
Jamie and Lisa are a married couple that one day receive a gift from an anonymous person: a box that includes a ventriloquist doll that is called Billy. When Jamie is out getting some take-away food, his pregnant wife is attacked by an entity that not only causes her to have a miscarriage, but literally rips her tongue out as well. Jamie is immediately suspected for having something to do with his wife’s gruesome murder, but he is soon released from custody due to lack of evidence. When he comes home, he inspects the mysterious gift and sees a message about some called “Mary Shaw”: a ventriloquist that lived in Raven’s Fair, Jamie’s hometown. He decides to visit the old town where he grew up, which is now looking dilapidated and forlorn. He visits his estranged wheelchair-bound father, who has now remarried to a much younger woman. When trying to find out more about Mary Shaw, the doll Billy, and the secrets of Raven’s Fair, Jamie ends up realizing that there are times when it’s best to keep your lips tightly sealed…
Before James Wan got renowned in the world of horror due to the Insidious and Conjuring franchise, he had previously made another (completely different) type of horror movie: “Saw“. Saw is of course a completely different beast, where that franchise pretty much turned into what could probably be considered (soft) torture porn. However: what few people seem to be aware of, is that Insidious (2010) and Conjuring (2013) were not Wan’s first entries into the supernatural horror genre. Predating them both, Dead Silence was released in 2007. Unfortunately it was a box office failure upon release (some believing it was ahead of its time, as creepy atmospheric ghost horror movies had a higher popularity some years later) but it has later been somewhat re-discovered. While not on par with some of James Wan’s later achievements, it is now considered a solid entry into the supernatural/ghost horror genre.
In the film, you can easily spot James Wan’s distinctiveness all over the place, where you can see the early hints of what to come as he’s now exploring the realm of spirits and creepy, atmospheric settings, while also having a little bit of the Saw-grittyness in it which includes some fairly nasty death scenes. Nothing over-the-top, but enough to blend in with the the rest. There’s a lot to appreciate when it comes to eerie scenery, there’s even an old theatre partly submerged by water from the nearby lake. It’s spooky and gothic, maybe a little cheesy here and there but with enough creepy atmosphere to keep the chills coming.
And, let’s not forget the villain of the movie, the undead ventriloquist Mary Shaw, played by Judith Roberts. As the nursery rhyme from the movie goes: Beware the stare of Mary Shaw. She had no children, only dolls. If you see her in your dreams, be sure you never, ever scream or she’ll rip your tongue out at the seam (and let’s be honest: if you saw someone like her, it would probably be hard not to scream…). She is somewhat reminiscent of “The Bride In Black” from the Insidious franchise, so you could say that Mary Shaw was a prototype of other ghostly villains to come.
Overall, Dead Silence is a horror movie that still holds up well after 15 years, and can easily be seen as a nice prelude to Jame’s Wan’s later films into the supernatural horror genre.
Fun fact: there is actually a little easter-egg during the climax of the movie: among Mary Shaw’s collection of dolls, you can see Jigsaw’s doll (from the “Saw” movies) among them.
Director: James Wan
Writers: Leigh Whannell, James Wan
Country & year: USA, 2007
Actors: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Michael Fairman, Joan Heney, Bob Gunton, Laura Regan, Dmitry Chepovetsky, Judith Roberts, Keir Gilchrist, Steven Taylor, Steve Adams
IMDb: www.imdb.com/title/tt0455760/
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We’re at some shithole in Los Angeles where Mack Daddy (Ice-T) with a big 70’s afro, and some other dude, discovers a room with Lep’s statue and his pot of gold. “Holy shit! You midget Midas mothafuckah“, Daddy says before he grabs a mysterious flute from the pot of gold. We later learn that Mr. Daddy is a rap-music producer and the flute has the magic powers to set the listeners in some euphoric trance and some shit. Lep (Warwick Davis) comes to life, kills the other dude with a comb and goes for Mr. Daddy as he steals his gold. After Daddy gets empty for weapons that were hidden in his big afro, everything from a knife to a baseball bat, just to ensure us that we’re still in Looney Tunes land, he manages to trap Lep with the medallion and turns him back to stone. Got yo ass!

In known Trimark fashion, they had no clue what to do with Lep or which setting to put him next in the fourth installment of the franchise. And after the success Leprechaun 3 did on the home video market, there was no time to waste. It wasn’t until an executive at Trimark saw the promo art for Apollo 13 (1995) and replaced Tom Hank’s face with Lep’s when the genius idea came to fruition. That pitch-meeting must’ve been amusing to witness, to say the least.
The one and only legitimate positive thing to mention, is a certain spider-monster creature which (dare I even say it) gave me some Dead Space vibes. And talking about video games, here’s a fun, little trivia: The sound of the doors opening and closing are taken from the original Doom, where it was the sound of the elevators.








Leprechaun 2 starts way, waaay back in ancient Ireland where William is being hunted down by Lep through the forest, while he utters his first line that sets the tone immediately: “scream as you MAY, scream as you MIGHT, if you try to escape, you’ll be dead on this NIGHT, haha.” William has been his slave since he stole his pot of gold, but that’s no longer important. Now that he has finally reached his 1,000th birthday on St. Patrick’s Day, he can now claim something more precious: a bride. And the lucky one has already been chosen, the only thing holding back is that she has to sneeze three times. And if no one saves her soul by speaking the magic phrase “God bless ya”, the poor girl is his forever, and then William is a free man. The only problem is that the girl is William’s daughter, and he cant have any of that. After he ruins the whole set-up by saving her from the worst marriage ever, Lep says he will wait for another 1000 years, and hunt down William’s whole bloodline, before he snaps the guy’s neck.






Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.

A group of confederate deserters during the American Civil War robs a bank for gold, an event that doesn’t go as smoothly as they planned. Trying to find a place to rest for the night, they come upon an old abandoned mansion located by a corn field. Entering the field they see a strange-looking scarecrow which they believe to be the corpse of a real person…and as if that wasn’t enough to realize this place is no good and should be avoided at all cost, they also come upon a hideous-looking deformed creature, which they shoot upon sight. But oh well, they still have to spend the night somewhere, so they enter the old mansion anyway, and soon find out that awful things have happened here which will also impact everyone who sets foot at the place.
The film starts off with a quote from Jack the Ripper that says “The Jews are not the men to be blamed for nothing.” Then we see some silent and grainy black and white documentary footage of the September 11 attacks, as we hear a little girl’s voice saying “Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!“


