The Beyond (1981)

The BeyondWe’re in a hotel room in Louisiana, and the year is 1927. A thunderous evening is setting in as the artist Schweick (Antoine Saint-John) is brushing his last strokes on his latest grotesque painting, which is also to be his final. The painting is apparently representing Hell, and the locals believe that Schweick is an evil, ungodly warlock that uses the painting to open one of the Seven Gates of Hell. The hotel is said to be built upon one of the gates, and a group of men in full mob-mode storms the hotel and into Schweick’s room to stop him. They drag him down to the basement to cut him up with a chain before bolting him to the wall and torturing him to death. But what they didn’t know is that the sacrifice of the artist just opened the gate, and the dead from beyond are now free to enter the world of the living.

 

Then we jump forward to the year 1981, where Liza Merill (Catriona MacColl) has inherited the hotel and is in the process of a renovation, after the building has been empty and collecting dust and cobwebs for the last six decades . Shit already starts to happen when one of the workers see a female figure with big, scary, glossy eyes through one of the windows. In shock, he stumbles off the scaffold and almost crushes his skull. The alarm from room 36 suddenly starts to ring, even though the hotel has no costumers. This happens to be the same room where the artist we saw in the beginning was working on his painting. It goes from bad to worse when plumber Joe is brutally killed by demonic forces in the water damaged basement as he finds a secret room behind some worn stone walls. Liza bumps into a mysterious blind lady, Emily (Cinzia Monreale), who advises her to give up the hotel and go back where she came from, without being able to explain exactly why. And more questions than answers arise when Liza learns from Dr. John McCabe (David Warbeck) that he has never heard of this blind woman Emily, and that her house has been empty for decades.

 

The Beyond is the second film in Lucio Fulci’s Gates of Hell trilogy. And although the plot may be somewhat diffuse, The Beyond works on more levels than the previous and rather clunky City of the Living Dead. More steadier and focused direction and not least, the acting is significantly better. And The Beyond works perfectly for what it is: an atmospheric, nightmarish fever dream with some really intense and morbidly gory moments. Faces are being melted with acid and eaten by spiders. A girl with pigtails gets her head blown away, eyes being plucked out and so on. Juicy stuff by the great makeup artist Giannetto De Rossi, who’s also worked on Zombie Flesh-Eaters, and a mountain of other films. Also, great and fitting soundtrack by Fabio Frizzi, I must add.

 

The Beyond is also known for its highly visual ending sequence, which was actually planned to be filmed somewhere in an amusement park. But due to logistical restrictions, Fulci had to find an other way to end it and had to quickly improvise. And with reduced budget and resources comes more creative thinking. And I must say that the plan B-ending was a pretty simple, but genius move that sets a unique and satisfying climax.

 

For a completely uncut version, look for a DVD/Blu-ray from Grindhouse Releasing.

 

The Beyond

 

Director: Lucio Fulci
Original title: …E tu vivrai nel terrore! L’aldilà
Country & year: Italy, 1981
Actors: Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Larry Ray, Giovanni De Nava, Al Cliver, Michele Mirabella, Giampaolo Saccarola, Maria Pia Marsala, Laura De Marchi
IMDb: www.imdb.com/title/tt0082307/

 

Related reviews:
City of the Living Dead (1980)
The House by the Cemetery (1981)

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

City of the Living Dead (1980)

City of the Living Dead (1980)City of the Living Dead is the first part of the Lucio Fulci Gates of Hell trilogy, which followed up with The Beyond and House By the Cemetery. But apart from sharing the theme of the dead being brought to life, with some small doses of inspiration from H.P Lovecraft and with actress Catriona MacColl starring in all three, they work well as separate films.

