Trapped in a mysterious underground experiment, a group of people must survive against monsters, traps and each other.
Horror Short Sunday is here, and this time we’re following a group of people who must try to survive against Hellraiser-esque monsters in Trial 22!
Director: John Ferrer
Writer: John Ferrer, Harry Metcalfe
Country & year: UK, 2023
Actors: Corinna Brown, Graham O’Connor, Isabella Lake, Felix Garcia Guyer, Maxwell Whitaker, Esme Cooper
IMDb: www.imdb.com/title/tt28302920/
John Hobbes is a Philadelphia Police Detective, who is about to visit the serial killer Edgar Reese who is on death row. Despite this, Reese is in a pretty good mood, and during their conversation he grabs Hobbes’ hand and says something that at first is assumed to be pure gobbledygook, but is later identified as Syrian Aramaic. Later, when Reese is about to be executed, he mocks everyone who is watching. Not in Gacy-style by telling them to kiss his ass, but by singing “Time Is on My Side“ by The Rolling Stones. When the show is over, the world is one psychopath less. Or is it? Shortly afterwards, Hobbes and his partner Jonesy investigates a string of new murders which is reminiscent of Reese’s style, making them think there’s a copycat on the loose. As Hobbes digs further, he finds that something demonic is pulling the strings.
Fallen is a supernatural horror thriller from 1998, directed by Gregory Hoblit and stars Denzel Washington, John Goodman, Donald Sutherland, Embeht Davidtz, James Gandolfini and Elias Koteas. It received mixed reviews, and earned only $25.2 million on a $46 million budget. It has later started gaining a bit of a cult following where the common audience appears to be a lot more appreciative than the critics.
Supernatural horror movies about demon hunting and possessions are a dime a dozen, and if you’ve also seen the Supernatural TV series, this movie will feel like very familiar and well-trodden territory. Now, with this being a movie from 1998, it’s kind of fun to check out something that precedes the others and it definitely holds up well on its own. The supernatural elements are for the most part portrayed as a more mysterious part of the movie, mixing well with the detective elements. There’s no graphic violence or any actual scares here, but the mystery entwined with the supernatural elements makes it exciting enough for a popcorn evening. There’s also a fair amount of familiar faces here: Donald Sutherland plays a grumpy no-bullshit kind of guy as usual, and John Goodman fits well as the upbeat and jolly policeman. James Gandolfini, most known for his role as the mafia boss Tony in the TV series The Sopranos, hasn’t become the well-known mafia character yet and here he is walking around with a 70s mustache. Denzel Washington who is playing the protagonist is also doing a good job at playing a rational character who is very much forced to believe all the strange stuff that keeps happening around him.
Those who watched Nefarious (2023) saw the similarities to Fallen, and I also think that the Supernatural series might’ve been inspired as well. Still, the plot of Fallen is also similar to a movie from 1990 called The First Power, where a policeman hunts a serial killer called the Pentagram Killer, who’s been brought back to life by Satan. That movie received mostly negative reception, but ended up being a financial success anyway (then again, it had a much lower budget).
Overall, Fallen is a pretty nice supernatural thriller, which will probably feel a bit familiar if you’ve ever seen Supernatural or any of the demon-hunting movies or series that’s been released over the years. The movie is, however, pretty easy to feel comfortable with as it doesn’t overplay the supernatural events to the point of it becoming too cheesy, and it’s fast paced enough to have a lasting popcorn-entertainment effect. It also has a pretty nice twist at the end, and while I’ve gotten a bit tired of movies focusing too much on leading up to a twist, this one came more like a sly little surprise, and that’s something I can appreciate.
Director: Gregory Hoblit
Writer: Nicolas Kazan
Country & year: USA, 1998
Actors: Denzel Washington, John Goodman, Donald Sutherland, Embeth Davidtz, James Gandolfini, Elias Koteas, Gabriel Casseus, Michael J. Pagan, Robert Joy, Frank Medrano
IMDb: https://www.imdb.com/title/tt0119099/
Uh-oh…Here comes the little grey men! With their sticky faces and lasers. So let’s demonstrate our Second Amendment by shooting them straight in the mug to show them who’s the good guys here. Can’t get more Americana than that, besides having a collective, chronic and crippling fear of aliens/lizard people (and Bigfoot). God bless America.
