Piggy (2022)

PiggySara is an overweight girl who gets constantly bullied by a group of other teenage girls: Maca, Roci and Claudia. One of these girls even used to be her friend. They call her Cerdita (Piggy), and she can’t get a moment of peace no matter where she goes. On a hot summer day, she decides to visit the local swimming pool, where there’s no one else except another man who leaves shortly after. The peace doesn’t last long, though, because of course the three bullies comes along and ruins everything for her and also ends up stealing her backpack and clothes. Wearing nothing but her bikini, she has to walk home and gets harassed by a group of men who makes fun of her weight. Devastated, she escapes onto a side road, where she sees a parked van. Suddenly, a bloodied Claudia appears in the window of the van, screaming and begging for Sara to help her. Struck with fear, she freezes when realizing that the driver of the van has kidnapped those girls. Then, the kidnapper locks gazes with her, and she recognizes him as the man who was by the swimming pool earlier. He drops off her towel so she can cover herself, and drives off. Returning home, Sara finds herself conflicted as the kidnapper is one of the very few people in her life who have shown her some kindness and respect, and she decides to not tell anyone about what happened. Things escalate as the search for the missing girls are put into force, and other people are found dead. Sara is not sure how long she can keep her mouth shut in allegiance with the serial killer…

 

Piggy (original title: Cerdita) was released in 2022 and is Carlota Pereda’s feature film debut, and based on the short film by the same name from 2018. Both the feature film and the short film features Laura Galán in the leading role, and the shooting locations included the village of Villanueva de la Vera and the surrounding areas.

 

Now, looking at some of the posters for this film, where Sara is covered in blood on a hot Spanish summer day, and others where she’s been edited to be wielding a knife in her hand, one might think this is a typical revenge thriller movie. It’s not. Setting the film off by showing how Sara is bullied by people left and right while getting to meet an actual serial killer who – ironically – is the only person who shows her some kind of affection, really does set the mood. Yes, we sympathize with Sara and what she’s going through, and yeah…we don’t really feel too bad for those girls who are simply portrayed as a group of mean bitches. The exception is supposed to be Claudia, who used to be Sara’s friend, but who now enjoys being with the “cool” girls instead. We can see that she initially hesitates when seeing how the others treat Sara, but she soon joins in and does absolutely nothing to stop them. Despite being somewhat portrayed as the “lesser evil” among the girls, I honestly think she’s just as bad, maybe even worse. So yeah, we want to see Sara getting justice, but it plays out more as a drama thriller where the heroine is constantly plagued with differing feelings of both guilt and loyalty to the man who kidnapped her tormentors. And the majority of the villagers are also portrayed as people who aren’t exactly easy to like, including Sara’s own family, with the exception of her dad who seems to be the only person she’s got an okay relationship with.

 

Piggy aka Cerdita is a not a typical revenge film or slasher, but as a drama thriller about a bullied girl who ends up fighting quite the dilemma. Who to choose: the serial killer who saved you from your bullies, or the bullies and villagers who couldn’t really give a shit about you? In a regular slasher the answer to that question would have been obvious, but this movie is taking a more realistic approach. Sara never turns into some kind of badass heroine, but instead she’s coming to her own decisions despite her conflicting feelings. Definitely worth a watch, and an interesting take on how a bullied person would deal with having an evil savior.

 

Piggy Piggy

 

 

Writer and director: Carlota Pereda
Country & year: Spain, 2023
Original title: Cerdita
Actors: Laura Galán, Richard Holmes, Carmen Machi, Irene Ferreiro, Camille Aguilar, Claudia Salas, José Pastor, Fernando Delgado-Hierro, Julián Valcárcel, Amets Otxoa
IMDb: https://www.imdb.com/title/tt10399608/

 

 

Vanja Ghoul

 

 

 

 

 

Sister Death (2023)

Sister DeathIf there’s one creepy Nun film from this year that’s worth watching, it’s Sister Death. This is a standalone prequel about the blind chain-smoking old nun we saw lurking in a few scenes in Verónica (2017) – written and directed by Paco Plaza, the other half of the very talented Spanish duo behind the [REC] films.

 

The film starts with a cryptic opening in the year 1939, where a girl named Narcisa gets revered by some village people after it’s known that she has a vision of the Blessed Virgin Mary. On the outside, the whole thing looks more sinister and unsettling as it’s filmed in grainy black and white with something that looks similar to a super 8. And more sinister it gets ten years later, right upon the post-war era, as Narcisa (Aria Bedmar) grows up to be a nun teaching young girls at a convent.

 

She gets a warm welcome by Mother Superior, who’s very thrilled to meet the Holy Girl herself, who has become a big news story throughout the years. Not everyone in the convent seem to share the same enthusiasm, though. We get the sense of the environment right away with the quiet, bleak and monotonous life at the convent. The day-to-day rituals get disturbed after Narcisa finds a box hidden in her room which contains scissors and a picture of a deceased nun with a dark history.

