Wither (2012)

Wither (2012)

When one would think that Evil Ed was the only splatter film Sweden had to offer, we came, by a coincidence, across this title called Wither – a  homage to The Evil Dead, spiced with its own Swedish folklore called Vittre (Wither) to add some of its own personality to it. It was promoted as the first Swedish zombie movie when it came out in 2012, and the film received a very polarized reception in its home country, everything from praise to pure panning. One of the biggest newspapers in Sweden was obviously so offended by the film that the reviewer spent a full five sentences commenting on the film while the rest was spent on personal attacks against directors Sonny Laguna and Tommy Wiklund. Classy. But someone who clearly liked the movie must be producer Dallas Sonnier, who hired the duo to direct the twelfth Puppet Master movie a few years later. Cheers for that! Now, back to Wither:

 

A group of young party-ready people go to an abandoned house for a weekend far in the woods to get loose. They have no idea who owned it, except that the previous occupants left the house rotting like a sinking ship with all the belongings inside. At the same time, an elderly man with a rifle is lurking in the area, looking for his missing daughter. Maybe not the best place to spend the weekend. After a quick exploration in the immediate area, two of the kids find another abandoned house where one of them sneaks inside through the window where she comes across a cellar trapdoor. And what do we say then? Don’t go in the basement! Yeah, right. She returns to the gang that is well underway with the party. Traumatized by what she saw downstairs in the basement, she locks herself in the bathroom and suffers panic attacks. It goes from bad to worse when she starts pissing blood, her eyes have become bloodshot, and she collapses. Then she resurrects like a demonic zombie, hungry for human flesh. And there’s full blood-splattering carnage from here on.

 

One can also draw more comparisons to the 2012 remake of The Evil Dead (which is awesome, by the way) with its gritty, serious tone. There is no over-the-top gallows humor here, and while one may not care much about the characters and who’s what, the acting is pretty decent. Technically, the film looks good with some great effects, good make-up, and probably a usage of several gallons of fake blood that the actors had to slip through. A strong and crisp soundtrack also helps, but the film has its obvious weaknesses. The script halts in which several scenes become too tedious, and the last 30 minutes could honestly have been trimmed down a bit or two. A main protagonist to root for, an Ash if you will, is also missed here. However, I still enjoyed the film as a whole, and it probably helped with some low expectations. But one thing is certain: if you want blood, you got it!

 

Wither

 

Directors: Sonny Laguna, Tommy Wiklund
Original title: Vittra
Country & year: Sweden, 2012
Actors: Patrik Berg-Almkvisth, Lisa Henni, Patrick Saxe, Johannes Brost, Amanda Renberg, Jessica Blomkvist, Max Wallmo, Anna Henriksson, Ingar Sigvardsdotter, Ralf Beck, Sanna Ekman, Julia Knutson, Jessica Darberg
IMDb: www.imdb.com/title/tt2140671/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Lodge (2019)

The Lodge (2019)In the hopes of being able to bond with her soon-to-be stepchildren, Grace is staying with them in a remote winter cabin over the holidays. Their father was supposed to stay with them, but is unexpectedly called to work and he cannot refuse, which leaves her alone with the children. With the holidays just around the corner she hopes that they will be able to have a good time, but the isolation and a blizzard traps them inside the lodge. Then, mysterious and frightening things start happening, keeping Grace wondering if it’s just the isolation and the strained relationship to the children, or if it’s the demons from her past that have come back to haunt her.

 

The Lodge is a chilling psychological thriller, which builds slowly but rewards your patience. The mood is quite unnerving (very much caused by a certain scene very early in the film which really packs a punch), and somewhat similar to what could be felt in Ari Aster’s horror films “Hereditary” and Midsommar: a focus on loss and grief. Together with a splash of trauma, due to Grace’s past in a religious suicide cult where she was the only survivor…and another dosage of resentment, as the children is blaming Grace for their newfound (and not desired) family situation. As you can guess: not exactly the best recipe for a nice holiday vacation at an isolated cabin.

