Alma, a little girl, skips through the snow-covered streets of a small town. Her attention is caught by a strange doll in an antique toy shop window. Fascinated, Alma decides to enter.
“Alma” is a CGI animated horror short by Rodrigo Blaas, which tells us a simple yet creepy tale. In the world of animation, Rodrigo is a familiar name as he’s been involved in several animated classics (as an animator for Ice Age, Ratatouille, Wall-E, Up and more, and also as a director for some episodes of Guillermo del Toro’s animated series “Trollhunters: Tales of Arcadia”). This little short goes to show that all kinds of animation, even if it’s “cute”, can be quite creepy…
Dr. Louis Creed and his family have decided to move away from Boston and settle down in rural Maine in order to live a more quiet life, and give Louis more time with his family: Rachel, his wife, Ellie, his daughter, and Gage, his young son. Their new home seem to be peaceful and nice…except for the highway being located right outside where heavy trucks keep roaring by all the time. They soon discover a pet cemetery close by (where a lot of the pets have been victims of said trucks), where children have buried their beloved pets for a long time. The place holds a power that is by no means good, however, something the Creed family is about to discover in the most horrible way.
“Pet Sematary” is one of Stephen King’s most famous novels, and is actually based on his own close encounter with a truck nearly killing his own son. He got the inspiration after his time at the University of Maine at Orono, where he was teaching for a year as a gesture of gratitude for the education he had received there. During that time, he and his family rented a house near a busy road who had claimed the lives of numerous pets in the neighborhood, and the children there had created a pet cemetery near the house King and his family rented. They also had a cat at the time: Smucky. Unfortunately, Smucky became one of that road’s victims, and King’s daughter Naomi buried it in that pet cemetery. Shortly thereafter, King’s son Owen had a close call running toward the road. All of this gave him the inspiration for this novel, but after writing it he felt he had gone too far with the subject matter and discarded the idea of having it published. However, since he needed to publish a final book for his contract, he reluctantly submitted it to Doubleday. And of course, it became an immediate success.
Now, for those of us that have read the book and seen the first movie adaption, it’s hard not to make comparisons. There are quite a few things that have been changed completely here. The first adaption from 1989 actually follows the book more closely than this one, but at the same time I also think that this new adaption captures the dark and tragic tone a lot better, as it is a story that deals with something that all of us know but always dread to think or talk about: the death of loved ones, and how far we would be willing to go if we could reverse it.
I was also quite curious about how they would depict Zelda (Rachel’s sister), who was slowly dying in a horrible and painful way from spinal meningitis while turning into a hideous “monster” (and, since the illness turned her clinically insane, also made her bitter and mean towards Rachel), and this has given Rachel PTSD-like symptoms. I actually think Zelda is one of the creepiest parts of the whole story, and it also plays a major factor over explaining why Rachel is struggling so much with everything that’s got to do with death. While there has been some changes regarding Zelda’s death in this movie, I actually think that the book’s version of Zelda’s demise was better…but yeah, I know why they did it, as it gave them a perfect setting to make some creepy scenes and jump-scares.
Overall, this new movie adaption of Stephen King’s “Pet Sematary” is a well made horror movie, and despite some differences it manages to capture a lot of the original feelings of dread from the book, while also leaving enough space for both movie adaptions to exist on their own.
Directors: Kevin Kölsch, Dennis Widmyer Country & year: USA, 2019 Actors: Jason Clarke, Amy Seimetz, John Lithgow, Jeté Laurence, Hugo Lavoie, Lucas Lavoie, Obssa Ahmed, Alyssa Brooke Levine, Maria Herrera, Frank Schorpion, Linda E. Smith, Sonia Maria Chirila IMDb: www.imdb.com/title/tt0837563/
After dusting off an old Mystery-Date style board game, a mother and daughter realize the game holds more evil than amusement.
“Your Date Is Here” is a simple yet still effective horror short, by the same people that also brought us “Mikus“. A girl wants to play a board game with her mother, a really old one that belonged to her grandmother. The game is simply called “Your Date Is Here”, a girly and seemingly cute game. After a little while, however, it turns out that the game should have been left on the top shelf never to be played again…
Director: Todd Spence, Zak White Country & year: USA, 2017 Actors: Rebecca Flinn-White, Phil Haney, Patrick Keane, Dani Tiernan IMDb:www.imdb.com/title/tt3452230/
A masked serial killer turns a horror-themed amusement park into his own personal playground, terrorizing a group of friends while the rest of the patrons believe that it is all part of the show.