 

As Narcisa tries her best to get through the days with her teaching, vows, praying and all that follows a life in a convent, she slips more and more into a rabbit hole by seeing creepy visions left and right, having nightmares of eating eyeballs hidden in freshly-made cookies and getting lead to dark places in the convent that she isn’t supposed to know of. And there’s a drawing of an incomplete hangman that appears on the wall in Narcisa’s room which seems to expand as paranormal things escalate. The girls start to experience spooky things as well and it’s only up to Narcisa to use her holy abilities to get to the bottom of the mystery surrounding the convent.

 

Sister Death is a slow burner and a paranormal thriller of the very old school type. Not as old as the convent here itself, but something that could have been from the 1970s. The special effects are minimal, where Paco Plaza concentrates more on a mystery filled with cryptic hints that has to be put together. Sister Death is a very quiet film where you really get the sense of the almost lifeless environment of the convent. The atmosphere is cold and eerie with an already underlying tension that slowly builds up like a damping locomotive to the shocking and eye-opening (pun intended) revelation. Señor Plaza knows how to squeeze out the best from his line of actors, and especially Aria Bedmar, who gives the best horror film performance of the year, horns down.

 

NetflixSister Death is only available on Netflix, which explains some of the muddy and low-quality in some of the screenshots. The darkest scenes in the film look so horrendous that I’m almost lost for words, and this has been an ongoing issue with Netflix. We have the standard account with 1080p, and it looks like something from a 480 pixel YouTube video from 2007. The quality also seems to depend on which browser you use. What a load of poop. This is just the tip of the iceberg when it comes to streaming. There are several issues with Netflix and other streaming services for that matter, most notably how they have the habit of canceling every new show after one or two seasons. Business as usual, I guess. And it seems to only get worse. It’s also a sad, fucking shame that Guillermo del Toro, of all people, has slipped into the streaming sewer and signed with Netflix, so he can finally make his Frankenstein movie. At least that film will have a physical release, which seems to be unlikely for Sister Death, which would look stunning on a Blu-ray package. Happy new year.

 

Sister Death

 

Director: Paco Plaza
Writers: Jorge Guerricaechevarría, Paco Plaza
Original title: Hermana muerte
Country & year: Spain, 2023
Actors: Aria Bedmar, Maru Valdivielso, Luisa Merelas, Chelo Vivares, Sara Roch, Olimpia Roch, Adriana Camarena, Martina Delgado, Claudia Fernández Arroyo, Almudena Amor, Sandra Escacena
IMDb: www.imdb.com/title/tt19175696/

 

 

Tom Ghoul

 

 

 

The Orphanage (2007)

The OrphanageLaura is a woman who once was adopted from an orphanage in Spain, and is now returning to the place with her husband Carlos and their seven-year-old son Simón. It’s been 30 years since Laura was adopted from there, and the orphanage is now closed. She plans to reopen the place and turn it into a facility for disabled children. Simón claims he has befriended a boy named Tomás, whom he draws as a child wearing a creepy-looking sack mask. This mysterious friend also tells Simón a secret Laura and Carlos have kept from him: that he is adopted. This revelation makes Simón angry, and he and Laura starts arguing which ends with her slapping him across the face. Even though she immediately regrets this, the damage has already been done, and he runs away. When looking for him, she encounters the sack-mask child who locks her inside the bathroom, and after managing to escape she is unable to find Simón anywhere. At night, banging sounds can be heard from within the walls of the orphanage, and old secrets from the place slowly starts unveiling.

 

The Orphanage (El orfanato) is a gothic supernatural horror film from 2007, and the directorial feature film debut of J. A. Bayona. The script was written in 1996 by Sergio G. Sánchez, and it caught Bayona’s attention in 2004, and he then went on to ask his long-time friend Guillermo del Toro to help him produce the film. The movie was well received, and won seven Goya awards. New Line Cinema bought the rights for an American remake, which was later cancelled.

 

As many classic ghost stories go, it’s rich in emotional struggles and relies more on visceral impact than jump-scares. There is a deliberate slow pace that feels rewarding more than protracted, offering a steady build-up of mystery and suspense. The movie manages to unravel the old orphanage’s mysteries in a way that keeps you engaged, while the dusty rooms and forsaken grounds all offers a sense of disquiet and foreboding, along with the sinister presences from the past that start making themselves known and reveal their secrets. Belen Rueda does a good performance as Laura, a woman devoured by loss and a desperate yearning for the truth.

