A sister (Becky) and brother (Cal) is driving close by a vast field area of tall grass in the middle of Kansas. She is pregnant, and they stop by a deserted church because she’s gotten a bit carsick. There, they hear a young boy’s cry for help from the tall grass, claiming he’s lost and cannot find his way out. They both go in there to save him, but ends up finding themselves lost as well. Something is not right about that vast field of tall grass…and something evil is lurking within.
In The Tall Grass is based on a novella by Stephen King and his son Joe Hill. A father & son collaboration, in other words. The director is Vincenzo Natali (director of Cube from 1997, Splice from 2009, and among many other things he’s also been directing some of the episodes in the Locke & Key TV Series). This movie is available on Netflix, and was released on October 4th. This makes it the third Stephen King original on Netflix (the other two includes 1922 and Gerald’s Game).
The film starts off pretty interesting. and for those familiar with more of Stephen King’s work, Children of The Corn is easily coming to mind. This story has nothing to do with that, however, and instead throws the characters into a never-ending green maze. There they meet the boy and his parents (the father played by Patrick Wilson), and they all find themselves stuck in a Groundhog Day-like time-loop, in an ever expanding maze of tall grass.
There’s no denying that the first part of the movie is the best, and there’s especially one scene in particular that comes to mind when the movie is building the atmosphere and tension: where Becky and Cal tries jumping in the tall grass to see each other’s arms reaching above it, in order to try locating each other. Upon their second jump, just a few seconds later, they see the distance between them has grown considerably…despite none of them having moved an inch. This tells us early on that there’s something totally wrong with the maze of tall grass, and that there’s no easy way out of there.
In The Tall Grass is pretty far from a flawless movie, where there’s very little of an actual plot which makes it feel a bit shallow. There isn’t much of an explanation either…there’s some hints as to what the area is, but nothing properly explained or delved into. The area around the church is filled with other cars, giving us a hint that a lot of people have gone missing there for quite a while…but not much of anything is really revealed. It’s prone to confuse you more than scare you…and it’s definitely not a movie for everyone. That being said, it is still entertaining, atmospheric and visually strong. Hopefully it won’t be the last Netflix original featuring Stephen King / Joe Hill based movies.
Director: Vincenzo Natali
Country & year: Canada, 2019
Actors: Laysla De Oliveira, Avery Whitted, Patrick Wilson, Will Buie Jr., Harrison Gilbertson, Tiffany Helm, Rachel Wilson
IMDb: www.imdb.com/title/tt4687108/
Dana is going out for a run, but what should have been a normal morning ends with disaster when she is hit by a car and winds up confined to a hospital bed. Bruised and broken, with a breathing tube down her neck, no ability to speak (she must use a “speak and spell” device in order to communicate), and no ability to move, she’s totally helpless. And then, when things couldn’t possibly get any worse, what appears to be a malevolent spirit starts haunting her hospital room, and tries to kill her. When everyone believes she’s just having a mental breakdown, Dana struggles to find out who the spirit is, and why it is haunting her.
Charlie (Chad Lowe) and his girlfriend Rachel (Kristy Swanson) is on their way to Las Vegas to get married. On the road they take a detour and stop by a gas station, where the owner Sam warns them about two Joshua trees and not driving while falling asleep… eh, okay, thanks for the warning. Bye. While they drive past one of the aforementioned Joshua trees, they’re pulled over by a police car. Little do they know that they’ll encounter the notorious Sgt. Bedlam Hellcop: a scarred big dude with some obscure biblical text inscribed on his face, who kidnaps young virgins to take them to Hell and hands them over to Satan.
It’s now been 27 years since “The Losers Club” had their first and terrifying encounter with the child-eating entity Pennywise. They have all moved on with their lives, and away from Derry and its awful memories. With the exception of Mike, the only one of them who stayed behind. When Mike starts noticing the tell-tale signs of their enemy being back again from its hibernation, he gives his old friends a phone call. They made a promise 27 years ago…that when It returned, they would get back together and end it once and for all.
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It’s 1989 in Derry, a small Maine town. A group of bullied kids who calls themselves “The Losers Club” experience frightening things when a creepy clown named Pennywise starts terrorizing the little town. Children go missing, and the kids band together in the hopes of destroying the creature.
It’s a regular day at the Blue Ribbon Laundry service, run by the tyrant Bill Gartley (Robert Englund), where the employees are almost treated like worthless slaves under horrendous working conditions. One of the workers, Sherry, cuts her hand on a clamp connected to the laundry press, causing her to spill some blood over the machine. This somehow awakens a demonic force inside the the mangler. Yes, we’re talking about a demon-possessed laundry machine (!) It goes from bad to worse when one of the elderly workers drops her pills on the mangler, and tries to collect them. Bad idea. Her hand is getting trapped by the machine, and her entire body is rolled into the mangler and spews her out like a big pile of shit. What a way to go. It’s one of those scenes where someone makes so incredibly dumb decisions that you just can’t feel sorry for them. But yummy for the mangler, I guess.