The McPherson Tape is a penny-budget amateur found footage film that starts during a birthday party with the Van Heese family at an isolated farmhouse in Connecticut. The year is 1983 and Michael has just bought a shiny new VHS camera to document the five-year-old Michelle blowing out the candles. Then suddenly the electricity goes out…
Michael and his brothers head out in the pitch black darkness to get a clue on what happened, and what they see not so far from the house is a UFO and three tiny aliens from a certain Steven Spielberg film. It’s, of course, all blurry, grainy and unfocused since there was no budget to build a decent-looking spaceship. As the pussy pants they are, they run back to the house in full panic mode, grab the shotgun and shoot one of the poor aliens. Thoughts and prayers.
Now we just wait for the remaining aliens to take revenge on these morons. Because it’s hard to give a single frick about the family. The grandmother seems more irritated by being in the film, while the youngest of the cast, Michelle, looks more bored and wants to play cards rather than pretend to be scared. There’s a lot of yelling, arguing and such to amp up the tension as they’re isolated in the house while Michael, the cameraman, moans constantly like as if he hasn’t jerked-off since last week: Ahhh – Ahh – Ahhh – Ahh – Ahhhh – Ahhh – Ahhh – Ahhh …
The McPherson Tape is written and directed by the young and upcoming filmmaker Dean Alioto, who made the film during one night after a week of rehearsals. A friend of his funded the budget of $6,500 and the film got a distribution deal. And here’s the starting point with the wild circumstances around it, all from the funny conspiracy theories and how people actually believed that this was legit proof that aliens walk among us. Because listen to this; after the distribution deal, the warehouse burned down with all the copies of the film and Dean Alioto bitterly wrote the film off as a big loss. Life went on as he continued to work in the television industry without realizing that the distributor had managed to send out dozens of copies before the fire. One of these VHS cassettes ended up in the hands of a prankster who re-edited the opening and closing text. He/she then spread pirated copies to the UFO community where the audience around the US burst into full hysteria mode as they believed that this mysterious home-made film was real. Rumors also spread that the authorities were trying to seize video copies, which, yeah, of course. The most profiled people who ate this up were the UFO expert Tom Dongo and the retired Lt. Colonel for the U.S. Army stated that I am not convinced that this thing is a hoax. Dean Aliato eventually got his lost film under the radar, as it lived a life of its own, which he apparently had forgotten about, and made a public statement that the film was just a fake amateur reel. But too late as the floodgates are fully open.
The original title for the film was actually U.F.O. Abduction, but got called The McPherson Tape during its resurrection at the UFO conventions in the 1990s, despite there’s no one in the film with that name. Huh…
Dean Aliato didn’t seem to have higher ambitions than making a silly film packed in a new unique format that we haven’t seen before, and all credits goes to him for being as ahead of his time with the found footage genre as he was. By all means. This would maybe be seen as the first Blair Witch if it got the theatrical release. And somehow it did, but only very limited at UFO conventions where the popcorn was replaced with mushrooms. But the product itself is way too sloppy and naive to be taken seriously, even back in 1989. I’d probably be more impressed if this was made in the 1950s or in the wake of Orson Welle’s radio drama The War of the Worlds. I couldn’t avoid laughing when we saw the glimpses of the aliens more closely, here played by three eight-year-olds in the most stereotypical and generic looking costumes possible. So it has its amusing entertainment value during its short runtime of 70 minutes, but mostly for the wrong reasons. The controversies behind it make it even funnier with the fact that there are UFO “experts“ even to this day in the year of 2025 who is convinced that this is 100% authentic. Because believing in aliens in the USA isn’t just a matter of believing, it’s a full-blown religion.
Dean Alioto remade the film in 1998 for the TV channel UPN, titled Alien Abduction: Incident in Lake County. It never got a physical release but can be watched on YouTube. Despite a higher budget and more professional actors, the film is even worse than the original and gives an impression that it was made just to mock the gullible minds who still refused to believe that The McPherson Tape was not real. And guess what: several UFO “experts“ actually did. Yes – again. Fool me once, fool me twice. I’d bet that the same audience got some sleepless nights after Oren Peli’s hidden space turkey Area 51 (2015) and would have no problem believing that ALF (the ’80s sitcom) was abruptly canceled with the most brutal cliffhanger because the US Government found out that he was played by an actual real alien.
