Based on the stories of acclaimed horror author, Thomas Ligotti. A troubled man recounts a strange childhood journey to a town with no name.
In a Foreign Town gives us an atmospheric and creepy little story about a man troubled by a memory from his youth, one that has haunted him ever since…
Director: Michael Shlain
Country & year: USA, 2018
Actors: Yuri Lowenthal, Tony Amendola, Strange Dave, Jack McGraw, David Rees Snell, Adam Tomei
IMDb: www.imdb.com/title/tt8717066/
We’re told that a radioactive slime from the moon has found its way to Earth from a space shuttle that plunges into the sea near the coast of Denmark, and infects humans and turn them into murderous mutants. One of them, with a head that looks like a rotten potato, brutally kills a random couple who are having a picnic by the beach. And after this quick opening, we have basically seen the whole movie in a nutshell which oozes of zero budget and amateur hour all the way. We then get introduced to some guy who is on his way to a campsite near the radioactive area where he has rented a trailer for the summer. We can assume that this is the film’s protagonist, but he’s more like another random dude who likes to sniff at women’s panties while jerking off. And … uhm, well…
… what more should one really say when there’s basically no plot to summarize. “Denmark’s answer to Plan 9 From Outer Space” it says on the DVD cover. It’s more like Bad Taste meets Violent Shit in a septic tank.
The film looks like pure shit, like as if the camera lens was rubbed with a layer of piss and puke before every shot, just to make the visuals as ugly as possible. I can assume that the green filter, or whatever it is, is supposed to illustrate the toxic radioactivity, but it doesn’t take long before it hurts your eyes. Don’t watch this on a big screen, just trust me on that one. We also get some goofy out-of-sync dubbing, Zombie ’90-style, and amateur actors from the bottom of the barrel who probably haven’t been in front of a camera before or since Grotesk. The effects are cheap and cheesy, the micro-budget standard one would expect. Then we have one of the movie props, which is supposed to be some kind of tracking device from the military, which is made out of a cardboard box. Yeah, really. It’s so retarded to the point that you get the impression that the film was either made bad intentionally, or by some twelve-year olds with their dads, moms and creepy uncles in the roles, but I’m not so sure.
And what else..? Not much, and I think you know by now exactly if this is your thing or not. But with the short running time of approx. 1 hour, it’s a cheesy fun-bad movie that doesn’t require too much of your time (or your brain cells). You can find the DVD from Another World Entertainment after a quick search on eBay.
Director: Peter J. Bonneman
Country & year: Denmark, 2015
Actors: Heine Sørensen, Jørgen Gjerstrup, Mai Sydendahl, Jack Jensen, Justin Metzger, Mai Edelgaard, Rune Jacobsen, Kim Kofod, Rune Dybdahl, Frederik Tolstrup, Jens Kofoed, Natasha Joubert
IMDb: https://www.imdb.com/title/tt4418130/
A lonely man on a farm collects the corpses of dead animals, find out his shocking intentions in this fantasy short inspired by the tales of real-life physician John Harries (1785 – 1839), a ‘Cunning Man’ notorious for using folklore magic.
The Cunning Man is a nice little horror short about a “cunning man” (a cunning man or woman are practitioners of folk medicine and folk magic).
Director: Zoe Dobson
Country & year: UK, 2019
Actors: Simon Armstrong, Ali Cook, Ian Kelly, Charlotte Jo Hanbury
IMDb: www.imdb.com/title/tt10280634/
Miles Grissom (Clark Freeman) is a man who struggles with an intense fear of dying, ever since he at the age of three watched his father die in a car accident. His anxiety is so severe that he won’t drive a car, will barely leave his apartment, and suffers from night terrors. In a desperate attempt to get rid of his fears, he places an advert in a newspaper, offering 30.000 dollars to whoever can show him evidence that we go on after our deaths. When his mother finds out about his advert, she scoffs and mocks him, telling him he will never get anything except a lot of kook calls. And, well…he does have to go through a bunch of videos from people who are either clearly insane, or clearly fraudsters. After a lot of work (with a bit of help from mommy) he narrows down the responses to three candidates: a scientist, a medium, and a wordly entrepreneur. Will any of them bring him definite proof of life after death? And if that happens…will he really get the peace he’s longing for?
