Leprechaun 2 starts way, waaay back in ancient Ireland where William is being hunted down by Lep through the forest, while he utters his first line that sets the tone immediately: “scream as you MAY, scream as you MIGHT, if you try to escape, you’ll be dead on this NIGHT, haha.” William has been his slave since he stole his pot of gold, but that’s no longer important. Now that he has finally reached his 1,000th birthday on St. Patrick’s Day, he can now claim something more precious: a bride. And the lucky one has already been chosen, the only thing holding back is that she has to sneeze three times. And if no one saves her soul by speaking the magic phrase “God bless ya”, the poor girl is his forever, and then William is a free man. The only problem is that the girl is William’s daughter, and he cant have any of that. After he ruins the whole set-up by saving her from the worst marriage ever, Lep says he will wait for another 1000 years, and hunt down William’s whole bloodline, before he snaps the guy’s neck.
Then we jump to present day, to Los Angeles, exactly one thousand years later on the St. Patty’s Day, where we meet the teen couple Bridget and Cody. Cody works for his uncle Morty, who runs a shady Dark Tourism Ride which scams people by showing them false resting spots of celebs and murder houses. Morty is also a greasy alchoholic who’s always too drunk to drive as he just sits in the local Irish pub and drowns himself in brown liquor. And now having seen the three protagonists, our favorite host, Lep, emerges from a tree near Harry Houdini’s house to finally get the show started. His first victim is a bum whom Lep rips out his golden tooth before he starts the huntdown for his chosen bride. And who can that possibly be? Bridget, of course, who’s a descendant of William’s bloodline. Lep was a man of his words. It’s now up to Cody to save her.
Lep 2 hasn’t got much more to offer than bad acting, retarded silliness and the production value of a porn film. Warwick Davis reprised his role as Lep in the first sequels of five (!), and like in the first one, he’s once again the only reason to give this a watch. He has far more screentime compared to the first film, and more quote-worthy poetry-driven one-liners to entertain us with, as he goofs and giggles his way to one scenario after another. He’s even getting hammered in one scene where he has to prove himself, as the proud Irish he is, that no one can drink him under the table. The ice cream man Clint Howard and the Twin Peaks receptionist Kimmy Robertson has a short cameo as a tourist couple. And the rest of the characters are just bad actors who do their best by remembering their lines and look scared when the script says so.
The effects are trash. There’s one scene where we’re supposed to believe that Lep rips one guys finger off. You can see a mile away that he gently pulls the finger off a fake hand. He then licks on it and says with his manic voice: “Finger licking GOOD! AAAAH…!!” Then we have the pot of gold that gets ripped out of someone’s stomach. I won’t explain how it got there other than it’s so laughable and poorly executed that I only wonder where the budget of 2 million dollars went. There’s also a desperate attempt to appeal to the teenage audience by showing a second or two of Bridget’s naked boobs, allegedly performed by a topless double. This scenes also involves two spinning lawnmower blades, which Lep tricks some guy to believe are two big breast that’s waiting for him. A cheap, but memorable kill count.
The Leprechaun franchise is infamous for its total absence of continuity which leads to the big question: Is Lep 2 related to the first film in any form? No. Trimark Pictures actually had big plans for making a direct sequel where Lep would seek revenge on Tori (the protagonist from the first film), and they felt confident enough to get Jennifer Aniston back when they offered her a paycheck of 25,000 dollars. She refused, of course, which led any continuation to go completely off the rails, and every sequel was treated like a reboot or stand-alone film with different writers and directors who had no clue what to do with the franchise, other than trying to top the previous one with as much B-movie insanity as possible. Some other theory is that there’s a different Leprechaun in each sequel, just played by the same actor. But sequels or not, the films get crazier and crazier where we follows Lep’s quests for gold in places such as Las Vegas, in space, in tha hood, and it’s overall an amusingly bizarre franchise to dive into, especially if you have a soft spot for schlocks.
