The movie opens with a group of duck hunters who happens to shoot down a bat. “It’s bad luck to kill a bat” one of them says, before one of their dogs eats it. And no, it wasn’t Nosferatu the dog ate, just a random bat. Then we jump to Venice where Professor Paris Catalano (Christopher Plummer) arrives to meet a young lady after getting a vague letter about Nosferatu. According to the letter, Nosferatu was last seen in Venice during a carnival in 1786, and legend has it that he’s still hiding in the city. Paris Catalano has dedicated his life to study Nosferatu, and is more or less the equivalent of Van Helsing. I assume they had to add a different name due to copyright, who knows. He eats dinner with the same people we saw in the duck hunting-scene in the beginning, where he gives a quick and half-hearted lecture about vampires, before he gets escorted down into a crypt under the tunnels of the city where a casket from Transylvania is located. The legend says that Nosferatu is the one who’s buried in that casket. So why not just open it, put the stake through his chest, and just be done with it? You tell me…
However, Professor Paris is certain that Nosferatu isn’t located in that coffin, and that he is shipwrecked somewhere. He won’t even dare to open it, in order to check if he’s right. So what’s he gonna do next? He gets a medium to summon the vampire. Nosferatu (Klaus Kinski) then stands up from a coffin somewhere on a random, obscure location and starts his journey. He stumbles into a gypsy camp where a fortune teller tells him that he’s been summoned by a young lady. He bites the fortune teller’s neck before he heads for Venice, for some more necks to put his teeth in… I guess…
And as you may have figured out, this movie has no relation to neither Nosferatu from 1922 nor the Werner Herzog’s remake from 1979 in any shape or form. Who knows what this movie really tries to be, but what it definitely is, is a completely incoherent mess. Christopher Plummer looks really confused here, and you can tell he has some difficulty with delivering his lines. That’s probably because there were five directors who came and left, after the first one got fired, so you can try to imagine the chaos and turmoil behind the scenes. It’s a miracle that the movie exists at all. And when even Klaus Kinski ended up directing himself in some of the scenes, then you know that everyone have seriously jumped the ship.
So yeah, this is one of those cases where a two-hour making of-documentary had been far more entertaining and interesting than the movie itself…
Klaus Kinski was perfect as Nosferatu in the 1979-remake and is probably one of his finest roles. Here, its the polar opposite. He refused to wear the same makeup and shave his long, blonde hair and approached the role with only some simple eyeshadow and puts on the iconic two front teeth when he feels like it. All the characteristics and known trademarks are gone; the hand gestures, the long fingers/nails, as if the guy refused to play the character altogether, and rather just not give a fuck and play himself instead. “Kinski in Venice”, yeah why not.. There’s zero Nosferatu about him. He acts more like a disturbed lunatic, high on whatever he can snort and who likes to hunt down and rape young women in Venice’s narrow alleys, than a fragile vampire who needs blood to survive. It’s almost comical…
Just to put it in a nutshell how extremely “off” Nosferatu is in this film: he’s asked if the daylight doesn’t frighten him. He answers: “It’s the night who frighten me.” So, there you have it. “Nosferatu in Hawaii” next? Despite all the retardedness, the film has its share of gothic and gloomy atmosphere and Venice looks really chilling and sinister, and seems like an unique place to shoot a vampire flick. At least, some of the five directors who tried to sail this shipwreck of a movie to the projection screen managed to add some really fine and moody imagery. And the fitting soundtrack by Vangelis isn’t bad, either. So, I’ll have to give some props in that regard.