We Go On does have a pretty interesting concept, and offers up an original little ghost story. How many people haven’t wanted proof of life after death, or proof of ghosts? Despite tons of existing “footage”, consisting of a plethora of photos and videos of so-called “ghosts”, there’s no actual proof of anything as of yet. I mean, just look up some of the “scary videos” on YouTube…it’s so easy to fake all kinds of things on a photo these days, and with modern technology it’s no problem to show off so-called “proof” of ghosts or bigfoots or whatever the heck you want on videos as well. People have, for centuries, gotten a kick out of faking supernatural goings-on, whether it be for pure personal enjoyment or financial gain. And if someone really did have actual proof…among all the faked photos and videos out there…how would anyone actually be able to notice the difference? No one would, most likely. But despite all the fakery, death has always been one of our greatest mysteries and people have always wondered what happens after we die. While there are those who are content with thinking that we’ll just wither and die like other living creatures, not worrying much about any so-called “afterlife”…there’s also many who simply can’t come to terms with something like that, refusing to think that death can be the end. In fact, the fear of death can be quite severe for some, and it’s called “Thanatophobia”. Our protagonist in We Go On suffers clearly from this, and it’s pretty much destroying his life by making him so afraid of death that he can’t fully live (ironic, right?).
As we follow Miles in his search for proof of life after death, it’s both a bit exciting and amusing to witness all the examples of crazy people and scam attempts he’s becoming a victim to. If a guy offers 30.000 dollars for so-called proof of ghosts, why not just put up some theatrics and hope he’ll swallow hook, line and sinker, right? Well, thank goodness his quick-witted mother demanded to come along on his journey, otherwise he’d lose that money pretty quickly to one of the fraudsters.
I think it’s best not to explain too much about what happens throughout, as it’s better to view it without knowing too much. What I can say is that there are some scenes that are genuinely creepy. It also gives some twists and turns along the ride, which is what keeps your interest up. Albeit a little slow, it does work as an effective little chiller.
Directors: Jesse Holland, Andy Mitton
Country & year: USA, 2016
Actors: Annette O’Toole, Clark Freeman, John Glover, Giovanna Zacarías, Laura Heisler, Jay Dunn, Dwight Augustin, David Bickford, David Bickford, Norio Chalico, Tony Devon, Cassidy Freeman, Edwin Garcia II, Tom Harrington, Clem Jeffreys
IMDb: www.imdb.com/title/tt3904278/
A woman awakens from a horrible nightmare. But, the nightmare is real. Trapped within a decrepit, run-down motel, the woman begins to piece together the horror she faces, only for creaking doors, broken glass, a rifle and a fateful encounter in the backseat of her car to bring her face-to-face with a monster from hell.
Inferno is a creepy horror short where a woman is hunted by a demonic entity.
Director: Bishal Dutta
Country & year: USA, 2019
Actors: Taylor Cloyes, Craig Ng
IMDb: www.imdb.com/title/tt10988950/
We are in Giza, Egypt, where the archaeologist George finds a stone tablet with mysterious writings which he believes is the answer to an ancient riddle that is linked to the tomb nearby. He enters the tomb with a guide who falls right into one of the traps with spikes, while George is attacked by dark forces that shoot two cheesy neon-laser beams in his eyes, which makes him temporarily blind. At the same time his wife and daughter are tourists in the local area, where Susie meets a mysterious blind lady who offers her to buy an antique amulet before she cryptically says “tombs are for the dead” and disappears into thin air like a ghost.
Then we cut back home in Manhattan, New York, in an apartment complex where we are introduced to Susie’s annoying little brother, Tommy (most known as Bob from (The House By the Cemetery). The amulet is around Susie’s neck, which soon turns out to be a cursed object (who could ever imagine), and lots of weird things start to happen. The apartment transforms into some kind of warp zone that teleports people to the desert area we saw in the beginning, and things such as scorpions, poisonous snakes and desert sand appears in the apartment while Susie loses her mind and gets possessed by the dark forces of the amulet.
And we also get a completely random scene were some random dude falls through an elevator floor. Just because.
