The Dentist (1996)

The Dentist I am an instrument of perfection and hygiene. The enemy of decay and corruption. A dentist. And I have a lot of work to do. –

 

His name is Dr. Alan Feinstone (Corbin Bernsen). And he’s about to have his worst day at the office. So are his patients, and co-workers – and everyone around him. On the surface, like a shallow Instagram page, he seems to have the perfect life with a big house with a swimming pool and all, and a seemingly loving wife.

 

And if the cold shoulders from his more and more distant wife wasn’t a bad start of his day already, he smells cigarette smoke from her mouth. Fuck. Now he has to brush his teeth again before he goes to the office. Because: Nothing, how matter how good or how pure, is free of decay. Once the decay gets started, it can only lead to rot, filth, corruption. –

 

And with that statement it makes me wonder if he has any politicians as clients. Anyway, we quickly learn that Dr. Feinstone is already a mentally sick man with a head filled with schizophrenia and delusions which he always battles to keep in check. But the stream of negativity which also triggers his severe OCD is going to push him over the edge any minute.

 

He finally hits the breaking point when he sees his wife cheating with the pool cleaner guy as she sucks his cock in the garden in broad daylight – on their anniversary day, even. Oof. And he’s already late for work. Now he just sees filth left and right. The floodgates of filth are open.

 

– Filth, filth everywhere. Especially children! They’re spoiled rotten! –

 

Dr. Feinstone is now on a mission. He will rip the filth out of people, tooth by tooth if it’s necessary. Cut off the tongue also while we’re at it. Get rid of all the filth. And you’d bet he has some special plan for his wife on the anniversary night.

 

Two police detectives, played by Tony Foree and Tony Noakes  get involved as soon Dr. Evil Feinstone leaves his trails of blood. Feinstone’s day isn’t getting any better when Mr Goldbum (Earl Boem), an agent from IRS, is on his neck for not delivering his taxes.

 

The Dentist is directed by low-budget-cheese meister Brian Yuzna (the mustached brain behind 90s cult-classics like Society, Return of the Living Dead III, Bride of Re-Animator and Faust: Love of the Damned) made for HBO TV with a budget of $700,000. Most of it was filmed in a residential home (Yuzna’s, I guess) where the whole budget went to decorate the dental operation offices. Even with the tight budget, which would be advisable for a simple premise like this, they actually managed to get over the budget, leaving Yuzna unhappy with the finished production design. The gore effects seemed to be a second thought.

 

With that said, the film looks even lower on the budget and filled with restrains, but the always energetic Corbin Bernsen saves it from mediocrity with his manic, over-the-top performance. We spend a lot of time in the dental office where patients drop like flies under pretty suspect circumstances where the FBI would normally raid the building in a heartbeat. Dr. Feinstone is a crazed loose cannon who does his best to keep it together and not getting caught for doing kinky shenanigans with one of his drugged-out patients. If his day and his mind wasn’t a complete shitstorm already, it’s about to get worse.  So open wide and say fuuuuuuuck.

 

There’s some clever camera work and cinematography here despite some very dated “trippy” visuals which are as 90s as it can get. The effects, with its flavor of body horror, are nicely done in the unique schlocky way we’re used to seeing in a Brian Yuzna film, but the film’s highlight with the oversized mouth stretch, gets old old pretty fast. More time on the effect department would do the film a bigger favor. As a-madman-on-the-loose with a falling down psychosis, The Dentist is silly entertainment as long its lasts where Yuzna does the best of the little he had of resources.

 

The sequel The Dentist 2 (1998) is pretty much a nothing-burger with lazy and lackluster kills, filled with tedious drama where the trip to the actual dentist is more entertaining. Watch Stepfather II instead. Both films are available on a 2-disc Blu-ray from Vestron Video with audio commentary from director Brian Yuzna among other extra features.