 

The film starts at a cemetery in the small town of Dunwich where a priest hangs himself, and reappears as an evil deathstaring zombie. At the same time, Mary Woodhouse (Catriona MacColl) witnesses a New York apartment suicide during a vision under a seance, which scares her to death. Yes, literally to death. And why, you might ask? Well, because his act of sin causes all the dead in the cemetery of Dunwich to rise from the dead as zombies. And these are not the traditional carnivorous zombies…here, they have the ability to teleport themselves and use telekinesis to make people bleed tears and spew up their own inner organs. Miss Woodhouse’s death is seen as a mysterious case, which captures the curiosity of newspaper journalist Peter Bell (Christopher George). The day she is to be buried, he sneaks around the cemetery when she suddenly comes alive in the coffin and screams. Peter hacks up the coffin to save her, but unlike the ordinary dead who resurrects as zombies, Mary wakes up like from a normal night’s sleep and is straight back into her old self again. Well, good for her. After they learn that the gates of hell must be closed and this evil priest must be stopped, they take a roadtrip to Dunwich. And this must happen before All Saint’s Day. If not, the dead will take over the world.

 

Meanwhile, the evil priest has already started terrorizing Dunwich, while rubbing mud filled with worms in peoples faces as he teleports around the city. While strange and macabre things continue to happen in the city, a group of men sit in the local pub, suspecting Bob, the city’s outcast who has a taste for inflatable sex dolls, to be behind all of this. And this side plot with Bob (Giovanni Lombardo Radice) is completely useless which is nothing but filler scenes that could easily have been cut out. Even though City of the Living Dead doesn’t work all that well with its serious pacing issues, the film has some great ghoulish atmosphere with a fitting soundtrack by Fabio Frizzi, who’s scored several of Fulci’s films. There’s also several memorable gory scenes to enjoy, and some of the actors were dedicated enough to get isolated in a room to be attacked by ten kilos of maggots via two wind machines. Trivia: one of the crew members decided to pull a prank on Mr. Fulci by stuffing some of the maggots in his pipe tobacco. Everyone but Fulci found it funny and he blamed the incident on the heart surgery he had years later with health problems that escalated to ventricular aneurysm, contracted viral hepatitis and liver cirrhosis. No more maggots on set, I guess. And of course don’t forget the drinking game: take a shot every time there’s a close-up of the actors eyes, and you’ll surely die of alcohol poisoning before the first twenty minutes. In advance, rest in peace.

 

City of the Living Dead

 

Director: Lucio Fulci
Original title: Paura nella città dei morti viventi
Country & year: Italy, 1980
Actors: Christopher George, Catriona MacColl, Carlo De Mejo, Antonella Interlenghi, Giovanni Lombardo Radice, Daniela Doria, Fabrizio Jovine, Luca Venantini, Michele Soavi, Venantino Venantini, Enzo D’Ausilio, Adelaide Aste, Luciano Rossi, Robert Sampson, Janet Agren
IMDb: www.imdb.com/title/tt0081318/

 

Related reviews:
The Beyond (1981)
The House by the Cemetery (1981)

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cellar Dweller (1988)

Cellar Dweller (1988)It’s a dark and stormy night when comic book artist Colin Childress (Jeffrey Combs) works on his horror series Cellar Dweller. He sets his final drops of ink on a sequence where a young, half-naked damsel in distress runs through the woods and ends up trapped by a satanic, hairy monster. After Colin randomly quotes some obscure phrases from a book of witchcraft, he unconsciously manages to summon both the monster and the damsel who emerges right behind his back. While Herbert West..uhm, sorry, I mean Colin, runs frightened out of his studio, the monster kills the damsel off-screen. Since the monster was summoned from the drawing paper, Colin gets the brilliant idea to set the artwork on fire, which escalates into an inferno that kills them both. The rest of his artwork manage to survive, though.

 

Then, we jump 30 years ahead in time. Colin’s house has now become an art institute, where young cartoonist Whitney Taylor checks in to continue the Cellar Dweller series. Miss Briggs, who manages the place, is not thrilled about this, and tells her that the basement where Colin died is a no-go zone. Of course, Whitney still goes down there anyway, and she comes across an old chest which includes the same book of witchcraft we saw at the beginning. The can of worms is open again, and as soon as Whitney starts drawing Cellar Dweller, a hairy monster begins to terrorize the house’s students in the middle of the night. It’s just too bad that the killings happen off-screen, and makes me wonder if the monster costume was so heavy for the poor person inside that he was almost unable to walk properly.