 

The chilling moments in The Lodge are intensified by the strong performances, both by the traumatized Grace (Riley Keough) and the two children Aiden (Jaeden Martell) and Mia (Lia McHugh). The cinematography works wonders in depicting the lodge as dark and ominous, with the white snow-filled landscape surrounding it working as a perfect contrast.

 

Now, The Lodge is a horror movie that may not be for everyone, with a slow build and more focus on psychological tension. There’s a lot of tension in the air, but not necessarily a lot of action. However, its slow build and tense atmosphere is what makes it work for what it is, and results in a creepy and unsettling experience.

 

The Lodge

 

Directors: Severin Fiala, Veronika Franz
Country & year: UK | Canada | USA, 2019
Actors: Riley Keough, Jaeden Martell, Lia McHugh, Richard Armitage, Alicia Silverstone, Danny Keough, ola Reid, Philippe Ménard, Jarred Atkin
IMDb: www.imdb.com/title/tt7347846/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Verotika (2019)

Verotika (2019)

Glenn Danzig is a creative guy, to say the least. Founder and frontman of the horror-themed punk band The Misfits, Samhain, and his life long band Danzig with eleven studio albums, 18 singles, and two solo albums. He’s also a huge fan of underground horror comics and started his own label in 1994, called Verotik (yes, without the A) with adult themed comics filled with blood, gore, nudity, Satan, porn and other insanities. Anything but mainstream, it seems. I’m not familiar with the comics, so I have no idea. And after pushing 60, Glenn Danzig finally managed to pursue his new career as a film director and screenwriter, and as we speak he’s already made not one, but two films. How ’bout that. The second film is in post-production with the colorful title Death Rider in the House of Vampires. A horror/western with Danny Trejo, Julian Sands and Eli Roth among the cast list. Sounds fun. His first directorial debut is called Verotika (this time with the A), an anthology of three segments based on the comics with inspiration from Mario Bava’s Black Sabbath, among others.

 

And it’s just pure amateur trash from start to finish.

 

We start off in an underground dungeon where a chained woman gets her eyes plucked out, Lucio Fulci-style, by the nails of the sexy horror hostess Mirella before she welcomes us darklings to … Verotika. A somewhat reduced Elvira with low energy is the best way to describe Mirella, played by the porn actress Kayden Kross, with acting skills like a nipple with zero motivation. Just like all the rest of the actors we get to meet during the film’s three segments of this anthology.

 

The first story is titled  The Albino Spider of Dajaette, but let’s just call it The Tits Have Eyes. It’s already awkwardly difficult to convey what’s going on, but here we go: A young lady with pink hair gives a guy a blowjob. The guy wants to take off her top and get to proceed right to the climax. But she won’t. At the same time we see a CGI spider crawling on a rose. And it turns out that her boobs have eyes for nipples. “Your chest! They are looking it mi,” he says startled with a bad and exaggerated French accent, before leaving in shock and disgust. This is obviously not the first time a date / customer has been intimidated by her staring boobies. Because, who wouldn’t. Then a tear falls from one of the crying tits, that hits the spider we saw earlier. The scene with the spider looks like something from the archive of an unused cut scene from a PS 1 game. The spider then becomes a humanoid creature, played by a guy in a ridiculous spider costume that supposedly required 8 hours to get him inside. “Only I truly love you” he says to Dajette, with lots of other crap we forgot right afterwards. The creature then kills people in the apartment complex. The highlight is when we see the crotch area on the spider costume ripped off as if the actor really had to take a piss, and no one bothered to fix it. Because it’s just like Ed Wood once said: “Filmmaking is not about the tiny details. It’s about the big picture“. This segment is also the “best” in the anthology, and the only one with a glimpse of a story with a real start, middle and an end. And to be honest, the only one that’s merely watchable.