 

The Dentist

 

Director: Brian Yuzna
Writers: Dennis Paoli, Stuart Gordon, Charles Finch
Country & year: US, 1996
Actors: Corbin Bernsen, Linda Hoffman, Michael Stadvec, Ken Foree, Tony Noakes, Molly Hagan, Patty Toy, Jan Hoag, Virginya Keehne, Earl Boen, Christa Sauls, Mark Ruffalo, Lise Simms
IMDb: www.imdb.com/title/tt0116075/

 

 

Tom Ghoul

 

 

 

NEW YEAR – Horror Short

It’s now 2024, and a couple is celebrating the beginning of a new year. Suddenly the power goes out, and they find they’re not alone in the house…

 

New Year is a horror short where the start of a New Year is celebrated in a violent way. Happy New Year!

NEW YEAR - Horror Short

 

Director: Alex Magaña
Writer: Alex Magaña
Country & year: USA, 2024
Actors: Valentina Gomez, Eliseo Miranda, Michael Hall

 

 

 

 

Sleepwalker (2000)

SleepwalkerUlrik Hansson is a 45 year old man living in a residential district in Sweden, together with his wife Monika and their two children. The family man appears to live a pretty normal life, with a decently paid job as an architect. There is also a new home he’s built which they’ll soon move into. All fine and dandy. One night, when he and his wife are about to go to sleep, he’s suddenly having what first appears to be a heart attack, scaring his wife to the point where she’s about to call for help, until he settles down and says he feels okay again. A panic attack, perhaps? He goes to sleep, but when he wakes up in the morning, he discovers that the bed is covered in blood. In a full panic, he runs around the house, shouting for his wife and two children only to discover that they are all gone…

 

Sleepwalker is a Swedish thriller from 2000, directed by Johannes Pinter and written by Johan Brännström. It was apparently hyped a bit in its home country, where taglines like “the most exciting film you can see in year 2000 is made in Sweden”, which set the bar rather high. Thus, upon release some found it a bit underwhelming compared to what they were expecting, but despite this it’s actually a pretty decent low-key thriller about a man who fears he’s done something terrible while sleepwalking. It’s not very high in tension or action-packed or anything, but it’s doing a steady job of keeping you wondering together with the protagonist.

 

The movie starts off like a found footage movie, where Ulrik is filming his family and friends, but this isn’t the movie’s format. There are some scenes where he straps the camera to the side of his head when he goes to sleep, hoping to capture what he does when sleepwalking, and these scenes are actually some of the most effective. You can also find quite an easter-egg in this movie: there is one scene at the start where Ulrik’s children are watching a horror movie, and this movie is none other than Evil Ed (another Swedish film which is considerably more well known). And that’s not all, the actor who played Ed in that movie, Johan Rudebeck, also has a role here where he appears as one of Ulrik’s colleagues.

 

Sleepwalker is a decent mystery thriller, where we follow a man who appears to be in some kind of way responsible for this own family’s disappearance. And he doesn’t even know whether he is guilty or not, as he doesn’t remember anything. While I feel the ending was a little bit weak, I still found the movie to be quite enjoyable.

 

Sleepwalker Sleepwalker Sleepwalker

 

Director: Johannes Pinter
Writer: Johan Brännström
Country & year: Sweden, Norway, 2000
Actors: Ralph Carlsson, Ewa Carlsson, Anders Palm, Tuva Novotny, Donald Högberg, Fredrik Hammar, Mats Rudal, Sylvia Rauan, Christoffer Edström, Silke Lauren, Toivo Tolonen, Aina Lesse
IMDb: https://www.imdb.com/title/tt0228871/

 

 

Vanja Ghoul

 

 

 

Invasion of the Body Snatchers (1978)

Invasion of the Body SnatchersA parasitic alien race is abandoning their dying planet, in search of a new place. They travel to Earth, and take form as small pink flowers which look innocent enough and won’t cause any suspicion. The laboratory scientist Elizabeth Driscoll brings one of these flowers home, unaware of their origins, and the next day she wakes up finding her boyfriend Geoffrey behaving like a totally different person. He is cold and distant towards her, and she gets the paranoid feeling that her own boyfriend might actually be an impostor. She confides in her colleague and friend, Matthew Bennell, who advises her to talk to a psychiatrist. Soon, they start encountering other people who believes their loved ones have been replaced by impostors, and everything escalates from there as the alien duplicates seem to be taking over the entire world.