 

Jeffrey Combs is only featured in the opening scene before the film goes full amateur hour. To top it all off, one of the actors, Brian Robbins, has obviously used Smilex as he has the most absurdly, psychopathic grin that is just completely out of place, to a certain point where he almost overshadows the monster. A bit impressive, though. Aside from a quick decapitation scene during almost a full hour of play time, there is not much gore to find here. The drawings by the comic book artist, Frank Brunner, are gorgeous and got its time to shine, and is actually more impressive than the movie itself. John Carl Buechler (RIP) also directed Troll two years earlier, which explains some of the similarities. And if you haven’t already, then check out Troll 2, and you’ll have a perfect schlockfest of a trilogy to enjoy and laugh at.

 

Cellar Dweller

 

Director: John Carl Buechler
Country & year: USA, 1988
Actors: Yvonne De Carlo, Debrah Farentino, Brian Robbins, Pamela Bellwood, Miranda Wilson, Vince Edwards, Jeffrey Combs, Floyd Levine, Michael Deak
IMDb: www.imdb.com/title/tt0094850/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Violent Shit (1989)

Violent Shit Somewhere in Germany we see a random boy who’s playing with a ball, and gets spanked by his mom for coming home late. The boy then kills her with a meat cleaver, and our new terrifying slasher villain “Karl the Butcher” (or simply “The Butcher”) is born. Then we skip twenty years later where The Butcher is being transported by the polizei from-or-to God knows. Then one of the transporters have to take a piss, and The Butcher manages to escape as soon they stop the car, and kills them all in the worst low budget-way which is pretty indescribable. And we’re only seven minutes in, so take this as a foretaste to what the rest of the movie will be.

 

Then we’re being introduced to a nameless blonde chick who drives to a gas station, parks the car and switches to an other car to continue driving. When she arrives at the countryside and into the woods, the car dies and she yells “scheisse”, which describes this movie pretty well so far. And now that it’s gotten dark and her being all alone, what could happen? We see The Butcher from pov-view while he halts and grunts like a pig, then attacks her, and cuts one of her titties off. Make me wonder if Lars Von Trier has seen this. However, he then butches her to pieces (off camera) and eats some of her entrails. Yummy, good night.

 

Next day, The Butcher hunts for more victims in the countryside when something unexpected happens: he suddenly collapses. Maybe food poisoning from the woman’s guts he ate last night? Or maybe the actor is simply tired of this (violent) shit and realized that his performance never would lead to any Oscar Nominations, and would rather go home and play Nintendo? Who knows. Movie over? No way! We haven’t even gotten halfway through its running time. Then we meet our next victim who by a  coincidence spots The Butcher laying by the road. And, like nice and empathic people do, he checks if he needs help, which of course turns to be quite opposite when The Butcher grabs his meat cleaver and cuts his hand off. And his dick, which he don’t eat. Thank God. And in order to not waste any precious time, we’re jumping straight over to the next victim, an aggravated redneck, played by the director Andreas Schnaas himself, who yells (in German) “fucking shit”. At least, the movie seems to have a sense of self-awareness.

 

And at this point I think you know the drill: every new character who gets on camera is just set up to be the next victim and killed off as quickly as they came, like a fart in the wind. So yeah, Violent Shit couldn’t be a more blunt and fitting title: It’s Violent Shit and that’s exactly what you get. A bunch of death scenes filmed over four weeks, “directed” (to use that word loosely) by Andreas Schnaas, who is a part of the trinity of the underground horror scene from Germany, along with Olaf Ittenbach and Jörg Buttgereit. Shot with his friends and with a budget that was enough to buy some gallons of cranberry juice as fake blood, rent a low-fi Video-8 format-camera and buy a lot of Heineken. The result is something you would expect to see from some kids in their early teens made for shits and giggles in their back yard on a weekend without any goal, purpose, ambition or a script.

 

One thing’s for sure: if you’re a fan of non-budget-amateurish-splatter horror, Violent Shit won’t fail to entertain you. The witty German dialogue, which apparently are just improvised and dubbed in post-production, makes it even more funny. Also worth mentioning that Andreas Shnaaas did the impressive thing of actually managing to drag his Violent Shit to the movie theaters in Germany, but it was pulled shortly after when it got under the censor board’s radar. It eventually found its way over to the USA where it became an underground cult classic on VHS.

