Everything Is Terrible! Presents: The Great Satan is a collection of Found Footage tapes, where over 2000 forgotten VHS tapes have been used and re-contextualized in order to tell a different story: one about Satan himself. Everything Is Terrible is an artist collective based in Los Angeles, which was founded in 2007 by a group of friends who met each other while attending Ohio University. They’ve made several videos of this kind, consisting of VHS tapes which they found in all kinds of places: apparently they’ve searched thrift stores, garage sales and bargain bins for these kinds of videos. One of their most popular videos is called So Your Cat Wants a Massage, which is an instructional video designed to show people how to massage a cat…and while it’s only about three minutes long there’s so many hilarious golden one-liners in this oddball of a video!
If you know beforehand what kind of movies Everything Is Terrible have made over the years, then you’ll probably be aware of the sheer absurdity The Great Satan has to show you. What I found quite amazing with The Great Satan is how every clip, despite knowing they’re not really connected, are still put together and edited in such a way that everything just feels like it’s belonging together with the rest. Prior to watching it I kind of expected it to be an incoherent jumble of random clips, but instead it’s all presented as a hilarious religious satire. There’s a ton of micro clips that’s taking you through a trip of the 80’s and 90’s, that have been stitched together into something that’s trying to make you feel drugged while sober. There are clips from religious children’s TV shows, TV preachers, commercials, obscure low-budget movies and so on and so forth. The end result is highly experimental and psychedelic. There are movies where you sometimes recommend the viewer to “shut their brain off“…but during this movie your brain will more likely feel the need to sprout wings and fly away. I can only imagine how it would feel to watch this under the influence of drugs. I’m sure the shroom trippers would have a good time.
There are many elements of pure comedy here, mostly due to the juxtaposition of movie clips and dialogue, but also due to some of the clips themselves. There are clips from several movies, mostly horror and also some relatively unknown and low-budget ones. Some of the religious children’s shows that are shown here are actually on the funnily-creepy spectrum, where you almost think this must have been a parody of some kind, only to remember that yup – a lot of those shows were thoroughly fucked up, and might possibly, and ironically, be the scariest elements in this entire film. God Bless.
The Great Satan is a funny mishmash of madness and absurdities, a wacky recontextualization based on the ideology of the Satanic Panic and people’s fears of how the Great Satan will corrupt and conquer all. It’s a little over an hour of full madness, just make sure your mind is prepared for it.
Directors: Lehr Beidelschies, Dimitri Simakis, Nic Maier
Country & year: USA, 2018
Also known as: Everything Is Terrible! Presents: The Great Satan
IMDb: https://www.imdb.com/title/tt7493854/
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Philip (Sean Harris) is a middle-aged man returning to his hometown in Norfolk with a population of probably ten people, which looks like a depressing place to live in. With him he’s got a brown bag containing a puppet called Possum. A terrifying thing with a human head made of rubber, and with spider feet. Philip turns out to be a totally fragile, traumatized man, trapped in a severe life crisis, who constantly seems be on the verge of blowing out in full panic attack at any moment. And the nightmare fuel provided by Possum clearly doesn’t makes it any better. Time to watch some cat videos on YouTube, I would say. Anyway, he goes to his decayed, filthy childhood home where he meets his stepfather Maurice (Alun Armstrong), a greasy old man who probably hasn’t taken a shower in years, and likes to preach stuff that doesn’t make much sense. They turn out to have as much of a resentful relationship with each other as Philip has with Possum, which he repeatedly tries to get rid of by dumping it in the river, burying, burning, and beat the shit out of it to a point where you almost feel more sorry for the puppet than for Philip. But just like a cursed Ouija board, Possum always reappears.
Lizzy Macklin and her husband Isaac lives isolated on a harsh and untamed land in the Western frontier in the late 1800s. Soon, a newlywed couple (Emma and Gideon) moves into a house close by. The isolation starts cracking Emma’s psyche, causing her to suffer from Prairie Madness (an affliction that causes a mental breakdown due to the isolation and harsh living conditions, something that would happen to European settlers who were not used to living like this). Emma is clearly not able to get used the the isolation, and starts raving about “demons of the prairie”. Emma’s madness soon starts affecting Lizzy as well, and she starts wondering if there really is an evil demonic presence out to destroy them.
Megan is an ex-cop that’s just gotten out of rehab, and struggles to get back on her feet again. She applies for a job working the graveyard shift at the morgue (yeah…not exactly the best place to be if you’re a previous drug addict and struggling with trauma). She gets the job, and soon thereafter the disfigured corpse of a girl arrives. It doesn’t take long until weird things start happening at the morgue, but Megan tries to convince herself it’s her frazzled mind that makes her see things. Until things become too real for her and she realizes there’s something very wrong with that corpse.
Berlin, 1977. A shitty place to be. A young, disturbed girl named Patricia (Chloë Grace Moretz) is on the run and seeking the doctor/prof/psychiatrist Klemperer. She’s in a state of psychosis and mumbles incoherent lines while she waves with her arms and then says in German “I was right. They are witches”. She then talks about the ballerina school she attended where she was a victim of abuse, and end the therapy session by saying (in German) “they will slaughter me and eat my cunt from the plate”. Yikes… We then get introduced to Susie (Dakota Fanning), a young, shy and naive American lady, who traveled to Berlin to attend this ballerina academy where she meets the strict dance instructor Madame Blanc (Tilda Swinton). She settles in and has no idea what rabbithole she has gotten herself into. In the meantime Dr. Klemperer starts an investigation to take a closer look at what shady business is really going on in this academy.
While on a partying trip to Mexico, a group of young friends meet a guy who wants them to join him for a game of “Truth or Dare” in an old abandoned church. What starts out as an innocent game, soon turns deadly when they realize they’ve been tricked into an evil demon’s version of the game. If you fail to answer truthfully on the demon’s “truth” questions, or refuse to commit its “dares”, the consequence is a quick and painful death.