 

Invasion of the Body Snatchers is a 1978 science fiction horror film, directed by Philip Kaufman. It is based in the 1955 novel The Body Snatchers which was written by Jack Finney, and which was previously adapted into a 1956 film by the same name as this film. Upon its release it received varied reviews from the critics, which has gotten more favorable over the tears. It grossed nearly $25 million. The director had been a fan of the 1956 film, and had the cinematographer Michael Chapman try and capture the film noir feel of the original, just in color. The sound editor, Ben Burtt, who had earlier worked on some of the sound effects on Star Wars the year before, added to the film’s ambience where natural sounds mixes with the city’s industrial noises. And of course the famous “shriek” the aliens give off then spotting a real human, which was composed of many elements, including a pig squeal. The film also has a number of cameo appearances, including Kevin McCarthy who played Dr. Bennell in the 1956 movie, and that film’s director, Don Siegel, who appears as a taxi driver.

 

The film holds nothing back when it comes to any mystery, as we know already from the first scene that there are aliens coming to Earth to take over the place. Exactly how this is done is probably the only kind of mystery, and we do indeed get some gorgeously nasty scenes involving this process. It’s a bit of a slow burner at times, focusing on setting an atmosphere of paranoia and underlying terror, but overall it’s a fun popcorn-flick. The horror and science fiction elements work in a perfect combination, and while there never is any mystery as to what is happening, we still feel a certain tension when wondering how the characters will fare when meeting a world soon to be completely overruled by something that isn’t human. Everyone is going through feelings of distrust, panic and anxiety as they no longer know who to trust, and the duplicates are turning into beings devoid of any feelings and completely emotionally blunted, like a bunch of Zoloft-zombies. The cast is also pretty decent, with Donald Sutherland playing the role as Dr. Benell being the most recognizable here, as many of you have probably already seen a certain iconic scene or image from the movie starring him…

 

Overall, Invasion of the Body Snatchers is a good sci-fi horror movie, telling the story of an unlikely yet still chilling alien invasion which goes unnoticed until it’s too late. Like in many other alien invasion movies where they come in giant motherships causing total mayhem, this one on the other hand is using a subtle kind of attack. It’s an invasion that could happen right under our noses, without any sign of what is going on until the damage is done and there’s no way back. I honestly find that concept more disturbing than a bunch of greys coming to wreak havoc…

 

Invasion of the Body Snatchers Invasion of the Body Snatchers

 

Director: Philip Kaufman
Writer: W.D. Richter
Country & year: US, 1974
Actors: Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard Nimoy, Art Hindle, Lelia Goldoni, Kevin McCarthy, Don Siegel, Tom Luddy, Stan Ritchie, David Fisher, Tom Dahlgren
IMDb: www.imdb.com/title/tt0077745/

 

 

Vanja Ghoul

 

 

 

TISTLEBU – Horror Short

As a young urban couple on a working holiday hopes to connect with nature at Tistlebu farm, a primordial power comes into play, changing them both forever.

 

Tistlebu is a strange Norwegian horror short where we get introduced to a strange thing called “the tursemorkel”.. and its effect on people who encounters it..

TISTLEBU - Horror Short

 

Director: Simon Matthew Valentine
Writer: Alexander Delver, Simon Matthew Valentine
Country & year: Norway, 2022
Actors: Sacha Slengesol Balgobin, Sjur Vatne Brean, Oda Schjøll
IMDb: www.imdb.com/title/tt16310112/

 

 

 

 

Sister Death (2023)

Sister DeathIf there’s one creepy Nun film from this year that’s worth watching, it’s Sister Death. This is a standalone prequel about the blind chain-smoking old nun we saw lurking in a few scenes in Verónica (2017) – written and directed by Paco Plaza, the other half of the very talented Spanish duo behind the [REC] films.