As mentioned, the blonde kid from The House by the Cemetery shows up, with far more screentime and dialogues. Uh-oh. And if you thought his dubbing was bad in the aforementioned film, they managed to fuck it up even worse here, believe it or not. I laughed and chuckled every time he opened his mouth, but since the film itself is an incoherent goofball which is hard to take seriously anyway, it didn’t ruin or distract my attention from anything, really. So, yeah, Manhattan Baby is clearly one of Lucio Fulci’s weaker films when it comes to tone, pacing and…well, the absent of any logic when it’s actually needed. It isn’t totally hopeless, though, and just to repeat myself as I always do when I’m talking about a Fulci film, it has some great qualities among the cheesyness. The horror elements sticks out with some gory scenes, as always, with the highlight being a scene with some attacking stuffed birds (with the wires clearly visible). There’s a great soundtrack, competent camerawork, and a dose of atmosphere. I especially liked the Egyptian scenes which are beautifully shot. And of course there’s no Fulci film without a countless use of obsessive eyes-close-ups.
Director: Lucio Fulci
Country & year: Italy, 1982
Actors: Christopher Connelly, Laura Lenzi, Brigitta Boccoli, Giovanni Frezza, Cinzia de Ponti, Cosimo Cinieri, Andrea Bosic, Carlo De Mejo, Enzo Marino Bellanich, Mario Moretti, Lucio Fulci, Tonino Pulci
IMDb: www.imdb.com/title/tt0084298/
A creepy picture plays with the fear of a woman. Maybe, there is a connection between the girl in the picture and the woman who tries to find out the secret behind the glass.
Pictured is one of David F. Sandberg’s earlier horror shorts (one he made right after the Lights Out short). Just like his other horror shorts, the concept is simple but still effectively creepy!
Director: David F. Sandberg
Country & year: USA, 2014
Actors: Lotta Losten, Hanna Johansson
IMDb: www.imdb.com/title/tt3912408/
We’re in the 1980s somewhere in the Norwegian forests, where the young couple Rebecca and Thomas are on a car trip. They run over a dog, and assume that the owner lives in the old victorian-styled hotel not so far away. Rebecca takes on the task to enter the hotel, which seems to be abandoned at first glance. But a horde of zombies suddenly show up, with the transsexual zombie-hotel owner itself Mor Monsen (Mother Monsen). This is not really happening, by the way, we are at the beginning of a clunky student film called “De Døde Våkner” (The Dead Awakens) and we get a series of behind-the-scenes footage that documents the film shooting, that goes from chaotic to the brink of disaster, and a showcase of how the film industry may not be as glamorous as one might think.
We meet the insecure director Julie Lundgreen with a big ego who has her script carved in stone, and is constantly in a protecting mode of “her vision” while the film’s main character, Rebecca, played by Iben Akarlie, is a feminist who tries to persuade the director to skip the scene where she has a threesome with two zombies. Nearly everyone are obviously amateurs, and gets really starstruck when they hear that the veteran Dennis Storhøi, which is one of the biggest movie stars from Norway, will play the role of the transsexual zombie. It does not take long before he starts fighting with the film crew and makes the director cry, and realizes that this is way too amateurish for a serious movie star like him, while he strongly misses the good ole’ days. So what else can go wrong here? Of course, a meteor strikes right next to the filming location, that could have been something straight from Alien, and someone is stupid enough to stick his hand in it. Not a good idea..
So what exactly is this? Drama? Comedy? Horror? All of the three, I would say, plus some turbulent relationship drama and how crazy you have to be to make a film with a low budget, little resources and zero experience. Meta-film, as it is called, although it is more in the mockumentary territory with a clear inspiration from The Blair Witch Project. The Japanese One Cut of the Dead also comes to mind even though this is a completely different beast. This is far from a traditional horror film, and in fact the first of its kind that has been made in Norway which puts it in a unique light. The monster scenes are placed in the back seat where the focus is mostly on the chaotic film-making, which may be a disappointment for some. What makes the film work so well is the dysfunctional relationship between the characters, and surprisingly good acting with dialogues and a dynamic that seem both organic and natural, while the line between fiction and reality gets somewhat unclear.
There are many fun moments here, especially the scenes where the stressed director goes into full Stanley Kubrick mode and wears out the actors with an x-number of takes till they act badly just on purpose to taunt her. And Dennis Storhøi as the more eccentric version of himself made me laugh several times. Unlike the role he plays, he seems to really have a blast in Project Z and is one of the main reasons I will re-watch this movie several times. The only thing that does not work as well, is the ending, which seemed a bit anti-climatic.