“Hell Fest” is a slasher movie with a rather interesting concept: a masked killer masquerading as one of the crew in a Halloween amusement park, killing people while confused bystanders thinks it’s part of the show. In one regard, “Hell Fest” delivers pretty well when it comes to the setting: the amusement park looks totally awesome, and while we were both watching it we agreed that the most exciting thing in the whole movie was to see new parts of the park. Unfortunately, that also tells wonders about what this movie lacks: real suspense and a mystery surrounding the killer, both of which are, unfortunately, non-existent. We find out early in the movie that the killer is a stranger (no mystery about who he is), and while the first murder is pleasantly vicious, the next killings are quite uninspired and lacking in gruesomeness.
Now, slasher movies rarely brings anything new to the horror genre. A group of people gets stalked and murdered, one by one, by a mysterious killer. You’ve seen it before, and you’re going to see it again if you ever keep watching slasher movies. However, what a lot of them at least manages to keep going for them, is an actual mystery surrounding the killer (makes you wonder who it is, and often comes as a surprise/twist), or gory/gruesome murder scenes. “Hell Fest” has neither, but a totally awesome amusement park at least…
All that being said: it’s not a bad movie, and should easily be able to entertain you if you take it for an easy-going popcorn movie. But with such an awesome setting, it just could have been so much more.
Director: Gregory Plotkin Country & year: USA, 2018 Actors: Cynthea Mercado, Stephen Conroy, Amy Forsyth, Bex Taylor-Klaus, Reign Edwards, Christian James, Matt Mercurio, Roby Attal IMDb:www.imdb.com/title/tt1999890/
“Ghostwatch” is a live-documentary that was broadcasted on Halloween night on British national television in 1992. The show opens in a studio at BBC with the dry elderly host Michael Parkinson in suit and tie, saying “The program you’re about to watch is a unique live investigation of the supernatural. It contains material that some viewers may find to be disturbing.” Then we get introduced to the “most haunted house in England”, a council house in North London, where a single mother and her two young daughters are being tormented by poltergeist activity. With BBC’s reporters, cameras and some paranormal investigators in place, they’re ready to hopefully get some paranormal activity on tape for the whole of Britain to see live. The studio also has a phone-number the viewers can call during the broadcast to share their own experiences with the paranormal. Further into the investigation we learn that the family is apparently haunted by a male ghost called Pipes, who likes to hide behind the curtains in the children’s bedroom. We even see a manifestation of him in the children’s bedroom after they’ve gone to sleep, and things starts to get from bad to worse while the cameras keeps rolling.
By the way, did I mention that the documentary was just a big, fat hoax? Written by screenwriter and horror novelist Stephen Volk who pitched the idea originally as a conventional drama to the producer Ruth Baumgarten at BBC. It was meant to be a segment of a series, but the producer wanted to go for a single, and Volk got the idea to make it as a real transmission from a haunted house in War of The Worlds-style. The producer loved the idea and asked Volk if they could do this. Well, let’s try, he simply replied. And they certainly did, and succeeded far more at what they had imagined, in both a positive and a negative way. Lesley Manning was hired to direct, and filmed the whole thing one week in advance before it was broadcasted as a “live” event in a haunted house on Halloween night. And with a huge budget, believable actors, the well known and respected Michael Parkinson as a host, and to top it all, watermaked by BBC, what could go possibly wrong? Oh, well..
Although it was presented as live and real, broadcasted on the trusted BBC, we got an obvious big hint at the end when the titles started scrolling, that this was a hoax. In other words; you’ve been fooled, there’s no Hairy Scary or a Crooked Man hiding under your bed. It’s safe, have your tea, go to sleep, good night. But damage was already done as half of Britain was nearly traumatized and scared shitless, in addition to being confused and pissed off. For those of us who grew up in the 80’s, it’s not hard to imagine the impact of a case like this. This was presented as a raw, authentic, unfiltered documentation of a family who was tormented by poltergeist activity for all to watch on TV in their safe living-room at home. And I know I would have had nightmares for a long time myself if I saw something like this when I was teen in 1992. There was no internet where people could jump right into to make some thousands tweets and upload hundreds of reviews and analysing-to-death videos on YouTube and debunking the whole thing before the end credits even started rolling. That type of exposure didn’t exist in those days, and that was also the beauty of it, unless you read newspapers the days after. It kept some of the mystery going and people talking. God, I feel old now…
During the broadcast that night, Stephen Volk sat in a pub somewhere with the cast and crew celebrating while watching their masterpiece, completely unaware of the aftermath that followed. After it ended, the producer arrived to tell them that there had been a lot of complaints tonight. Volk took that as a “great, it worked / Ha Ha / fooled you all” with a big grin on his face. 30. 000 had called BBC with feelings of shock, anger and confusion. Three pregnant women went into labor through being shocked, a lot of parents were angry when their kids couldn’t sleep that night. Volk’s personal favorite was a letter sent to the producer by a woman whose husband was a veteran of the Falklands War, who was so scared watching the program that he’d literally shit his pants. And she was writing to get compensation to buy him a new pair of jeans. The next day the shit-storm in media didn’t waste any time and headlined in the tabloids “The Heads Must Roll at BBC” which resulted in the network deciding to bury the whole program and never broadcast it, and pretend it never existed. So yeah, a complete shit-show for the poor bastards at BBC. But while these can be considered laughable incidents, it got worse.
