Drag Me to Hell (2009)

Drag Me to HellThe year is 1969, and the young medium Shaun San Dena gets a visit from a desperate couple who wants her to save their son. After having stolen a necklace from the gypsies, he’s fallen ill and have started hearing evil voices. Before she can even start a proper séance, the boy is quite literally dragged to Hell to never be seen again. Then, we fast forward to present day in Los Angeles, where Christine Brown works as a bank loan officer and is hungry for a promotion to become assistant branch manager. Her boss gives her some advice: she will prove her worth if she can show herself as someone being able to make tough decisions. She gets her chance pretty soon afterwards, when an elderly woman named Sylvia Ganush asks for a third extension on her mortgage. Despite Ganush literally begging on her knees, Christine refuses her pleas because she wants to show off her tough decision making to her boss. Promotion, here we come! Later, in the parking lot, the elderly woman decides to give Christine a payback for shaming her and denying her pleas for help, and after a long struggle Ganush rips a button from Christine’s coat and curses it. Uh-oh. Christine is soon haunted by a dark spirit, which is attacking and tormenting her. She decides to beg Ganush for forgiveness, but before she can do so she finds out that the old woman has passed away. Not only that, but the curse that’s been cast upon her will have her tormented by a powerful demon for three days, before she will be dragged to Hell.

 

Drag Me to Hell is a supernatural horror film from 2009, directed and co-written by Sam Raimi with Ivan Raimi. The film premiered at the Cannes Film Festival, and became an immediate success. It grossed $90.8 million worldwide on a $30 million budget, and won awards and received generally very favorable reviews. Originally, the story for the film had been written 10 years prior to the film going into production, under the working title The Curse. After finishing the script for the film, Raimi was busy with the Spider-Man film series so it took a while before the film could be pushed forward. Raimi wanted it to be a PG-13 film, with less gore than his earlier horror films, stating that this time he wanted to do something different. He wanted to make a suspenseful movie with wild moments and a lot of dark humor, and in all of this he definitely succeeded.

 

The movie starts with a punch during the opening scene, where a little boy is quite literally dragged to the depths of Hell itself to burn forever while his terrified parents can’t do anything but watch in horror. And all over a stolen necklace…not exactly eternal damnation-worthy, but curses aren’t always supposed to be fair. Seeing this we know what Christine is at risk of, which heightens the suspense. While the protagonist isn’t all that innocent (she could have helped the old lady, but she chose to focus on her promotion instead), her actions are still not so awful that we think she deserves to be cast into Hell. Yes, we root for her, but we also can’t help but watch in glee when things turn into total demonic frolic mayhem, with scenes that are both funny and delightfully spooky. While the film does have its cheesy moments, its all done with a lot of excitement and manages to blend the dark humor with the horror elements very nicely. It’s all done in a boisterous Halloween spirit, managing to be a great load of fun. The special effects used in the film is a good variation of different techniques: green screen, prosthetics, puppets and cgi, and different effect houses were utilized, including Phil Tippet‘s studio.

 

Drag me to Hell is a blast from start to finish, and a perfect watch during the Halloween season!

 

In early 2023, Raimi revealed that Ghost House Pictures was actively trying to come up with ideas for a sequel. Well…we’re now in the late part of 2024, and while Drag me to Hell 2 is listed on IMDb, there’s absolutely no info about this sequel at all. So I’m not holding my breath for that one.

 

Drag Me to Hell Drag Me to Hell Drag Me to Hell

 

Director: Sam Raimi
Writers: Sam Raimi, Ivan Raimi
Country & year: USA, 2009
Actors: Alison Lohman, Justin Long, Lorna Raver, Dileep Rao, David Paymer, Adriana Barraza, Chelcie Ross, Reggie Lee, Molly Cheek, Bojana Novakovic, Kevin Foster, Alexis Cruz
IMDb: https://www.imdb.com/title/tt1127180/

 

 

Vanja Ghoul

 

 

 

 

 

Gretel & Hansel (2020)

Gretel & Hansel  Gretel is a young girl who struggles to make ends meet and take care of her little brother in the process. In a job interview she is asked by her prospective employer if her maidenhood is still intact, causing her to not accept the much needed job. When they’re both cast out from home by their own mother, forcing them to fend for themselves, their insane mother tells them to “dig yourselves some pretty little graves, and dig one for your mother too“. Things look rather grim for the two siblings, indeed. As they travel in a desperate search for food, work and shelter through the countryside, they end up in front of a strange house in the forest that emits the most wonderful smells of delicious food. An old woman lives inside, and lets them stay and recover from their fatigue. After days of staying there while eating all the delicious food and treats they want, they start to uncover things that proves that this seemingly wonderful place might be a danger to them both.

 

Hansel and Gretel is one of the most popular fairytales by the Brothers Grimm. It tells the story about a brother and a sister, abandoned by their parents in a forest, and falling into the hands of a cannibalistic witch who lives in a house made of gingerbread. This movie, while based on the fairytale, tells it in quite a different way however. First of all, Gretel (Sophia Lillis) is several years older than Hansel (Sam Leakey), and is obviously the movie’s protagonist from the start. The witch’s house is not made of gingerbread, but with its ominous-looking architecture it looks entirely out of place just as much as any gingerbread-house would. And, of course, the witch is just as cannibalistic as in the original fairytale, but her motives are more complex.

 

Director Oz Perkins aka Osgood Perkins, is known for making slow, visual and atmospheric horror movies, like I Am the Pretty Thing That Lives in the House. Gretel & Hansel is no exception to that rule, but in many ways I think this is his best effort so far. Like in his other movies, there’s a female-centric tale that requires a certain amount of patience, where atmosphere plays a bigger factor than narrative. With this movie essentially showing Gretel’s side of the story (which is why the names where swapped in the title), it turns into what can be considered a dark coming-of-age fairytale.