 

The film starts with a cryptic opening in the year 1939, where a girl named Narcisa gets revered by some village people after it’s known that she has a vision of the Blessed Virgin Mary. On the outside, the whole thing looks more sinister and unsettling as it’s filmed in grainy black and white with something that looks similar to a super 8. And more sinister it gets ten years later, right upon the post-war era, as Narcisa (Aria Bedmar) grows up to be a nun teaching young girls at a convent.

 

She gets a warm welcome by Mother Superior, who’s very thrilled to meet the Holy Girl herself, who has become a big news story throughout the years. Not everyone in the convent seem to share the same enthusiasm, though. We get the sense of the environment right away with the quiet, bleak and monotonous life at the convent. The day-to-day rituals get disturbed after Narcisa finds a box hidden in her room which contains scissors and a picture of a deceased nun with a dark history.

 

As Narcisa tries her best to get through the days with her teaching, vows, praying and all that follows a life in a convent, she slips more and more into a rabbit hole by seeing creepy visions left and right, having nightmares of eating eyeballs hidden in freshly-made cookies and getting lead to dark places in the convent that she isn’t supposed to know of. And there’s a drawing of an incomplete hangman that appears on the wall in Narcisa’s room which seems to expand as paranormal things escalate. The girls start to experience spooky things as well and it’s only up to Narcisa to use her holy abilities to get to the bottom of the mystery surrounding the convent.

 

Sister Death is a slow burner and a paranormal thriller of the very old school type. Not as old as the convent here itself, but something that could have been from the 1970s. The special effects are minimal, where Paco Plaza concentrates more on a mystery filled with cryptic hints that has to be put together. Sister Death is a very quiet film where you really get the sense of the almost lifeless environment of the convent. The atmosphere is cold and eerie with an already underlying tension that slowly builds up like a damping locomotive to the shocking and eye-opening (pun intended) revelation. Señor Plaza knows how to squeeze out the best from his line of actors, and especially Aria Bedmar, who gives the best horror film performance of the year, horns down.

 

NetflixSister Death is only available on Netflix, which explains some of the muddy and low-quality in some of the screenshots. The darkest scenes in the film look so horrendous that I’m almost lost for words, and this has been an ongoing issue with Netflix. We have the standard account with 1080p, and it looks like something from a 480 pixel YouTube video from 2007. The quality also seems to depend on which browser you use. What a load of poop. This is just the tip of the iceberg when it comes to streaming. There are several issues with Netflix and other streaming services for that matter, most notably how they have the habit of canceling every new show after one or two seasons. Business as usual, I guess. And it seems to only get worse. It’s also a sad, fucking shame that Guillermo del Toro, of all people, has slipped into the streaming sewer and signed with Netflix, so he can finally make his Frankenstein movie. At least that film will have a physical release, which seems to be unlikely for Sister Death, which would look stunning on a Blu-ray package. Happy new year.

 

Sister Death

 

Director: Paco Plaza
Writers: Jorge Guerricaechevarría, Paco Plaza
Original title: Hermana muerte
Country & year: Spain, 2023
Actors: Aria Bedmar, Maru Valdivielso, Luisa Merelas, Chelo Vivares, Sara Roch, Olimpia Roch, Adriana Camarena, Martina Delgado, Claudia Fernández Arroyo, Almudena Amor, Sandra Escacena
IMDb: www.imdb.com/title/tt19175696/

 

 

Tom Ghoul

 

 

 

Needful Things (1993)