Technically, the film looks really good. It’s limited with shaky-cam, which is a plus, and the aesthetic with the victorian-like surroundings gets a lot of room to shine, thanks to steady cinematography by Oskar Dahlsbakken, the brother of the director, Henrik Martin Dahlsbakken. The older audiences will also appreciate the fact that “The Dead Awakens” segments are filmed in the old-school way at 35mm, while the documentary is shot digitally in various formats. Considering that director Dahlsbakken can make two films a year, completely independently and outside the studio system, one could expect some direct-to-DVD cheapness, but it’s surprisingly competent. And the guy seems to have a good sense of humor and the ability to mix genres without it getting muddy. So yeah, it will be interesting to see what he does next. And as we speak he is already in post-production with his next horror film titled “Possession” which seems to go in a far more serious direction. I’m already excited.
Director: Henrik Martin Dahlsbakken
Country & year: Norway, 2021
Actors: Eili Harboe, Vebjørn Enger, Iben Akerlie, Dennis Storhøi, Ole Christoffer Ertvaag, Alfred Ekker Strande, Regina Tucker, Jonis Josef, Arthur Berning, Alexandra Gjerpen, Laila Goody, Benjamin Helstad
IMDb: www.imdb.com/title/tt11444644/
The Clockwork Elves could be a pyschotropic exploration of spirituality and death – or it could be a tale of a little goofball hopped up on goofballs.
The Clockwork Elves is a beautiful yet bizarre animated short by Nick Cross, which he made over a span of about 7 years. Warning: Contains flashing imagery.
Director: Nick Cross
Country & year: USA, 2020
IMDb: www.imdb.com/title/tt13691444/
On an isolated farm in a rural town, an old man is lying in his deathbed. As he is slowly dying, his children (Louise and Michael) visit their homestead to mourn, despite their mother’s warning that they should not have come…a warning that she never really explain and thus it’s bound to go unheeded, of course. When the night comes, their mother starts behaving strangely, and after cutting off her fingers in the kitchen she hangs herself in the barn. Despite the shocking reveal for Louise and Michael the next day when they find her, they still decide to stay in the house in order to look after their dying father. However, when the home nurse confides in them that she overheard their mother whispering to what seemed to be some other presence in the room, they start to understand more about what really happened to their mother. After finding her diary, they read that their mother believed a supernatural entity was after their father’s soul, and soon they also experience the sinister ways of the wicked presence that tries to take over the family.
The Dark and The Wicked is a supernatural horror movie directed by Bryan Bertino, who previously directed The Strangers (2008) and The Monster (2016). Right from the get-go you realize that this is going to be a film that focuses on atmosphere, and there’s a trepidation of what to come. And yes, what comes is really dark and wicked indeed.
The Dark and The Wicked really does delve into nightmarish territory, and it’s a fun fact that Bertino actually shot the film in his own hometown in Texas, at his parents’ own farm. In order to enhance the feeling of isolation and creeping dread, the remote rural surroundings are perfect for this purpose. The family dynamic is strained, riddled with guilt and suppressed feelings, and it reminded me a bit of the same feeling of growing anticipation that I experienced during The Relic. It’s an emotionally driven story of a family that find themselves trapped in the net of something that slowly gets closer and closer to its goal. The siblings have been estranged from their parents for quite a while, rarely visiting them and thus feeling shame and guilt now that their father is lying in his deathbed. This also explains why they’re not heeding their mother’s warnings, and since they’ve had so little contact over the years they just believe she went insane. But, after one terrifying event after the other, the siblings eventually realize that their mother wasn’t just crazy, there really is a malevolent force coming, and it’s hungry for a soul.
The movie is doing an excellent job on being outright creepy, and there are more than a few scenes that are grotesque and stomach-churning, heightened with solid performances. In the end, though, there are a few questions unanswered, and the story feels a bit lacking at times where there’s more focus on the actual experiences the siblings have in their old family home, rather than any explanations for why it is happening or how it came to be like this. Also, the ending feels a bit…abrupt? However, with such a creepy and unsettling atmosphere with some very effective scenes, it’s bound to please those who want something…well, dark and wicked to watch.
Directors: Bryan Bertino
Country & year: USA, 2020
Actors: Marin Ireland, Michael Abbott Jr., Julie Oliver-Touchstone, Lynn Andrews, Tom Nowicki, Michael Zagst, Xander Berkeley, Charles Jonathan Trott, Ella Ballentine, Mel Cowan, Mindy Raymond, Chris Doubek
IMDb: www.imdb.com/title/tt10229558/