Writer and director: Dean Alioto
Original title: U.F.O. Abduction
Country & year: USA, 1989
Actors: Tommy Giavocchini, Patrick Kelley, Shirly McCalla, Stacey Shulman, Christine Staples, Laura Tomas, Dean Alioto, Kay Parten, Ginny Klekker, Rose Schneider
IMDb: https://www.imdb.com/title/tt0169005/
The premiere packs the theater while the leading lady Clara refuses to leave her dressing room, gripped by internal turmoil she must finally confront.
Another Horror Short Sunday is here, and this time it’s getting gory in Apotemnofilia! Those who know what Apotemnophilia is (Body integrity dysphoria) should have a hunch what’s going to happen here..
Director: Jano Pita
Writer: Jano Pita
Country & year: Spain, 2024
Actors: Lucía Azcoitía, Michael Collis
IMDb: www.imdb.com/title/tt28686754/
This wild, crazy, silly little flick starts with an introduction of a lone trapper who calls himself the Guardian, played by some dude with schlocky old makeup that looks like dried mud. He tells us the story with a raspy Robert Englund-ish voiceover where he once upon a time came into a battle with none other than the mythical snow beast Wendigo at Manitou Island in Michigan. And this island is no joke as it has a snowy mountain shaped like a human skull. C o o l.
After he defeated the beast, he dedicated the rest of his life to protecting the world from its resurrection, like a Sentinel, if you will. And by doing so, he marks the beast’s burial ground with a circle of skulls of the victims to create a spiritual shield. Clever. But, of course, if the circle is ever broken, he’ll be reborn and more powerful than ever. So there’s no time to retire.
The Guardian is now a hundred years old and lives as a hermit in his small cabin to guard the sacred burial ground. Too bad that the old fool never thought of having a loaded shotgun, just in case. Because this is America, after all, where there’s not only Wendigos and other fairytale monsters to be highly aware of. And the ones to come here and ruin his life’s work and screw everything up, is none other than two trigger-happy hunters in the holy name of the Second Amendment. One of them, the most trigger-happy one, is played by Ron Asheton, the guitarist and co-founder of the legendary rock band The Stooges. And speaking of: the whole soundtrack is blasted with rock music from obscure artists. Because I can’t proudly say that I’ve ever heard of Elvis Hitler. No songs from Iggy Pop here, though. Anyway: They shoot one of the skulls that breaks the circle before shooting the old man.
His final words are The circle … has been … broken. The wind … whispers. Wendigo… God bless, thank for your service and rest in peace. It’s full nonstop B-movie showtime from here on as the Guardian’s body decomposes in some classic stop-motion fashion (just like we saw in the first Evil Dead from 1984) before his possessed skeleton attacks the hunters. They cut the skeleton’s head of with an axe, but then comes a big hand and grabs one of the hunters who ends up decapitated. Back on the mainland the young woman Sandy gets her beauty sleep interrupted when the ghost of the Guardian gives her a visit to pass her the torch. She gets on a plane to the island to close the circle, and her job gets more complicated when a group of drunk guys having a party in a cabin ends up conjuring the wendigo from a ghoulish shapeshifter with a wig to his full glory form.
We also have a chili stew that turns into a monster. And I should be careful with my words from here on as I drink chili beer as I’m writing this …
Frostbiter: The Wrath of the Wendigo was made sometime in the late 1980s after a group of friends got a complete life-changer after watching Evil Dead II and wanted to become filmmakers themselves. And who wouldn’t, after watching that film for the first time, whether you’re 14 or an old fart. The film collected dust for some years after Troma Entertainment finally came to the rescue and gave it a VHS distribution in 1995. In Japan, the film was released under the title Shiryo no harawata (which is simply translated as Evil Dead) to cash-in on Sam Raimi’s trilogy, in some good old shameless Italian style. The true Japanese counterpart to Evil Dead, however, was released around the same time with the colorful title Bloody Muscle Body Builder in Hell.
The love and homage to Evil Dead really shines through where they do their best to imitate the distinct loose camerawork and chaotic atmosphere. The Troma vibe is also all over the place, though, so don’t expect any creep factor. Instead we have full on dumb, silly comedy performed by a handful of enthusiastic amateur actors who obviously had a blast. The dialogues are even dumber. Fun stuff, in other words, to spend with tacos and beer on a Friday night. There’s also a lot of ambitions in the effects’ apartment with some cute miniature sets, matte paintings, prosthetic effects, and of course the Wendigo monster itself, that could be straight from a Ray Harryhausen film. Some really impressive work here, for sure, where every penny of the shoe-string budget was wisely spent. The audio mixing has some serious issues, though, as the music drowns out the dialogues. So thanks for the subtitles.