 

The second story is called Change of Face, but could just as well be called Change of Flares. And this one just … sucks. And it’s just downhill from here on. We’re in a strip club. And flares are everywhere. Four in a whole shot at one point. I seriously thought that this was just a part of the technical incompetence, but no. This is an effect Glen Danzig chose to add for some reason. It doesn’t add anything but distraction. As for this entire segment, nothing much happens here. It’s like a random scene from a porn film just without the porn, with badly filmed stripping scenes that seems to go nowhere. At some point, when we have already lost interest, we are introduced to “The Mystery Girl”.  Another stripper who swings around the pole with a black silk robe and skeleton stickers on the chest, while Glen Danzig’s singing voice are heard from the clubs speakers. The Mystery Girl also likes to rip people’s faces off while the police have no clue and are dumber than a bucket full of sardines.

 

Next and last is Draukija: Contessa of Blood. Or just simply Bathory. Or Nothing Happens In This Segment Either So Just Skip To The End Credits. We are in the Middle Ages, filmed in the woods with a cheap green screen which should make us believe that it is a castle in the background, when most of the film was filmed in the Skid Row area of ​​Los Angeles. However, this  woman, Drauijha,  sacrifices some young virgins to bathe in their blood to gain eternal youth. There isn’t much to say, other than the countess rips out someone’s heart, a scene that should be at least memorable. But as ultra cheap, lazy and just lackluster the gore aspects are in this film, as with the rest of the production value, there isn’t much to be impressed by.

 

And that was Verotika, Glenn Danzig’s first glorious piece of cinema magic (sarcasm). I’ve also noticed that many compares Verotika to Tommy Wiseau’s The Room. And yeah, the trailer sure gives some Tommy Wisau-vibes. But when his name gets thrown all over the place to describe this movie, the hype gets blown to the heavens, which can give some really false expectations. And I think that’s where the feeling of underwhelming and disappointment lies for the highly anticipated viewers. Because as whole I would say with great confidence that Verotika isn’t even near the same level of entertainment value as The Room, a film worth rewatching countless times. Verotika, on the other hand, just leaves an aftertaste that feels more like a bad hangover.

 

Verotika

 

Director: Glenn Danzig
Country & year: USA, 2019
Actors: Ashley Wisdom, Rachel Alig, Alice Tate, Kayden Kross, Scotch Hopkins, Sean Kanan, Nika Balina, Jody Barton, Brennah Black, Kris Black, Kansas Bowling, James Cullen Bressack, Katarina Bucevac, Cody Renee Cameron
IMDb: www.imdb.com/title/tt9425078/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Killer Sofa (2019)

Killer Sofa Horror movies turning objects into murderous creatures is nothing new. We’ve gotten killer tomatoes, deadly beds, murderous cars, cursed costumes, a possessed laundry machine (here’s our review of The Mangler) and the list goes on. But a killer “sofa” (which is actually a recliner chair) now that’s something new to check off the list.

 

This movie is director Bernie Rao’s feature debut, but prior to this he’s made quite an impressive amount of shorts in various genres. In Killer Sofa (killer chair, really, but I digress) we follow the story of Francesca, an attractive young woman who seems to unwillingly make certain men fall head over heels for her, and they become obsessive and stalking. One of her admirers is found murdered (or, they find body parts of him which should make it obvious he’s been murdered), and soon thereafter, Francesca receives a new chair as a gift. She puts it in her living room, but soon her new furniture appears to be living a life of its own…

 

Now, the actual appearance of the Killer Sofa strays pretty far away from what the cover might lead you to believe. The recliner is given two round black buttons for eyes, giving it an appearance which is actually kind of cute…and it could have fitted well within some kind of TV show for kids. However, as this is a horror movie, the “cute” recliner is killing people, especially if they get too close to its new owner. One of Francesca’s friends, Maxi, has a grandfather who is a disgraced Jewish rabbi, and he becomes convinced that the recliner is possessed by a “Dybbuk” (a malicious possession spirit from Jewish mythology).

 

Now, I’m sure you think everything described so far makes this movie sound hilarious and quite ludicrous. While that is somewhat true, I think it’s fair to point out that the movie doesn’t spend its time trying to chunk out one gag after the other, and the humor is sometimes quite subtle as the movie appears to be taking itself a bit too seriously considered its overall wacky premise. There are some rather amusing scenes, but it isn’t really an over-the-top crazy movie, so if you expect something of that kind you might be disappointed. It’s not really one of those traditional “so bad it’s good” movies where you can expect to laugh your ass off, although there are some pretty funny scenes here and there – including a scene where the chair keeps blowing out Francesca’s matches, which is actually quite hilarious!  So, to sum it up, Killer Sofa is a weird low-budget indie horror, and must be seen under the correct expectations. It’s a good bunch of stupid fun, if you know what to expect from movies like this.