Needful ThingsIn the small town of Castle Rock, Maine, a man named Leland Gaunt arrives in a sinister-looking black car. He opens a new antique store called “Needful Things”, where he sells various items which appears to have great personal value for some of the residents in town. And the price isn’t only in money: he also demands small “favours” from the buyers which are usually pranks they have to pull on other people. Like Gaunt’s first customer, a young boy named Brian Rusk, who wants to buy a rare baseball card and has to prank his neighbor Wilma in order to buy it. Sounds like a very unusual business practice, right? But the people just can’t stay away from the shop, everyone finds something they need there. Or, at least, something they think they need. And the pranks often come with a snowball-effect where things keep getting worse, and the pranks also becomes more violent, and even results in several deaths. The sheriff, Alan Pangborn, becomes suspicious of Gaunt and begins to suspect that he may not be what he seems.

 

Needful things is a horror film from 1993, based on Stephen King’s novel from 1991 by the same name. The film was directed by Fraser C. Heston. Upon its release there were mixed reviews, often negative and praising the performances but criticizing how it felt inferior to the source material. I haven’t read the book, so personally I cannot comment on this part.

 

The movie gives off a somewhat fun vibe, showing you early on that it never takes itself too seriously. There’s a slightly lighthearted tone to it, despite all the people turning on each other and causing all kinds of problems, even death. It’s amusing, all aside from a certain scene with a dog which is actually quite unpleasant. The amusing parts consists of how the shop’s customers are eagerly willing to “prank” other people in order to get what they want. It’s fun, and you keep wondering how far it will go. And sure: while the “pranks” start out innocently enough, the violence escalates, starting with that incident with the dog and the owner, a woman named Nettie, suspecting another woman for being behind it. And things get bloody.

 

The sheriff of the town, played by Ed Harris, is one of the few becoming suspicious of the new shop in town and its quirky owner, who is (and this isn’t really much of a spoiler) the devil himself. The portrayal of the devil as the shop owner Leland Gaunt, who is setting people up against each other and sitting back watching everything unfold, is actually quite clever in its simplicity. He never gets his own hands dirty, just tease people with things they want (or “need” in their own eyes), and then they are quite easily herded like a bunch of sheep. Typical human behavior makes everything easier for the evil ones, doesn’t it…

 

Needful Things is a fun popcorn-film, held up by some good performances especially by Ed Harris as the sheriff and Max Von Sydow as the shop owner Gaunt. It doesn’t offer any scares or a lasting impact, but it’s a fun watch when you take it for what it is.

 

Needful Things

 

Director: Fraser C. Heston
Writer: W.D. Richter
Country & year: US, Canada, 1993
Actors: Max von Sydow, Ed Harris, Bonnie Bedelia, Amanda Plummer, J.T. Walsh, Ray McKinnon, Duncan Fraser, Valri Bromfield, Shane Meier, William Morgan Sheppard, Don S. Davis, Campbell Lane
IMDb: www.imdb.com/title/tt0107665/

 

 

Vanja Ghoul

 

 

 

A CHRISTMAS HORROR STORY – Horror Short

A woman starts taking down the Christmas tree before the holidays are over, since they’re going away. Her boyfriend warns her this will be a bad omen and could cause bad things to happen. They joke about it, but his warning soon proves to come true..

 

A Christmas Horror Story (aka Not Before Christmas/Merry Christmas) is a simple and fun holiday-themed horror short!

A CHRISTMAS HORROR STORY - Horror Short

 

Director: Alex Magaña
Writer: Jed Brian, Alex Magaña
Country & year: USA, 2021
Actors: Marta Castellví, Diego Paz
IMDb: www.imdb.com/title/tt16741336/

 

 

 

 

Fortress (1985)

FortressYou better run, You better take cover, as some Men at Work once said. Because it’s not everyday a whole class of children gets the thrilling adventure of being kidnapped by Dabby Duck, Pussy Cat, Mac The Mouse and even Father Christmas himself.