 

A sense of sadness and despair is what appears to be deeply rooted within the story of The Orphanage, aided with spooky surroundings and, of course, the obligatory medium and séance scene. With a masked child appearing to be an imaginary friend (they’re always bad news in horror movies, we all know that), noises behind the walls, restless spirits of children and something terrible from the past that remains to be revealed, it’s all a recipe for a grounded ghost horror movie that treads along a safe path while still being able to held a steady course for an intriguing viewing experience. It’s not breaking new ground, but what it does, it does well.

 

So overall, The Orphanage offers a fine gothic ghost story, often more poetic than horrifying and more atmospheric and sad than scary. A perfect watch if you want an old-fashioned ghost movie that’s both creepy and beautiful.

 

The Orphanage

 

Director: J.A. Bayona
Writer: Sergio G. Sánchez
Original title: El orfanato
Country & year: Spain, 2007
Actors: Belén Rueda, Fernando Cayo, Roger Príncep, Mabel Rivera, Montserrat Carulla, Andrés Gertrúdix, Edgar Vivar, Óscar Casas, Mireia Renau, Georgina Avellaneda, Carla Gordillo
IMDb: www.imdb.com/title/tt0464141/

 

 

Vanja Ghoul

 

 

 

Unicorn Wars (2022)

Unicorn WarsOnce upon a time, the unicorns lived together with the bears in a magical forest. But one day, the bears found a sacred book in the ruins of a church, which gave them knowledge to form their own civilization. The bears, evolving into “teddy bears”, wanted to cultivate the forest but this caused the unicorns to retaliate. In the end, the bears lost and were exiled from the forest. This all lead to an ongoing war between the unicorns and the bears, where the bears have started to believe that drinking the blood of the last unicorn will make God return to the forest.

 

In present time, we follow a troop of recruits including the twin brothers Gordi and Azulin (“Tubby” and “Bluey”). While Gordi is a chubby and gentle person, Azulin is narcissistic and filled with jealousy and rage, often picking fights with the other troop members. One day, the camp’s leaders send the troop into the forest to look for a missing squad, which leads them all into a beautiful but deathly place. Here, they do not only meet with the threat of the unicorns, but also the nature which they no longer feel accustomed to, and threats are everywhere, including amongst themselves.

 

Unicorn Wars is a 2022 Spanish-French animated splatter war film (yes, you read that right) and the second animated feature film by Alberto Vazquez. It is also based on a short, called Unicorn Blood (Sangre de Unicornio). While his first feature film, Birdboy (co-directed by Pedro Rivero) is more gloomy and downbeat, this one takes everything to the max with full-on splatter scenes and deaths by the dozens, all combined with absolutely beautiful visuals. The opening scene, where a lost unicorn is searching for its mother and comes upon the ruins of the old church which contains a shape-shifting monster, is brilliantly animated and gave me a little bit of Princess Mononoke-vibes. At this point I’ll assume that parents who put this movie on by mistake already got a clear warning that this ain’t no kids movie. And like in Birdboy, the characters who might appear to be simple in style are very full of life with detailed expressions. The colours are vibrant and makes everything quite captivating for the eyes, and even the gory scenes are very pretty in their own way. Yes, you also read that right.

 

While some might read the description of this movie at places where the gore is in main focus, they might end up thinking this is some kind of full-length Happy Tree Friends or something, but it’s not just all about gore and it’s oftentimes both dark and gritty. Not unlike Birdboy, the movie does have a lot of dark themes which includes not only the dark sides of war and propaganda, but also family issues, narcissism, and sibling jealousy. While Unicorn Wars is having more dark comedy elements and at times feels a little more lighthearted through some of its scenes, it becomes quickly obvious through all the graphic violence and the excessive extent to which the film actually takes it, that this is a dark and twisted anti-war tale where barely anyone is truly innocent, and the little innocence that exists is quickly corrupted or swiped away. Both Catholicism and war is loudly criticised here, and while Vazquez’s inspirations likely came from many things, he does seem to have an apparent affection for “war is hell” movies.

 

Unicorn Wars, with its enchanting visuals, gore and philosophical themes, is both gruesome in its violence but at the same time quite mesmerizing to watch. And it certainly does not hold back on the gore. There’s something rather fascinating about watching adorable anthropomorphized characters in such dark and edgy situations…like watching the Care Bears go into a bloody war with My Little Pony…

 

Unicorn Wars Unicorn Wars Unicorn Wars

 

 

Writer and director: Alberto Vázquez
Country & year:
Spain, France, 2022
Voice actors:
Jon Goiri, Jaione Insausti, Ramón Barea, Txema Regalado, Manu Heras, Gaizka Soria, Iker Diaz, Estívaliz Lizárraga, Pedro Arrieta, Alberto Vázquez, Rosa María Romay
IMDb:
www.imdb.com/title/tt10483152/

 

 

Vanja Ghoul