 

As a final note, here’s a little bit of trivia: the original title for Killer Sofa was actually My Love, My Lazy Boy. Which probably doesn’t make much sense to you unless you know that there’s a furniture manufacturer called La-Z-Boy (and if you type the term into Google Image Search, you’ll get a lot of pictures displaying recliner chairs of the similar looks as the one displayed in this movie). This makes the original title somewhat more “correct”, I guess…but it’s probably much more catchy with a title like Killer Sofa.

 

Killer Sofa

 

Directors: Bernie Rao
Country & year: New Zealand, 2019
Actors: Piimio Mei, Nathalie Morris, Jim Baltaxe, Jed Brophy, Stacey King, Angelica Thomas, James Cain, Jordan Rivers, Harley Neville, Sarah Munn, Sean Fleming, Trae Te Wiki, Hamish Boyle, Grant Kereama, Adrienne Kohler
IMDb: www.imdb.com/title/tt10927122/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Haunt (2019)

Haunt (2019)It is Halloween, but Harper isn’t really in the mood for a scary celebration as she is already struggling with a real fright in her life: an abusive boyfriend who keeps sending her angry text messages. However, her friends are determined to have a fun night out and enjoy themselves, so she covers her black eye with make-up and they all head over to a costume party. They meet up with two other guys, and the six of them ends up looking for a haunted house attraction in order to make their Halloween night complete. Very much on random, they encounter the sign for such an attraction on a lonely country road, and decide to check it out. Upon entering this Haunted House attraction, they’re forced to leave their cellphones and have to sign liability waivers (which probably sounds like big red flags right there for our naive protagonists, but in real life there are such attractions that actually requires you to sign liability waivers before entering. Like for example McKamey Manor, which requires a 40-page waiver before you’re allowed inside). They do as they’re told, and is shown some rather mainstream horror effects upon entering…until they suddenly witness a scene where a “witch” is branding a girl with a red-hot poker (which they of course think is just an act). From there on things start going more and more wrong, and the attraction goes from fun to deadly in no time.

 

Haunt is a “haunted house attraction” horror movie, a little bit in the same vein as Hell Fest. With the writers of A Quiet Place as directors and Eli Roth as producer, it certainly did sound like something that could be both suspenseful and gory. And you see quite early in the movie that there is a lot to appreciate here: the cinematography is quite eye-candy, and there is a lot of claustrophobic atmosphere once our protagonists enters the Haunt. There are some rather interesting characters who are inhabiting the place: people in several costumes, wearing masks and behaving in creepy ways which makes you wonder who, or what, they really are…

 

Now, while Haunt manages to pack in a good amount of suspense, it feels like there is a little bit of lost potential here where the actual killing scenes felt very toned down…especially with one of the kings of gore (Eli Roth) being the producer and all. The killing scenes come and go rather rapidly, some of them even proceeding to the next scene so fast that you’re barely able to get a glimpse of what really happened. The movie doesn’t dilly-dally with its audience though, or try to be “smart”…instead, it delivers a straight forward slasher where teens are killed because they make dumb decisions and freaks are murderous because…well, because they’re freaks, I guess.

 

However, despite not being the most memorable movie in the genre, Haunt was a fun ride all in all!

