In the third chapter of the Violent Shit franchise we follow a group of random dudes who gets shipwrecked on an island. It’s not the island of Lost, nor is it of Dr. Moreau, but the island of Karl The Butcher and his zombiefied dad, Karl Sr. Here they’ve created their own community, protected by a horde of metal-masked butchers, who execute everyone who dares to trespass their land as they worship Karl as Der Meister.
The three men gets taken to the butcher’s camp where Karl gives the longest villain-speech ever, while giving us some brutal executions to show us how much of an intimidating badass he is. He looks more like someone cosplaying a villain from Mad Max who wouldn’t survive one day beyond Thunderdome. Anyway, when one of the guys spits in his face, he gets brutally tortured and killed off by a stake through his ribcage. The other two trespassers gets thrown into a cat-and-mouse game in the woods where they get hunted by Karls’ army of butchers, followed by a series of gag-reels with violent kills in the same old Andreas Schnaas fashion we’re used to. Meanwhile, the mad-like scientist Dr. Senius, with his funny Hitler mustache, is under Karl’s command to experiment on some fresh cadavers to make a new breed of super soldiers to replace the butchers who would get killed during battle.
We also get introduced to some Asian guys who are former members of Karl’s troops, which teams up with the other guys. Luckily they have some high levels of Kung-Fu skills, which comes good in hand when the strange zombie creations of Dr. Senius starts to pop up in the woods. Also watch out for some random Ninjas (!)
So… what’s new here? Schnaas has actually hired a composer for this one, instead of getting sued for adding copyrighted 80’s heavy metal songs. Gregor Adolf Hartz gives us some repetitive stock music and some really out-of-place and cheap RPG tunes that would fit better in a Nintendo game. The gore effects are better, at least. Faces gets ripped apart by hooks, torsos split in half, someone’s spine ripped through the asshole, and gory cadavers with open ribcages and shit like that. The technical aspects, however, remains on the same level as the last one with its muddy image quality and the whole amateurish nature with the shot-in-the-backyard-look, and not much sense of filmmaking in general. It’s basically the same old, same old. Considering that this was made right after Violent Shit II (released six years after it was finished) and Andreas Schnaas had no time to waste, other than improve some of the effects, it shouldn’t be no surprise. It’s still a highly entertaining shitfest, though, with a lot of crazy, amateur action and overall a lot of vile and outlandish over-the-top splatter porn to keep your attention. If you’ve already seen the first two, you know exactly what you’re in for.
And, yeah, I almost forgot there’s a drinking game: Take a shot for each time someone says scheisse …!
I also have to mention that there’s two versions of the film: the original with German dubbed dialogue, and an older US DVD version with the title Zombie Doom, which is most known for its far more hilariously bad and out-of-sync English dubbing. The original German version with subtitles is available from Synapse Films.
Director: Andreas Schnaas
Country & year: Germany, 1999
Actors: Andreas Schnaas, Marc Trinkhaus, Steve Aquilina, Beate Brüggmann, Uwe Grüntjes, Winni Holl, Mirco Hölling, Matthias Kerl, Giang Le, Son Le, Heiko Leesch, Xiu-Yong Lin, Joe Neumann, Andreas Sroka, Hagen van de Viven
IMDb: www.imdb.com/title/tt0203185/
Sequel:
– Violent Shit 4: Karl the Butcher vs Axe (2010)
Prequels:
– Violent Shit II (1992)
– Violent Shit (1989)
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Corey Thornton has just inherited a mansion from his recently deceased father, and travels to Louisiana to check it out. Upon his arrival at the grand estate, he meets with a beautiful young girl which is described as “jailbait” (but who is clearly in her mid-20s…) and his father’s live-in housekeeper, who is the mother of said girl. And of course, a black-gloved and somewhat fishy-looking lawyer. Corey discovers that his father has written a will which includes a description of how the old man has, supposedly, found a way to return back from the dead, and in doing so he needs the help of his son. Corey soon ends up at the local pub/brothel called Tonk’s, where he meets a witchy prostitute who harbors the secrets of black magic. And she turns people into birds if she feels like it. Corey is now obsessed with the task of fulfilling his dead father’s wish of bringing him back to life, and seeks help from the strange people in the weird voodoo-brothel in the bayou.









Charlie (Chad Lowe) and his girlfriend Rachel (Kristy Swanson) is on their way to Las Vegas to get married. On the road they take a detour and stop by a gas station, where the owner Sam warns them about two Joshua trees and not driving while falling asleep… eh, okay, thanks for the warning. Bye. While they drive past one of the aforementioned Joshua trees, they’re pulled over by a police car. Little do they know that they’ll encounter the notorious Sgt. Bedlam Hellcop: a scarred big dude with some obscure biblical text inscribed on his face, who kidnaps young virgins to take them to Hell and hands them over to Satan.



During the Mexican-American war in the mid 1800’s, Captain John Boyd is sent up in the mountains to Fort Spencer, a secluded camp where a small group of weirdos keeps it guarded. One evening a disturbed, frozen Scottish man named Colquhoun arrives. He tells a horrible story about his gang of people somewhere up in the mountains, who were forced to eat each other in order to survive. Some of the men join Colquhoun and head up to the mountains to look for survivors.
Jeffrey Franken (James Lorinz) is a young medical student whose fiancee, Elizabeth Shelley, gets overrun by a lawnmower at a backyard party and gets shredded to pieces. The only thing left of her is her head, which he puts in the freezer. He’s determined to get her back in some way, and arranges his garage into a typical “mad scientist” lab. Then he drives around New York’s dark streets to pick up the finest hookers to assemble body parts for his new girlfriend.
Edward Tor Swenson (Johan Rudebeck) is editing dull swedish drama-films that nobody wants to see. When the former editor in the building’s “Splatter and Gore Department” became mad and stuffed a grenade in his mouth, Ed is set up to replace him, a task he would quickly regret. Ed gets his own, dark house in the woods where he sits through the newest film in a horror movie series called “The Loose Limbs”, which serves as a parody of all of the trashy horror sequels we got in the 1980’s. Ed becomes increasingly influenced by all the cruel violence he must sit through and it drives him crazy, or drives him “Evil Ed”, if you will. Now the world shall pay for making these influential garbage films, and he goes on a wild rampage.