british horror movies – Page 4

Censor (2021)

Posted on October 12, 2021July 15, 2024 by HorrorGhouls

Enid works as a film censor, and her daily life includes watching some truly brutal and gory movies, choosing what is acceptable for the audience to handle and what should be banned completely. One day she views a movie that makes her believe she can finally solve the mystery of her sister’s disappearance, and she embarks on a quest that blurs the line between what is real and what is not.

Censor is a slightly weird little horror movie set in the era of the Video Nasties. If you’re not aware, a “Video Nasty” is a term for movies that were deemed too brutal and inappropriate for people to watch, by the National Viewers’ and Listeners’ Association (NVALA) in the United Kingdom. These movies were typically low-budget horror and exploitation films, often heavily criticized for being too violent and for “influencing” people to commit crimes. These days, most of us have (hopefully) realized that media, whether it be movies, games, music, books or comics, cannot be blamed for people’s crimes…but back in those days, in what could probably be best described as some kind of moral panic, they literally thought that movies like this could cause an increase in crime.

The idea of a censor, watching tons of material that includes brutal and gruesome things, going bonkers him/herself in the end, is an idea that has already been wonderfully exploited in Sweden’s Evil Ed. Censor isn’t some kind of Evil Edna or anything like that, however…instead, it presents a surreal and creepy downwards spiraling experience of a woman whose trauma manifests and ultimately consumes her.

Visually, there’s a lot of nice things to rest your eyes on during the film. Many scenes blends the surrealism with a great use of lighting and colors, making it vibrant and eerie at the same time. Enid’s character is also well put together, coming off as a strong woman who doesn’t even flinch at the grotesque scenes she is witnessing at her job, but instead makes calculated notes about what can be kept and what needs to go, might even be considered a little bit prudish. But the trauma of her sister’s disappearance is always lurking underneath the surface, just waiting to break out into the open. And there is one film she watches that actually opens the crack, which is called Don’t Go in the Church. Enid becomes convinced that one of the actresses is her missing sister, and she becomes hell-bent on finding her. What she really finds is true madness instead.

Censor is not a film for everyone, and if you expect another Evil Ed you will probably be disappointed. It is, however, a strangely bizarre and enthralling experience.

Director: Prano Bailey-Bond
Country & year: UK, 2021
Actors: Niamh Algar, Michael Smiley, Nicholas Burns, Vincent Franklin, Sophia La Porta, Sophia La Porta, Clare Holman, Andrew Havill, Felicity Montagu, Danny Lee Wynter, Clare Perkins, Guillaume Delaunay, Richard Glover, Erin Shanagher, Beau Gadsdon
IMDb: www.imdb.com/title/tt10329614/

Host (2020)

Posted on February 26, 2021September 12, 2024 by HorrorGhouls

Six friends want to have some fun during the lockdown, and decide to hire a medium in order to hold a seance via Zoom. At first it’s all fun and giggles, where several of the participants struggle to keep a straight face. However, they soon realize they’ve unleashed something that might take their lives.

Host is a horror movie made during the pandemic, and decides to use this as an advantage in order to make a short but effective chiller. The usage of computer screen-based storytelling has been done before (like in Unfriended from 2014 and the mystery thriller Searching from 2018), and just like the aforementioned movies it works pretty well in order to portray a modern and realistic take on how the majority of people of today tend to communicate, especially now when social distancing has put restrictions on how and when we can interact with each other. Screen-based interactions with other people is just the way many people now communicate, and we see this put well into effect during Host. The concept behind this movie is even more relatable today, when physical meetings are difficult or even out of the question, which means that services where you can interact with each other online is used by pretty much anyone these days (including lawyers, who are not able to turn off their cat filter…)

With a runtime of only 57 minutes, it uses every minute effectively in order to build up the tension and keep the viewer in suspense. It also uses the real names of the actors, and I suppose this helped with keeping the performances more natural and authentic. In fact, I think that keeping it down to barely an hour is an excellent choice, instead of stretching it out unnecessarily just to fit into a more typical feature length. It really does all it can with its limitations, and the result is one of the most effective horror movies released in recent times. While having a somewhat minimalist approach, it manages to pull certain scenes off in a way that is actually pretty scary at times. The characters are reacting to what is happening to them in a believable way, and it becomes relatable, and therein lies the movie’s biggest strength I guess: how the timing, considered the pandemic and forced isolation, gives the entire premise an added feeling of something that hits close to home.

The DVD also included a “behind the scenes” short where they meet up (just like in the movie) to have a seance through Zoom. Nothing really scary happened here, of course, but it was fun to watch nonetheless.

Directors: Rob Savage
Country & year: UK, 2020
Actors:Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward, Alan Emrys, Patrick Ward, Edward Linard, Jinny Lofthouse, Seylan Baxter, Jack Brydon, James Swanton
IMDb: www.imdb.com/title/tt12749596/

The Skull (1965)

Posted on October 8, 2020September 19, 2023 by HorrorGhouls

Dr. Maitland is collecting esoterica, and one day the guy who is his regular source of such items offers him a skull that is supposedly the remains of Marquis de Sade. He soon discovers that the skull is possessed by an evil spirit who turns people into crazed killers.