 

Haunt

 

Directors: Scott Beck, Bryan Woods
Country & year: USA, 2019
Actors: Katie Stevens, Will Brittain, Lauryn Alisa McClain, Andrew Caldwell, Shazi Raja, Schuyler Helford, Phillip Johnson Richardson, Chaney Morrow, Justin Marxen, Terri Partyka, Justin Rose, Damian Maffei, Schuyler White, Samuel Hunt, Karra Rae Robinson
IMDb: www.imdb.com/title/tt6535880/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ouija: Origin of Evil (2016)

Ouija: Origin of EvilLos Angeles, 1967. Alice is a still grieving widow who works at home as a spiritual medium, and is accompanied by her two daughters when tricking their customers into making them believe that spirits are present. The oldest daughter, Lina, one day suggests that they implement a Ouija Board into her mother’s readings. The youngest daughter, Doris, tries it out alone and invites an evil presence into their home, not realizing how dangerous it is.

 

This is a prequel to Ouija from 2014, and this time with Mike Flanagan in the director’s chair. And that really shows. Compared to the first movie which was a very formulaic teenage horror flick, this prequel packs in a good bunch of tension and atmosphere. I also liked how the movie has a style that reflects the time period it’s supposed to be set in with a bit of a “retro” style to it, even starting off with the old Universal logo. The performances are good, and the visuals well done.

 

If you’ve seen the first movie, you more or less know how it will end, but strangely that still doesn’t take anything away from the viewer experience. You already know that the family will not experience a happy ending, but the point of this movie is not to reveal a twist at the end but to explain the journey that led to it. If there’s anything I’d like to nitpick on, it’s the “ghostly gape” scenes that, instead of building the tension and atmosphere further, manages to take us into cringe-land instead. Seriously: big, gaping mouths rarely look scary, and they’re such a tedious horror-trope to watch these days. Now, I personally don’t think these scenes ruins anything for this movie, but my personal opinion is that it would be much better without them.

 

Overall, Ouija: Origin of Evil is a very decent, yet quite unexpected prequel of a film that didn’t really warrant any sequels or prequels. While the movie doesn’t manage to become scary, it’s still quite atmospheric and a big step-up from the first. Also, here is a little fun fact: for those that have seen Mike Flanagan’s Oculus from 2013, you get a little Easter Egg where you can see the mirror in the basement.

 

 

Ouija: Origin of Evil

 

Director: Mike Flanagan
Country & year: USA, 2016
Actors: Annalise Basso, Elizabeth Reaser, Lulu Wilson, Henry Thomas, Parker Mack, Halle Charlton, Alexis G. Zall, Doug Jones, Kate Siegel, Sam Anderson, Chelsea Gonzalez, Lincoln Melcher, Nicholas Keenan, Michael Weaver, Ele Keats
IMDb: www.imdb.com/title/tt4361050/

 

Related post: Ouija (2014)

 

 

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Possum (2018)

Possum (2018)Philip (Sean Harris) is a middle-aged man returning to his hometown in Norfolk with a population of probably ten people, which looks like a depressing place to live in. With him he’s got a brown bag containing a puppet called Possum. A terrifying thing with a human head made of rubber, and with spider feet. Philip turns out to be a totally fragile, traumatized man, trapped in a severe life crisis, who constantly seems be on the verge of blowing out in full panic attack at any moment. And  the nightmare fuel provided by Possum clearly doesn’t makes it any better. Time to watch some cat videos on YouTube, I would say. Anyway, he goes to his decayed, filthy childhood home where he meets his stepfather Maurice (Alun Armstrong), a greasy old man who probably hasn’t taken a shower in years, and likes to preach stuff that doesn’t make much sense. They turn out to have as much of a resentful relationship with each other as Philip has with Possum, which he repeatedly tries to get rid of by dumping it in the river, burying, burning, and beat the shit out of it to a point where you almost feel more sorry for the puppet than for Philip. But just like a cursed Ouija board, Possum always reappears.

 

If you expect a traditional creature-feature here, you can just give up right away. This is a really slow melancholic and feverish nightmare, stuffed with metaphors, cryptic symbolism, and open to being analyzed to death and beyond. Is Possum some sort of a manifestation of Philip’s untreated trauma, or is the guy just crazy? Is the pale, empty, decaying surroundings a reflection of the eternal hopelessness that constantly consumes his head? Who knows. Several scenes seem to last forever without going nowhere, but competent camera work, strong wide-shot visuals and good acting saved the movie, for my part at least. So yeah, a strange little indie film that can be a chore to sit through for sure, and fans of art-house will probably find it more appealing.

