The Demon’s Rook (2013)

James Sizemore is a man of many traits and with a childhood consisting of several near-death experiences such as drowning, electrocutions, and almost hit by a freight train. And if that wasn’t traumatic enough, his childhood home in Georgia also seemed to be haunted by poltergeist activity. As he was influenced by these experiences he began to draw goblins, demons and whatnot which in later age evolved into producing some really cute Lovecraftian sculpt figures which he sells through his own company Wonder Goblin. He also makes music, has written one comic book, made two horror shorts (Goat Witch and Budfoot) and probably more I’ve forgot to mention. But the most important achievement in this case, is that he’s written, directed and produced one feature-length film, The Demons Rook. A passion project in which he gathered friends and family to a shooting schedule planned for three quick weeks in his local home community in Georgia with a tiny budget of five thousand dollars. In the purest indie-horror fashion they soon found themselves trapped in what is known as the indie horror-purgatory and continued the shooting for over two, grueling long years during the weekends, while questioning their own sanity, preventing the one mental breakdown after another, and promised themselves to never make a movie again. In other words, the normal cycle of independent movie making.

 

We meet the young boy Roscoe, not far from similar to the director himself, who during the day plays with his friend Eva, and sits up at night and makes drawings of demons. He is constantly visited by the demon Dimwos, a two-horned creature that looks more like something from Lovecraft’s universe. It is unclear why this demon shows up, but we can guess that he has been conjured by the drawings. Dimwos gets hold of the kid and one night lures him into the woods and down a hole that leads to Hell, where he trains him with black magic through manhood. Many, many years later, an grown-up Roscoe (now portrayed by James Sizemore) returns to the world with a long beard, confused and scared because, for some reason, he has accidentally managed to free three evil demons from Hell to Earth. And these demons are nothing to joke about, and makes matters worse by resurrecting the dead into Night of the Living Dead zombies and possesses people into Evil Dead monsters, to create hell on earth. Roscoe seeks out his childhood friend Eva (Ashleigh Jo Sizemore) and uses his trained Jedi powers to prevent a full demon apocalypse.

 

One quickly realize that director, producer and co-writer James Sizemore has a deep love for the good old video nasty-era horror cinema of the 70s and 80s, and has taken a laundry list of references that really shine through from old horror genre obelisks such as Dario Argento, George A. Romero, Stuart Gordon, Lucio Fulci, Lamberto/Mario Bava, Tom Savini, early Peter Jackson, H.P. Lovecraft and probably more. With impressive gory effects, juicy body-counts, and creative old-school prosthetic make-up, the use of light, colors,  flexible camera work, and massive use of a smoke machine to set the thick, retro atmosphere, the film works perfectly as a visual throwback to the good old times. And a budget of approx 70.000 dollars well spent. That being said, The Demon’s Rook suffers from the same as most home-made horror movies, with underdeveloped scripts and pacing issues with scenes that drags on, and a mixed bag of acting from amateur to decent. The actor couple James and Ashleigh both make good efforts with some naive enthusiasm and energy, even though we do not care all that much about them in the end. They got married during the filming, by the way, and are still married today. How cute. A year later after The Demon’s Rook, she got the task to be breast-naked and sacrificed to Satan in her husband’s horror short Goat Witch.

 

The DVD-release from 2015 seems to be out-of-print, but can be found after a quick search on Amazon Prime (limited by region).

 

The Demon's Rook The Demon's Rook The Demon's Rook

 

Director: James Sizemore
Writers: James Sizemore, Akom Tidwell
Country & year: USA, 2013
Actors: Ashleigh Jo Sizemore, James Sizemore, John Chatham, Melanie Richardson, Josh Gould, Sade Smith, Dustin Dorough, Lincoln Archibald, William Baker, James Becker, Michael Bremer, Laura Clark
IMDb: www.imdb.com/title/tt2401215/

 

 

Tom Ghoul

 

 

 

Sinister (2012)