The film was recently released on Blu-ray from Vinegar Syndrome and could be conjured on, yes, you guessed it – Tubi.
Director: Tom Chaney
Writers: Tom Chaney, Rick Cioffi, Steve Quick
Country & year: USA, 1995
Actors: Ron Asheton, Lori Baker, Patrick Butler, Devlin Burton, Tom Franks, Alan Madlane, John Bussard
IMDb: https://www.imdb.com/title/tt0116371/
The pilot Petey Shelburn enters an antique shop in the hopes of getting rid of a drum-playing toy monkey, saying he wants it to be someone else’s problem. Suddenly, the toy monkey starts playing its drums, which causes a chain reaction where the shop owner gets killed. Petey on the other hand disappears, never to be heard from again. This leaves his wife, Lois, to raise their two children Hal and Bill alone. Several years later, in 1999, the two boys discover the toy monkey while going through their father’s belongings. Curious, they wind its key, and the first victim is their babysitter Annie. They realize that the toy monkey caused it for some reason, and when Hal gets tired of Bill’s constant bullying he decides to wind up the toy once again in the hopes it will kill his brother. Instead, their mother suffers a sudden aneurysm and dies as soon as Bill comes home. Obviously, the monkey doesn’t take orders. Hal chops the toy in pieces, and disposes of it before they move to their aunt Ida and uncle Chip. There, the monkey reappears and another death ensues. The brothers then decide to try a final attempt of getting rid of it by sealing it inside a box and throwing it into a well. And, well…according to the law of horror stories, nothing that is cast into a well will remain hidden forever. Twenty-five years later, Hal is estranged from his brother and barely has any contact with his son Petey. Then, Bill suddenly calls because he thinks the monkey is back.
The Monkey is a comedy horror movie written and directed by Osgood Perkins, and is loosely based on a short story from 1980 by Stephen King. Originally, Frank Darabont (director of The Mist from 2007) held the film rights to this story, but the project never materialized.
We’ve come to know Osgood Perkins as the master of atmospheric slow-burn horror movies (with his debut The Blackcoat’s Daughter and last year’s hit Longlegs), and this time he wanted to try something completely different. Perkins wanted to give the film comedic elements because he thought it was more fitting for a film about a killer toy:
“I took liberties like a motherfucker. They [Atomic Monster] had a very serious script. Very serious. I felt it was too serious, and I told them: ‘This doesn’t work for me. The thing with this toy monkey is that the people around it all die in insane ways. So, I thought: Well, I’m an expert on that.’ Both my parents died in insane, headline-making ways. I spent a lot of my life recovering from tragedy, feeling quite bad. It all seemed inherently unfair. You personalize the grief: ‘Why is this happening to me?’ But I’m older now and you realize this shit happens to everyone. Everyone dies. Sometimes in their sleep, sometimes in truly insane ways, like I experienced. But everyone dies. And I thought maybe the best way to approach that insane notion is with a smile.”
While the film does have a lot of the moody visuals which is identifiable in Perkins’s earlier works, the suspense is unfortunately lacking so it all feels a little misplaced. There isn’t really any actual tension here, and the kills are mostly setup as pure jokes. Nothing wrong with that, but it gets a bit repetitive, and the comedy parts fall a little flat for me and gives a feeling of trying a little too hard which just makes it stumble. I’ll admit I did like the design of the monkey toy itself, it’s similar enough to the original toy with cymbals (the Jolly Chimp from the 1930s) while giving it a slightly ominous flair without going over the top (like with the Annabelle doll). I can easily imagine that it would have worked pretty well in a more serious movie, too. In many ways, I think this movie is a little reminiscent of movies like Wish Upon, with a dose of Final Destination. It’s kind of silly, kind of gory, and never tries to fool you into taking any of it seriously. The premise itself is of course totally bananas: a toy monkey causing someone to die every time it’s playing the drums. It was also fun to see some well-known faces throughout the movie. Also fun to see Perkins himself playing a minor role here, as the eccentric uncle Chip.
Granted, The Monkey isn’t any masterpiece, but there’s no doubt that it’s still granted a success. The film has already grossed $20 million against a budget of $10-11 million. Not much of a surprise when keeping the success of Longlegs from last year in mind (although these two films can barely be compared), and the trailer for The Monkey got millions of views.