 

Possum

 

Director: Matthew Holness
Country & year: UK, 2018
Actors: Sean Harris, Alun Armstrong, Simon Bubb, Andy Blithe
IMDb: www.imdb.com/title/tt6081670/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Lighthouse (2019)

The Lighthouse (2019)On a remote New England Island in the 1890s, two lighthouse keepers have to stay there for four weeks. Thomas Wake, the oldest between the two, has been watching over the lighthouse for a long time and is used to the unfavorable conditions. His new assistant, Ephraim Winslow, does not settle in with ease however. Ephraim is getting more and more frustrated by the older man’s fussing and complaints, where he is being bossed around constantly. When the four weeks are over, and the boat still doesn’t come to pick up Ephraim due to very bad weather, they both realize they might be stuck on the island for far longer than anticipated. Plagued by bad dreams and hallucinations (or are they hallucinations?) Ephraim tries to keep his sanity on the forsaken rock – but this proves to be difficult as deeply sunken secrets are about to break the surface.

 

The Lighthouse by Robert Eggers (who earlier gave us the very haunting and creepy film The Witch) is a very atmospheric black & white film, and is actually loosely based on a real-life tragedy that happened in 1801. Two Welsh Lighthouse keepers, who were in fact both named Thomas, became trapped due to a storm. That incident is referred to as The Smalls Lighthouse Tragedy. The movie was also shot on 35mm black and white Double-X 5222 film, and due to this, they needed a lot more light, so they put up flickering 500-800 watt halogen bulbs in period-correct kerosene lamps. These lamps were just a few feet away from the actor’s faces, so the result is a lot of imagery that simply looks stunning, especially with the facial expressions and grimaces being heavily toned due to the contrasts. Plain and simple, it is beautiful to watch.

 

There is a good amount of claustrophobic dread to appreciate from The Lighthouse. And with Ephraim’s dreams and visions (or are they all just dreams and visions?) with mermaids and giant tentacles, we get a dose of some of the old and classical myths and legends from sea folk. Thomas tells supernatural tales of sea gulls and bad omens, but while Ephraim tries to ignore the old man’s ramblings, it’s evident that there are certain things laying under the surface that causes him to become vulnerable to the tales. It doesn’t take long before Ephraim is slowly descending into madness…whether it be from the isolation, Thomas and his bossy demeanor and tales, the past…or maybe a mix of it all, who knows. When the men realize they are stranded, possibly for a long time to come, they both start drinking their senses away, somewhat easing up the tension for a little while as the drunken men starts dancing and singing sea shanties – but it doesn’t take long until the songs turn into insults and aggressive behavior, and a battle for dominance as the cabin fever starts to creep in.

 

“Nothing good can happen when two men are trapped alone in a giant phallus”, is the line Robert Eggers have used to describe this film. And he has done a very good job of portraying just this concept!

 

The Lighthouse

 

Director: Robert Eggers
Country & year: Canada | USA, 2019
Actors: Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes, and a lot of sea gulls
IMDb: www.imdb.com/title/tt7984734/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Polaroid (2019)

Polaroid (2019)Bird Fitcher is a teenage girl who loves old things, and is working a part-time job at an antique store. When a co-worker brings in an old Polaroid camera, she’s really excited, and starts using it, snapping pictures of her friends. She soon realizes that something is not quite right with the camera, as the photos show a shadowy figure looming over the persons on the photo…and very soon it becomes apparent that the photos taken with the Polaroid camera has a very deadly effect.

 

This is based on Lars Klevberg’s horror short from 2015, by the same name (you can watch it here: Polaroid Horror Short). And while this movie has been released just recently, it’s not really new…it was originally set to be released in 2017, but due to the Weinstein Company bankruptcy it was almost like the entire movie had been flushed down the drain as a result. However, in 2018, Lantern Company (which had acquired a lot of the Weinstein Company’s assets) and an international distribution company called “13 Films” decided to have the movie released in 2019. In the meantime, however, Lars Klevberg more or less “debuted” with his Child’s Play remake, which received a fair amount of positive reception as well as doing quite well at the box office. So…a happy ending after all, it seems.

