Boston, 1942. The movie doesn’t waste any time and gets straight to the first body count, where a young boy is in his room minding his own business while pinning a pornographic jigsaw puzzle. In comes his strict and unhinged mother, who gives him a few slaps before she throws away that filthy thing. He then picks up an axe, which he happens to be allowed to have in his room for some reason, and chops his mother to death, before he saws off her head while he smiles, and then hides in a closet. When the cops come in, they just assume that the boy was lucky and managed to hide from the unknown killer. Little did they know..
Then we jump 40 years later, still in Boston, where the kid we just saw in the opening have grown up to be a serial killer (No, really? Who would’ve guessed). He hunts down young female students at a college, dressed as a classic giallo-style killer with a black coat, gloves and a big hat that hides his face behind its shadows. And speaking of shadows, the look of the killer is actually inspired by the comic book character The Shadow. He has also developed an obsession with pornographic jigsaw puzzles and is fixating to make his own, personal masterpiece(s) with real body parts. The first victim gets her head chopped off under the blue sky as she lies on the lawn outside the campus, studying. The chunky gardener, played by Paul “Bluto” Smith, is the first to be suspected, of course. The killings are being further investigated by Lt. Bracken (Christopher George) who also has a suspicious eye on the socially stunned anatomy teacher Arthur Brown (Jack Taylor), who looks like a reduced Vincent Price with a bad flu.
The tagline for Pieces says “You don’t have to go to Texas for a Chainsaw Massacre“. It’s probably the best and fitting tagline I’ve ever read for a film like this, and it isn’t an exaggeration either. Pieces is easily one of the goriest slashers from the 1980’s with all the mandatory recipes of Blood, Tits and Gore. The effects really stand out, especially the girl who gets sawed to pieces in the toilet, and some visual highlights like the woman who gets butchered on the water bed. And as bad, wooden and stiff the acting is, which is also the funniest part of the movie, they sure were dedicated enough to deal with gallons of animal blood, fresh from the local slaughterhouse, while organs from dead animals were used as the more gorier effects. Must have smelled just like pure movie magic. There is some really bizarre dialogues here, such as one of the female students saying right of the blue and makes it pretty clear that it’s the middle of the mating season: “the most beautiful thing in the world is to smoke pot and fuck in a waterbed at the same time”. I want a T-shirt with that quote. There’s also a complete random cameo of a Bruce Lee imitator that doesn’t make any sense. But nevertheless, Pieces is a lot of bloody, brainless fun with solid entertainment value that definitely belongs in every gore-hound’s film collection.
Director: Juan Piquer Simón
Original title: Mil gritos tiene la noche
Country & year: Spain | USA | Puerto Rico, 1982
Actors: Christopher George, Lynda Day George, Frank Braña, Edmund Purdom, Ian Sera, Paul L. Smith, Jack Taylor, Gérard Tichy, May Heatherly, Hilda Fuchs, Roxana Nieto, Cristina Cottrelli, Leticia Marfil, Silvia Gambino, Carmen Aguado
IMDb: www.imdb.com/title/tt0082748/
Upír z Feratu (also known as Ferat Vampire and Der Autovampir) is a black Ferat racing car that sucks blood from its driver’s feet through the pedal. Even if you wear shoes with thick soles. And you understand the hilarious pun, right? nosFERATu. Har-Har.
City of the Living Dead is the first part of the Lucio Fulci Gates of Hell trilogy, which followed up with The Beyond and House By the Cemetery. But apart from sharing the theme of the dead being brought to life, with some small doses of inspiration from H.P Lovecraft and with actress Catriona MacColl starring in all three, they work well as separate films.
It’s a dark and stormy night when comic book artist Colin Childress (Jeffrey Combs) works on his horror series Cellar Dweller. He sets his final drops of ink on a sequence where a young, half-naked damsel in distress runs through the woods and ends up trapped by a satanic, hairy monster. After Colin randomly quotes some obscure phrases from a book of witchcraft, he unconsciously manages to summon both the monster and the damsel who emerges right behind his back. While Herbert West..uhm, sorry, I mean Colin, runs frightened out of his studio, the monster kills the damsel off-screen. Since the monster was summoned from the drawing paper, Colin gets the brilliant idea to set the artwork on fire, which escalates into an inferno that kills them both. The rest of his artwork manage to survive, though.
Carol Anne has now moved to her uncle and aunt at the John Hancock Center in Chicago where she attends a special school for gifted children and visits a psychologist regularly. She would prefer to not talk about the past, but the shrink hypnotizes her to do so and can assure Carol Anne that talking about the past will make it go away. In this case it makes the dark forces enter her life again and a certain scary old man starts to manifest in mirrors and reflections. To quote Tangina: He’s back!
After losing the house, Steven also lost his job and the family is now completely broke, thus they have moved into Diane’s mother’s house. It’s hard times, but they do all they can to live a normal life. One day a mysterious old man named Kane, a creepy looking reverend, shows up in their life. And he is especially interested in Carol Anne.