Ellison Oswalt is a true crime writer who moves into a new home with his wife and two children. What he has not told his family prior to moving into the house, however, is that an entire family was murdered there by hanging, and his intention is to write a book about this case. This is something he does in the hopes of regaining his lost fame, as his latest works weren’t very popular and he’s desperate for a new success. There was also a little girl who disappeared following the murders, and he hopes to learn more about her fate so he can include this mystery in his novel. Upon exploring the attic of the house, he finds a box with several reels of Super 8 footage, which are simply labeled as “home movies”. Using the projector which was also located in the attic, he discovers that the films are footage of several families being murdered, all of them filmed by an unseen camera operator. Upon investigation these cases he finds similarities that makes him suspect that both the murders in the house he now inhabits, and the ones from the Super 8 footage, are connected in a sinister way, and dates all the way back to the 1960’s…

 

Sinister is a 2012 horror movie directed by Scott Derrickson (who will have a new movie hitting the theaters soon, The Black Phone). Scott Derrickson had previously shown his competence in the horror field with Hellraiser: Inferno (his debut film) and later The Exorcism of Emily Rose (which was based on the story of Anneliese Michel).

 

Sinister is for the most part a highly effective and creepy film, with a steadily growing sense of unease without tossing a bunch of jumpscares at you. There are some genuinely hair-raising moments here, led by solid performances, and the opening scene alone sets the tone right away where we witness the Super 8 footage of the family being hanged. This scene was actually all played by stuntmen, and almost went terribly wrong: when the scene was first done, the stunt coordinator botched the preparations for the scene resulting in the actors being legitimately hanged and choked. Yikes! Fortunately they all survived, and naturally the coordinator got sacked. This wasn’t the only potentially harmful scene either: one of the other “footage” films included a family tied to chairs and pulled underwater, and the filmmakers had to be extremely careful so nobody was harmed while the filming of the scene took place. All of these scenes were also filmed on real Super 8 films camera.

 

Overall, Sinister is a solidly crafted horror film with loads of atmosphere and a really creepy feel, where some parts are actually outright scary. While it does not have any nudity, very little blood and no cursing because they were aiming for a PG-13 release, it still got an R rating just for the content alone. It is now 10 years since its release, and it’s still one of the most decently crafted horror films from this period.

 

Sinister

 

Director: Scott Derrickson
Writers: Scott Derrickson, C. Robert Cargill
Country & year: USA, UK, Canada 2012
Actors: Ethan Hawke, Juliet Rylance, Fred Thompson, James Ransone, Michael Hall D’Addario, Clare Foley, Rob Riley, Tavis Smiley, Janet Zappala, Victoria Leigh, Cameron Ocasio, Ethan Haberfield
IMDb: www.imdb.com/title/tt1922777/

 

 

Vanja Ghoul

 

 

 

Leprechaun Returns (2018)

13 years has gone by since the the last Lep with Leprechaun Back 2 tha Hood, and a thing or two have obviously changed since then. Trimark was shut down in 2003, only three movies after Back 2 tha Hood, while Warvick Davis had moved over to Hogwarts with Harry Potter and recently shot the first season of the upcoming Willow series. And yeah, there’s a film called Leprechaun: Origins from 2008, an amateurish nothingburger which has zero to do with the franchise in any shape or form. So we have to jump further in time to 2013 where Leprechaun finally returned, in a direct-sequel to the original, directed by Steven Kostanski.

 

The plot goes as follows: the teengirl Lila Jenkins is on her way to an old house in North Dakota, where she’s going to spend the summer vacation with a group of college friends (body counts). As she gets a ride with Ozzie, the clumsy redneck from the first film, she tells him that her mom Tori (the protagonist from the first film) had died of cancer the same year. Rest in peace. After putting off Lila by the house, Ozzie suddenly gets some green liquid sprayed on him from the well which Lep fell into 25 years ago. The liquid somehow impregnates Ozzie, which leads to a gory rebirth where Lep punches and kicks his way out of Ozzie’s stomach like a toddler with a tantrum. He then gives a quick return monologue just to ensure us that he, after being trapped in a well for 25 years, is still a witty goofball who hasn’t forgot how to rhyme: “There once was a lad they thought DIED, his flesh had melted off his whole HIDE, but he escaped from the WELL, alive and quite SWELL. And now he’ll be killing in stride!” And he’s excited as a kid on Christmas morning to finally catch up with the killings.