The Marquis de Sade was a French nobleman born in 1740, and even those who don’t know about him will most likely know the words derived from his name: sadism and sadist. He wrote several novels, plays, and short stories, and is most known for his erotic works depicting sexual fantasies with a strong focus on violence. The Marquis became infamous due to his sexual crimes and abuse against young men, women, and even children. He was arrested and imprisoned multiple times, including in the Château de Vincennes, where he successfully appealed his death sentence. There, he remained imprisoned (despite an escape attempt). During the rest of his life he resumed to his writing, and during the last four years of his life (until his death in 1814) he began a sexual relationship with 14 year old Madeleine LeClerc, daughter of an employee at Charenton. After his burial, his skull was removed from his grave for phrenological examination. No one knows what happened to the skull after that, so there’s a little bit of historical info serving as the basis of the inspiration for this film.

The movie starts off with a gravedigger opening Marquis de Sade’s grave, chops off the corpse’s head with the spade and takes it home with him. After using chemicals to remove all the flesh and skin, he soon becomes the skull’s first victim. Of course, the skull comes into the hands of Marco, who is providing Dr. Maitland (Peter Cushing) with the esoterica he’s eager to buy for this collection. Sir Matthew Phillips (Christoper Lee) tries to warn him about the skull’s evil abilities, but of course, his warnings go unheeded.

The Skull serves as a good example of 60’s horror, and with Christopher Lee and Peter Cushing in the major roles it’s a little surprising that it hasn’t attracted more attention. The possessed skull and its levitation and movements with occasionally visible strings can probably be seen as a tad bit cheesy by today’s standards, but that’s just part of the old-fashioned charm of horror films like this. The effects of the Skull itself is a big part of the entertainment of this film, and during Dr. Maitland’s descent into madness due to the skull’s influence on him, there are some pretty tripping scenes.

Now, with the Marquis de Sade as the main focus of the film, you might expect more references to the erotic aspects (of which there aren’t any) but remember that this movie came out during a time where the censoring was pretty strict, so that shouldn’t come as much of a surprise. Overall, it’s well worth a watch, especially if you want to see the combined talents of Lee and Cushing. And, of course, if you want to watch a floating skull with visible strings attached to it!

Director: Freddie Francis
Country & year: UK, 1965
Actors: Peter Cushing, Patrick Wymark, Jill Bennett, Nigel Green, Patrick Magee, Peter Woodthorpe, Michael Gough, George Coulouris, April Olrich, Maurice Good, Anna Palk, Frank Forsyth, Paul Stockman, Geoffrey Cheshire, George Hilsdon
IMDb: www.imdb.com/title/tt0059727/

The Enfield Haunting (2015)

Posted on August 1, 2020September 12, 2024 by HorrorGhouls

Before The Conjuring 2, there was … The Enfield Haunting – a miniseries in three parts lasting for two hours, produced for the British telly.

Based on the book This House is Haunted by Guy Lyon Playfair, who documented the case between 1977 to 1979 together with Maurice Grosse. So there’s zero signs of The Crooked Man or a scary, demonic nun to be seen here. Nor the Warren-couple, who didn’t actually have that much to do with the case in comparison to Grosse and Playfair. This is a totally separate production with no connection to The Conjuring universe whatsoever, so this probably gives more than a few biscuit-crumbs of truth compared to a typical fictional fairytale written by some Hollywood screenwriter. Or maybe not. The Conjuring films are great for what they are, but when it comes to what’s based on reality and what’s pure hogwash, I just don’t bother to care anymore. Just entertain us at least, dammit!

It’s August 1977 where we find ourselves in the district of Enfield in north-London, where the stressed single mother Peggy Hodgson (Rosie Cavaliero) lives with her three children in a council apartment, with cramped living conditions and a crumbling economy. And weird things happen around the house, such as kitchen chairs that seem to have a tendency to move on their own. But when pencil scribbles are suddenly visible on the wall, the mother has finally had it and blames the kids, especially the youngest daughter Janet (Eleanor Worthington-Cox), who is supposedly an outgoing prankster with a vivid imagination. That same night (or “later that night“, if you take the reference), the mother and the kids are attacked by a drawer section that is suddenly whizzing towards them, something Janet obviously could not do, unless she had some Carrie powers. Since the police can’t put ghosts in handcuffs, the elderly gentleman and parapsychologist Maurice Grosse (Timothy Spall) is sent from the Society for Psychical Research to take a look at this house.

