Screenwriter Mark Jones had already worked in the TV industry since the 70s, and wrote for Saturday-morning cartoons like Scooby-Doo, Yogi, Dinky Dog, Mr. Magoo, Heathcliff, James Bond Jr, ALF and the list goes on. At the age of forty he decided to take his career to the next level by writing and directing his first little, low-budget horror film. And one night he sat in a bar and saw the Lucky Charms commercials on TV, the brilliant idea for a horror spin to the Irish mythical folklore creature, Leprechaun, popped up in his head. And since Halloween and Friday the 13th was already taken, a horror film about an evil Leprechaun would be perfect to air on TV every St. Patrick’s Day and give him an annual paycheck. He pitched a script to Trimark Pictures and got the green light (pun intended) after being rejected twice. On board he had the British actor Warwick Davis in the title role, who was then only known for his role in Willow, and was pretty excited to play an antagonist. An young and unknown Jennifer Aniston plays the main protagonist in her first movie role.
Leprechaun starts off in 1983 where Dan returns to his farmhouse in North Dakota from a trip to Ireland. He arrives in a black limousine, drunk on Jameson Whisky, and shows his wife a pot of gold that he’d stolen from a Leprechaun. But little did he know that the Leppy has followed him, and kills his wife by pushing her down the basement stairs as he screams his trademark line “I want me gold NOW!”. Dan suppresses his powers with a four-leaf-clover, which is like cryptonite for Leprechauns, before he traps him in a crate. After sealing it he puts the clover on the crate to hold him trapped forever. He then gets a stroke.
Ten years later, the young lady Tori (Jennifer Aniston) and her dad is moving into the farmhouse we saw earlier. Tori is not impressed and wants to go back to Beverly Hills. After freaking out by some cobwebs and the sight of a spider in the basement, she runs out and bumps into Mr. Prince Charming (a love-relationship that never got developed in the script, I guess). But it gave her enough reason to stay so we can see her with a shotgun at the end. But where’s the man of the party, Leppy himself? He’s still in the basement, trapped in the crate, waiting for someone to finally remove the four-leaf-clover so he can finally pop out, look for his gold, and give us some entertainment. Of course, it had to be some fat, clumsy redneck to remove the clover by an accident. He’s supposed to be the comic relief, but no one had any idea how Warwick Davis would completely outshine the whole cast.
If Beetlejuice and The Joker had a baby, it would be something like Leppy, and the one and only reason to watch the film is because of Warwick Davis. Without him and his witty and unique, cartoonish, wild persona and line-deliveries, this film would be unwatchable and forgotten, and we wouldn’t have the awesome sequels. He’s dedicated to the fullest, clearly having a blast, and the imaginative prosthetic make-up by FX artist Gabe Bastalos matches his personality perfectly. The rest of the characters have nothing much to offer and are as bland as bed sheets, and the film’s main problem is that it doesn’t know what it wants to be. In some scenes it looks like a cheap kids movie made for TV, and the next we have some dark moments where Leppy bounces some dude to death with a pogo stick. He breaks some police officer’s neck and rips someone’s eye out. Too childish for the older viewer, yet too brutal for the minors. So … I don’t know.
The highlight is where Leppy chases Jennifer Aniston with a wheelchair, a scene where she actually had to run in slow-motion so that Davis could keep up with her, as he had trouble steering the wheels. I would love to see a raw footage of that, haha.
The film is most known for Jennifer Aniston’s first film role, and this is probably her best performance as far as I know. She runs, screams, and when she’s not looking confused and asks herself what the hell she’s signed on to, she tries her hardest to look scared when confronted with Leppy. At some point she looks completely dead inside where she might be realizing that this actually was a feature film and not a deliberate prank. Luckily for her she found success in the sitcom Friends shortly after, and did what she could to pretend that this film never happened. Even though the film was a perfect target to get panned and mocked by critics, it struck gold at the box office, gained a cult-following and the executives at Trimark now saw the opportunity for more gold with a franchise with Warwick Davis who reprised his role in five sequels. And what a bizarre franchise we got. Dear Lord …
Writer and director: Mark Jones
Country & year: USA, 1993
Actors: Warwick Davis, Jennifer Aniston, Ken Olandt, Mark Holton, Robert Hy Gorman, Shay Duffin, John Sanderford, John Voldstad, Pamela Mant, William Newman, David Permenter, Raymond C. Turner
IMDb: www.imdb.com/title/tt0107387/
Related posts: Leprechaun 2 (1994) | Leprechaun 3 (1995) | Leprechaun 4: In Space (1996) | Leprechaun in the Hood (2000) | Leprechaun returns (2018)
Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.