 

The B-movie insanity that increased all up to eleven and blew out of all proportions in space, are toned-down and back to the roots with the farmland-setting, woods and overall back to the 90s horror campyness. As the eight film in a horror franchise like this, it’s pretty remarkable how more polished and, if not, more professional (for lack of better word) Lep Returns look. Director Steven Kostanski was also co-director on the modern cult-film The Void two years earlier, so there’s clearly some talent behind the camera. There also seemed to finally be some competent special effects artists on set to give Lep some decent kill scenes, and there’s no exaggeration in saying that this is the goriest film in the franchise. Lep eagerly uses some modern technology to slice someone’s throat with drone blades, a whole body gets sliced in two, a fun little nod to Phantasm (I assume) with a mouth getting impaled by a sprinkler faucet. And there’s a … pillow fight.

 

This being said and all the positives, the film itself is pretty mediocre with the same old cliché slasher characters which you couldn’t give a toss about, and a standard mediocre slasher you’d forgotten about if it wasn’t for the – drumroll – Leprechaun. As they got the same guy who played Ozzie in the first one to reprise his role, they for one last time, also tried to get Jennifer Aniston back. But nah. So, the only curiosity is on Lep, and why he looks more like as if Mortiis had a child. This time he is played by the relative unknown Linden Porco since Warwick Davis had his whatever reasons to pass. As low to non-existent expectations I had, he was quite a surprise and did a good job by mimicking the demeanor of Davis while investing some of his own personal flavor to it. And the most important of all, he seemed to have a fun time. So, my life wouldn’t get absolutely ruined if he signs on any future Lep films.

 

Lerprechaun Returns Lerprechaun Returns

 

Director: Steven Kostanski
Writer: Suzanne Keilly
Country & year: USA, 2018
Actors: Taylor Spreitler, Pepi Sonuga, Sai Bennett, Emily Reid, Ben McGregor, Oliver Llewellyn Jenkins, Mark Holton, Linden Porco, Heather McDonald, Pete Spiros, Leon Clingman
IMDb: www.imdb.com/title/tt8155182/

 

Related posts: Leprechaun (1993) | Leprechaun 2 (1994) | Leprechaun 3 (1995) | Leprechaun 4: In Space (1996) | Leprechaun in the Hood (2000)

 

 

Tom Ghoul

 

 

 

As Above, So Below (2014)

Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.

 

As Above, So Below is a found footage horror film from 2014, which was actually the first production ever that secured permission from the French government to film in the catacombs (a place we actually visited some years back, a delightful experience). As part of the promotion for the film, Felix Kjellberg (AKA PewDiePie) traveled through the Paris Catacombs. The film is directed by John Eric Dowdle, who previously directed The Poughkeepsie Tapes, Quarantine, and Devil.

 

The film incorporates several things, including a little bit of Egyptian history, Knights of Templar, mythology, religion, and of course it draws some obvious inspiration from Dante’s Inferno. Trapped inside some really claustrophobic areas, where the characters are pushed further and further into the complexity of Hell itself, makes for a suspenseful viewing. There’s a lot of atmosphere here and scenes that are both creepy an sometimes even outright scary, with madness and paranoia taking over their resolve. The claustrophobic feeling is genuine and really creepy.

 

As Above, So Below is a pretty decent found footage horror film with a little bit of an adventurous side to it, which makes it feel like a “National Treasure meets Blair Witch” kind of thing, with a reminiscence of The Descent and The Tunnel. It blends several pieces of mythology with well-executed symbolism, and of course excellent use of scenery as it was filmed in the real Catacombs of Paris with little use of props. Due to its heavy symbolism and use of mythological aspects it may not cater to everyone, of course, but we found it to be a thrilling little ride.