Five days after the broadcast, an 18 year old man killed himself due to the psychological effects it had on him. He left with a suicide note saying “Mother, do not be upset. If there are ghosts I will now be one and I will always be with you as one.“. His parents claimed that he was “hypnotized and obsessed” by the program and blamed BBC. A case with Post-traumatic stress disorder was also reported with two ten years old boys who also got deeply affected. You can of course debate whether it’s justifiable to blame a TV-show for this, but fortunately there weren’t more reported casualties.
It wasn’t until 2002 “Ghostwatch” got its first reincarnation on VHS and DVD on its 10th year anniversary, with commentary track by Stephen Volk, director Leslie Manning and producer Ruth Baumgarten. And as a gold-digging-trivia gem as this is, a retrospect documentary was made in 2013 called “Ghostwatch: Behind The Curtains” with interviews of the cast and crew.
“Ghostwatch” is a fun watch (Ghost-Fun-Watch), but mostly due to its wild concept that was new and fresh at the time, and how this cultural phenomenon literally scared and scarred a whole nation out of the blue and buried BBC in angry letters from terrified viewers. Orson Welle’s radio hoax “The War of the Worlds” from 1928 must be the only case besides of this that pops in mind. This is just a one of a kind that deserves its recognition and legacy, and also a part in history of horror movies. Having such a backstory and the huge controversy in mind, while putting your mindset back to 1992 and imagine watching it on an old TV, it makes an even better viewing experience.
Director: Lesley Manning Country & year: UK, 1992 Actors: Michael Parkinson, Sarah Greene, Mike Smith, Craig Charles, Gillian Bevan, Brid Brennan, Michelle Wesson, Cherise Wesson, Chris Miller, Mike Aiton IMDb: www.imdb.com/title/tt0200659/
The Wilson family owns a vacation house near the beach in Santa Cruz. Adelaide, the wife in the family, had an experience at that beach when she was a little girl and has no desire at all to revisit the place. Her husband convinces her to go there, however, together with the Tyler family to have a good time. Things don’t go as well as planned for, and back at the vacation house that night things turn even worse. Four mysterious people dressed in red appears outside the house, breaking in and terrorizing them. What’s even worse, is that all of these strangers look exactly like themselves…
“Us” is the second horror film directed by Jordan Peele, who made a name for himself with his debut horror movie “Get Out” in 2017. Not unexpectedly, the expectations regarding “Us” has been pretty high, but fortunately Peele shows us that he’s not just a one-time-hit director. “Us” manages to balance suspense, creepiness, social commentary and even a bit of comedy very well, just like he did in “Get Out”. “Us” is more of a straight-forward horror movie, with a higher level of suspense and creepy scenes. With Mike Gioulakis as the cinematographer (who was also the cinematographer for the very suspenseful horror movie “It Follows”), it should come as no surprise that this is a movie that will keep you at the edge of your seat for the most part.
“Us” is a movie that is best seen when knowing as little as possible about it, and I personally recommend avoiding any spoilers prior to watching it. It’s very hard, even impossible, to venture much further into the movie’s plot without spoiling things. There are a few plot holes that might leave you scratching your head in confusion, but fortunately not too much to ruin the experience.
Now let’s look forward to what Peele’s next entry into the horror world might be!
Director: Jordan Peele Country & year: USA, 2019 Actors: Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, Evan Alex, Yahya Abdul-Mateen II, Anna Diop, Cali Sheldon, Noelle Sheldon, Madison Curry IMDb:www.imdb.com/title/tt6857112/
In a serial killer’s now abandoned home, investigators reveal a large amount of VHS tapes that contains his “work” in chronological order as he’s been filming the murders and abuse of his victims. This is the most disturbing collection of evidence the homicide detectives have ever seen, and reveals an in-depth documentation of a serial killer’s reign of terror.