 

This little and pretty much forgotten gem from Down Under is based on the book by the same name by Gabrielle Lord – a story that’s loosely based on the Faraday School kidnapping which took place in Victoria, Australia. The year was 1972 in the rural town of Faraday when the two men, John Eastwood and Robert Clyde Boland, kidnapped those from a one-teacher school with six female pupils and the teacher and demanded a $1,000,000 ransom. To cut the story short, the victims managed to escape and the kidnappers were eventually caught, which got a prison sentence of 17 years.

 

The story should have ended here, but there’s a part 2. One of the two the kidnappers, Eastwood, escaped prison in 1976, and since old habits die hard, he kidnapped another teacher with nine pupils in Wooreen State School in Gippsland, Victoria. The whole incident went in full GTA mode with five wanted stars already when he crashed his stolen van into a long truck and held the driver and his partner hostage. Another truck came where Eastwood waved and made it stop. He took the driver and the passenger hostage. But it doesn’t stop here: he made a campervan with two females pull over.

 

He now had sixteen (!) hostages. Not bad, mate! He demanded a ransom of US$7 million, guns, 100 kilograms of heroin and cocaine, and the release of seventeen inmates from Pentridge Prison. Surprised that he didn’t demand a pack of hookers while he was at it. Like in the first incident, one of the victims escaped and contacted the police. As Eastwood tried to flee with the rest of his hostages, the police managed to disable his hijacked campervan with gunfire. He got a wound-shot and was brought back to his orange jumpsuit. None of the victims was hurt or killed during these incidents. Eastwood was in-and-out of prison until he was a free man in 1992 and got a job as a truckdriver.

 

Now back to Dabby Duck, Pussy Cat, Mac The Mouse and Father Christmas.

 

Fortress

 

Sally Jones is a teacher in the middle of nowhere in a small, primitive community in Australia, also called The Outback. It’s a regular hot sunny day and Sally gets herself ready for another day in the one-room school with her nine pupils. The youngest is six, while the oldest is sixteen and we have both boys and girls. A regular day gets suddenly interrupted when four armed men wearing furry masks, led by the one wearing the classic and creepy santa mask (Father Christmas), the perfect nightmare fuel for toddlers with santaphobia.

 

We’re going on a PICNIC, Father Christmas says, before they toss the kids and Sally back in a rusty van like they were pigs taken to the slaughterhouse. The six-year old seems to get the roughest experience as they treat him like a ragdoll, and the poor kid seems traumatized from the start as he has eyes like a shell-shocked WW1 veteran.

 

After some bumps in the road, and a toilet break that almost went catastrophic, they take them farther into rural wilderness where they force our captives to jump into a hole in the ground that leads to an underwater cave. And yes, we learn that they are taken for ransom and not doing this just for the hell of it. And today’s lesson from teacher Sally, who seems to have a far stronger psyche than the four kidnappers combined and a spine of iron, is to survive. In other words, Father Christmas and company will eventually learn that they fucked with the wrong teacher.

 

Fortress takes this hostage journey on a whole other path than the true story it’s based on, to put that mildly. It’s Lord of the Flies meets Far Cry Primal with some flavors of The Goonies. A pretty simple movie with a simple premise that was suitable enough for a television production made for American HBO. That being said, Fortress couldn’t look more cinematic. The cinematography here is pretty remarkable, already from the opening night scene with the tracking shot and the heavy 80s synth score, which sets the sinister and foreboding tone.

 

The gimmick with the masks gives the film a more unique distinctiveness rather than having four random dudes. Replace their saw-off shotguns with electric guitars and they’d look like a bizarre KISS coverband. However, as their main goal is to keep the teacher and her class as ransom, their demented and unhinged sociopathy oozes through their masks. They also plan to gang rape Sally. Because why not.

 

The acting is solid all the way, even from the child actors. Although Fortress may be predictable, the film is fast-paced with first-class tension with lots of adrenaline and no dull moments. It’s also a grim ride into the darker corners of the human psyche where the survival-mode instincts get pushed to the most extreme, primitive and barbaric red-zone level. The climax was originally longer and more graphic but was cut down before the film’s release, and it shows. Regardless, this is pure thrilling entertainment from start to finish.

