We are in Giza, Egypt, where the archaeologist George finds a stone tablet with mysterious writings which he believes is the answer to an ancient riddle that is linked to the tomb nearby. He enters the tomb with a guide who falls right into one of the traps with spikes, while George is attacked by dark forces that shoot two cheesy neon-laser beams in his eyes, which makes him temporarily blind. At the same time his wife and daughter are tourists in the local area, where Susie meets a mysterious blind lady who offers her to buy an antique amulet before she cryptically says “tombs are for the dead” and disappears into thin air like a ghost.
Then we cut back home in Manhattan, New York, in an apartment complex where we are introduced to Susie’s annoying little brother, Tommy (most known as Bob from (The House By the Cemetery). The amulet is around Susie’s neck, which soon turns out to be a cursed object (who could ever imagine), and lots of weird things start to happen. The apartment transforms into some kind of warp zone that teleports people to the desert area we saw in the beginning, and things such as scorpions, poisonous snakes and desert sand appears in the apartment while Susie loses her mind and gets possessed by the dark forces of the amulet.
And we also get a completely random scene were some random dude falls through an elevator floor. Just because.
As mentioned, the blonde kid from The House by the Cemetery shows up, with far more screentime and dialogues. Uh-oh. And if you thought his dubbing was bad in the aforementioned film, they managed to fuck it up even worse here, believe it or not. I laughed and chuckled every time he opened his mouth, but since the film itself is an incoherent goofball which is hard to take seriously anyway, it didn’t ruin or distract my attention from anything, really. So, yeah, Manhattan Baby is clearly one of Lucio Fulci’s weaker films when it comes to tone, pacing and…well, the absent of any logic when it’s actually needed. It isn’t totally hopeless, though, and just to repeat myself as I always do when I’m talking about a Fulci film, it has some great qualities among the cheesyness. The horror elements sticks out with some gory scenes, as always, with the highlight being a scene with some attacking stuffed birds (with the wires clearly visible). There’s a great soundtrack, competent camerawork, and a dose of atmosphere. I especially liked the Egyptian scenes which are beautifully shot. And of course there’s no Fulci film without a countless use of obsessive eyes-close-ups.
Director: Lucio Fulci
Country & year: Italy, 1982
Actors: Christopher Connelly, Laura Lenzi, Brigitta Boccoli, Giovanni Frezza, Cinzia de Ponti, Cosimo Cinieri, Andrea Bosic, Carlo De Mejo, Enzo Marino Bellanich, Mario Moretti, Lucio Fulci, Tonino Pulci
IMDb: www.imdb.com/title/tt0084298/
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On an isolated farm in a rural town, an old man is lying in his deathbed. As he is slowly dying, his children (Louise and Michael) visit their homestead to mourn, despite their mother’s warning that they should not have come…a warning that she never really explain and thus it’s bound to go unheeded, of course. When the night comes, their mother starts behaving strangely, and after cutting off her fingers in the kitchen she hangs herself in the barn. Despite the shocking reveal for Louise and Michael the next day when they find her, they still decide to stay in the house in order to look after their dying father. However, when the home nurse confides in them that she overheard their mother whispering to what seemed to be some other presence in the room, they start to understand more about what really happened to their mother. After finding her diary, they read that their mother believed a supernatural entity was after their father’s soul, and soon they also experience the sinister ways of the wicked presence that tries to take over the family.

Six friends want to have some fun during the lockdown, and decide to hire a medium in order to hold a seance via Zoom. At first it’s all fun and giggles, where several of the participants struggle to keep a straight face. However, they soon realize they’ve unleashed something that might take their lives.

How to even start with this movie…Uhm, well…