 

A “Five Films Collector’s Shitition” with all of the four Violent Shit-films and the zombie flick “Zombie ’90: Extreme Pestilence” is available from Synapse Films. Knock yourself out. I couldn’t find any trailer, but down below you can see a clip with Karl The Butcher in action showing no mercy.

 

Violent Shit

 

Director: Andreas Schnaas
Country & year: Germany, 1989
Actors: Andreas Schnaas, Gabi Bäzner, Wolfgang Hinz, Volker Mechter, Christian Biallas, Uwe Boldt
IMDb: www.imdb.com/title/tt0094271/

 

Sequels:
Violent Shit II (1992)
Violent Shit III: Infantry of Doom (1999)
Violent Shit 4: Karl the Butcher vs Axe (2010)

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Poltergeist III (1988)

Poltergeist 3 (1988)Carol Anne has now moved to her uncle and aunt at the John Hancock Center in Chicago where she attends a special school for gifted children and visits a psychologist regularly. She would prefer to not talk about the past, but the shrink hypnotizes her to do so and can assure Carol Anne that talking about the past will make it go away. In this case it makes the dark forces enter her life again and a certain scary old man starts to manifest in mirrors and reflections. To quote Tangina: He’s back!

 

The idea of ​​placing the story in a large skyscraper works for the most part. It creates its own claustrophobic setting. I especially like the idea with the mirrors. Gary Sherman, most known for low-budget exploitation films, does a decent job with the technical aspects concidering the production problems caused by Heather O’Rourke’s sudden death at the age of 12, four months before the last day of shooting.  It almost stopped the production completely, and like «Poltergeist II», the entire ending sequence had to be rewritten. While it somehow barely worked in the previous film, it doesn’t make any sense whatsoever here and it just leaves a big question mark over your head. The movie starts actually pretty good and strong, but develops with ridiculous plot holes, messy editing and scenes that don’t go well together. Heather’s death in mind gives a more sad than satisfying end to the Poltergeist saga.

 

Poltergeist III

 

Director: Gary Sherman
Country & year: USA, 1988
Actors: Tom Skerritt, Nancy Allen, Heather O’Rourke, Zelda Rubinstein, Lara Flynn Boyle, Kipley Wentz, Richard Fire, Nathatn Davis
IMDb: www.imdb.com/title/tt0095889/

 

Sequel of:
Poltergeist II: The Other Side (1986) http://horrorghouls.com/reviews/poltergeist-2-the-other-side-1986/
Poltergeist (1982) http://horrorghouls.com/reviews/poltergeist-1982/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Poltergeist II: The Other Side (1986)

Poltergeist II: The Other Side (1986)After losing the house, Steven also lost his job and the family is now completely broke, thus they have moved into Diane’s mother’s house. It’s hard times, but they do all they can to live a normal life. One day a mysterious old man named Kane, a creepy looking reverend, shows up in their life. And he is especially interested in Carol Anne.

 

The same actors are back, except the one who played Dana, who became the first victim of the so-called “Poltergeist curse”, which I will not go into here. Jerry Goldsmith composes a lot more dark and sinister soundtrack that enhance the atmosphere. But the one who steals the show here is the eccentric actor Julian Beck as Reverend Henry Kane. He completely owns the few scenes he’s in and really gets under your skin. Despite his little screentime he became such a horror icon that the thrash metal band Anthrax depicted him on the cover of «Among The Living». Unfortunately, he died of stomach cancer before the film was finished shooting. Due to this, a final sequence had to be completely rewritten.

 

Not the best sequel, it feels pretty unnecessary to be honest, but is still a fun watch with some great practical effects, some scary moments, great atmosphere and brilliant soundtrack.

