«The Babadook» is Jennifer Kent’s debut movie based on her short film from 2005 titled «Monster». It’s the story about a widowed mother, Amelia, who is still struggling with trying to cope after her husband’s violent death. Plagued with nightmares and depression, she’s also having more than a handful with her son Samuel, a 7-year-old with a really needy personality with hyperactive periods and often throwing tantrums. To top it all, he’s got a fear of monsters that he believe are lurking around in the house. One night she decides to read a book for him in order to make him calm down and sleep, and she finds a book in her own home that she can’t remember having seen before. The book is titled «The Babadook»…and after reading from it, she also starts to sense what her son has been sensing: that something evil lurks around in their house…which later manifests itself as the evil spirit «The Babadook».
One could argue wether «The Babadook» is more a horror tale of a mother that is slowly going insane, than a monster movie. Seeing how the strugglig mother is trying to cope by balancing her work with her needy son and her trauma is somehow chilling by itself, because it’s so down-to-earth, even without any kind of monster mixed in. In many ways, the movie could be seen as some kind of metaphor for the pain and struggles of motherhood. There’s many ways to interpret this movie and what happens in it, especially the ending, which is also similar to the ending in the short film «Monster».
Oh, and the book featured in the film was actually printed as a real pop-up book where people could pre-order one in a crowd-funding campaign. I actually pre-ordered one of these, and below are some photos. This is the first print run, autographed by Jennifer Kent (and it doesn’t look like there’s going to be a second print run, so this is a rare gem):
Director: Jennifer kent
Country & year: Asutralia | Canada, 2014
Actors: Essie Davis, Noah Wiseman, Hayley McElhinney, Daniel Henshall, Barbara West, Benjamin Winspear, Chloe Hurn, Jacquy Phillips
IMDb: www.imdb.com/title/tt2321549/
«Ginger Snaps» is the story of two sisters, two outcasts that are obsessed with death. Their main hobby is to play around with practical effects and a photo camera, taking pictures of themselves playing dead. The sisters face a serious threat when Ginger, the oldest of them, is getting bitten by a creature resembling a werewolf, on the night she has her first menstrual period. Soon, Ginger’s behaviour and appearance starts to change, and Brigitte, the youngest of the two sisters, must try and help Ginger. But is there really any way to stop what is happening to her?
This is Eli Roth’s tribute to the cannibal genre, the horror subgenre that the italians started in the 70’s. Do I need to say more than classics like «Cannibal Holocaust» and «Cannibal Ferox» ? If this sounds completely unfamiliar to you, I guess it’s better for you to just take your hat and go. This is probably nothing for you and never will be.
«The Devil’s Candy» is an indie horror movie written and directed by Sean Byrne. I found out about this movie while watching some horror trailers on Youtube, and thought “an indie horror film that actually seem to have a high visual standard, and doesn’t look like it’s made out of 90% close-up shots? Let’s see what this is about”.
Edward Tor Swenson (Johan Rudebeck) is editing dull swedish drama-films that nobody wants to see. When the former editor in the building’s “Splatter and Gore Department” became mad and stuffed a grenade in his mouth, Ed is set up to replace him, a task he would quickly regret. Ed gets his own, dark house in the woods where he sits through the newest film in a horror movie series called “The Loose Limbs”, which serves as a parody of all of the trashy horror sequels we got in the 1980’s. Ed becomes increasingly influenced by all the cruel violence he must sit through and it drives him crazy, or drives him “Evil Ed”, if you will. Now the world shall pay for making these influential garbage films, and he goes on a wild rampage.
