HAHAHAAA…!

 

And the earthquake we’re talking about is the one that took place in Los Angeles in 1994. One of the survivors from that brutal event was the eleven-year old Steve Ellison, aka Flying Lotus. 23 years later he would release his first feature film which took a lot of inspiration from the trauma of being an earthquake survivor as a child, and his overall fear of skin diseases and probably a laundry list of other phobias that followed. He also wanted to show how ugly people could be. Show their ugly asses, as he said. And ‘boy, he sure fucking did. This is the type of film that people like John Waters and Harmony Korine would gladly show on their first dates. Take that as a warning, if you will.

 

So, what’s Kuso really about? What’s the plot here? Uhm… yeah, good question. We’re in a trippy and surreal post-apocalyptic world where people have gone completely batshit insane while having their faces infested with big, nasty zits. The world of Mad Max is a walk in Disneyland in comparison. Here they don’t eat dog food straight from the cans but rather things such as a solid menu of stomach-turning “food” that includes worms and…bodily waste. Scat porn, several viewers say, and that’s not so far from it. This is juicy body horror to the extreme, disgusting and revolting, and if you have some certain boundaries when it comes to such, take also this as a warning. At the same time, it’s all done with a pitch-black sense of humor, so it’s not to be taken seriously. Still, there are moments here that even got a little too much for me, and my melted brain felt the after-effects while I slept through the following night.

 

But what is it really about? We follow a group of people who deal with their separate meaningless lives in their own post-apocalyptic environment. The film works more or less like an anthology with four vignettes which we bounce back and forth from: Royal, Mr. Quiggle, Smear and Sock. In between the segments we have some insane acid-trip scenes that even Terry Gilliam could be jealous of. It’s all dream logic and if you could livestream someone’s deepest cocaine-filled fever dream on a monitor screen, I wouldn’t be too surprised if this was the result. I don’t see much point in even trying to break down the segments. I would also lose the little I have left of my own sanity if I did. It’s just pure, perverted, unfiltered, experimental art-house madness where you can never, ever guess what’s about to happen next. Very graphic and visual, filled with details and even more unpredictable what-the-fucks you can imagine, and as far from mainstream audience-friendly as it can get. An overall unique experience for the senses that you would never watch with your mom and dad. And just to quote the director himself: This is definitely a movie for a certain kind of person.

 

Kuso was first distributed by Shudder and is also available on a DVD/Blu-ray combo on Amazon. The film is here reviewed from a very rare DVD edition from Sweden, just to point out.

 

Kuso Kuso Kuso

 

 

Director: Flying Lotus
Writers: David Firth, Flying Lotus
Country & year: US, 2017
Actors: Hannibal Buress, George Clinton, David Firth, Arden Banks, Byron Bowers, Shane Carpenter, Angel Deradoorian, Regan Farquhar, Pretty Ricki Fontaine, Zack Fox, Tim Heidecker, Bob Heslip, Anders Holm
IMDb: https://www.imdb.com/title/tt6131712/

 

 

Tom Ghoul

 

 

 

10 Cloverfield Lane (2016)

Castle FreakMichelle has had an argument with her fiancè Ben, and she’s packed a suitcase, left behind a diamond ring and ends up driving through rural Louisiana in the middle of the night. While Ben keeps calling her, begging for her to return, she’s getting news reports about several blackouts in major cities. Suddenly her car is struck by something, which causes it to flip off the road. For Michelle, everything then turns black. When she wakes up, she notices she’s gotten a leg injury, but that’s not the worst part…she is also chained to a wall in a concrete room. A man named Howard then unchains her and tells her that there’s been some kind of attack, maybe by the Russians or Martians, he’s not sure. He found her by the car wreck and saved her by bringing her to his shelter: an underground bunker. To top it all, he also tells her they cannot leave the place for at least a few years, because the air outside has become poisonous and everyone who goes outside now will end up dead. Is Howard just an insane madman who decided to kidnap her, or is there any truth to his stories?

 

10 Cloverfield Lane is a science fiction horror thriller from 2016, directed by Dan Trachtenberg in his directorial debut. It was also produced by J. J. Abrams and Lindsey Weber, and written by Josh Campbell, Matthew Stuecken, and Damien Chazelle. It belongs to the Cloverfield franchise, and it’s the second film. That was not the original plan for the movie’s script, however, as it was originally called “The Cellar” and had absolutely nothing to do with the franchise, but when Paramount Pictures bought the script and commenced further development under Bad Robot Productions, it ended up being a spiritual successor to the 2018 found-footage film Cloverfield.