 

As Above So Below

 

Director: John Erick Dowdle
Writer: John Erick Dowdle, Drew Dowdle
Country & year: France, USA, 2014
Actors: Perdita Weeks, Ben Feldman, Edwin Hodge, François Civil, Marion Lambert, Ali Marhyar, Cosme Castro, Hamid Djavadan, Théo Cholbi, Emy Lévy, Roger Van Hool, Olivia Csiky Trnka, Hellyette Bess
IMDb: www.imdb.com/title/tt2870612/

 

 

Vanja Ghoul

 

 

 

The Tunnel (2011)

the tunnel 2011 reviewThe New South Wales State government plans to recycle the huge amounts of trapped water in a network of abandoned train tunnels. However, these plans suddenly come to a halt, and publicly no one is ever told why. Rumors are spreading, like how homeless people using the tunnels end up going missing. This brings a young journalist, Natasha, to start an investigation into what she thinks is some kind of government cover-up. She and her crew decide to enter the tunnels and look for answers, but after being refused entry by a security guard, they do of course find an alternative entrance into the place. While exploring the tunnels, they start hearing strange noises through the audio headphones, and when one of the crew members go missing they eventually realize that they might not be alone in these deep, dark tunnels.

 

The Tunnel is a crowd-funded Australian horror film made in the mockumentary style (faux documentary), directed by Carlo Ledesma and written by Enzo Tedeschi and Julian Harvey. While found footage movies have pretty much become dime-a-dozen these days, it is still a format that can be quite effective. By the time of this movie’s release back in 2011, Australia already had an other gem in their mockumentary-horror repertoire: Lake Mungo from 2008, a movie that’s mostly been obscure and little known but have had some kind of re-discovery as of late. While Lake Mungo is a movie that plays more on loss and grief with some supernatural vibes underneath, The Tunnel hits heavier on the creep-keys with atmospheric scenery and things going wrong in the dark. It does have a fair amount of creep factor and plays a lot on the fear of what might be lurking in the dark, and the creepy setting helps to set the mood. The claustrophobic and dark atmosphere is pretty much what carries the movie, and easily manages to give you a whiff of the heebie jeebies since the darkness implies more than it shows, and leaves a bit to your own imagination.

 

The movie isn’t fast-paced and spends some time before plunging the characters (and viewers) into the tunnels and the horrors that lurk there, and it also spends some time on “interviews” in order in order to maintain the documentary-style. If you have patience for the somewhat slow build-up and can appreciate that the creep-factor is more focused on what you can imagine instead of actually seeing, then you should be able to enjoy this low-budget Australian mockumentary.

 

The Tunnel

 

Director: Carlo Ledesma
Writers: Enzo Tedeschi, Julian Harvey
Country & year: Australia, 2011
Actors: Bel Deliá, Andy Rodoreda, Steve Davis, Luke Arnold, Goran D. Kleut, James Caitlin, Ben Maclaine, Peter McAllum, Rebecca Clay, Shannon Harvey, Arianna Gusi, Russell Jeffrey, Jessica Fallico, Ben James
IMDb: www.imdb.com/title/tt1735485/

 

 

Vanja Ghoul

 

 

 

Violent Shit 4: Karl the Butcher vs Axe (2010)

Violent Shit 4: Karl the Butcher vs AxeLess Violence – more Shit.

 

Karl the Butcher has been dead for 25 years, and now spends his time in Hell, chained to a chair in a dark room. He gets a message from Satan that he has to go back to Earth to kill a new potential Butcher (known as Axe). “Make a wish”, Satan says. Karl wants his mask back. A naked blond chick gives him his mask whom he then rips the head off, before he resurrects on the surface. Of course, what else did you expect?

 

It’s now the year 2023 and world has become an apocalyptic wasteland which has been split into gang communities. Among them, we get the pleasure to meet the female trinity gang led by the complete unfunny nutcase Queen Scara, who captures and ties up men, attaches their dick to a tube connected to a “sperminator” that drains them from sperm (of course) which Scara drinks while she gives the worst and obnoxious performances I have probably ever seen from a woman. It’s actually so bad in the most painfully cringy way possible that the witch from Troll 2 is Oscar worthy in comparison. The two other ladies, and rest of the cast for that matter are just as awful, but Scara really sticks out, and this trinity gang has a lot of unnecessary screen time with scenes that really drags on and on. I didn’t even chuckle once, and it’s obvious that they act bad on purpose. It looks like something you would see on a bad unintentionally unfunny YouTube film/skit.