My verdict? The Monkey is a movie where the kills are the most entertaining and fun part, and the movie is best enjoyed when turning off your brain completely and not expecting anything similar to what Perkins has made earlier. I’m fine with him wanting to do some monkeying around for a change, but I also personally hope that we’ll see more of his slow-burn atmospheric horror movies in the future.
Writer and director: Oz Perkins
Country & year: USA/UK/Canada, 2025
Actors: Theo James, Tatiana Maslany, Christian Convery, Colin O’Brien, Elijah Wood, Rohan Campbell, Sarah Levy, Osgood Perkins, Tess Degenstein, Danica Dreyer, Beatrix Perkins, Kingston Chan
IMDb: https://www.imdb.com/title/tt27714946/
When unemployed Emma starts dating the poltergeist who haunts her flat, she struggles to resolve her impending eviction with the ghost’s ever increasing possessiveness.
Horror Short Sunday again, and this time we have taken a look at Pablo Honey where a woman is having a difficult relationship with a ghost. That is, until she finds a way to make everything better..
Director: Jamie Yuan
Writer: Jamie Yuan
Country & year: UK, 2023
Actors: Charles Craddock, Christopher Dunne, Lindsey Santoro
IMDb: www.imdb.com/title/tt23835266/
Elena Peters is a teenager who goes to a party with friends. Upon seeing her boyfriend making out with another girl, she needs some space and ends up in an isolated room, where she finds a wooden trunk. Someone is inside, and when she opens it, Arkin (from the first movie The Collector) is released. This sets off a bunch of deadly booby traps, and Elena’s friends and a lot of the other party-people are killed left and right, while The Collector watches it all unfold until he kidnaps Elena for his collection. Arkin, on the other hand, manages to escape by jumping out of a window which causes him to break his arm. At the hospital, he is happy to learn that his wife and daughter are safe, but also learns that Elena has a wealthy father who has hired a team of mercenaries to hunt down The Collector. Arkin is the only known survivor that has been to The Collector’s place, and the mercenaries wants him to join them. They end up at an abandoned hotel, where everything is of course booby-trapped from top to bottom and we finally get to see some of The Collector’s collection…
The Collection is a horror film from 2012, the sequel of the 2009 film The Collector. Once again directed by Marcus Dunstan and co-written with Patrick Melton, the movie follows the story very much immediately after the end of the first one. The movie opens with a scene that, while it doesn’t surpass it, reminds me a bit of the opening scene in Ghost Ship (2002). This gives everything an even more over-the-top energy, and The Collector suddenly goes from a smart and sadistic serial killer to an outright Batman/Superhero-type villain. It’s just a bit too excessive to be especially believable, but who the fuck cares. Now it’s time for some non-stop gore action, and the serial killer’s domain are giving off more Saw-vibes than ever. The traps and conceptions inside the hotel always lead to gruesome deaths, and we also get to see some of The Collector’s displays…let’s just say it’s not only bugs that are inside those exhibits.
There are also a few horror references as well here, like the abandoned hotel which is called “Hotel Argento“ (obviously a nod to Dario Argento), and the mannequins in the hotel were also a nod to Maniac (1980).
Overall, The Collection is a fun gore-filled time which is a pretty decent sequel to the first movie, and just like the first it doesn’t require too many brain cells to watch. Sure, in some ways there are things that feel even more over-the-top and nonsensical than the first, but whatever. It’s a brainless serial-killer-villain gore ride, and works perfectly fine for what it is. The movie does end with quite the cliffhanger, so let’s hope that the third installment gets out of development hell soon. Because, yes, there is a third film underway, but it’s one that’s been going through a ton of setbacks: ever since announcing the third film in 2012, which will have the title The Collected, everything have moved at a snail’s pace and gotten one setback after the other. In 2019 a poster was unveiled, and filming began on September 23, 2019. Then, after eight days of filming, the production was unexpectedly shut down, with plans of starting up again in late October. Nope, didn’t happen. Then, it was said it would begin in 2021, but again no such luck. In April 2021, Dunstan claimed that props had been stolen from the set, and on top of that, he does not have the rights to the film so he couldn’t finish it on his own. And then, in 2022, it was reported that the production had been delayed but not cancelled, and finally in 2024 Dunstan revealed it’s in development. Damn, what a mess. So we’ll just have to cross our fingers and wait and see, hopefully we’ll get the third (and perhaps final) entry so this will be a pretty good trilogy.