 

Gretel & Hansel is artsy and bit slow, and definitely not for everyone. As far as horror goes, however, I would say it’s more about atmosphere than actual scares and chills. However, the cinematography in this film is excellent, weird, eerie and gorgeous. Also props for the creepy synth score that just fits so damn well into this little witch’s cauldron of various ingredients.

 

Gretel & Hansel

 

Writer and director: Oz Perkins
Country & year: USA, Canada, Ireland, South Africa, 2020
Actors: Sophia Lillis, Samuel Leakey, Alice Krige, Jessica De Gouw, Fiona O’Shaughnessy, Donncha Crowley, Jonathan Gunning, Charles Babalola, Giulia Doherty, Jonathan Delaney Tynan, Darlene Garr, Melody Carrillo, Nessa Last
IMDb: www.imdb.com/title/tt9086228/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Suspiria (2018)

Suspiria (2018)Berlin, 1977. A shitty place to be. A young, disturbed girl named Patricia (Chloë Grace Moretz) is on the run and seeking the doctor/prof/psychiatrist Klemperer. She’s in a state of psychosis and mumbles incoherent lines while she waves with her arms and then says in German “I was right. They are witches”. She then talks about the ballerina school she attended where she was a victim of abuse, and end the therapy session by saying (in German) “they will slaughter me and eat my cunt from the plate”. Yikes… We then get introduced to Susie (Dakota Fanning), a young, shy and naive American lady, who traveled to Berlin to attend this ballerina academy where she meets the strict dance instructor Madame Blanc (Tilda Swinton). She settles in and has no idea what rabbithole she has gotten herself into. In the meantime Dr. Klemperer starts an investigation to take a closer look at what shady business is really going on in this academy.

 

This remake of Dario Argentos “Suspiria”, which was the first of the The Three Mother-trilogy, takes also elements from its two sequels, “Inferno” (1980) and “Mother of Tears” (2007), but goes in its own direction. Which is a good thing. Directed by Luca Guadagnino, who made mainly drama, romances and some documentaries, does a fantastic job here and shows that he has a great eye for horror and the aesthetic. The 70s-style is spot on and while the original had more of a colorful nightmarish fever-look in a baroque environment, this one is the straight opposite. It’s bleak and cold, and the ballerina school being surrounded by tall, wounded buildings gives a more realistic, melancholy look and a sense of dread and urban isolation.

 

The casting is great, but the one who sticks out is Tilda Swinton who plays the ice-cold Madame Blanc and Dr. Klemperer, hidden by the most believable old-makeup I’ve ever seen. Chloë Grace Moretz wanted the role as Patricia so bad that she learned to speak German even though she’s got only six minutes of screen-time. And as a homage to the original, Jessica Harper shows up in a brief moment. The film isn’t without its fair share of death scenes, one who probably stands out the most features one of the dancing students who gets her whole body twisted and broken during a dancing ritual. It’s one of the most terrifying scenes in the movie in terms of violence, but I can assure you that you’ll get a juicy payoff at the end. But the one who got most terrified of Suspiria was the star herself, Dakota Fanning, who got so messed up mentally during the shooting that she had to go to therapy. She also did ballet-training for two years in preparation for the role.

 

Overall, “Suspiria” 2018 is your typical love/hate movie that messes with your head and possibly also with your patience. With its run-time on 2 hours and 30 minutes, it can be a lot to digest. There’s a lot of weird shit going on here that leaves far more questions than answers, opening up to be analyzed to death and beyond. I liked it for what it was and really enjoyed the whole atmosphere, the cold eeriness, the characters and overall the look and style of the film. It grabbed my attention, but you definitely have to be in the right mood and expect the unexpected.

 

Suspiria 2018

 

Director: Luca Guadagnino
Country & year: Italy | USA, 2018
Actors: Chloë Grace Moretz, Tilda Swinton, Doris Hick, Malgorzata Bela, Dakota Johnson, Angela Winkler, Vanda Capriolo, Alek Wek, Jessica Batut, Elena Fokina, Mia Goth
IMDb: www.imdb.com/title/tt1034415/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Witch (2015)


«The Witch» , or «The VVitch: A New England Folktale» takes place in the 17th century in New England, where the poor family man William is banned from a Puritan plantation together with his wife and four kids. They settle in a small worn farm in an isolated nobody’s land, in hopes of making their lives go on. Then creepy things start to happen. It turns out that a witch lives nearby, a witch who likes to kidnap young children.

 

«The Witch» was a big talk back when it was shown on Sundance, and it achieved cult status pretty much overnight. This is not the kind of movie for those who are looking for jump scares, fast editing, fast-paced horror-action and stuff like that. «The Witch» is a slow burner, where the horror elements is shown on a very subtile level. The psychological aspects and build-up of tension is what defines this movie.

 

The directing by Robert Eggers, who also wrote it, is amazing. It reminds me of Stanley Kubrick’s works, with its long takes and the wide shots. The grim atmosphere is all over the place, the forest landscapes are pretty grim and the feeling of plain dread and despair is everywhere. Thanks to great acting you also feel for the family and what they’re going through.

 

All in all, a suspenseful little film with the most refreshing endings I’ve seen in these types of horror movies in years.

 

The Witch

 

Director: Robert Eggers
Country & year: UK / Canada / USA, 2015
Actors: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Julian Richings,
IMDb: www.imdb.com/title/tt4263482/

 

Tom Ghoul