 

Where was I… as soon as Karl the Butcher (played by Andreas Schnaas as usual) emerges to planet Earth, he wastes no time to hunt for Axe and other victims. He kills a random naked chick with some really big, solid boobies before he enters one of the gang communities. The word that Karl the Butcher is back from Hell spreads fast, and the female trinity and some other gangs comes to hunt him down. And yeah, who’s this Axe person, you may ask. He’s just some dude who lives with his lady in the woods (played by co-director Timo Rose). He also wears a mask and has a funny-looking axe which looks like a cheap Halloween prop from some Walmart discount bin, and there’s nothing interesting about him. When he finally stumbles upon Karl, the whole premise takes an unexpected turn when The Butcher and Axe rather decides to team up and become buddies, when they realize that the gangs is out to kill them both.

 

It took two long decades before Andreas Schnaas finally gave us the not-so long anticipated Violent Shit 4: Karl The Butcher vs Axe, co-written and co-directed with Timo Rose. And I have to say I was a bit curios to see what two directors would come up with in the so far final chapter in the Violent Shit series. And it still looks like shit, as it’s probably meant to be, with overall inept directing, and still amateur hour all way through. The biggest sin here is that it’s mostly boring. It’s also the least violent of them all where it’s too far between the killing scenes, or the Violent Shit, if you will. Instead we get less Violence and more Shit with yawn-inducing and terribly written dialogue scenes where the “actors” seem to be bored out of their minds.

 

The film isn’t completely hopeless, though. It has it’s Snchnaas trademark moments with limbs getting ripped apart, static close-ups of beheading, castrations, bad choreographed fighting scenes with goofy, cartoonish sound effects, and of course some fresh nudity. It’s nothing new to see, but better than nothing, I guess. The final act is the most entertaining part with gunfights, silly video game-style fights, and of course when Karl the Butcher drinks some green liquid and becomes the Super Butcher, just like Super Shredder from Turtles 2. And his jacket-up bicep-costume looks something like this. Yes, really.

 

And of you still haven’t gotten enough Violent Shit and the murderous adventures of Karl the Butcher, there actually exists an Italian remake from 2015 of the first film, called Violent Shit: The Movie.

 

Violent Shit 4: Karl the Butcher vs Axe is available on DVD from Synapse Films.

 

Violent Shit 4: Karl The Butcher vs Axe Violent Shit 4: Karl The Butcher vs Axe Violent Shit 4: Karl The Butcher vs Axe

 

Directors: Timo Rose, Andreas Schnaas
Country & year: Germany, 2010
Actors: Andreas Schnaas, Timo Rose, Magdalèna Kalley, Eileen Daly, Eleanor James, Marysia Kay, Marc Rohnstock, Mario Zimmerschitt, Marc Trinkhaus, Timo Fuchs
IMDb: www.imdb.com/title/tt1517076/

 

Prequels:
Violent Shit III: Infantry of Doom (1999)
Violent Shit II (1992)
Violent Shit (1989)

 

Tom Ghoul

 

 

 

 

Impetigore (2019)

ImpetigoreMaya and her friend Dini are working at toll booths, and one night Maya is attacked by one of the drivers who appeared to recognize her: a man who claims he’s from a village called Harjosari, and he’s calling her by another name: Rahayu. Upon attacking her, the man is stopped and killed by the police, but the encounter leaves Maya with a ton of unanswered questions. Since her aunt, who raised her from a very young age, is dead and she’s got no other family to contact, she follows the inscription of an old photo which shows a young Maya with her parents, outside a large house which is supposed by be located somewhere in the Harjosari village. Together with her best friend Dini, they decide to travel from the city and find out if she might inherit that property, hoping that this might be a turn of events for them both. When they enter the secluded village, however, they quickly take notice of one apparent and strange thing about the place: the lack of any children, and a graveyard whose tombstones implies that for many years, no children have survived long after their birth. The villagers also appear to be somewhat hostile, and Maya concludes that it’s best to keep her identity a secret for the time being, representing themselves as students whose intent is interviewing the village elder because of his famous traditional shadow puppetry performances (Wayang Kulit). Maya’s real intent is, of course, to question the elder about her parents and the house, claiming her inheritance. However, as luck would have it he’s away from the village at the moment, and they need to wait until the next day. Upon finding Maya’s abandoned family home, they decide to secretly take residence there…but neither Maya nor Dini was prepared for the danger that awaits them in this village.