 

Poltergeist II: The Other Side

 

Director: Brian Gibson
Country & year: USA, 1986
Actors: JoBeth Williams, Craig T. Nelson, Heather O’Rourke, Oliver Robins, Zelda Rubinstein, Will Sampson, Julian Beck, Geraldine Fitzgerald
IMDb: www.imdb.com/title/tt0091778/

 

Sequel of:
Poltergeist (1982) http://horrorghouls.com/reviews/poltergeist-1982/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Poltergeist (1982)

Poltergeist (1982)The Freeling family of five, Steven, Diane and their children Carol Anne, Robbie and Dana, plus the dog Buzz, live a quiet family life in the town of Cuesta Verde. Their youngest daughter, Carol Anne, wakes up one night and starts talking to the TV in the living room while it’s on static, and strange events in the house starts happening during the next days. Their parakeet dies, furniture moves by itself, and one stormy night the dead tree in the back yard suddenly wakes to life, almost “eating” little brother Robbie while Carol Anne is sucked into the closet by supernatural forces and disappears. The family later hears her screams for help from a static TV channel, and decides to seek help from a group of parapsychologists in order to get her daughter back.

 

The family learns, among other things, from the medium Tangina that there is a portal to another dimension in the house where the daughter is trapped, and figures out a plan to go in there and find her.

 

To be 35 years old, «Poltergeist» is still holding up, much thanks to Steven Spielberg’s great input and the amazing effects of Industrial Light & Magic. Tobe Hooper (who, sadly, recently passed away) directs, and the movie mixes the style of Hooper and Spielberg pretty well. The shock values and the family aspects are very well put together, and the film spends some time to develop the characters. Many great scenes stands out here; the scene with the tree, the clown, the face-ripping scene and the crazy climax is just bone-chilling. Also great soundtrack by Jerry Goldsmith. «Poltergeist» will always have a specieal place in my heart, and is at least on my top 5-list of haunted house/ghost movies.

 

Poltergeist

 

Director: Tobe Hooper
Country & year: USA, 1982
Actors: Craig T. Nelson, JoBeth Williams, Beatrice Straight, Dominique Dunne, Oliver Robins, Heather O’Rourke, Richard Lawson, Zelda Rubinstein
IMDb: www.imdb.com/title/tt0084516/

 

Sequels:
Poltergeist II: The Other Side (1986) http://horrorghouls.com/reviews/poltergeist-2-the-other-side-1986/
Poltergeist III (1988) http://horrorghouls.com/reviews/poltergeist-3-1988/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Demons (1985)

Demons (1985)On a subway station in Rome, the young lady Cheryl stumbles into a mysterious man who’s got half his face covered with an iron mask. He gives her two tickets to a horrormovie. She asks him if he’s dressed like that for the promotion of the film, but he does not give her an answer. Her curiosity has been peaked, so she hooks up with her girlfriend Kathy and decides to head for the movie theatre to check out this mysterious untitled film. Other random people pops in, such as an elderly couple who’s probably never seen a horror movie before, some pussy-hound teenagers, a pimp with two hookers, and of course a blind dude with sunglasses with his wife who must explain what happens on the screen to him. You know, the regular moviegoers..

 

This “mysterious” movie they’re going to watch is about some people who are exploring a tomb site where Nostradamus should be buried. They come across an old latin book written by Nostradamus himself, which is about summoning demons. They also find a demonic iron mask, which is not so unfamiliar to the one we saw in the beginning. Fast forwarding, as they read from the book, one of the people in the movie theatre gets possessed and havoc is about begin with throats getting ripped, scalps torn off and people getting killed in horrible ways. And they also happen to be completely locked inside the building.

 

So basically, Demons is more or less Evil Dead in a movie theatre… just without Bruce Campbell.

 

But we have Tony the Pimp. He seems to be a favorite amongst many viewers, and that’s probably ’cause he’s the only one amongst the bland characters who has a shred of personality. He’s badass and got some attitude. There’s was even a short film made about him with the same actor, Bobby Rhodes. You’re almost hoping he’s this film’s backbone and hero in the same way Bruce Campbell was for Evil Dead or Reggie Bannister was for Phantasm. Well, what a missed opportunity. Who wouldn’t want to see a whole franchise where a pimp teams up with his hookers to kill a bunch of Demons/zombies-or whatever?