 

Now, while I personally think that Lars Klevberg’s Polaroid short is well made and quite creepy, I’m afraid to say that I didn’t quite get the same feeling from this feature film. Now, horror shorts have the advantage of keeping things subtle, and not necessarily giving away the “why’s” and “how’s”. This is something that often gives them a more creepy vibe since the mystery is kept, the boogeyman isn’t revealed and is kept in the shadows. In feature films, however, viewers are more likely to be pissed off by things being too vague or questions not being answered…in movies, as opposed to shorts, we more or less expect answers to what is happening. And sadly, this is what can turn a creepy concept into something that ends up more or less like a typical “run-of-the-mill” horror movie. Unfortunately, Polaroid does end up in this category.

 

That being said, Lars Klevberg does manage to build up the tension and atmosphere in some of the scenes, and while lacking any real scares I’m going to judge it as what it’s clearly intended to be: a teenage horror flick, meant for a younger audience. Those of us that have already seen a fair share of horror movies will probably get a Déjà vu all to quickly (we’ve seen it before, done better…but also done a lot worse). When getting closer to the final act, the film also does offer up an interesting twist to the Polaroid’s reason for being cursed/haunted, which was a welcome surprise.

 

So: just consider this movie an easy-going teenage horror, and bring some popcorn, and you might find something to enjoy here.

 

Polaroid

 

Director: Lars Klevberg
Country & year: USA | Norway, 2019
Actors: Kathryn Prescott, Tyler Young, Samantha Logan, Keenan Tracey, Priscilla Quintana, Javier Botet, Mitch Pileggi, Davi Santos, Katie Stevens, Grace Zabriskie, Madelaine Petsch, Erika Prevost, Shauna MacDonald, Rhys Bevan-John, Emily Power
IMDb: www.imdb.com/title/tt5598292/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Wind (2018)

The Wind (2018)Lizzy Macklin and her husband Isaac lives isolated on a harsh and untamed land in the Western frontier in the late 1800s. Soon, a newlywed couple (Emma and Gideon) moves into a house close by. The isolation starts cracking Emma’s psyche, causing her to suffer from Prairie Madness (an affliction that causes a mental breakdown due to the isolation and harsh living conditions, something that would happen to European settlers who were not used to living like this). Emma is clearly not able to get used the the isolation, and starts raving about “demons of the prairie”. Emma’s madness soon starts affecting Lizzy as well, and she starts wondering if there really is an evil demonic presence out to destroy them.

 

The Wind is a western horror-thriller written by Teresa Sutherland, and director Emma Tabbi’s feature film debut. Western horror is still a somewhat rare thing to come by, where most horror movies in this genre belongs to the “lesser known” list (probably with the exception of Bone Tomahawk from 2015, which managed to get a fair amount of publicity). And this is despite the setting of the western period being pretty perfect for all kinds of horror-related ideas…but oh well.

 

Now, The Wind is a movie that focuses more on psychological horror and a fair amount of relationship-based drama, and for this reason it’s chugging along rather slowly. In other words, it’s very likely to not keep everyone’s attention, and the suspense it’s trying to build is somewhat subtle and does not always matches the pace. The movie has a strong and chilling start, but then starts jumping back and forth in time to show us a series of recent scenes and “flashback” scenes. A lot of the story is told through flashbacks, and sometimes it can actually be a little confusing to follow.

 

All that being said, The Wind is beautiful to watch with some great cinematography, and there’s definitely some atmosphere to appreciate. Still, there could have been a lot more actual horror to The Wind…but if you’re in for a slow horror mystery with a bit more drama than chills, you’ll likely find something to enjoy here.

 

The Wind

 

Director: Emma Tammi
Writer: Teresa Sutherland
Country & year: USA, 2018
Actors: Caitlin Gerard, Julia Goldani Telles, Ashley Zukerman, Miles Anderson, Dylan McTee, Martin C Patterson
IMDb: www.imdb.com/title/tt8426594/

 

 

Vanja Ghoul