 

Joko Anwar’s previous horror film, Satan’s Slaves (a remake of Satan’s slave from 1980), ended up being the highest grossing horror films in Indonesia, and have received a fair amount of praise abroad as well. And while Impetigore is his second horror movie to be released, the script for it was actually finished back in 2010. The original title of the movie is Perempuan Tanah Jahanam, and the international title Impetigore is actually a combination of two words: Impetigo (a bacterial infection of the skin), and, well…gore, of course, enough of it for Mr. Ghööl to hand out a certain badge.

 

With a combination of folklore, a curse, an isolated village in the countryside and family secrets, Impetigore is a feast for those who like atmospheric supernatural horror. The scenes featuring a performance of the traditional Indonesian art of Wayang Kulit (a form of shadow puppetry made from animal skin) is beautiful and entrancing to watch, and of course, these puppets also have a significant meaning to the story. The village, the house, all the surroundings make for a visually striking experience.

 

Like Joko Anwar’s film Satan’s Slaves, he’s using a “vintage” song by The Spouse (Aimee and Tony) who was put together to make the OST for the aforementioned film. The song used in Impetigore is called Pujaan Hati, and together with the rest of the soundtrack for the film it works wonders in amplifying the atmosphere. After all, a creepy (yet beautiful) vintage-styled song fits like a hand in glove when it comes to atmospheric and supernatural-themed horror movies.

 

The film is available on Shudder, but that is of course no help for those of us who live in no-Shudder land (like Horror Ghouls, who live in Norway where Shudder apparently have no plans of expanding). While we Horror Ghouls are “old fashioned” enough to still favour the physical format (we have it on Blu-ray), there are other alternatives for renting/buying online like for example Google Play, YouTube, Amazon etc. depending on your location.

 

Impetigore

 

Director: Joko Anwar
Original title: Perempuan Tanah Jahanam
Country & year: Indonesia, 2019
Actors: Tara Basro, Ario Bayu, Marissa Anita, Christine Hakim, Asmara Abigail, Kiki Narendra, Afrian Aris, Zidni Hakim, Faradina Mufti, Abdurrahman Arif, Muhammad Abe Baasyin, Mursiyanto, Ahmad Ramadhan
IMDb: www.imdb.com/title/tt9000302/

 

 

Vanja Ghoul

 

 

 

 

 

Color Out of Space (2019)

Color Out of SpaceNathan Gardener and his family moves to his late father’s farm somewhere in rural New England, in the hopes of living a quiet life and escape the hustle and bustle of the city. Just when they start to settle in, a meteorite crashes into their yard which emits an otherworldly color (a color out of space). One of the children (Jack) is traumatized by the event, and seems to be affected in strange ways. He becomes obsessed with the well in the garden and claims he’s got a “friend” there. Strange flowers and plants starts growing, animals suffer grotesque mutations, and the Gardener family’s life transforms into a colorful nightmare.

 

Color Out of Space is based on a short story by H.P. Lovecraft. The director, Richard Stanley, last directed a film way back in 1992 (Dust Devil), so there was a 27 year pause until his comeback. Things didn’t start out all that trouble-free, however, as the movie lacked funding when Stanley revealed the project in 2013. In 2015 it was announced that the production company SpectreVision would produce the film…but it was still delayed until 2018, around the time when Nicholas Cage was confirmed to play the leading role, and then the filming started in Portugal in 2019. Sometimes, things simply just take time. Stanley first stated that this is the first movie in a planned trilogy of Lovecraft adaptions (the next one supposed to be based on The Dunwich Horror). However, in March 2021 the trilogy was canceled after Stanley was accused of domestic abuse by his former partner Scarlett Amaris, and SpectreVision cut all relation with him.