Director: Rodman Flender
Writers: Turi Meyer, Alfredo Septién
Country & year: USA, 1994
Actors: Warwick Davis, Charlie Heath, Shevonne Durkin, Sandy Baron, Adam Biesk, James Lancaster, Linda Hopkins, Arturo Gil, Kimmy Robertson, Clint Howard
IMDb: www.imdb.com/title/tt0110329/
Related posts: Leprechaun (1993) | Leprechaun 3 (1995) | Leprechaun 4: In Space (1996) | Leprechaun in the Hood (2000) | Leprechaun returns (2018)
Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.
A group of confederate deserters during the American Civil War robs a bank for gold, an event that doesn’t go as smoothly as they planned. Trying to find a place to rest for the night, they come upon an old abandoned mansion located by a corn field. Entering the field they see a strange-looking scarecrow which they believe to be the corpse of a real person…and as if that wasn’t enough to realize this place is no good and should be avoided at all cost, they also come upon a hideous-looking deformed creature, which they shoot upon sight. But oh well, they still have to spend the night somewhere, so they enter the old mansion anyway, and soon find out that awful things have happened here which will also impact everyone who sets foot at the place.
The film starts off with a quote from Jack the Ripper that says “The Jews are not the men to be blamed for nothing.” Then we see some silent and grainy black and white documentary footage of the September 11 attacks, as we hear a little girl’s voice saying “Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!“
The movie starts off showing a scene with a woman alone in a room, who is attacked by something neither she nor we can see. She gets hanged in the stairways, and a black envelope drops to the floor. We then fast forward to a year later, when a group of friends (Sid, Kira, and Harris) have attended a funeral and decides to go drinking afterwards. Drunk and stupid, they decide to do something silly that can only be brought on by drunken stupidity: they first break into the Crescent View Cemetery. Their original plan was to just say their final goodbyes to the recently departed, but Sid finds a black envelope amongst some of the flowers on the grave. Inside is a poem which urges them to be joyful and to dance upon the graves. And of course, since they’ve already gotten quite sloshed by now, they think this sounds like an excellent idea in order to celebrate life. And so….they start dancing on graves…
Welcome to Z movie hour. Today we take a look at a micro-budget and campy sci-fi schlockfest with an evil alien and his lazer gun, made by amateur filmmaker Don Dohler, starring his neighbours, brother-in-laws, himself, and his two sons.
What does Jason, Pinhead, Leprechaun and Dracula have in common? They’ve been into space. And this has to be the worst of them all. Good grief.
Mary Elnor is a young woman being accused of Witchcraft in Banfield, Massachusetts, in 1845. She is being hanged from a tree, and then lit on fire by an angry mob, who also bounds her spirit to the body of a doll before she takes her final breath.
John Trent used to be a freelance insurance investigator, who is now a patient in a psychiatric hospital. One day, Dr. Wrenn visits him, where Trent recounts his story: after the disappearance of the popular horror novelist Sutter Cane, Trent is having lunch with a colleague. Suddenly, Trent is attacked by an axe-wielding man who is shot dead by the police, and is later revealed to be Cane’s agent. This man went insane after reading one of Cane’s books, and killed his family as a result. And he is not the only one…apparently, some people seem to go crazy after reading Cane’s novels. Shortly afterwards, Trent is hired by the director of Arcane Publishing who wants him to investigate Cane’s disappearance, and also to recover the manuscript for his final novel. Linda Styles, who is Cane’s editor, is assigned to accompany him. While she explains to Trent that Cane’s novels are known to cause paranoia, disorientation and memory loss in some readers, Trent believes it’s all hogwash and considers his disappearance to be a bluff, something done entirely as a publicity stunt. But bizarre phenomena starts happening, and during their investigation, Trent and Linda enters a small town which looks like and includes people that are exactly as described in one of Cane’s fictional novels. Is it all staged, or is something else at play?