 

Watching this movie while knowing it’s part of the Cloverfield franchise might make it a somewhat confusing experience, as it doesn’t appear to be tied to it in any way. Understandably, of course, since the original script wasn’t supposed to have any ties to the “Cloverfield Universe” at all. I still think that going into the experience of this film while knowing as little as possible, other than a certain relationship to the first film in some way, is the best way to watch this one. It will get you engaged by the series of strange events and the several red flags which may later prove to simply be red herrings, and sometimes even both. Arguably it is a movie that could have worked perfectly fine on its own, without the Cloverfield setting.

 

The cast here is pretty good, with Mary Elizabeth Winstead having a solid lead role, and John Goodman doing a perfect portrayal of the eccentric and slightly indecipherable Howard. So overall, 10 Cloverfield Lane is a thrilling and intriguing mystery horror film, which manages to be quite suspenseful throughout. There are twists and turns throughout, constantly keeping you guessing as to what the situation here really is.

 

10 Cloverfield Lane

 

Director: Dan Trachtenberg
Writers: Josh Campbell, Matt Stuecken, Damien Chazelle
Country & year: US, 2016
Actors: John Goodman, Mary Elizabeth Winstead, John Gallagher Jr.,Douglas M. Griffin, Suzanne Cryer, Bradley Cooper,  Sumalee Montano, Frank Mottek
IMDb: www.imdb.com/title/tt1179933/

 

 

Vanja Ghoul

 

 

 

Mad God (2021)

Mad GodA character wearing a gas mask, The Assasin, descends into a hellish world filled with devastation and mayhem. With him on his dark journey into a dystopian nightmarish world, he’s got a map and a suitcase, and while traveling deeper and deeper he encounters several monstrous creatures. Filth, death, war, despair and, well, hellish surroundings are all over the place.

 

Mad God is a stop motion horror film which was written, directed and produced by Phil Tippet. The film was in production over a period of thirty years. Tippet started filming it while working on Robocop 2, but when he became involved in Jurassic Park this set the film on hiatus. Originally, Jurassic Park was supposed to have stop motion dinosaurs, but after Spielberg saw some CGI work of a T.rex, he told Tippett: “You’re out of a job”. To which Tippett replied, “Don’t you mean extinct?”. This was even referenced in Jurassic Park, where Dr. Grant says “Looks like you’re out of a job” to Dr. Malcolm”, and he replies “Don’t you mean extinct?”. Anyhow, Tippett was still kept as supervisor for the CGI animation of the dinosaurs, so at least he wasn’t really out of a job… but due to the change during his involvement in this film he believed that stop motion was now a thing from the past, and because of this he shelved the Mad God project. Which is a sad thought, really, as many stop-motion effects from some older films can look really good, and often better than many of the early CGI effects used. Even now, I think there are some movies whose practical effects look greater than some of the modern CGI of today…

 

In spite of all that, Mad God got pulled out of hiatus-status twenty years later, when members of his studio encouraged him to start working on it again. And with a successful Kickstarter campaign, and a crew of volunteers to assist him, Mad God came into fruition at last.

 

And what kind of movie is Mad God, exactly? Well…I dare say you’ve never seen anything quite like it before. We start off with a scene depicting the destruction of The Tower of Babel, and then we see a citation from Leviticus 26, which reads as follows:

“If you disobey Me and remain hostile to Me, I will act against you in wrathful hostility. I, for My part, will discipline you sevenfold for your sins. You shall eat the flesh of your sons and the flesh of your daughters. I will destroy your cult places and cut down your incense stands, and I will heap your carcasses upon your lifeless idols. I will spurn you. I will lay your cities in ruin and make your sanctuaries desolate and I will not savor your pleasing odors. I will make the land desolate so that your enemies who settle it shall be appalled by it. And you I will scatter among the nations and I will unsheath the sword against you. Your land shall become a desolation and your cities a ruin”.

 

Yeah…that’s the words of a Mad God indeed, one that is truly pissed off. Or just completely deranged. And we get to see a world that is actively punished by this mad god.