 

Many of Lovecraft’s stories have been made into film adaptions, some more successfully than others. And most of them have a varied love/hate reception…and this movie is no exception to that rule. And it isn’t even the first time Color Out Of Space was adapted to the screen…there are actually as much as four earlier adaptions, including a 2010 German black & white adaption that’s called Die Farbe aka Color Out of Space.

 

As this story was originally published in September 1927, and Stanley’s movie adaption goes for a more modern take on things, there are some changes here and there. For those that have read the original Lovecraft story, you’ll know that the color is described as one that humanity has never actually seen…but that is, of course, not really possible to portray in a movie unless it was made in black and white (like the German 2010 adaption). However, the purple-pink-ish color used here actually looks pretty good and makes for a highly visual and mesmerizing treat. It’s a Lovecraftian snack-bag filled with goodies that can be enjoyed by many: visually wonderful, a dosage of some pretty good body horror moments, all mixed in with the classic cosmic terror and the fear of the unknown. That being said, I can understand why it’s not tickling everyone’s pickle as some people might be put off due to the changes, and others might find the humor in it a bit weird. Like with nearly every Lovecraft story that’s been adapted to the screen, there’s both love and hate for it.

 

Overall, I think Color out of Space is an entrancing surreal cosmic horror movie. Stanley is also a Lovecraft fan, so the film is filled with a nice handful of easter eggs that people who have read Lovecraft’s other stories will recognize (like the daughter, whose name is Lavinia). And of course, it’s always a pleasure to watch Nicholas Cage go bonkers in a horror movie.

 

Color Out of Space

 

Director: Richard Stanley
Country & year: USA, Malaysia, Portugal, 2019
Actors: Nicolas Cage, Joely Richardson, Madeleine Arthur, Elliot Knight, Tommy Chong, Brendan Meyer, Julian Hilliard, Josh C. Waller, Q’orianka Kilcher, Melissa Nearman, Amanda Booth, Keith Harle
IMDb: www.imdb.com/title/tt5073642/

 

 

Vanja Ghoul

 

 

 

 

Grotesk (2015)

GroteskWe’re told that a radioactive slime from the moon has found its way to Earth from a space shuttle that plunges into the sea near the coast of Denmark, and infects humans and turn them into murderous mutants. One of them, with a head that looks like a rotten potato, brutally kills a random couple who are having a picnic by the beach. And after this quick opening, we have basically seen the whole movie in a nutshell which oozes of zero budget and amateur hour all the way. We then get introduced to some guy who is on his way to a campsite near the radioactive area where he has rented a trailer for the summer. We can assume that this is the film’s protagonist, but he’s more like another random dude who likes to sniff at women’s panties while jerking off. And … uhm, well…

 

… what more should one really say when there’s basically no plot to summarize. “Denmark’s answer to Plan 9 From Outer Space” it says on the DVD cover. It’s more like Bad Taste meets Violent Shit in a septic tank.

 

The film looks like pure shit, like as if the camera lens was rubbed with a layer of piss and puke before every shot, just to make the visuals as ugly as possible. I can assume that the green filter, or whatever it is, is supposed to illustrate the toxic radioactivity, but it doesn’t take long before it hurts your eyes. Don’t watch this on a big screen, just trust me on that one. We also get some goofy out-of-sync dubbing, Zombie ’90-style, and amateur actors from the bottom of the barrel who probably haven’t been in front of a camera before or since Grotesk. The effects are cheap and cheesy, the micro-budget standard one would expect. Then we have one of the movie props, which is supposed to be some kind of tracking device from the military, which is made out of a cardboard box. Yeah, really. It’s so retarded to the point that you get the impression that the film was either made bad intentionally, or by some twelve-year olds with their dads, moms and creepy uncles in the roles, but I’m not so sure.