Director: Marcus Dunstan
Writers: Patrick Melton, Marcus Dunstan
Country & year: USA, 2012
Actors: Josh Stewart, Emma Fitzpatrick, Christopher McDonald, Lee Tergesen, Tim Griffin, Andre Royo, Randall Archer, Shannon Kane, Brandon Molale, Erin Way, Johanna Braddy, Michael Nardelli
IMDb: https://www.imdb.com/title/tt1748227/
Prequel: The Collector (2009)
Arkin O´Brien is a handyman who is working for the Chase family. He’s a former convict, and his wife is in debt to loan sharks who wants to get paid due by midnight. Arkin then desperately makes a plan: he decides to steal a valuable ruby from the Chase home. After all, the family was going on a vacation so the house would be empty, so this would be like stealing candy from a baby, right? No such luck, though. While there, he finds that someone else got there before him, and they’re not after the ruby or any other valuables…he sees the father of the family getting dragged down into the basement by a masked man. Not only that, but when Arkin tries to call 911, he discovers that the entire house has been booby-trapped and rigged with all kinds of deadly devices. Even the windows have been boarded up and lined with razors. When he finds out that the entire Chase family has been captured by this masked madman, he discovers that the little girl of the family has been able to hide. He decides to try and save her, despite feeling like a fly trapped in a spider’s dangerous net.
The Collector is a horror film from 2009, written by Patrick Melton and Marcus Dunstan, and directed by Dunstan. The original script was titled The Midnight Man, and was actually at one point considered a spin-off prequel to the Saw franchise as some kind of origin story of Jigsaw. Fortunately, as this movie stands very well on its own, this idea was dismissed by the producers and the script was re-written into an original story.
Despite the re-write of the script, the Saw/Jigsaw-esque traps are very prominent throughout the movie, and they are always sadistic and inventive. I also find the spider-like appearance and antics of the masked man to be quite enjoyable, making him stand out a bit from the all too generic slasher/serial killer villain by giving him some features of his very own. His victims are trapped in his spiderweb, so to speak, and you just gotta admire how the guy manages to put the most elaborate traps all over the place in no time. It’s like Kevin from Home Alone grew up to be a serial killer.
The kills are brutal and gory, delivering plenty of graphic moments. The serial killer comes off as mysterious and pretty creepy, with no background story or any actual motive or reasoning behind what he does. We do realize there is some kind of fascination towards bugs or especially spiders (there are also several spider shots throughout the film), and the black glowing contact lenses he appears to be using which makes his face appear more bug-like. He “collects“ one from each of his killing sprees, but for what reason, we can (at least for now) just speculate. In this movie the character was played by Juan Fernández.
While The Collector is, overall, a pretty fun time, you can’t really help but noticing a few puzzling and nonsensical things regarding the killer. Why take everything to such great lengths by booby-trapping the entire home, when he’d already captured the family and had them tied up? It wasn’t like he expected any visitors. Not to mention how fast he could put up all those traps…but hey, all of that is nitpicking for a movie that doesn’t really take itself all too serious to begin with. It is a fun home invasion/serial killer thriller, with a bit of Saw meets Home Alone.
Director: Marcus Dunstan
Writers: Patrick Melton, Marcus Dunstan
Country & year: USA, 2009
Actors: William Prael, Diane Ayala Goldner, Juan Fernández, Josh Stewart, Michael Reilly Burke, Andrea Roth, Karley Scott Collins, Madeline Zima, Haley Pullos, Daniella Alonso
IMDb: https://www.imdb.com/title/tt0844479/
Sequel: The Collection (2012)
A mailman develops a dangerous obsession with a pregnant woman on his mailroute and goes to extreme lengths to prove his love.
It’s another Horror Short Sunday, and now we have taken a look at Model Citizen, where a lovestruck and obsessed mailman takes things a bit too far..
Director: Rachael Dahl
Writer: Rachael Dahl
Country & year: USA, 2024
Actors: Travis Hammer, Katie Michels, Ronin Lee, Marilyn Brett, Steven Kreitenberg, Daniel James Tipton, Giosué Bottini, Mitchell Aidan, Riley Davis
IMDb: www.imdb.com/title/tt35310909/