 

Fortress was released on DVD by HBO Archives in 2006, which is still available at Amazon. No Blu-ray for the time being.

 

Fortress Fortress

 

Director: Arch Nicholson
Writer: Everett De Roche
Country & year: Australia, 1985
Actors: Sean Garlick, Rachel Ward, Elaine Cusick, Laurie Moran, Marc Aden Gray, Ray Chubb, Bradley Meehan, Rebecca Rigg, Beth Buchanan, Asher Keddie, Anna Crawford, Richard Terrill, Vernon Wells, Peter Hehir, David Bradshaw, Roger Stephen
IMDb: www.imdb.com/title/tt0091069/

 

 

Tom Ghoul

 

 

 

The Awakening (2011)

The AwakeningIt’s 1921, and the author Florence Cathcart is working with the police in order to expose spiritualist fraud. During a “séance” she reveals all the medium’s tricks, but instead of being shown gratitude from the grieving mother who hoped to get in contact with her deceased child, she is instead met with a slap in the face. Some people would rather live in delusion, apparently. Upon arriving back home, she is visited by a guy called Robert Mallory, who wants her to investigate the sightings of a ghost boy who has been seen at the boy’s boarding school in Cumbria where he is a teacher. 20 years earlier, the school had been a private home. Upon arriving at the school, Florence meets the housekeeper, a woman named Maud Hill, who is a big fan of her book and says she keeps it right alongside her bible. Which is a bit ironic, considering Florence’s book is founded in skepticism…oh well. When Florence starts investigating, she first thinks the so-called supernatural events are nothing but children’s shenanigans, but soon she finds that the old house holds many secrets, and both recent events and those from the past slowly start unveiling themselves.

 

The Awakening is a British supernatural drama-horror film from 2011, directed by Nick Murphy and written by Stephen Volk (who also wrote Ghostwatch and The Guardian) and Murphy. It was shot on location in the United Kingdom, in Trinity Church Square London, Berwickshire, East Lothian, Lyme Park in Cheshire and Manderston House in Manderston. While the outside is Manderston House, the inside of the school was filmed in Marchmont House, both situated on the outskirts of Duns in the Scottish Borders.

 

The film is very much what you would expect, both from its description and first glimpses: a ghost story with a certain elegance, more drama than horror, but upheld with strong performances, a continuous build-up of mystery, and gorgeous cinematography. You could say that the movie is a little bit in the same category as The Others and The Orphanage. The main character is steeped with personal conflicts and grievances, with old secrets waiting to be revealed. It is told early in the film that Florence’s fiancé died during the war, and Robert has his fair share of issues after being traumatized by the war. With the story set in the early 1920’s, it’s a time where people had gotten used to an abundance of death both from the war and the influenza (Spanish Flu) that killed a lot of people during those times. And of course, some shady characters are thrown in as well: a sadistic school teacher, and a creepy groundskeeper who is very obviously up to no good.

 

Like in many a classic ghost story, the atmosphere is reliant on the surroundings, and here we get plenty of old buildings with all kinds of dark, creepy corners and ominous-looking paintings covering the walls. Much of what is happening is rather subtle, but there are some scenes with an old doll house which is quite effective. The Awakening is a classic, old-fashioned ghost story that won’t keep you awake at night, but it’s overall a nice addition to any collection of supernatural ghost horror movies.

 

The Awakening The Awakening

 

Director: Nick Murphy
Writers: Stephen Volk, Nick Murphy
Country & year: UK, 2014
Actors: Rebecca Hall, Dominic West, Imelda Staunton, Isaac Hempstead Wright, Shaun Dooley, Joseph Mawle, Diana Kent, Richard Durden, ohn Shrapnel, Cal MacAninch, Lucy Cohu, Anastasia Hille
IMDb: https://www.imdb.com/title/tt1687901/

 

 

Vanja Ghoul