 

And what else..? Not much, and I think you know by now exactly if this is your thing or not. But with the short running time of approx. 1 hour, it’s a cheesy fun-bad movie that doesn’t require too much of your time (or your brain cells). You can find the DVD from Another World Entertainment after a quick search on eBay.

 

Grotesk

 

Director: Peter J. Bonneman
Country & year: Denmark, 2015
Actors: Heine Sørensen, Jørgen Gjerstrup, Mai Sydendahl, Jack Jensen, Justin Metzger, Mai Edelgaard, Rune Jacobsen, Kim Kofod, Rune Dybdahl, Frederik Tolstrup, Jens Kofoed, Natasha Joubert
IMDb: https://www.imdb.com/title/tt4418130/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We Go On (2016)

We Go OnMiles Grissom (Clark Freeman) is a man who struggles with an intense fear of dying, ever since he at the age of three watched his father die in a car accident. His anxiety is so severe that he won’t drive a car, will barely leave his apartment, and suffers from night terrors. In a desperate attempt to get rid of his fears, he places an advert in a newspaper, offering 30.000 dollars to whoever can show him evidence that we go on after our deaths. When his mother finds out about his advert, she scoffs and mocks him, telling him he will never get anything except a lot of kook calls. And, well…he does have to go through a bunch of videos from people who are either clearly insane, or clearly fraudsters. After a lot of work (with a bit of help from mommy) he narrows down the responses to three candidates: a scientist, a medium, and a wordly entrepreneur. Will any of them bring him definite proof of life after death? And if that happens…will he really get the peace he’s longing for?

 

We Go On does have a pretty interesting concept, and offers up an original little ghost story. How many people haven’t wanted proof of life after death, or proof of ghosts? Despite tons of existing “footage”, consisting of a plethora of photos and videos of so-called “ghosts”, there’s no actual proof of anything as of yet. I mean, just look up some of the “scary videos” on YouTube…it’s so easy to fake all kinds of things on a photo these days, and with modern technology it’s no problem to show off so-called “proof” of ghosts or bigfoots or whatever the heck you want on videos as well. People have, for centuries, gotten a kick out of faking supernatural goings-on, whether it be for pure personal enjoyment or financial gain. And if someone really did have actual proof…among all the faked photos and videos out there…how would anyone actually be able to notice the difference? No one would, most likely. But despite all the fakery, death has always been one of our greatest mysteries and people have always wondered what happens after we die. While there are those who are content with thinking that we’ll just wither and die like other living creatures, not worrying much about any so-called “afterlife”…there’s also many who simply can’t come to terms with something like that, refusing to think that death can be the end. In fact, the fear of death can be quite severe for some, and it’s called “Thanatophobia”. Our protagonist in We Go On suffers clearly from this, and it’s pretty much destroying his life by making him so afraid of death that he can’t fully live (ironic, right?).

 

As we follow Miles in his search for proof of life after death, it’s both a bit exciting and amusing to witness all the examples of crazy people and scam attempts he’s becoming a victim to. If a guy offers 30.000 dollars for so-called proof of ghosts, why not just put up some theatrics and hope he’ll swallow hook, line and sinker, right? Well, thank goodness his quick-witted mother demanded to come along on his journey, otherwise he’d lose that money pretty quickly to one of the fraudsters.

 

I think it’s best not to explain too much about what happens throughout, as it’s better to view it without knowing too much. What I can say is that there are some scenes that are genuinely creepy. It also gives some twists and turns along the ride, which is what keeps your interest up. Albeit a little slow, it does work as an effective little chiller.

 

We Go On

 

Directors: Jesse Holland, Andy Mitton
Country & year: USA, 2016
Actors: Annette O’Toole, Clark Freeman, John Glover, Giovanna Zacarías, Laura Heisler, Jay Dunn, Dwight Augustin, David Bickford, David Bickford, Norio Chalico, Tony Devon, Cassidy Freeman, Edwin Garcia II, Tom Harrington, Clem Jeffreys
IMDb: www.imdb.com/title/tt3904278/

 

 

Vanja Ghoul