Made in a “mockumentary” (faux documentary) style, this is a somewhat creepy and unsettling movie. It’s the first horror movie John Erick Dowdle’s directed, and later he became known for “Quarantine” (2008), “Devil” (2010) and “As above so below” (2014). The movie contains a very realistic tone throughout, with “interviews” and “footage” that are made to be believeable and helps putting the dark and grim atmosphere in place. In many ways it reflects “true crime shows” so well that you could probably have fooled someone who didn’t know it’s a faux documentary.
The murders and torture of the victims of the serial killer (who has been nicknamed “the water street butcher”) is somewhat toned down despite being quite chilling. There isn’t large amounts of blood and gore here, but the “footage” shows enough for you to know exactly what’s going on, along with detailed descriptions by the investigators. It’s not a movie that’s gory or straight-out scary, but it’s definitely creepy and unsettling.
Serial killers have always fascinated a lot of people. What can make a (seemingly) normal person commit such atrocious acts? How can they manage to keep from being caught over such a long time? And how many serial killers are still on the lose around the world? Those thoughts can be more frightening than occasional nightmarish thoughts about monsters and bogeymen…serial killers are real, and they’re out there. The FBI estimates that there are about 25-50 active serial killers operating through the U.S. at any given time (which is also referenced in this movie, actually). Many have asked if the movie is based upon a real serial killer, whereas the director has answered that it’s not, but inspired by several. In Poughkeepsie there was actually a real serial killer, Kendall Francois, who killed eight women in the period of 1997-98.
If you’re interested in a well-made serial killer mockumentary with a quite realistic tone, you should check this one out.
Director: John Erick Dowdle Country & year: USA, 2007 Actors: Stacy Chbosky, Ben Messmer, Samantha Robson, Ivar Brogger, Lou George, Amy Lyndon, Michael Lawson, Ron Harper, Kim Kenny IMDb:www.imdb.com/title/tt1010271/
While walking home late one night, a man notices another man walking as well. Only this man has an eerie smile. What are his intentions?
“2AM: The Smiling Man” is a horror short based on redditor Blue_tidal’s story, originally posted on the subreddit r/LetsNotMeet in 2012. It grew quickly in popularity, and caught Michael Evan’s attention, who decided to make a horror short based on it. At first it may appear a little silly, but it does have a sinister vibe to it where you can easily imagine that if you were in this situation yourself, it would scare the crap out of you.
Jong-Goo is a police officer that lives a quiet life in a little village with his wife and daughter. One day he is called to the scene of a gruesome multiple murder case, where a family member of the murdered people is covered in blood from the victims. His skin is covered in strange boils, and he appears to be in a state of stupor. Soon, more incidents similar to this occur all over the little village, and some of the villagers start to blame a newcomer to the area: a Japanese man (played by Jun Kunimura, known for his roles in “Ichi The Killer”, “Audition” and “Kill Bill”) who’s taken residence in the woods. Jong-Goo starts a battle against time to figure out what is happening, as his daughter also starts showing the symptoms.
“The Wailing” is a Korean horror movie that lasts for 2 hours and 36 minutes, but thanks to great cinematography and some really weird and strangely entertaining scenes, it manages to spend its time well without becoming a hassle to watch through. It’s quite beautiful to watch with its misty mountains and forest locations. The story’s pacing is good enough, we are being told things gradually while still pondering about the mystery behind the murders and “possessions”, and the Japanese newcomer (is he really the bad guy here, or is something else going on?).
There are some comedy elements in the movie (which was for the most part intended, I think), especially an exorcism scene that is so dragged-out and insane that it actually gets oddly hilarious. The protagonist’s facial and emotional reactions are almost cartoony sometimes, and the mix of being dark and vicious with being so colorful and sometimes comedic makes it a pretty weird watch. The story keeps you guessing throughout the entire movie, until the ending reveals the true villain in its full form.
Director: Hong-jin Na Country & year: South Korea | USA, 2016 Actors: Do-won Kwak, Jung-min Hwang, Jun Kunimura, Woo-hee Chun, Hwan-hee Kim, Jin Heo, So-yeon Jang, Do-yoon Kim, Kang-gook Son IMDb:www.imdb.com/title/tt5215952/