Directors: Augusto Caminito, Mario Caiano, Klaus Kinski, Maurizio Lucidi, Pasquale Squitieri, Luigi Cozzi
Original title: Nosferatu a Venezia
Country & year: Italy, 1988
Actors: Klaus Kinski, Christopher Plummer, Donald Pleasence, Barbara De Rossi, Yorgo Voyagis, Anne Knecht, Elvire Audray
IMDb: www.imdb.com/title/tt0091651/
Kenneth Winslow (Desmond Harrington) is a socially insecure young man whose life is mostly centered around work, work, and more work. That is, until he one day sees “Nikki” – an anatomically correct sex doll. It starts as a harmless joke from hos co-workers, but evolves into something far more serious as Kenneth decides to check out the website for the producers of the “Nikki” doll. For the stiff (no pun intended) price of 10.000 dollars he orders one of the sex dolls, and while feeling awkward with his own “Nikki” at first, he soon becomes obsessed with roleplaying. Things take a dramatic turn when he becomes interested in his new female co-worker, a real woman of flesh and blood…it’s almost as if Nikki becomes jealous and vengeful…
John Russel is on vacation with his wife and daughter when their car gets some serious engine trouble. John gets to a phone booth and calls for help, while his wife and daughter are playing in the snow nearby the car. Suddenly, a trailer comes speeding towards them and the tragic outcome is unavoidable. Half a year later, John tries patching his life together by moving to Seattle and continue his great passion: composing music and teach piano lessons. He rents a huge newly refurbished house from the early 1900s. But the huge empty house may not be as empty as he first thought. Every morning he hears a rhytmic knocking sound from the walls, and a child’s voice. Instead of being scared away, John becomes determined to solve the mystery. Is it all in his own mind – or is the house haunted?
The movie opens with a guy who crashes his car in the woods and then gets beat to death with a shovel. Then we get to another location where a creepy, disturbed old dude in a bloody shirt looks straight into the camera and says “you’re on the road to hell, my children” (in urdu) and ends it with an evil laugh. Yikes..
Danvers State Mental Hospital is an old asylum that has been empty since 1985. An asbestos team lead by Gordon (Peter Mullan) and Phil (David Caruso) is hired to do the preparations for the renovation of the old building. With a bonus payment of 10.000 dollars hanging over their heads if they get the job done within one week, the working environment becomes filled with stress and bickering. This is nothing compared to what the asylum has in store for them, however…
Set in 1920’s rural Ireland, “The Lodgers” tells the dark tale about Rachel and Edward: twins that are living alone in a large but crumbling mansion which used to belong to their ancestors. We learn early on that they have strict rules they need to follow: they need to be in bed by midnight, they cannot let anyone else enter the house, and trying to escape might put the other one’s life in danger. The sinister force that haunts them wants them to continue their family’s “sin”, something Rachel is determined to not let happen, and this puts both her and Edward’s life in danger from the wrath of “the lodgers”.
During the Mexican-American war in the mid 1800’s, Captain John Boyd is sent up in the mountains to Fort Spencer, a secluded camp where a small group of weirdos keeps it guarded. One evening a disturbed, frozen Scottish man named Colquhoun arrives. He tells a horrible story about his gang of people somewhere up in the mountains, who were forced to eat each other in order to survive. Some of the men join Colquhoun and head up to the mountains to look for survivors.
Grave Encounters is a “found footage” horror movie about a reality TV series where three paranormal investigators visists historic haunted landmarks in the United States, like we’ve seen in “Ghost Hunters”, “Ghost Adventures” and numerous more of these shows that’s exploded in the recent ten years. But “Grave Encounters” was ahead of its time, according to what a producer tells us in the introduction before the movie starts. The film revolves around the sixth episode of “Grave Encounters” where the entire crew were to inspect an abondened haunted asylum where they disappeared and were never seen again. The only thing that was found was the 70-hour raw footage trimmed down to the last episode. And the producer that introduces us to the episode also tells us that what we’re about to watch is real, has not been tampered with, and just been edited strictly to cut down the time.
Tree Gelbman, a young college student, wakes up in a guy’s room, hungover as hell and barely no memory from last night. On top of it all, it’s her birthday today, a day she is not too fond of for reasons later revealed in the movie. She leaves the guy’s room with a pissy attitude, and we see pretty quickly that this is a girl that tends to make bad choices in her life, and treat people around her like crap. At the end of the day, she gets chased by someone wearing a mask, and ends up being killed. And then she wakes up in the guy’s room again, repeating the day all over again. In a desperate fight to reveal the identity of the killer, and try to figure out how to avoid being killed by him/her, she relives the day of her birthday and murder over and over…