 

Demons

 

Director: Lamberto Bava
Original title: Dèmoni
Country & year: Italy, 1985
Actors: Urbano Barberini, Natasha Hovey, Karl Zinny, Fiore Argento, Paola Cozzo, Fabiola Toledo, Bobby Rhodes
IMDb: www.imdb.com/title/tt0089013/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Nosferatu in Venice (1988)

Nosferatu in Venice (1988)The movie opens with a group of duck hunters who happens to shoot down a bat. “It’s bad luck to kill a bat” one of them says, before one of their dogs eats it. And no, it wasn’t Nosferatu the dog ate, just a random bat. Then we jump to Venice where Professor Paris Catalano (Christopher Plummer) arrives to meet a young lady after getting a vague letter about Nosferatu. According to the letter, Nosferatu was last seen in Venice during a carnival in 1786, and legend has it that he’s still hiding in the city. Paris Catalano has dedicated his life to study Nosferatu, and is more or less the equivalent of Van Helsing. I assume they had to add a different name due to copyright, who knows. He eats dinner with the same people we saw in the duck hunting-scene in the beginning, where he gives a quick and half-hearted lecture about vampires, before he gets escorted down into a crypt under the tunnels of the city where a casket from Transylvania is located. The legend says that Nosferatu is the one who’s buried in that casket. So why not just open it, put the stake through his chest, and just be done with it? You tell me…

 

However, Professor Paris is certain that Nosferatu isn’t located in that coffin, and that he is shipwrecked somewhere. He won’t even dare to open it, in order to check if he’s right. So what’s he gonna do next? He gets a medium to summon the vampire. Nosferatu (Klaus Kinski) then stands up from a coffin somewhere on a random, obscure location and starts his journey. He stumbles into a gypsy camp where a fortune teller tells him that he’s been summoned by a young lady. He bites the fortune teller’s neck before he heads for Venice, for some more necks to put his teeth in… I guess…

 

And as you may have figured out, this movie has no relation to neither Nosferatu from 1922 nor the Werner Herzog’s remake from 1979 in any shape or form. Who knows what this movie really tries to be, but what it definitely is, is a completely incoherent mess. Christopher Plummer looks really confused here, and you can tell he has some difficulty with delivering his lines. That’s probably because there were five directors who came and left, after the first one got fired, so you can try to imagine the chaos and turmoil behind the scenes. It’s a miracle that the movie exists at all. And when even Klaus Kinski ended up directing himself in some of the scenes, then you know that everyone have seriously jumped the ship.

 

So yeah, this is one of those cases where a two-hour making of-documentary had been far more entertaining and interesting than the movie itself…

 

Klaus Kinski was perfect as Nosferatu in the 1979-remake and is probably one of his finest roles. Here, its the polar opposite. He refused to wear the same makeup and shave his long, blonde hair and approached the role with only some simple eyeshadow and puts on the iconic two front teeth when he feels like it. All the characteristics and known trademarks are gone; the hand gestures, the long fingers/nails, as if the guy refused to play the character altogether, and rather just not give a fuck and play himself instead. “Kinski in Venice”, yeah why not.. There’s zero Nosferatu about him. He acts more like a disturbed lunatic, high on whatever he can snort and who likes to hunt down and rape young women in Venice’s narrow alleys, than a fragile vampire who needs blood to survive. It’s almost comical…

 

Just to put it in a nutshell how extremely “off” Nosferatu is in this film: he’s asked if the daylight doesn’t frighten him. He answers: “It’s the night who frighten me.” So, there you have it. “Nosferatu in Hawaii” next? Despite all the retardedness, the film has its share of gothic and gloomy atmosphere and Venice looks really chilling and sinister, and seems like an unique place to shoot a vampire flick. At least, some of the five directors who tried to sail this shipwreck of a movie to the projection screen managed to add some really fine and moody imagery. And the fitting soundtrack by Vangelis isn’t bad, either. So, I’ll have to give some props in that regard.

 

Nosferatu in Venice

 

Directors: Augusto Caminito, Mario Caiano, Klaus Kinski, Maurizio Lucidi, Pasquale Squitieri, Luigi Cozzi
Original title: Nosferatu a Venezia
Country & year: Italy, 1988
Actors: Klaus Kinski, Christopher Plummer, Donald Pleasence, Barbara De Rossi, Yorgo Voyagis, Anne Knecht, Elvire Audray
IMDb: www.imdb.com/title/tt0091651/

 

Tom Ghoul