 

Aside from that, there isn’t much of a story to cling to here, although one can clearly see the statement about our world and its condition. There are several segments which are obvious metaphors for certain human behaviour, and you can probably dissect and analyze so many parts that are shown here. Mostly, though, it’s a film that is mainly enjoyed due to its visuals and dark content. There’s so many weird and absurd things happening on screen, everything from things that are disgusting and gross, to the weird and uncanny, to pure nightmare-fuel. There’s also a bit of blood and gore, and other stomach-churning stuff. There’s even a scene (although somewhat obscured) where Putin is taking Trump from behind while Hitler is watching. Jeez. Creatures are chopped into pieces, eaten, tortured, and everything is just filled with decay, debauchery and general ghastliness.

 

Mad God is definitely not a film for everyone’s tastes. Some will find it a nonsensical and gross mess, while others will enjoy the dark, surreal, nihilistic atmosphere and awesome special effects (Horror Ghouls belonging to the latter group of people).

 

Mad God is available on Shudder (for those who live in a country where this is accessible. We live in Norway, where Shudder is not available, though we were lucky enough to get one of the few copies of the film on DVD).

 

Mad God Mad God Mad God

 

 

Writer and director: Phil Tippett
Country & year: USA, 2021
Actors: Alex Cox, Niketa Roman, Satish Ratakonda, Harper Taylor, Brynn Taylor, Hans Brekke, Brett Foxwell, Jake Freytag, Harper Gibbons, Tom Gibbons, Tucker Gibbons, Arne Hain, David Lauer, Chris Morley
IMDb: www.imdb.com/title/tt15090124/

 

 

Vanja Ghoul

 

 

 

Cannibal Apocalypse (1980)

Cannibal ApocalypseWe’re in the jungles of Vietnam where two American POWs are being held captive by some natives. A group of troops, lead by Norman Hooper (John Saxon) is about to rescue them. While they succeed after a tirade of bulletstorm, flamethrowing and throat-slicing, the two captives seems to have been turned into cannibals by some virus. And those who gets bitten leaves people with serious cravings for human flesh like a hardcore heroin addict. Or just zombie cannibals, if you will. The next who’s to be infected is Norman, when he gives out a helping hand to get them out of the hole they’re trapped in.

 

This was a flashback nightmare, by the way, and Norman wakes up sweaty besides his wife in their home in Atlanta, Georgia, and now struggles daily to not get his cravings and triggers by looking at raw meat, and fears ending up a cannibal himself. He especially struggles not to take a bite out of the teenage girl next door, who has a crush on him.

 

Things doesn’t get better when Norman receives a phonecall by Charles Bukovski (Giovanni Lombardo Radice) who wants to hook up for a drink. He’s one of the guys who’s gotten turned into cannibalism, and Norman smells Bad News and says “another time”. Charles seems to have lost his mind completely, as he’s just hunting for his next fix and wanders around like a deranged serial killer. He goes into a movie theater, where he can’t resist it no more when a coupe starts to make out in front of him. He bites the chick’s neck like Dracula, and the Zombie Apocalypse has just started.

 

I hadn’t heard of this film until it suddenly popped up on Netflix (Norway) of all places, fully uncut and ready for the whole family to watch on a Friday night. I remember there was a time when films like this was totally banned in most countries, and you had to import a VHS copy from US to watch in the basement with friends while the parents were far out of sight. Yeah, things have changed. This film was also on the Video nasty list because of two seconds where a sewer rat is getting torched by a flamethrower.

 

And no, as you’ve probably already figured, this is not your typical cannibal flick with confused half-naked natives running around sunny jungle surroundings, big turtles getting ripped apart, penis severing/castration, et cetera… We’re in a gritty urban setting where the police, and some angry bikers, gets involved to hunt down the cannibals through the streets and sewers. It’s more action-packed with some really great tension filled moments, and of course a bit of the mandatory Italian sleaze. Not the most complicated plot, really, but overall an entertaining Grindhouse flick with an interesting take on the cannibal genre and a crazy, unhinged character. But I’ll never  get used to hear saxophone music during killing scenes, though…

 

Also known as Invasion of the Flesh Hunters and Cannibals in the Streets.

 

Cannibal Apocalypse

 

Director: Antonio Margheriti
Original title: Apocalypse domani
Country & year: Italy, Spain, 1980
Actors: John Saxon, Elizabeth Turner, Giovanni Lombardo Radice, Cinzia De Carolis, Tony King, Wallace Wilkinson, Ramiro Oliveros, John Geroson, May Heatherly, Ronnie Sanders, Vic Perkins, Jere Beery, Joan Riordan, Laura Dean
IMDb: www.imdb.com/title/tt0080379/

 

 

Tom Ghoul