When the case begins to flare up in the media with the famous headline “House Of Strange Happenings“, Guy Lyon Playfair (Matthew Macfadyen) comes knocking on the door. He’s a colleague of Maurice and an author in parapsychology, who sees the brilliant opportunity to capitalize on the case by writing the script for his book, as mentioned. And he does so behind everyone’s back, something Maurice is not so happy about when he accidentally finds out. A quick trivia: Playfair also worked as a consultant on Ghostwatch back in 1992, which was also inspired by the Enfield case. Anyway, it’s not long before things get more aggressive, as Janet starts talking in a demonic-growling voice that is supposed to come from the house’s former tenant – an evil, old man named Joe Watson (also known as Bill Wilkins), a creepy drunk uncle-looking guy, who died in the house.

We get to spend a lot of time with Maurice Grosse, which at this time went through a severe life crisis after his daughter died in a motorcycle accident. He’s a broken, old man who slowly gets eaten up by grief, sorrow, guilt and traumatic nightmares, while he’s using his ghost hunting as both therapy and a hope to come in contact with his dead daughter to get some closure. And in all of this, his marriage with Betty is on the verge of collapsing at any minute. Guy Lyon Playfair, however, is the complete opposite of Maurice – a stiff, stone-cold skeptic, with a “you see what you want to see“-attitude, who is more eager to debunk it all as a hoax than anything. There’s also a mystery-plot that must be solved to get to the bottom of this Joe Watson, aka Bill Wilkins while Mr. Grosse tries to find a spiritual connection between Janet and his deceased daughter, who by a coincidence also was named Janet.

The Enfield Haunting was an overall pleasant surprise, and I hadn’t expected the two hours it lasted to fly away that quickly, especially when we’re talking about a TV Mini-Series. In this case it actually looks way more like a feature film that’s been cut into three episodes, which would have blended even better if the opening and credits where cut out from the DVD (just a minor nitpick). It has a great production value with a solid directing and a script that manages to mix drama and horror in a satisfying and well-balanced way that I find pretty rare. The acting is first-class, especially from Timothy Spall as Maurice Grosse and Eleanor Worthington-Cox as Janet Hodgson who’s more or less the heart and soul in this. The Enfield Haunting has its share of tension and scares, for sure, but it’s not the typical and modern roller-coaster-ride you maybe would expect – so, you would be more pleased if you prefer more grounded, old-fashioned ghost stories on the same level as The Woman in Black and The Changeling.

Directors: Kristoffer Nyholm
Country & year: UK, 2015
Actors: Timothy Spall, Eleanor Worthington-Cox, Juliet Stevenson, Fern Deacon, Rosie Cavaliero, Elliot Kerley, Matthew Macfadyen, Struan Rodger, Charles Furness, Joey Price, Simon Chandler, Amanda Lawrence, Sean Francis
IMDb: www.imdb.com/title/tt4036886/

The Crucifixion (2017)

Posted on June 10, 2019September 12, 2024 by HorrorGhouls

Nicole is a young journalist eager to find out the truth in the case of an exorcism gone wrong in Romania, where a nun died and the priest and nuns involved were convicted for murder. She travels all the way over to Romania in order to dig deeper into the story, and after meeting with Father Anton and visiting the monastery where the exorcism took place, strange things start happening. As she finds out more and more about the nun that died, it becomes obvious to Nicole that something paranormal really did happen to that girl…and that it may even start happening to herself now.

The story in this movie is inspired by true events: the “Tanacu Exorcism” where an allegedly mentally ill nun, Maricica Irina Cornici, was killed during an exorcism in Romania in 2005. This was a case that was widely publicized in Romanian media, and after the priest and nuns were sentenced to jail, many of Tanacu’s residents still believed that Cornici had actually been possessed by a demon (including Cornici’s brother). Later, it was revealed that she had died of an overdose of adrenaline given to her in the ambulance.

Chad Hayes and Carey W. Hayes are the writers (known for being the writers of Conjuring 1 and 2), while the director is Xavier Gens, known for “Frontier(s)”. In other words, some very familiar names in the world of horror movies. While Xavier’s “Frontier(s)” is a violent and gory movie, “The Crucifixion” has none of this, and is a movie playing far more on the psychological level and giving it a drama/mystery tone.

Since this movie was filmed in Bucharest (Romania), there are many moments of beautiful and atmospheric scenery to behold, which is actually one of the film’s major advantages. It is unfortunate that it never manages to build more scares, and plays out more like a mystery thriller/drama, where the mystery takes a lot more place than the horror. With that being said, there is a certain amount of suspense (much helped by the Romanian scenery and buildings), and if you like a horror movie that plays out more like a crime/mystery/drama, then this might be right up your alley.

Director: Xavier Gens
Country & year: UK | Romania | USA, 2017
Actors: Sophie Cookson, Corneliu Ulici, Ada Lupu, Brittany Ashworth, Catalin Babliuc, Matthew Zajac, Iván González, Ozana Oancea, Javier Botet, Jeff Rawle, Florian Voicu
IMDb: www.imdb.com/title/tt4181782/