A group of confederate deserters during the American Civil War robs a bank for gold, an event that doesn’t go as smoothly as they planned. Trying to find a place to rest for the night, they come upon an old abandoned mansion located by a corn field. Entering the field they see a strange-looking scarecrow which they believe to be the corpse of a real person…and as if that wasn’t enough to realize this place is no good and should be avoided at all cost, they also come upon a hideous-looking deformed creature, which they shoot upon sight. But oh well, they still have to spend the night somewhere, so they enter the old mansion anyway, and soon find out that awful things have happened here which will also impact everyone who sets foot at the place.
The film starts off with a quote from Jack the Ripper that says “The Jews are not the men to be blamed for nothing.” Then we see some silent and grainy black and white documentary footage of the September 11 attacks, as we hear a little girl’s voice saying “Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!“
The movie starts off showing a scene with a woman alone in a room, who is attacked by something neither she nor we can see. She gets hanged in the stairways, and a black envelope drops to the floor. We then fast forward to a year later, when a group of friends (Sid, Kira, and Harris) have attended a funeral and decides to go drinking afterwards. Drunk and stupid, they decide to do something silly that can only be brought on by drunken stupidity: they first break into the Crescent View Cemetery. Their original plan was to just say their final goodbyes to the recently departed, but Sid finds a black envelope amongst some of the flowers on the grave. Inside is a poem which urges them to be joyful and to dance upon the graves. And of course, since they’ve already gotten quite sloshed by now, they think this sounds like an excellent idea in order to celebrate life. And so….they start dancing on graves…
Welcome to Z movie hour. Today we take a look at a micro-budget and campy sci-fi schlockfest with an evil alien and his lazer gun, made by amateur filmmaker Don Dohler, starring his neighbours, brother-in-laws, himself, and his two sons.
What does Jason, Pinhead, Leprechaun and Dracula have in common? They’ve been into space. And this has to be the worst of them all. Good grief.
Mary Elnor is a young woman being accused of Witchcraft in Banfield, Massachusetts, in 1845. She is being hanged from a tree, and then lit on fire by an angry mob, who also bounds her spirit to the body of a doll before she takes her final breath.
John Trent used to be a freelance insurance investigator, who is now a patient in a psychiatric hospital. One day, Dr. Wrenn visits him, where Trent recounts his story: after the disappearance of the popular horror novelist Sutter Cane, Trent is having lunch with a colleague. Suddenly, Trent is attacked by an axe-wielding man who is shot dead by the police, and is later revealed to be Cane’s agent. This man went insane after reading one of Cane’s books, and killed his family as a result. And he is not the only one…apparently, some people seem to go crazy after reading Cane’s novels. Shortly afterwards, Trent is hired by the director of Arcane Publishing who wants him to investigate Cane’s disappearance, and also to recover the manuscript for his final novel. Linda Styles, who is Cane’s editor, is assigned to accompany him. While she explains to Trent that Cane’s novels are known to cause paranoia, disorientation and memory loss in some readers, Trent believes it’s all hogwash and considers his disappearance to be a bluff, something done entirely as a publicity stunt. But bizarre phenomena starts happening, and during their investigation, Trent and Linda enters a small town which looks like and includes people that are exactly as described in one of Cane’s fictional novels. Is it all staged, or is something else at play?
Judith Albright suffers a stroke on her 70th birthday, and is diagnosed with Parkinson’s disease. She is moved to a nursing home, a beautiful old-fashioned mansion. While her grandson opposes the move, both Judith and her daughter Barbara insists that this is what will be best for everyone. Judith is a given a room which she shares with another woman. Her roommate is called Annette, but she is nothing but a disturbed, babbling fool who clutches her bible like her life depends on it. Upon staying at the home for a short while, Judith is starting to witness strange behaviour in several of the residents, but doesn’t think much of it, considering that many of the people there are suffering from dementia and are prone to be confused and acting strangely. She befriends a group of other residents whom she starts playing bridge with, and things seem to be rather well…until one evening, when Annette is more disturbed than ever, especially after the cat Ozzie jumps into her bed. That night, Judith wakes up and sees a dark shadow leaning over Annette, and no one believes her about what she’s seen. When Annette dies and Judith also starts seeing that shadow creature in the bedroom, she knows something is very wrong at the nursing home, but of course…no one will believe an old, confused woman…